with Piano Accompaniment-A fantastic collection of solos for the English Horn player. Transcribed and edited by Thomas Stacy for Horn with piano accompaniment. Featured pieces includes Faure's Sicilienne Borodin's Notturno and Mozart's Adagio K.58a.

Studio Ghibli Songs for Horn/English. 10 arrangements for solo horn and piano from 7 Ghibli Cinemas.

Full Score-The Horn Concerto was written in 1971 and was the first of the ten concertos Gregson has composed to date. It is dedicated to the English horn player Ifor James who died in 2004 and was originally written for brass band. However in 2013 Gregson was asked by Paul Klein Principal Horn of the Ulster Orchestra and BBC Northern Ireland to undertake an orchestral version for him.  Gregson decided to score the concerto for a late Haydn sized orchestra with the addition of a percussionist to add some colour to the texture. The concerto takes as its starting point the Mozartian model namely a sonata form opening movement a song-like slow movement and a jaunty rondo finale. The opening movement opens with a strident motif built on rising fourths announced by the soloist and answered by the orchestra. This pattern of ‘question/answer’ continues until a climactic moment breaks the tension and is followed by a lyrical second subject announced by the soloist over undulating rhythmic patterns on strings. The music is developed and recapitulated from these ideas with the lyrical idea returning via solo clarinet with horn answering in canon. The movement ends with the strident fourths this time in inversion. The slow movement is in tertiary form and opens with an expansive melody from the soloist over a repetitive harmonic and melodic pattern. This is expanded and developed building all the while in intensity until it is interrupted by cadenza-like passages on the horn and muted brass. After a brief climax the music subsides into a moment of emotional serenity before the opening melody returns this time on solo oboe with the horn interweaving its own answering melodic lines. The rondo finale is more light-hearted in mood with a catchy 6/8 tune at its heart. It is twice interrupted first by an idea built on long held chromatic notes from the soloist against a highly rhythmic backdrop (wind brass and snare drum) then by a slower more thoughtful melodic idea. However

für Waldhorn (oder Englisch Horn) und Streichorchester-For English Horn and string orchestra

Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri’s Lyric Interlude: ‘A Study in Pastoral Style’. When in 2008 the composer received the commission for a piece with English Horn from Cecilia Benner patron of the Chamber Music Society of Detroit he immediately thought of the duo between this instrument and the Oboe that Berlioz in the Symphonie fantastique placed at the beginning of the ‘Scène aux champs’ making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 inits original version for English Horn Violin and Cello the Lyric Interlude for English Horn and Piano (Op.110b) nonetheless proclaims another tradition: that of British pastoralism illustrated by the music of Ralph Vaughan Williams (1872-1958) the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint the undulating lament of the beginning rhythmically supple evokes the waving wheat as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion briefly interrupted by a scherzo in 6/8 again pours out making the work evolve towards a slow ecstatic atmosphere close to the last of the English composer’s Three Preludes on Welsh Hymn Tunes. Far from bucolic postcard clichés and servile imitation this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English Horn (or Flute Clarinet or Viola) Violin and Cello Op.110a (AL 30 751)

Andantino-English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick

Volume 3-In three books Lucien Thévet (1914-2007) a virtuoso Horn player of his day provides detailed and progressive studies and exercises for the Horn. The third volume of Complete Method of Horn is essential to all Horn players seeking to improve their technique on the instrument. Thévet's book focuses on elements including transposition accidentals adapting to a Horn with four valves placing of sounds scales and exercises for agility of the fingers among other musical aspects. Moreover Complete Method of Horn also contains plenty of studies. With notes in French English German and Spanish thisThévet book is versatile and crucial to the progress of any Horn player.

Volume 3 : 40 études moyenne force-In six books Maxime Alphonose provides 200 progressive studies for the Horn. The third volume of Deux Cents ?tudes Nouvelles M?lodiques Et Progressives is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonose's studies focus on elements including tempo rhythm articulation rests dynamics syncopation breath control and neatness among other musical aspects. Compiled in 1924 Alphonse's Deux Cents ?tudes Nouvelles M?lodiques Et Progressives has enhanced the studies of many prolific Horn players. With notes in French English German and Japanese this Alphonse book is versatile and crucial to the progress of any Horn player.

English Horn and Piano. Par NAULAIS JEROME. Cette pièce est un hommage à cette petite île au large de la côte ouest du Finistère, en face de l'île d'Ouessant. Le début de la piece représente un paysage de la lande bretonne. On retrouve ensuite des danses typiques de cette région. - Jérôme NAULAIS - Une pièce adaptée pour une autition ou un examen de Cycle I C - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Cor Anglais 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Jérôme NAULAIS - / Niveau : Facile / Classique, Pédagogique / Répertoire / Cor Anglais et Piano

French Horn/piano-Book/CD Pack. Horn part edited and recorded by Canadian Brass member David Ohanian piano parts edited and recorded by Patrick Hansen. Arrangements by Bill Boyd. Contains Full performance and Accompaniment. Contents: Ah How Pleasant 'tis to Love · Danny Boy (Londonderry Air) · He Is an Englishman · Italian Song · Jesu Joy of Man's Desiring · Lament (Lascia Chi'io) · Meet Me in St. Louis Louis · O Canada! · Of Strange Lands and People · Shenandoah · The Water is Wide · Wondrous Love.