| Mild the Mist upon the Hill Choral SATB Pavane Publishing
Composed by Michael D. Atwood. Pavane Choral. Octavo. 12 pages. Pavane Publis...(+)
Composed by Michael D.
Atwood. Pavane Choral.
Octavo. 12 pages. Pavane
Publishing #P1575. Published
by Pavane Publishing
$2.45 $2.3275 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Certain Slant of Light Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet 1 and more. - Grade 2 SKU: CF.YPS211 Composed by Peter Terry. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+3+2+1+2+2+16+2 pages. Duration 4 minutes, 13 seconds. Carl Fischer Music #YPS211. Published by Carl Fischer Music (CF.YPS211). ISBN 9781491152300. UPC: 680160909803. Key: F major. A Certain Slant of Light is inspired by the introspective mood created by the rays of light on a dark cloudy day. A colorful, murmuring introduction is followed by a rich main theme in a minor key. It is a well-scored and fresh-sounding piece that will help young bands enhance their musicality. Rays of light against the dark of a cloudy day, or these same rays of light as they penetrate a dark room in late afternoon can create a mood of introspection and make us pause to reflect on the nature of life, loss and hope. A Certain Slant of Light is inspired by the title, but does not depict the actual poem There is a Certain Slant of Light by Emily Dickinson.A Certain Slant of Light opens with a colorful murmuring introduction followed immediately by a statement of the main theme of the piece. The opening briefly returns, followed by a setting of the melody in flute with woodwind accompaniment. The opening then returns and grows to a climax built on variations of the main theme. The piece fades to silence with a soft echo of the opening murmuring material.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.Peter Terry, 2018. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Gingerbread Christmas (Holiday Musical) Children choir Hal Leonard
By Emily Crocker. (Singer 5 Pak). Choral. Music First Express. Children's Music...(+)
By Emily Crocker. (Singer 5 Pak). Choral. Music First Express. Children's Musical. Size 6.8x10.5 inches. 40 pages. Published by Hal Leonard.
(1)$12.50 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Two Landscapes of Song for Treble Voices Carl Fischer
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool ...(+)
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool is the Valley Now. Composed by Paul David Thomas. Sws. Performance Score. 16 pages. Carl Fischer Music #CM9576. Published by Carl Fischer Music (CF.CM9576). ISBN 9781491153987. UPC: 680160912483. 6.875 x 10.5 inches. Key: G minor. English. Emily Dickinson (1830-1886) , Walt Whitman (1819-1892). The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsons poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees behalf, who would do such a thing? Whitman ponders a trees silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 712. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 3953). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modes lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 910, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, aWho Robbed the Woods?a and aO Cool is the Valley Now,a combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsonas poem considers the ways in which people use and exploit trees for their own purposes and asks, on the treesa behalf, who would do such a thing? Whitman ponders a treeas silent majesty and power and its ability to be ayet say nothing at all.a The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7a12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39a53). O Cool is the Valley NowA also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modeas lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9a10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, aWho Robbed the Woods?a and aO Cool is the Valley Now,a combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsonas poem considers the ways in which people use and exploit trees for their own purposes and asks, on the treesa behalf, who would do such a thing? Whitman ponders a treeas silent majesty and power and its ability to be ayet say nothing at all.a The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7a12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39a53). O Cool is the Valley NowA also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modeas lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9a10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson's poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees' behalf, who would do such a thing? Whitman ponders a tree's silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7-12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39-53). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode's lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9-10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson's poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees' behalf, who would do such a thing? Whitman ponders a tree's silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7-12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39-53). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode's lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9-10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, “Who Robbed the Woods?†and “O Cool is the Valley Now,†combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us.The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson’s poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees’ behalf, who would do such a thing? Whitman ponders a tree’s silent majesty and power and its ability to be “yet say nothing at all.â€The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7–12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39–53).O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode’s lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9–10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Art of Baroque Flute [Sheet music + CD] - Advanced De Haske Publications
Flute - advanced SKU: BT.DHP-1115103-400 For Flute and Basso Continuo ...(+)
Flute - advanced SKU: BT.DHP-1115103-400 For Flute and Basso Continuo or Piano. Arranged by Emily Beynon. Emily Beynon Presents. Book with CD. Composed 2011. 52 pages. De Haske Publications #DHP 1115103-400. Published by De Haske Publications (BT.DHP-1115103-400). 9x12 inches. In The Art of Baroque flutists can get acquainted with the music from the Baroque period and also learn about composers, the era and the technique of playing baroque music. The basso continuo part means that the pieces can be performed with live accompaniment or with the play-along CD. Includes pieces by J. S. Bach, G. F. Handel, G. Ph. Telemann. G. Platti, P. Locatelli, M. Blavet and J. Stanley.
In The Art of Baroque kunnen gevorderde fluitisten zich verder verdiepen in de muziek uit de barokperiode. De geselecteerde werken worden aangevuld met speeltips en informatie over het tijdperk en de componisten. Vertegenwoordigdzijn Johann Sebastian Bach, Georg Friedrich Händel, Georg Philipp Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet en John Stanley. Dankzij het basso continuo kunnen de stukken ook met begeleiding worden gespeeld
In The Art of Baroque (die Kunst des Barocks) können Flötisten die Musik der Barockzeit und mehr kennen lernen: Die ausgewählten Werke werden von kurzen Texten über die Komponisten, die Epoche und Spielanweisungen sinnvoll ergänzt. Dank des Basso continuo können die Stücke auch mit Begleitung gespielt werden. Vertreten sind die Komponisten J. S.Bach, G. F. Händel, G. Ph. Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet und John Stanley.
Ce recueil permettra tout fl tiste d‘un niveau avancé, d‘aborder l‘art de la musique baroque. Les oeuvres sélectionnées sont agrémentées de textes courts sur les compositeur et leur époque et des annotations d‘interprétations viennent compléter cet excellent ouvrage. La version d‘accompagnement la basse continue de chaque pièce est enregistrée sur le CD. Retrouvez sans attendre Bach, Haendel, Telemann, Platti, Locatelli, Stanley et Blavet.
Ne L‘arte del barocco“ viene data ai flautisti la possibilit di esplorare e conoscere questo periodo storico. I brani sono infatti corredati di brevi testi con informazioni sui compositori e sull‘epoca del barocco, come anche istruzioni su come eseguire i brani. Grazie al basso continuo i brani possono essere suonati anche con l‘accompagnamento. Nella pubblicazione sono proposte opere di J.S. Bach, G.F. Haendel, G. Ph. Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet e John Stanley. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Catedral Sumergida Flute and Guitar Doberman
Guitar and flute SKU: DY.DO-1535 Composed by Stephen Goss. Score and part...(+)
Guitar and flute SKU: DY.DO-1535 Composed by Stephen Goss. Score and part. Les Editions Doberman-Yppan #DO 1535. Published by Les Editions Doberman-Yppan (DY.DO-1535). ISBN 9782897963156. J'ai ajouté une partie de flûte à deux pièces bien connues pour guitare solo en si mineur â l'Ãtude Op. 35, n° 22 de Fernando Sor et le mouvement final de La Catedral d'AgustÃn Barrios Mangoré â Allegro Solemne. Le guitariste joue les pièces de Sor et de Barrios dans leur forme originale, tandis que le flûtiste superpose mon nouveau matériel.
La Catedral Sumergida a été commandée par Emily Andrews et Francisco Correa pour un album de ma musique pour flûte et guitare (Deux-Elles, 2025). La première représentation a eu lieu au Michael Tippett Centre, Bath Spa University, le 2 mai 2024. - Stephen Goss
I have added a flute part to two well-known solo guitar pieces in B minor â Fernando Sorâs Etude Op. 35, No. 22 and the final movement from La Catedral by AgustÃn Barrios Mangoré â Allegro Solemne. The guitarist plays the Sor and Barrios pieces in their original form, while the flautist superimposes my new material. La Catedral Sumergida was commissioned by Emily Andrews and Francisco Correa for an album of my collected flute and guitar music (Deux-Elles, 2025). The first performance took place at the Michael Tippett Centre, Bath Spa University, 2nd May 2024. - Stephen Goss. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Collected Songs for Soprano and Piano Soprano voice, Piano - Intermediate Ione Press
Composed by Henry Mollicone (1946-). For soprano voice solo, piano. Secular, 21s...(+)
Composed by Henry Mollicone (1946-). For soprano voice solo, piano. Secular, 21st century. Moderately difficult. Collection. Published by Ione Press
$18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Flute Flute GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by Marguerite Wilder. Habits of a Successful Musician. Music Education. Method book. 72 pages. Published by GIA Publications (GI.G-9142).
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Clarinet Clarinet GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by Marguerite Wilder. Habits of a Successful Musician. Music Education. Method book. 72 pages. Published by GIA Publications (GI.G-9145).
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I'll Not Weep Billaudot
(Sur Un Poeme D'emily Jane Bronte - (On A Poem by Emily Jane Bronte)). By Guilla...(+)
(Sur Un Poeme D'emily Jane Bronte - (On A Poem by Emily Jane Bronte)). By Guillaume Connesson. For Alto Voice / Countertenor Voice, Piano. 7 pages. Duration 5 minutes. Published by Gerard Billaudot Editeur
$14.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Habits of a Successful Middle School Musician - Oboe Oboe GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by Marguerite Wilder. Habits of a Successful Musician. Music Education. Method book. 72 pages. Published by GIA Publications (GI.G-9143).
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Art Of Baroque For Flute and Basso Continuo/piano Bk/cd Flute, Basso continuo [Sheet music + CD] - Advanced De Haske Publications
Flute (Flute) - advanced SKU: HL.44011110 For Flute and Basso Continuo...(+)
Flute (Flute) - advanced SKU: HL.44011110 For Flute and Basso Continuo or Piano. Arranged by Emily Beynon. De Haske Play-Along Book. Book with CD. Composed 2011. De Haske Publications #1115103400. Published by De Haske Publications (HL.44011110). UPC: 884088654764. 9x12 inches. In The Art of Baroque flutists can get acquainted with the music from the Baroque period and also learn about composers, the era and the technique of playing baroque music. The basso continuo part means that the pieces can be performed with live accompaniment or with the play-along CD. Includes pieces by J. S. Bach, G. F. Handel, G. Ph. Telemann. G. Platti, P. Locatelli, M. Blavet and J. Stanley.
In The Art of Baroque kunnen gevorderde fluitisten zich verder verdiepen in de muziek uit de barokperiode. De geselecteerde werken worden aangevuld met speeltips en informatie over het tijdperk en de componisten. Vertegenwoordigdzijn Johann Sebastian Bach, Georg Friedrich Handel, Georg Philipp Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet en John Stanley. Dankzij het basso continuo kunnen de stukken ook met begeleiding worden gespeeld
In The Art of Baroque (die Kunst des Barocks) konnen Flotisten die Musik der Barockzeit und mehr kennen lernen: Die ausgewahlten Werke werden von kurzen Texten u?ber die Komponisten, die Epoche und Spielanweisungen sinnvoll erganzt. Dank des Basso continuo konnen die Stu?cke auch mit Begleitung gespielt werden. Vertreten sind die Komponisten J. S.Bach, G. F. Handel, G. Ph. Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet und John Stanley.
Ce recueil permettra a tout flutiste d'un niveau avance, d'aborder l'art de la musique baroque. Les oeuvres selectionnees sont agrementees de textes courts sur les compositeur et leur epoque et des annotations d'interpretations viennent completer cet excellent ouvrage. La version d'accompagnement a la basse continue de chaque piece est enregistree sur le CD. Retrouvez sans attendre Bach, Haendel, Telemann, Platti, Locatelli, Stanley et Blavet.
Ne L'arte del barocco viene data ai flautisti la possibilita di esplorare e conoscere questo periodo storico. I brani sono infatti corredati di brevi testi con informazioni sui compositori e sull'epoca del barocco, come anche istruzioni su come eseguire i brani. Grazie al basso continuo i brani possono essere suonati anche con l'accompagnamento. Nella pubblicazione sono proposte opere di J.S. Bach, G.F. Haendel, G. Ph. Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet e John Stanley. $24.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Brenda Stubbert's - The Second Collection Violin [Sheet music] - Intermediate Cranford Publication
Edited by Paul Stewart Cranford. Arranged by Melissa Emmons. For Fiddle. Solos. ...(+)
Edited by Paul Stewart Cranford. Arranged by Melissa Emmons. For Fiddle. Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 80 pages
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Greater Acoustic Guitar White Pages Guitar notes and tablatures [Sheet music] - Intermediate Warner Brothers
Edited by Aaron Stang. Fretted instrument mixed folio (guitar). Published by Wa...(+)
Edited by Aaron Stang. Fretted instrument mixed folio (guitar). Published by Warner Brothers.
(4)$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Bassoon Bassoon GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by Marguerite Wilder. Habits of a Successful Musician. Music Education. Method book. 72 pages. Published by GIA Publications (GI.G-9144).
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Classics for Easy Guitar Guitar notes and tablatures - Easy Hal Leonard
By Various. Easy Guitar. Softcover. With guitar tablature. 128 pages. Publish...(+)
By Various. Easy Guitar.
Softcover. With guitar
tablature. 128 pages.
Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gabriel Fauré--Complete Songs Medium voice, Piano - Advanced Peters
4. Four Late Song Cycles: La Chanson d'Ève, Le Jardin clos, Mira...(+)
4. Four Late Song Cycles: La
Chanson d'Ève, Le Jardin clos,
Mirages, L'Horizon chimérique
(Edition for medium voice).
Composed by Gabriel Faure.
Edited by Emily Kilpatrick and
Roy Howat. This edition:
Urtext. Collections;
Masterworks. Masterwork;
Romantic. Book. Edition Peters
#98-EP11394B. Published by
Edition Peters
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sept Poemes D'emily Dickinson Durand
(Highlights) SKU: HL.50575831 Editions Durand. Editions Durand #DF15725. ...(+)
(Highlights) SKU: HL.50575831 Editions Durand. Editions Durand #DF15725. Published by Editions Durand (HL.50575831). $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Simple Jazz Songs
Easy Piano - Easy Hal Leonard
The Easiest Easy Piano Songs. Composed by Various. Easy Piano Songbook. Jazz. ...(+)
The Easiest Easy Piano Songs.
Composed by Various. Easy
Piano Songbook. Jazz.
Softcover. 208 pages.
Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Just Jazz Real Book B Flat Fakebook Bb Instruments [Fake Book] Alfred Publishing
Just Jazz Real Book - Bb Edition. (B-Flat Edition). For Bb instrument and voice....(+)
Just Jazz Real Book - Bb Edition. (B-Flat Edition). For Bb instrument and voice. This edition: B-Flat Edition. Fake Book. Just Real Books Series. Jazz. Difficulty: easy-medium to medium. Fakebook (spiral bound). Introductory text, vocal melody, lyrics, chord names, discography and black and white photos. 400 pages. Published by Alfred Music Publishing
$39.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Boosey and Hawkes Opera Anthology - Soprano Soprano voice, Piano Boosey and Hawkes
Composed by Various. Edited by Richard Walters. Boosey and Hawkes Voice. Opera...(+)
Composed by Various. Edited
by Richard Walters. Boosey and
Hawkes Voice. Opera.
Softcover. 306 pages.
Published by Boosey and Hawkes
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| First 50 Jazz Classics You Should Play on Piano Easy Piano - Easy Hal Leonard
Composed by Various. Easy Piano Songbook. Jazz. Softcover. 160 pages. Publish...(+)
Composed by Various. Easy
Piano Songbook. Jazz.
Softcover. 160 pages.
Published by Hal Leonard
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Most Requested Jazz Standards Piano, Vocal and Guitar Cherry Lane
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. 304 pages. Publ...(+)
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. 304 pages. Published by Cherry Lane Music
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Easy Jazz Standards Fake Book C Instruments [Fake Book] - Easy Hal Leonard
(100 Songs in the Key of C). By Various. For Melody/Lyrics/Chords. Easy Fake Boo...(+)
(100 Songs in the Key of C). By Various. For Melody/Lyrics/Chords. Easy Fake Book. Softcover. 160 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume VI C Instruments [Fake Book] Hal Leonard
C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Le...(+)
C Instruments. Composed by
Various. Fake Book.
Softcover. Published by Hal
Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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Handbell Solo & Duet handbell; piano SKU: HP.1587 Composed by William B. ...(+)
Handbell Solo & Duet handbell; piano SKU: HP.1587 Composed by William B. Bradbury. Arranged by Anna Laura Page and Christine D. Anderson. What if your art is part of a bigger picture, part of a daily grace God has in mind for someone else? -Emily P. Freeman. Christine Anderson Solo Handbells Series. General Worship, Sacred. Handbell Score. Hope Publishing Company #1587. Published by Hope Publishing Company (HP.1587). UPC: 763628115876. By William Bradbury. Psalms 23:1-6, Psalms 31:3, Psalms 63:1, Psalms 80:1, John 10:1-40, John 12:20-33, John 13:1, John 8:32,36, 1 Corinthians 6:20, 1 Peter 5:1-4, Hebrews 13:20, Isaiah 40:11, Luke 15:4-6, Romans 6:18, 1 John 10:11-18. Beloved hymntune by William Bradbury At the beginnning, the accompaniment sets a pastoral mood for this fine solo. Performance notes are most helpful. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
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