| Leonard Bernstein : Overture to Candide Flute ensemble [Score and Parts] Wonderful Winds
By Leonard Bernstein (1918-1990). Arranged by Mel Orriss. For flute sextet inclu...(+)
By Leonard Bernstein (1918-1990). Arranged by Mel Orriss. For flute sextet including piccolo, alto flute , bass flute (optional). Flutets series. Grade 7 to 9. Score and parts. Duration 4'20. Published by Wonderful Winds
$22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto in B-flat for Two Trumpets and Winds [Score and Parts] - Intermediate Eighth Note Publications
By Antonio Vivaldi (1678-1741). Arranged by David Marlatt. Concert Band. Concert...(+)
By Antonio Vivaldi (1678-1741). Arranged by David Marlatt. Concert Band. Concert Band; Masterworks. Eighth Note Publications. Baroque; Masterwork Arrangement. Grade 3. Conductor Score & Parts. 204 pages. Published by Eighth Note Publications
$85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Four Incarnations for Winds Woodwind Quintet Eighth Note Publications
Composed by Vince Gassi. For Woodwind Quintet. Part(s); Score; Woodwind - Quinte...(+)
Composed by Vince Gassi. For Woodwind Quintet. Part(s); Score; Woodwind - Quintet. Eighth Note Publications. Contemporary. Duration 00:07:10. Published by Eighth Note Publications
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hip Fingers Brass Quintet: 2 trumpets, horn, trombone, tuba Eighth Note Publications
By Vince Gassi. For Brass Quintet (Opt. Percussion). Brass Ensemble - Quintet. E...(+)
By Vince Gassi. For Brass Quintet (Opt. Percussion). Brass Ensemble - Quintet. Eighth Note Publications: Vince Gassi Jazz Series. Contemporary. Duration 00:02:00. Published by Eighth Note Publications
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Two Trumpets and Winds Trumpet [Score and Parts|Set of Parts|Conductor Score] - Intermediate Eighth Note Publications
By Antonio Vivaldi (1678-1741). Arranged by David Marlatt. Concert Band. Concert...(+)
By Antonio Vivaldi (1678-1741). Arranged by David Marlatt. Concert Band. Concert Band; Masterworks. Eighth Note Publications. Baroque; Masterwork Arrangement. Grade 3. Conductor Score & Parts. 212 pages. Published by Eighth Note Publications
$85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Celebration for Winds and Percussion - Intermediate Eighth Note Publications
Composed by Donald Coakley. Concert Band. Concert Band; Part(s); Score. Eighth N...(+)
Composed by Donald Coakley. Concert Band. Concert Band; Part(s); Score. Eighth Note Publications. Grade 3. 248 pages. Published by Eighth Note Publications
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto in B-flat for Two Trumpets and Winds [Score] - Intermediate Eighth Note Publications
By Antonio Vivaldi (1678-1741). Arranged by David Marlatt. Concert Band. Concert...(+)
By Antonio Vivaldi (1678-1741). Arranged by David Marlatt. Concert Band. Concert Band; Masterworks. Eighth Note Publications. Baroque; Masterwork Arrangement. Grade 3. Conductor Score. 32 pages. Published by Eighth Note Publications
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Splash Brass Quintet: 2 trumpets, horn, trombone, tuba [Set of Parts] Eighth Note Publications
By Vince Gassi. For Brass Quintet with optional drum set. Eighth Note Publicatio...(+)
By Vince Gassi. For Brass Quintet with optional drum set. Eighth Note Publications. Set of Parts. 48 pages. Published by Eighth Note Publications
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Revolutionary Quintet Woodwind Quintet: flute, oboe, bassoon, clarinet, horn - Intermediate Eighth Note Publications
By Norman Phillip Hart. For Woodwind Quintet and Piano. Woodwind - Quintet. Cont...(+)
By Norman Phillip Hart. For Woodwind Quintet and Piano. Woodwind - Quintet. Contemporary. Level: Medium-Difficult. Duration 00:08:25. Published by Eighth Note Publications.
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Windscape Brass Quintet: 2 trumpets, horn, trombone, tuba [Score|Score and Parts] Eighth Note Publications
By David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Part(s); Score. E...(+)
By David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Part(s); Score. Eighth Note Publications. 20 pages. Published by Eighth Note Publications
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 8+1 - Intermediate/advanced EMB (Editio Musica Budapest)
Score (2 ob., 2 cl., 2 fg., 2 cor., cb.) - Grade 4 SKU: HL.50486737 Fo...(+)
Score (2 ob., 2 cl., 2 fg., 2 cor., cb.) - Grade 4 SKU: HL.50486737 For Eight Winds and Double Bass. Composed by Frigyes Hidas. 20th Century. EMB. Classical. Score and parts. Composed 2008. 56 pages. Editio Musica Budapest #Z14596. Published by Editio Musica Budapest (HL.50486737). ISBN 9790080145968. 8.25x11.25x0.234 inches. Hungarian, English. Frigyes Hidas. For Eight Winds and Double Bass. Score and Parts. $37.45 - See more - Buy online | | |
| Inner Landscapes Piano solo Breitkopf & Härtel
I The sun, the sea - II The earth: her dance - III Clouds, winds, skies. Comp...(+)
I The sun, the sea - II The
earth: her dance - III
Clouds, winds, skies.
Composed by Christian Mason.
Breitkopf and Haertel #EB
9334. Published by Breitkopf
and Haertel
$86.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Quintet in E, Op. 51 Flute and String Quartet [Score and Parts] Rosewood Publications
By Friedrich Daniel Rudolf Kuhlau. For flute, violin, 2 violas and cello. Winds ...(+)
By Friedrich Daniel Rudolf Kuhlau. For flute, violin, 2 violas and cello. Winds and Strings. Quintets. Classical. Score and set of parts. Published by Rosewood Publications
$36.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 8+1 for eight winds and double bass - Intermediate/advanced EMB (Editio Musica Budapest)
Mixed Chamber Nonette, Score - Grade 4 SKU: BT.EMBZ14596 Composed by Frig...(+)
Mixed Chamber Nonette, Score - Grade 4 SKU: BT.EMBZ14596 Composed by Frigyes Hidas. Book Only. Composed 2007. 56 pages. Editio Musica Budapest #EMBZ14596. Published by Editio Musica Budapest (BT.EMBZ14596). English-Hungarian. The name of Frigyes Hidas, who died in 2007 at the age of 79, became known worldwide chiefly through his works for wind ensemble. His piece entitled 8+1 was composed in 2006 for the Bolero Wind Ensemble, for two oboes, two clarinets, two horns, two bassoons and double bass. The work was first performed in Budapest on Hungarian Radio in January 2007. (Hungaroton HCD 32586)
Der Name des 2007 im Alter von 79 Jahren verstorbenen Frigyes Hidas erreichte in erster Linie durch seine für Bläser-ensemble geschriebenen Werke Weltruhm. Sein Stück 8+1 komponierte er 2006 für das Bolero Bläserensemble, für zwei Oboen, zwei Klarinetten, zwei Hörner, zwei Fagotten und Kontrabass. Erstmalig erklang das Werk im Januar 2007 in Budapest im Ungarischen Rundfunk. (Hungaroton HCD 32586). $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Guitar Poems Guitar [Sheet music + CD] - Easy Ricordi
Guitar - early intermediate SKU: BT.SY-2909 20 Stücke für Gitarr...(+)
Guitar - early intermediate SKU: BT.SY-2909 20 Stücke für Gitarre solo - 20 Pieces for Guitar Solo. Composed by Giuseppe Di Girolamo. Book, CD and Audio Online. Composed 2019. 28 pages. Ricordi #SY 2909. Published by Ricordi (BT.SY-2909). German-English. With appealing melodies that would be right at home in catchy pop songs, Giuseppe Di Girolamoâ??s Guitar Poems indulges in the overwhelming beauty of the sound of the acoustic guitar. This publication contains all twelve pieces from Letters for You, supplemented by eight newly-composed titles that complete the collection. The pieces are presented progressively and contain comprehensive fingerings to make them as technically accessible as possible. Guitar Poems also includes first-rate demo recordings of all the pieces, performed especially for this edition by the young concert guitarist and international prize-winner Julia Trintschuk.
Man schwelgt in der ganzen Klangschönheit der akustischen Gitarre und in eingängigen Melodien, die aus guten Pop-Songs stammen könnten: Das ist Guitar Poems von Giuseppe Di Girolamo. Die Ausgabe enthält sämtliche zwölf Stücke aus Letters for You, ergänzt um acht neu komponierte Titel, welche die Sammlung ideal abrunden. Alle Stücke wurden progressiv angeordnet und mit Fingersätzen versehen, um sie technisch noch leichter zugänglich zu machen. Ein zusätzliches Bonbon von Guitar Poems sind die erstklassigen Demo-Aufnahmen aller Stücke, die von der jungen Konzertgitarristin und mehrfachen internationalen Preisträgerin Julia Trintschuk eigens für diese Ausgabe eingespielt wurden. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Semper Gratus - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3, Marimba, Oboe and more. - Grade 3 SKU: CF.CPS251F Composed by Patrick Glenn Harper. Full score. 25 pages. Carl Fischer Music #CPS251F. Published by Carl Fischer Music (CF.CPS251F). ISBN 9781491159880. UPC: 680160918478. About the Music Semper Gratus is Latin for always grateful. The piece was written in honor of James E. Champion, who taught band for thirty-eight years, twenty-five of which were spent in Florence, Alabama, where he was my elementary school and high school band director. His bands consistently achieved superior ratings throughout his career. He holds multi-decade-spanning memberships in professional music education organizations, continues to serve in helping with Alabama Bandmasters Association events, and conducts and performs in various community bands and ensembles. As my band director at Bradshaw High School, Mr. Champion encouraged me to perform one of my first compositions, a clarinet quartet, at solo/ensemble festival. He taught his students the fundamentals of music, the technical aspects of performance, and exposed them to the great standards of band literature. But in doing so, he also modeled leadership, work-ethic, good character, and fostered the love of the activity of band that led me to choose music education as a career. And for that, I will always be grateful. Performance Notes Measures 1-12: The beginning of the piece should be performed in a majestic, fanfare-like style. The woodwind cues should only be used if absolutely needed during this section. Measures 41-58: The concert toms should establish a presence, but not overpower the winds. The triangle and woodblock parts should be heard distinctly over the concert toms. A higher pitched woodblock should be used for this section. (A set of claves could be used in place of the woodblock if desired.) Measures 59-94: The entirety of the middle section should be played in a rubato style to maximize musical expression, exaggerating dynamics and ritardando sections. The quarter-note triplets in the middle and low winds should be emphasized at m. 70. The molto ritardando that begins at m. 70 should be allowed to build as long as possible in m. 71 before reaching the musical apex of the middle section at m. 72. At mm. 92-94, depending on the size of the ensemble, you may want to limit the number of players (or put one per part) to achieve the most delicate sound possible. Measures 95-End: In mm. 99-107, be sure that the eighth-note running mallet parts are heard as a background texture, but do not overpower the winds. In mm. 114-115, the accents on beats 2 and 4 in the lower winds should be exaggerated to contrast the feel of the previous four measures. In m. 118, all winds should cut off and breathe on beat two for maximum impact on the next three measures. About the MusicSemper Gratus is Latin for “always grateful.†The piece was written in honor of James E. Champion, who taught band for thirty-eight years, twenty-five of which were spent in Florence, Alabama, where he was my elementary school and high school band director. His bands consistently achieved superior ratings throughout his career. He holds multi-decade-spanning memberships in professional music education organizations, continues to serve in helping with Alabama Bandmasters Association events, and conducts and performs in various community bands and ensembles. As my band director at Bradshaw High School, Mr. Champion encouraged me to perform one of my first compositions, a clarinet quartet, at solo/ensemble festival. He taught his students the fundamentals of music, the technical aspects of performance, and exposed them to the great standards of band literature. But in doing so, he also modeled leadership, work-ethic, good character, and fostered the love of the activity of band that led me to choose music education as a career. And for that, I will always be grateful.Performance NotesMeasures 1-12:  The beginning of the piece should be performed in a majestic, fanfare-like style. The woodwind cues should only be used if absolutely needed during this section.Measures 41-58:  The concert toms should establish a presence, but not overpower the winds.  The triangle and woodblock parts should be heard distinctly over the concert toms. A higher pitched woodblock should be used for this section. (A set of claves could be used in place of the woodblock if desired.) Measures 59-94:  The entirety of the middle section should be played in a rubato style to maximize musical expression, exaggerating dynamics and ritardando sections.  The quarter-note triplets in the middle and low winds should be emphasized at m. 70.  The molto ritardando that begins at m. 70 should be allowed to build as long as possible in m. 71 before reaching the musical apex of the middle section at m. 72. At mm. 92–94, depending on the size of the ensemble, you may want to limit the number of players (or put one per part) to achieve the most delicate sound possible.Measures 95-End:  In mm. 99–107, be sure that the eighth-note running mallet parts are heard as a background texture, but do not overpower the winds. In mm. 114–115, the accents on beats 2 and 4 in the lower winds should be exaggerated to contrast the feel of the previous four measures.  In m. 118, all winds should cut off and breathe on beat two for maximum impact on the next three measures. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Semper Gratus - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3 SKU: CF.CPS251 Composed by Patrick Glenn Harper. Set of Score and Parts. 28+8+8+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+6+6+6+4+8+1+4+2+2+12+2+8 pages. Duration 4 minutes, 27 seconds. Carl Fischer Music #CPS251. Published by Carl Fischer Music (CF.CPS251). ISBN 9781491159873. UPC: 680160918461. About the Music Semper Gratus is Latin for always grateful. The piece was written in honor of James E. Champion, who taught band for thirty-eight years, twenty-five of which were spent in Florence, Alabama, where he was my elementary school and high school band director. His bands consistently achieved superior ratings throughout his career. He holds multi-decade-spanning memberships in professional music education organizations, continues to serve in helping with Alabama Bandmasters Association events, and conducts and performs in various community bands and ensembles. As my band director at Bradshaw High School, Mr. Champion encouraged me to perform one of my first compositions, a clarinet quartet, at solo/ensemble festival. He taught his students the fundamentals of music, the technical aspects of performance, and exposed them to the great standards of band literature. But in doing so, he also modeled leadership, work-ethic, good character, and fostered the love of the activity of band that led me to choose music education as a career. And for that, I will always be grateful. Performance Notes Measures 1-12: The beginning of the piece should be performed in a majestic, fanfare-like style. The woodwind cues should only be used if absolutely needed during this section. Measures 41-58: The concert toms should establish a presence, but not overpower the winds. The triangle and woodblock parts should be heard distinctly over the concert toms. A higher pitched woodblock should be used for this section. (A set of claves could be used in place of the woodblock if desired.) Measures 59-94: The entirety of the middle section should be played in a rubato style to maximize musical expression, exaggerating dynamics and ritardando sections. The quarter-note triplets in the middle and low winds should be emphasized at m. 70. The molto ritardando that begins at m. 70 should be allowed to build as long as possible in m. 71 before reaching the musical apex of the middle section at m. 72. At mm. 92-94, depending on the size of the ensemble, you may want to limit the number of players (or put one per part) to achieve the most delicate sound possible. Measures 95-End: In mm. 99-107, be sure that the eighth-note running mallet parts are heard as a background texture, but do not overpower the winds. In mm. 114-115, the accents on beats 2 and 4 in the lower winds should be exaggerated to contrast the feel of the previous four measures. In m. 118, all winds should cut off and breathe on beat two for maximum impact on the next three measures. About the MusicSemper Gratus is Latin for “always grateful.†The piece was written in honor of James E. Champion, who taught band for thirty-eight years, twenty-five of which were spent in Florence, Alabama, where he was my elementary school and high school band director. His bands consistently achieved superior ratings throughout his career. He holds multi-decade-spanning memberships in professional music education organizations, continues to serve in helping with Alabama Bandmasters Association events, and conducts and performs in various community bands and ensembles. As my band director at Bradshaw High School, Mr. Champion encouraged me to perform one of my first compositions, a clarinet quartet, at solo/ensemble festival. He taught his students the fundamentals of music, the technical aspects of performance, and exposed them to the great standards of band literature. But in doing so, he also modeled leadership, work-ethic, good character, and fostered the love of the activity of band that led me to choose music education as a career. And for that, I will always be grateful.Performance NotesMeasures 1-12:  The beginning of the piece should be performed in a majestic, fanfare-like style. The woodwind cues should only be used if absolutely needed during this section.Measures 41-58:  The concert toms should establish a presence, but not overpower the winds.  The triangle and woodblock parts should be heard distinctly over the concert toms. A higher pitched woodblock should be used for this section. (A set of claves could be used in place of the woodblock if desired.) Measures 59-94:  The entirety of the middle section should be played in a rubato style to maximize musical expression, exaggerating dynamics and ritardando sections.  The quarter-note triplets in the middle and low winds should be emphasized at m. 70.  The molto ritardando that begins at m. 70 should be allowed to build as long as possible in m. 71 before reaching the musical apex of the middle section at m. 72. At mm. 92–94, depending on the size of the ensemble, you may want to limit the number of players (or put one per part) to achieve the most delicate sound possible.Measures 95-End:  In mm. 99–107, be sure that the eighth-note running mallet parts are heard as a background texture, but do not overpower the winds. In mm. 114–115, the accents on beats 2 and 4 in the lower winds should be exaggerated to contrast the feel of the previous four measures.  In m. 118, all winds should cut off and breathe on beat two for maximum impact on the next three measures. $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pacific Heights Concert band [Score and Parts] Opus III Wind Orchestra Publications
Composed by Gorham. Concert Band. Opus III Series. Audio recording available ...(+)
Composed by Gorham. Concert
Band. Opus III Series. Audio
recording available
separately (item CL.WFR365).
Score and set of parts.
Composed 2009. Duration 5
minutes, 44 seconds.
Published by Opus III Wind
Orchestra Publications
$150.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Perfect Union Concert band Carl Fischer
Concert band SKU: CF.CFD1 Compact Disc - the Washington Winds. Com...(+)
Concert band SKU: CF.CFD1 Compact Disc - the Washington Winds. Composed by Daron Hagen, Elliot Del Borgo, Franz von Suppe, Henry Fillmore, Larry Clark, Nikolay Andreyevich Rimsky-Korsakov, Peter Mennin, Quincy C. Hilliard, Warren Benson, and Zo Elliott. Carl Fischer Concert Band Recordings. Audio CD. With Standard notation. Composed February 20 2000. Duration 51:55:00. Carl Fischer Music #CFD1. Published by Carl Fischer Music (CF.CFD1). ISBN 9780825840357. UPC: 798408040352. The Carl Fischer heritage of publishing fine band music has been a fact of music publishing almost since the firm's founding in 1872. With a huge and expanding repertoire to draw on, it is a logical step for Fischer to issue a series of compact discs of band music for sale. With this release, the Carl Fischer Media Group begins what we intend to be the annual release of a recording devoted to classic band music. Bleecker Street Records is the name of the label developed for this purpose and A Perfect Union is our first commercial CD. It contains first-rate performances of classic original works for upper grade band such as Canzona by Peter Mennin, editions of celebrated transcriptions such as Procession of the Nobles in an edition by Van Ragsdale of the classic Eric Leidzen arrangement of Rimsky Korsakov's original and Robert Foster's edition of Henry Fillmore's celebrated transcription of Von Suppé's Light Cavalry Overture. Also included are terrific pieces by Daron Aric Hagen, Larry Clark, Quincy C. Hilliard and Elliot Del Borgo. The performances by the Washington and show the music and the players to best advantage. This will be a recording to own and treasure. Winds under the inspired direction of Edward Petersen, are invigorating. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Celebration for Winds and Percussion Concert band - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.012-3022-75 Concert Band. Holiday Treasures Series. Audio...(+)
Grade 3 SKU: CL.012-3022-75 Concert Band. Holiday Treasures Series. Audio recording available separately (items CL.WFR196 & CL.WFR191). Oversized, spiral-bound score. Composed 1999. Duration 5 minutes, 56 seconds. Opus III Wind Orchestra Publications #012-3022-75. Published by Opus III Wind Orchestra Publications (CL.012-3022-75). An exciting and dynamic composition by James Swearingen that is certain to become one of his most popular and often performed pieces. Beginning with a slow expressive introduction, it soon segues into an Allegro Con Brio section which is impressive and spirited. Solidly scored in the patented Swearingen manner, this exceptional work will help inspire mid-level bands to new musical heights. Outstanding choice for almost any performance situation! $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For All the Saints Eight Familiar Hymn Arrangements for Organ by Edwin T. Childs Organ [Sheet music] - Intermediate Alfred Publishing
Edited by Dale Tucker. Arranged by Edwin T. Childs. Classical and sacred organ. ...(+)
Edited by Dale Tucker. Arranged by Edwin T. Childs. Classical and sacred organ. Level: upper intermediate. 50 pages. Published by Alfred Publishing.
$8.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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