SKU: GI.G-6039

English. Text Source: Exodus 15, adapt. MM. Scripture: Exodus 15.

SKU: HL.1265643

UPC: 196288159100. 6.75x10.5x0.029 inches. Exodus 13:21-22, Exodus 6:1-4, Nehemiah 9:19-21.

A classic text meets innovative new music in this fresh anthem chronicling the journey of faith. A sturdy new setting brings fresh insight to the text and offers both traditional and contemporary ensembles something to appreciate. Call-and-response techniques make this a quick learn, but with regal results. A monument to God's guidance and protection, this powerful anthem is appropriate at any time, but especially during the Lenten season.

SKU: HP.C5290R

UPC: 763628252908. By William Williams, David Strasser & John Hughes. Exodus 13:21, Exodus 15:13, Isaiah 58:11, Ephesians 5:19, Hebrews 11:13, James 5:13, John 6:33, Joshua 4:1-3, Psalms 1:1-6, Psalms 25:5, Psalms 48:14, Psalms 73:24, Psalms 124:1-8, Psalms 140:7, Psalms 144:2.

Welsh hymn by William Williams, David Strasser & John Hughes Perfect for blended worship, this inventice merger of the contemporary worship song, Step By Step, and the lassic Welsh hymn, Guide Me, O Thou Great Jehovah, sparkles with creative musical ideas throughout. A strong, rhythmic accompaniment underscores the joyful words of both of these songs - written a century apart - on the them of God's guidance.

SKU: BT.VOLMB432

ISBN 9788863884265. Italian.

Cinema Classics for the Piano Volume 1, includes: Amado Mio (Gilda) - An American In Paris (Un Americano A Parigi) - As Time Goes By (Casablanca) - Chattanooga Choo-Choo (Serenata A Vallechiara) - Delilah Jones (L'uomo DalBraccio D'oro) - Dizzy Fingers (Incantesimo) - Ebb Tide (L'isola Delle Perle) - Exodus (Exodus) - Lara's Theme (Il Dottor Zivago) - Laura (Bird) - Love Is A Many Splendored Thing (L'amore È Una Cosa Meravigliosa) - Ne Me QuittePas (Jacques Brel Is Alive And Well And Living In Paris) - Never On Sunday (Mai Di Domenica) - Put The Blame On Mame (Gilda) - Tara Theme (Via Col Vento) - The Entertainer (La Stangata) - The Harry Lime Theme (Il Terzo Uomo) -TheLast Time I Saw Paris (L'ultima Volta Che Vidi Parigi).

SKU: GI.G-5567

English. Text Source: 1): Exodus 3:1-12, Matthew 4:18-22, Mark 1:16-20, Luke 1:26-32, 5:1-11, 2): Matthew 13:10-23, Mark 4:10-25, Luke 8:9-18. Text by Herman G. Stuempfle, Jr. Scripture: Exodus 3:1–12, Matthew 4:18–22, Mark 1:16–20, Luke 1:26–32, Luke 5:1–11, Matthew 13:10–23, Mark 4:10–25, Luke 8:9–18.

SKU: JK.00154

Exodus 20:12.

Mother's Day cantata for mixed chorus, solos for medium voice, narration, violin, and piano accompaniment.
Composer: A. Laurence Lyon
Lyricist: Lloyd T. Hanson
Difficulty: Medium / medium-difficult acc.
Reference: Exodus 20:12.

SKU: CF.YPS200

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

SKU: CF.YPS200F

ISBN 9781491152881. UPC: 680160910380.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

SKU: HL.3710490

UPC: 697643115033. 18.0x18.0x0.103 inches.

Series Description: Paiste first pioneered color coated cymbals with COLORSOUND 5 in 1984 as a means for artistic expression during the time period when popular music became visual in music videos on television. In the 1990s VISIONS made an appearance, and in recent years certain Artist Inspiration models feature color coating – Stewart Copeland's Blue Bell Ride, Aquiles Priester's Giga Bell Ride and Danny Carey's Dry Heavy Ride. Throughout, the Color Sound finish was available for custom orders, including cymbals featured by international top artists Joey Jordison, Tico Torres and Paul Bostaph. With Color Sound 900 Paiste launches the latest incarnation in the color cymbal saga. Color Sound 900 cymbals are based on the range of models in the concurrently launched 900 Series. While they feature essentially corresponding sound and function, the color coating causes a slightly drier sound, shortens the sustain a bit, and results in a more focused attack. Significantly, the same flexibility and giving feel as in the 900 Series is present. Extensive research and design efforts have resulted in the most stunningly beautiful finishes: luminous translucent colors preserve the natural appearance of grooves and hammer marks and present a vibrantly radiant appearance. Notably, decades of experience have proven the Color Sound finish to be exceedingly tough and durable – the finish will not ever crack, chip or peel. Size: 18-inches Weight: Medium thin Volume: Medium to loud Stick Sound: Washy, trashy Intensity: Lively Sustain: Medium Bell character: Integrated Sound character: Fairly dark, energetic. Medium wide range, complex mix. Explosive, shattering crash. Exotic stick sound over a complex, trashy wash. Assertive china for exotic effects. While Color Sound 900 feature essentially the same sound and function as the 900 Series, the color coating causes a slightly drier sound, shortens the sustain a bit, and results in a more focused attack.