| 22 Traditional Tunes for Cello and Piano (Cello) Cello, Piano [Sheet music + CD] Fentone Music
Arranged by Doreen Smith. Fentone Play Along Books. Softcover with CD. 36 pages....(+)
Arranged by Doreen Smith. Fentone Play Along Books. Softcover with CD. 36 pages. Published by Fentone Music.
(2)$23.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Telemann for Two Mandolins 2 Mandolins (duet) - Intermediate Mel Bay
Mandolin - Intermediate SKU: MB.30653 64 Compositions Chosen from the ...(+)
Mandolin - Intermediate SKU: MB.30653 64 Compositions Chosen from the Works of Georg Philipp Telemann. Composed by John Goodin. Solos and Duets, Squareback saddle stitch. Classical. Book. 120 pages. Mel Bay Publications, Inc #30653. Published by Mel Bay Publications, Inc (MB.30653). ISBN 9781513463810. 8.75 x 11.75 inches. As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories: - Sonatas for two treble-clef instruments without bass accompaniment.
- Pieces for solo instrument and bass.
- Movements from Telemannâ??s many trio sonatas and overture-suites for two melody instruments and bass.
Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range. $22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chet Atkins: Vintage Fingerstyle Guitar notes and tablatures [Sheet music] Hal Leonard
Performed by Chet Atkins. Guitar tablature songbook for solo guitar. Series: Hal...(+)
Performed by Chet Atkins. Guitar tablature songbook for solo guitar. Series: Hal Leonard Guitar Recorded Versions. 80 pages. Published by Hal Leonard.
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| Everything Is Awesome - ShowTrax CD Choral CD [CD] Hal Leonard
(from The Lego Movie). Composed by Akiva Schaffer, Andrew Samberg, Jorma Taccone...(+)
(from The Lego Movie). Composed by Akiva Schaffer, Andrew Samberg, Jorma Taccone, Joshua Bartholomew, Lisa Harriton, and Shawn Patterson (1965-). Arranged by Roger Emerson. For Choral (ShowTrax CD). Pop Choral Series. CD only. Published by Hal Leonard
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Requiem Voces, Coro y Piano (Reduccion) Editorial de Musica Boileau
Coro, Voces y Piano (Choir, Solo Voices, and Piano) SKU: BO.B.3473 A l...(+)
Coro, Voces y Piano (Choir, Solo Voices, and Piano) SKU: BO.B.3473 A la memoria de Salvador Espriu. Composed by Xavier Benguerel. Vocal Music. Piano reduction. Choir. Duration 85:00. Published by Editorial de Musica Boileau (BO.B.3473). ISBN 9788480208147. English comments: The Requiem in memory of Salvador Espriu by Xavier Benguerel was commissioned by the Torroella de Montgri International Music Festival for a double commemoration: on the one hand, to celebrate the tenth anniversary of the Festival, and on the other, in remembrance of Catalan poet Salvador Espriu in the fifth year after his death. This concert, which was held on 5 October, was a brilliant closing gala performance and it was repeated twice on 6 and 7 October at the Palau de la Musica Catalana in Barcelona. It was performed by the Orchestra and Choir of the Gran Teatro del Liceo, with soloists Enriqueta Tarres, soprano; Nelibel Martinez, mezzo soprano; Eduard Gimenez, tenor; and Carlos Chausson, baritone, with the additional collaboration of baritone Lluis Llach, conducted by Romano Gandolfi. In my opinion, this work by Benguerel is a piece that was written with passion and sincerity, with great strength and depth, and it contains some very beautiful passages. It is written in a language through which, without abandoning his current musical thoughts, Benguerel manages to communicate with the audience in a dense work that lasts for an hour and a half. It is interspersed with seven poems by Espriu on the subject of death, some sung and others recited, which gives the Requiem great contrasts from a musical and linguistic point of view -in comparison with the Latin texts normally used in a requiem mass-, but within a successful and coherent unity. The performers certainly proved their worth, but much of the hard work that went into preparing the piece can be attributed not only to the performers, the composer and the poet in tribute to whom the work was written, but also to the conductor Romano Gandolfi, who is largely responsible for the success of the three performances of this Requiem. Benguerel himself says of the work: This Requiem is linked to my previous work, the Llibre Vermell, and it has been written without making any concessions, but with a true wish to communicate with the audience. I've got past the stage of musical experiments and I'm now working on bridging the gap between composer and audience, which I'm sure will be good for both. --Comments written by Jordi Codina in the December 1990 issue of Nexus magazine Comentarios del Espanol: El Requiem a la memoria de Salvador Espriu de Xavier Benguerel ha sido compuesto por encargo del Festival Internacional de Musica de Torroella de Montgri para una doble conmemoracion: por una parte, el decimo aniversario del Festival; por otra, el recuerdo de la figura del poeta catalan Salvador Espriu en el quinto ano de su fallecimiento. Este concierto, celebrado el dia 5 de octubre, constituyo una sesion de gala y de clausura brillante y tuvo una doble repeticion los dias 6 y 7en el Palau de la Musica Catalana de Barcelona. Fueron sus interpretes la Orquesta y el Coro del Gran Teatro del Liceo, con los solistas vocales Enriqueta Tarres, soprano; Nelibel Martinez, mezzo; Eduard Gimenez, tenor; y Carlos Chausson, baritono, con la colaboracion del tambien baritono Lluis Llach. Todos bajo la direccion de Romano Gandolfi. A mi entender, la obra de Benguerel es una partitura escrita con pasion y sinceridad, posee una gran solidez, es profunda y contiene pasajes de una gran belleza. Esta escrita en un lenguaje con el que Benguerel, sin renunciar a su actual pensamiento musical, alcanza la comunicacion con el publico en una obra densa que dura una hora y media. La intercalacion de siete poemas de Espriu relacionados con el tema de la muerte, en una interpretacion cantada o recitada, segun los casos, otorga al Requiem grandes contrastes desde un punto de vista musical y lingŸistico à en contraposicion con los textos latinos propios de una misa de requiem Ã, pero dentro de una unidad conseguida y coherente. La labor de los interpretes demostro su categoria y el trabajo exhaustivo en la preparacion de la obra, que, ademas de los interpretes, el compositor y el poeta homenajeado, tuvo otro gran protagonista en la persona del director Romano Gandolfi, a quien se debe una gran parte del exito obtenido en las tres audiciones de este Requiem. El propio Benguerel ha dicho de la obra: Este Requiem entronca con mi obra anterior, el Llibre Vermell, y ha sido escrito sin concesiones, pero con una voluntad real de comunicacion con el publico. La epoca de los experimentos musicales ya se me paso y he entrado en una nueva etapa de acercamiento entre el compositor y el publico que, estoy convencido, beneficiara a ambos. --Comentario escrito por Jordi Codina en la revista Nexus en diciembre de 1990 $41.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Le Forme Della Musica Sinfonica Jazz
SKU: BT.SINF270 Composed by Carlo Pedini and Piero Caraba. Book Only. 480...(+)
SKU: BT.SINF270 Composed by Carlo Pedini and Piero Caraba. Book Only. 480 pages. Sinfonica #SINF270. Published by Sinfonica (BT.SINF270). ISBN 9788884001825. Italian. Il volume, frutto dell'esperienza di 25 anni di insegnamento di Armonia e di Analisi delle forme musicali nei Conservatori di musica, tratta, in quasi 500 pagine di spiegazione ed esempi, delle forme che la storia della musica ha prodotto, da quelle legate al canto gregoriano alla musica di oggi. - Trattazione di tutte le forme della musica occidentale, - Esposizione cronologica degli argomenti, - Esempi musicali analizzati e commentati, anche di opere di difficile reperimento (specie del periodo medievale e pre-rinascimentale) - Concetto di unitariet tonale, il concetto di Tema, il concetto di unit tematica dopo Beethoven, la forma nel minimalismo e nelle correntimusicali successive all'Avanguardia ecc., - 4 Prospetti cronologici riassuntivi delle forme musicali e della loro collocazione storica, - Box indicativi dei concetti chiave dei diversi argomenti e uso del doppio carattere (normale e ridotto) a separare la normale trattazione dagli approfondimenti. - Trattazione pensata per più livelli di lettura, dall'esperto al semplice musicofilo, con ricchezza di note esplicative dei termini tecnici utilizzati, - Indice analitico completo di tutte le forme e dei termini tecnici ad esse direttamente collegate, - Indice degli esempi musicali, - Indice bibliografico delle fonti direttamente utilizzate. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Berceuse Piano solo Choudens
Piano SKU: BT.ACF020861 Composed by M. Daniel-Lesur. Classical. Book Only...(+)
Piano SKU: BT.ACF020861 Composed by M. Daniel-Lesur. Classical. Book Only. 8 pages. Choudens #ACF020861. Published by Choudens (BT.ACF020861). French. Commande de Gregori Scheerson pour un recueil d'une quinzaine de pièces en hommage à Dimitri Chostakovitch à l'occasion de son 70° anniversaire, publié à Moscou en 1976. La mort ducompositeur dédicataire l'année même de ses 70 ans a transformé l'hommage en hommage posthume. Andantino, 2min15 $16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Gran Torso String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet. Composed by Helmut Lachenmann. This edition: 2 Violins, Viola, Cello. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library). World premiere: Bremen (pro musica nova), May 6, 1972Have a look into KM 2261. Music post-1945; New music (post-2000). Set of parts. Composed 1971/78/88. 112 pages. Duration 23'. Breitkopf and Haertel #KM 2261. Published by Breitkopf and Haertel (BR.KM-2261). ISBN 9790004501658. 16.5 x 11.5 inches. Gran Torso, for string quartet, was composed in 1971 and revised in 1978. It belongs to a series of works, including Air, Kontrakadenz, Pression and Klangschatten, whose concept of material attempts to free itself from convention. That is, instead of using the sound itself as a point of departure, structural and formal hierarchies are derived from the mechanical and physical conditions present during the process of sound production. It is clear that such a radical break with tradition is not easily achieved: the instrument, the given means, the resonating body itself (as the embodiment of convention) all work against such attempts (with the extended performance techniques representing only the tip of the iceberg of deep-seated contradictions where the bourgeois artist is concerned). Implicit in such a challenge, however, is a claim to aesthetic pregnance: an offer, if one would have it, of uncomprosing beauty.(Helmut Lachenmann, 1978)CDs/LPs:Berner StreichquartettCD col legno 0647 277Berner StreichquartettLP col legno 5504Societa Cameristica ItalianaLP ABT ERZ 1003Arditti String QuartetCD KAIROS, 0012662KAIstadler quartettCD NEOS 10806The JACK QuartetCD mode 267Stadler Quartett, Rg. Caroline SiegersDVD NEOS 51001Bibliography:Alberman, David: Abnormal Playing Techniques in the String Quartets of Helmut Lachenmann, in: Helmut Lachenmann Music with matches, hrsg. von Dan Albertson, Contemporary Music Review 24 (2005), Vol. 1, pp. 39-51.Dulaney, Maxwell: Continuing the Tradition Untraditionally: Helmut Lachenmann's Restructuring of Musical Dialectic through an Analysis of his Three String Quartets, and an Original Composition, Harmonic Concerto, Diss. Brandeis University, MI 2013.Egger, Elisabeth: Kontinuitat, Verdichtung, Synchronizitat. Zu den grossformalen Funktionen des gepressten Bogenstrichs in Helmut Lachenmanns Streichquartetten, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 155-171.Hermann, Matthias: Helmut Lachenmann - Gran Torso, in: Analyse Musik XX. Jahrhundert (2). Postserielle Konzepte Klangflachen Aleatorik (= Materialien zur Musiktheorie 4), Saarbrucken: Pfau 2002, pp. 134-152.Hiekel, Jorn Peter: Die Streichquartett Gran Torso und Grido von Helmut Lachenmann, in: Lucerne Festival, Sommer 2005 Neuland, Konzertprogramm 6, pp. 65-69.Houben, Eva-Maria: Helmut Lachenmann: Gran Torso ..., in: dies., Musikalische Praxis als Lebensform (= Musik und Klangkultur 27), Bielefeld: Transcript 2018, S. 208-212Lehmann, Harry: Erhabenheit - Ereignis - Ambivalenz. Zur Asthetik der Neuen Musik, in: Neue Zeitschrift fur Musik 176 (2015), Heft 5, pp. 22-27.Mosch, Ulrich: Kunst als Medium der Ungeborgenheit. Streichquartette und soziale Funktion des Komponierens bei Helmut Lachenmann, in: Positionen 81 (November 2009), pp. 37-39.ders.: Was heisst Interpretation bei Helmut Lachenmanns Streichquartett ,,Gran Torso?, in: Wessen Klange? Uber Autorschaft in neue Musik, hrsg. Von Hermann Danuser und Matthias Kassel (= Veroffentlichungen der Paul Sacher Stiftung 12), Mainz u.a.: Schott 2017, S. 163-186Nonnenmann, Rainer: Werke als Schlussel zu Werken? Zur umstrittenen Kategorie ,,Schlusselwerke der neuen Musik, in: MusikTexte, Heft 147 (November 2015), pp. 35-46.Stork, Astrid: Materialbegriff und Strukturdenken. Untersuchungen zu den Streichquartetten von Helmut Lachenmann, Magisterarbeit Ruhr-Universitat Bochum 1992Tsao, Ming: Helmut Lachenmann's Sound Types, in: Perspectives of New Music 52 (2014), Heft 1, pp. 217-238.Velazquez, Rossana Lara: Composicion y escucha burguesa: Principios de continuidad y ruptura en el cuarteto Gran Torso de Helmut Lachenmann, Diss. Universidad Nacional Autonoma de Mexico 2011.Zenck, Martin: Die mehrfache Codierung der Figur: Ihr defigurativer und torsohafter Modus bei Johann Sebastian Bach, Helmut Lachenmann und Auguste Rodin, in: de figura. Rhetorik Bewegung Gestalt, Text und Bild, hrsg. von Gabriele Brandstetter und Sibylle Peters, Munchen 2003, pp. 265-288.
World premiere: Bremen (pro musica nova), May 6, 1972. $132.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Stravinsky, Bartok and More - Vol. 8 (Trumpet) Trumpet [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Trumpet. By Bela Bartok, Igor Stravins...(+)
The Orchestra Musician's CD-ROM Library - Trumpet. By Bela Bartok, Igor Stravinsky. CD Sheet Music. 8 pages. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Best of Classical Themes for Piano (all C instruments) Piano solo [Sheet music] Santorella Publications
Collection for solo piano(all C instruments), . 159 pages. Published by Santorel...(+)
Collection for solo piano(all C instruments), . 159 pages. Published by Santorella Publications.
(1)$16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| In splendoribus sanctorum Choral SATB SATB A Cappella CanticaNOVA Publications
Composed by David Gleba. Text: Missale Romanum. A setting of the actual Communio...(+)
Composed by David Gleba. Text: Missale Romanum. A setting of the actual Communion Antiphon for Midnight Mass. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5007).
$1.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| David Lang: Orpheus Over And Under For 2 Pianos 2 Pianos, 4 hands Music Sales
2 Pianos SKU: HL.14008003 Composed by David Lang. Music Sales America. Po...(+)
2 Pianos SKU: HL.14008003 Composed by David Lang. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV361041. Published by Music Sales (HL.14008003). UPC: 884088492410. 14.5x9.75x0.115 inches. David Lang, the prolific, enthusiastic and complicated composer, embodies the restless spirit of invention. Musically adventurous, yet deeply versed in the classical tradition, Lang is determined to make a music that resists categorization. He is constantly in search of new musical forms. Many of his pieces resemble each other only in the fierce intelligence and clarity of vision that inform their structures. $38.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Where Have All the Actors Gone? Choral SATB SATB, Piano [Sheet music] Peermusic Classical
(SATB and Piano). By Morten Lauridsen (1943-). For Choral. Peermusic Classical. ...(+)
(SATB and Piano). By Morten Lauridsen (1943-). For Choral. Peermusic Classical. Softcover. 14 pages. Peermusic #62321-122. Published by Peermusic
$1.95 $1.8525 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Guitar Chord Series: First Chords Guitar [Key & Note References] Alfred Publishing
By Don Latarski. For Guitar. Guitar Method or Supplement. The Ultimate Guitar Ch...(+)
By Don Latarski. For Guitar. Guitar Method or Supplement. The Ultimate Guitar Chord Book Series. Book. 60 pages. Published by Alfred Publishing.
$13.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Junto a Rodrigo. An Anthology of Contemporary Music for Guitar (Podera, Reghezza, Simoni, Smaili, Ugoletti) Ut Orpheus
Guitar SKU: UT.CH-289 Edited by Piero Bonaguri. Saddle stitching. Piero B...(+)
Guitar SKU: UT.CH-289 Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 289. Published by Ut Orpheus (UT.CH-289). ISBN 9790215325852. 9 x 12 inches. Giovanni Podera: Fantasia (In memoriam JoaquÃn Rodrigo) Marco Reghezza: Nana Estrellada Marco Simoni: Junto a Rodrigo Marco Smaili: Fronda de la tarde (Homenaje a JoaquÃn Rodrigo) Paolo Ugoletti: Fuga a 4 voci
Following the successful publication of Homenaje a Rodrigo (2015), containing four pieces by Alessandro Spazzoli – one of which was performed in the presence of the composer’s daughter, Cecilia Rodrigo, during her visit to the International Convention in Alessandria –, here is the second volume. It contains more tributes to Rodrigo written on my input by five well-known Italian and Spanish composers, two of whom are also guitarists and have therefore written the fingering for their own pieces. Giovanni Podera plunges us into a typically Rodrigo-like atmosphere with his evocative Fantasia, while the following three compositions are full of direct quotations from pieces also for guitar by the great composer from Valencia. Thus, Marco Simoni, in his expressive Junto a Rodrigo – which also provides the title to the volume – plays with themes taken from Junto al Generalife and from Dos piezas caballerescas for a cello ensemble as well as hinting at reminiscences of Tiento antiguo. As for Marco Smaili, in his impressionistic Fronda de la tarde, he evokes quite evidently Zarabanda lejana and Invocación y Danza, but there are more hidden references to Caminos de Santiago and even to the very famous Concierto de Aranjuez. Marco Reghezza builds his heart-breaking Nana estrellada on a sequence of chords used by Rodrigo in the fantasia ¡Que buen caminito!. On the other hand, there are no direct quotations and echoes of Rodrigo’s way of writing in the Fuga a quattro voci by Paolo Ugoletti. However it was Rodrigo himself who constructed four-part imitative passages for guitar in Pasacalle and in the Ricercare of the Fantasia para un Gentilhombre. The close polyphony of the piece by Ugoletti may be considered as a tribute to this kind of craft shown by Rodrigo who, like Ugoletti, was able to write such dense and idiomatic counterpoint without being a guitar-player. I am pleased that this volume comes out in the imminence of the 20th anniversary of the disappearance of the illustrious Spanish composer who gave so much to the musicians – and not only to them. (Piero Bonaguri)
Muchas gracias por este emotivo y excelente musical homenaje a mi padre. La edición es excelente y la difundiremos con todos nuestros medios por las redes sociales a nuestro alcance. Ha sido un gran trabajo por su parte, fruto de sus grandes conocimientos guitarrÃsticos y su devoción por JoaquÃn Rodrigo. Le reitero mi gratitud y mi felicitación con el ruego transmita a los cinco compositores mi felicitación y deseos de éxito. (Cecilia Rodrigo). $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Stravinsky, Bartok and More - Vol. 8 (Horn) French horn [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Horn. By Bela Bartok, Igor Stravinsky....(+)
The Orchestra Musician's CD-ROM Library - Horn. By Bela Bartok, Igor Stravinsky. CD Sheet Music. 8 pages. Published by Hal Leonard.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| How To Create Your Own Jazz Phrases All Instruments Charles Colin Music
SKU: M7.AHW-1630 For all instruments. Composed by Walter Stuart. S...(+)
SKU: M7.AHW-1630 For all instruments. Composed by Walter Stuart. Sheet music. Method. 39 pages. Charles Colin Corp. #AHW 1630. Published by Charles Colin Corp. (M7.AHW-1630). English. In this book, Walter Stuart presents a system of how to piece together an unlimited amount of jazz choruses. The accent is on utmost simplicity. This book is designed for wide appeal, for it is directed not only towards the ambitious music student and the professional instrumentalist, but the arranger as well. NO SPECIAL TRAINING REQUIRED This collection of 1080 JAZZ PHRASES has the similarity and simplicity of o jig-saw puzzle. Assembled here within the foregoing text, the Stuart's system reveals the key to an unlimited amount of smooth flowing and professional sounding choruses. $13.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Polish Dances Op. 37 Piano solo PWM (Polskie Wydawnictwo Muzyczne)
Piano SKU: BT.PWM13101 Composed by Ludomir Rozycki. Arranged by Grzegorz ...(+)
Piano SKU: BT.PWM13101 Composed by Ludomir Rozycki. Arranged by Grzegorz Mania. Contemporary Music. Book Only. Composed 2023. 28 pages. Polskie Wydawnictwo Muzyczne #PWM13101. Published by Polskie Wydawnictwo Muzyczne (BT.PWM13101). $16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Violin - Concerto Orchestra, Violin SATB, Orchestra Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340). ISBN 9788480207591. English comments: My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author
Comentarios del Espanol: A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Scales! Piano solo Volonte and Co
Piano SKU: BT.VOLMB850 Composed by Donato Begotti and Roberto Fazari. Boo...(+)
Piano SKU: BT.VOLMB850 Composed by Donato Begotti and Roberto Fazari. Book Only. Composed 2022. Volonte e Co #VOLMB850. Published by Volonte e Co (BT.VOLMB850). ISBN 9788863888515. Italian. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Stravinsky, Bartok and More - Vol. 8 (Double Bass) Double Bass [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Double Bass. By Bela Bartok, Igor Stra...(+)
The Orchestra Musician's CD-ROM Library - Double Bass. By Bela Bartok, Igor Stravinsky. CD Sheet Music. 8 pages. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Nineties Guitar Collection Guitar notes and tablatures Alfred Publishing
25 Hits, from Acoustic to Punk, to Nu-Metal & Beyond. Composed by variou...(+)
25 Hits, from Acoustic to
Punk, to Nu-Metal & Beyond.
Composed by various artists
and composers. This edition:
Guitar TAB. Book; Guitar
Mixed Folio; Guitar TAB;
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Pop; Rock. 120 pages.
Published by Alfred Music
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| The Cuckoo Choral Unison Unison Alfred Publishing
(The Day the Cuckoo Lost Her Colors -- A Mexican Folk Tale for Unison Voices (Te...(+)
(The Day the Cuckoo Lost Her Colors -- A Mexican Folk Tale for Unison Voices (Teacher's Handbook)). By Sally K. Albrecht and Jay Althouse. Unison Choir. This edition: Teacher's Handbook (100% Reproducible). Book; Classroom/Pre-School; Musicals; Musicals and Programs; Reproducible. Multicultural; World. 52 pages. Published by Alfred Music Publishing
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Play Piano Piano solo Edition Melodia
Piano SKU: M7.GRG-106126102 Die Klavierschule mit der ABC-Methode....(+)
Piano SKU: M7.GRG-106126102 Die Klavierschule mit der ABC-Methode. Edited by Margret Feils. Arranged by Peter Wondra. This edition: Klebebindung. Sheet music with 2 CDs and Online material. 196 pages. Edition Melodia #GRG 106126102. Published by Edition Melodia (M7.GRG-106126102). ISBN 9783872523556. German. Susanne Thienel. Die Klavierschule mit der ABC-Methode Fu?r Jugendliche und Erwachsene, die das Klavierspiel erst lernen möchten oder wieder einsteigen wollen. Durch ihre aus der Praxis entwickelte ABC-Methode kommt man auch ohne Vorkenntnisse schnell zum Klavierspiel und zu ersten Erfolgen. Mit langsam im Schwierigkeitsgrad ansteigenden Originalkompositionen sowie Titeln aus Rock, Blues und Klassik. Alle 107 Titel auf 2 CDs eingespielt und als Slow-Down-Vorlage zum langsamen Mitspielen. Mit QR-Codes, um schnell und gezielt zu der passenden Slow-Version und den Tutorials zu gelangen. $40.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Wee Sing in the Car Children choir [Sheet music + CD] Alfred Publishing
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. This ...(+)
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. This edition: Paperback. General Music and Classroom Publications. Wee Sing. 42 sing-along songs, 27 backseat games, 18 silly tongue twisters. Children's. Book and CD. 64 pages. Duration Over one hour. Published by Alfred Publishing.
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Works for Solo Guitar Vol. II Guitar Da Vinci Publishing
Guitar SKU: BT.DV-22148 Premiere Air Varié Op. 21 and Duexième A...(+)
Guitar SKU: BT.DV-22148 Premiere Air Varié Op. 21 and Duexième Air Varié Op. 22. By Federica Canta. By Giulio Regondi. Classical. Book Only. Composed 2023. 28 pages. Da Vinci Publishing #DV 22148. Published by Da Vinci Publishing (BT.DV-22148). $16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Stravinsky, Bartok and More - Vol. 8 (Viola) Viola [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Viola. By Bela Bartok, Igor Stravinsky...(+)
The Orchestra Musician's CD-ROM Library - Viola. By Bela Bartok, Igor Stravinsky. CD Sheet Music. 8 pages. Published by Hal Leonard.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Stravinsky, Bartok and More - Vol. 8 (Harp / Keyboard) Keyboard [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Harp, Keyboard and Others. By Bela Bar...(+)
The Orchestra Musician's CD-ROM Library - Harp, Keyboard and Others. By Bela Bartok, Igor Stravinsky. CD Sheet Music. 8 pages. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
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