Piano

SKU: M7.VHR-3568

24 Klavierstücke durch den Quintenzirkel. Composed by Anne Terzibaschitsch. Sheet music. Performance book. 64 pages. Holzschuh Musikverlag #VHR 3568. Published by Holzschuh Musikverlag (M7.VHR-3568).

ISBN 9783864340963.

Die Ausgabe enthält 24 Eigenkompositionen für Klavier in allen Tonarten des Quintenzirkels. Zu jedem Stück finden sich Anmerkungen über Charakter und Stimmung der jeweiligen Tonart, die dem interessierten Spieler als Anregung dienen können. Seit vielen Jahrhunderten beschäftigen sich renommierte Musiker, Wissenschaftler und Musiktheoretiker mit der Frage nach Charaktereigenschaften und Ausdrucksqualitäten bestimmter Tonarten. In Fachkreisen wird dieses Thema zumeist kontrovers diskutiert. In diesem Heft soll gezeigt werden, dass verschiedene Tonarten durchaus unterschiedliche Charaktere aufweisen können. Anregungen dafür fanden sich u. a. in dem Buch des Musikwissenschaftlers Friedrich Oberkogler Tierkreis- und Planetenkräfte in der Musik. In ihm werden die zwölf Dur- und Molltonarten des Quintenzirkels mit den zwölf Tierkreiszeichen am Sternenhimmel in Verbindung gebracht.

By Jamie Hillman. For SSA choir and piano. Christmas. Octavo. Published by Cypress Choral Music

For High Voice and Piano. Composed by Francis Poulenc (1899-1963). Vocal Collection. Softcover. 168 pages. Editions Durand #DF16403. Published by Editions Durand

By Michael Haydn (1737-1806). Edited by Sherman, Charles H.. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, 2 Trumpets, (3 Trombones), Timpani, 2 Violins, Basso continuo. This edition: paperbound. MH 155. Requiem; Sacred Music from Salzburg; Occasions: Mourning, Death. Level 3. Score. Language: Latin. Composed 1771. 120 pages. Duration 35 min

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032109

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. 1x 50.321/31 clarino 1, 1x 50.321/32 clarino 2, 1x 50.321/33 trumpet 1, 1x 50.321/34 trumpet 2, 1x 50.321/35 trombone 1, 1x 50.321/36 trombone 2, 1x 50.321/37 trombone 3, 1x 50.321/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1771. MH 155. 72 pages. Duration 35 minutes. Carus Verlag #CV 50.321/09. Published by Carus Verlag (CA.5032109).

ISBN 9790007081003. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score and parts available separately - see item CA.5032100.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032105

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Choral Score. Composed 1771. MH 155. 20 pages. Duration 35 minutes. Carus Verlag #CV 50.321/05. Published by Carus Verlag (CA.5032105).

ISBN 9790007080990. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo - Level 3

SKU: CA.5034411

Composed by Michael Haydn. Edited by Charles H. Sherman. German title: Veni Sancte Spiritus Mh 39. Sacred vocal music, Hymns, Whitsun. Single Part, Violin 1. Composed 1761. MH 39. 2 pages. Duration 5 minutes. Carus Verlag #CV 50.344/11. Published by Carus Verlag (CA.5034411).

ISBN 9790007081331. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Score available separately - see item CA.5034400.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo - Level 3

SKU: CA.5034409

Composed by Michael Haydn. Edited by Charles H. Sherman. 1x 50.344/31 clarino 1, 1x 50.344/32 clarino 2, 1x 50.344/41 timpani. German title: Veni Sancte Spiritus Mh 39. Sacred vocal music, Hymns, Whitsun. Set of Orchestra Parts. Composed 1761. MH 39. 6 pages. Duration 5 minutes. Carus Verlag #CV 50.344/09. Published by Carus Verlag (CA.5034409).

ISBN 9790007081324. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Score available separately - see item CA.5034400.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo - Level 3

SKU: CA.5034419

Composed by Michael Haydn. Edited by Charles H. Sherman. German title: Veni Sancte Spiritus Mh 39. Sacred vocal music, Hymns, Whitsun. Set of Orchestra Parts. Composed 1761. MH 39. Duration 5 minutes. Carus Verlag #CV 50.344/19. Published by Carus Verlag (CA.5034419).

ISBN 9790007138318. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Score and parts available separately - see item CA.5034400.

Voice and Piano. By Various. Vocal Collection. Size 9x12 inches. 220 pages. Published by G. Schirmer, Inc.

SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo

SKU: CA.5030549

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed circa 1758-1760. MH 15. 24 pages. Duration 30 minutes. Carus Verlag #CV 50.305/49. Published by Carus Verlag (CA.5030549).

ISBN 9790007223762. Key: C major. Language: Latin.

The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and part available separately - see item CA.5030500.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1175813-140

Composed by Satoshi Yagisawa. Brilliant Marches. March. Score Only. Composed 2017. De Haske Publications #DHP 1175813-140. Published by De Haske Publications (BT.DHP-1175813-140).

English-German-French-Dutch.

This work was composed as ceremonial music, as part of a march medley for the participants’ entry for the 71st National Sports Festival and the 16th National Disabled Personnel Sports Festival, held in Iwate Prefecture in 2016. The European premiere of this piece took place in December of that year, the composer guest conducting the Young Musicians from Fribourg, Switzerland. This work, fusing Japanese folk song with march music, will have wide appeal, like the sister work March-Bou-Shu, also published by de Haske Publications.

Dit werk is gecomponeerd als ceremoniële muziek: het maakte deel uit van een marsenmedley voor de binnenkomst van deelnemers aan het 71e Nationale Sportfestival en het 16e Nationale Sportfestival voor Gehandicapten, gehouden in de prefectuur Iwate, in 2016. Deze combinatie van Japanse volksmuziek met marsmuziek zal veel muzikanten en luisteraars aanspreken, net als het zusterwerk March-Bou-Shu, dat ook door de Haske Publications bv werd uitgegeven.

Dieses Werk wurde 2016 anlässlich eines großen Sportfestes in Japan komponiert und war Teil eines Marsch-Medleys für den Einmarsch der Teilnehmer. Die europäische Premiere fand 2016 mit den Young Musicians aus Fribourg (Schweiz) und dem Komponisten als Gastdirigent statt. Im March-Chagu-Chagu vermischen sich japanische Volksmusik und Marschmusik zu einem exotischen Hörvergnügen.

Cette oeuvre fut composée comme musique cérémonielle, faisant partie d’un medley de marches l’arrivée des participants du 71e National Sports Festival et du 16e National Disabled Personnel Sports Festival en 2016. La première européenne s’est tenue en décembre de la même année l’initiative de l’Association Fribourgeoise des Jeunes Musiciens en Suisse. Cette œuvre qui fusionne une chanson folklorique japonaise avec la musique de marche aura une large résonance, comme sa composition soeur March-Bou-Shu, aussi publiée par De Haske Publications.

Questo brano è stato composto nello stile di una musica cerimoniale, come parte di un medley di marce per accompagnare l’entrata dei partecipanti al 71° National Sports Festival e al 16° National Disabled Personnel Sports Festival nella Prefettura di Iwate in Giappone nel 2016. La prima europea della composizione si è tenuta nel dicembre dello stesso anno a Friburgo (Svizzera), sotto la direzione del compositore stesso. Come per March-Bou-Shu successo garantito per questa delizioso mix di canzone popolare giapponese e marcia.