SKU: HL.14033258

ISBN 9780711991576. English(UK).

A delightful collection of seven songs with narration especially written for young children by Jennifer Porter, arranged by Alison Hedger. The songs follow the preparation of the garden, sowing seeds, discovering flowers, harvesting vegetables and picking fruit. Each song can be sung individually, or performed in sequence any time of year, as a mini-musical lasting approximately 20 minutes. Several of the songs are ideal for use in the autumn at harvest celebrations. If you need to license a school/youth theatre performance of this product, please use the online application form.

SKU: BT.EMBZ15000N

English-Hungarian.

In the autumn of 1974 György Kurtág began to copy selected pieces from the series Games into a music notebook for Zoltán Kocsis who was his student in earlier years and who, throughout his entire life, was one of its most authentic performers. Kocsis played from this notebook in the first public performance of Games in 1974. The gradually expanding series of piano pieces also appeared in print in the course of later decades however, he always used this collection - expanded over 32 years since by Kurtág - whenever he played pieces from Games in concert. Since the time of this 1974 concert, as Kocsis wrote later: ''I didn't know that the spiral notebook I received at thepremiere would later become, as it were, my permanent companion. That I would take it with me from Japan to Canada, from Australia to Iceland, travelling to the world's most prominent concert halls, surviving fire damage, flood, transport catastrophes, theft attempts, forced landings and so on, and that - well beyond the intention of its being 'copied with love' - it would include works and sketches for which this notebook would become the principal source.''The manuscript gives a glimpse into Kurtág's workshop from the viewpoint of both performers and musicologists. The former can understand more from Kurtág's handwriting about the composer's intentions than from the printed score. The musicologists, however, can study the historical origins of the works: some works can be found here in more than one version, others appear in a version different from the printed score.The publication is accompanied by a booklet and a CD supplement. The booklet contains Kocsis's own personal preface, as well as András Wilheim's essay providing information about the collection and the pieces contained therein. On the CD we hear 11 works performed by Kocsis, from a recording made in 1982 which has not previously been commercially issued.

SKU: AP.36-A241901

UPC: 660355021398. English.

Written between the autumn of 1900 and April 1901, Sergei Rachmaninoff's Concerto for Piano No. 2 remains one of the composer's most enduringly popular pieces and cemented his reputation as composer of concerti.  It also served as confirmation of the end of Rachmaninoff's three-year bout with clinical depression and writer's block that stemmed, in part, from the poor reception by critics of his first symphony in 1897. Instrumentation: Solo Piano: 2.2.2.2: 4.2.3.1: Timp.Perc: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: BO.B.3340

ISBN 9788480207591.

English comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentarios del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

SKU: AP.49869

UPC: 038081572475. English.

PianoTrax 15 contains accompaniment tracks for the following choral publications: Autumn Vesper (with and without repeat) * The Bat * Canon of Hope * Christmastime Again * Confitemini Domino * Didn't My Lord/Dies Irae * French Carol Duet * The Gallery * Gerakina * Hope Is the Thing with Feathers * I Wish I Were a Cloud * In Paradisum (Keys of Eb and Gb)* Jenny Kissed Me * Life Has Loveliness * Light of Grace * Nessun Dorma * Noche de Paz (Silent Night) * Oy Khodyt Son * The Power of a Song * Rainbow Sister (Hong Cai Mei Mei) * The Solitude of Snow * Today's Hope * The Virgin Mary Had a Baby Boy * Wind on the Hill * Winter.

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SKU: CA.4013814

ISBN 9790007249410. Language: German/English. Text: Goethe, Johann Wolfgang.

Goethe's dramatic ballad The First Walpurgis Night inspired Mendelssohn to write a magnificent and vivid portrayal of the conflict between an old heathen community and the new aspirations of Christianization, between belief and superstition on both sides. In 1833 Mendelssohn had his ballad premiered, but he decided to make far-reaching revisions before he finally had the work published in 1844. The Carus edition by the leading Mendelssohn scholar R. Larry Todd is based on the first printed edition of the score and thus the last authentic version of the work. This important choral work by Mendelssohn is now available in a modern Urtext edition, with full score (in two languages), vocal score, choral score and orchestral material available on sale, as well as a CD recording by the Kammerchor Stuttgart conducted by Frieder Bernius (planned for autumn 2019). Score and part available separately - see item CA.4013800.

SKU: BT.MUSM570366903

English.

George Nicholson 's Shadow Play for Flute and Clarinet in A. Duration: c. 12 minutes. Shadow Play was composed in the autumn of 2015. The title is intended to suggest the nature of the relationship between the two instruments,which constantly shadow each other in the course of the piece, as well as the character of much of the musical material ('shadowy' and evanescent). There are four short movements - the last two linked together - and the music is by turns playful and reflective. First performed by Simon Desorgher and Philip Edwards, 18th London New Wind Festival, 20th November 2015.

SKU: CA.4013812

ISBN 9790007249397. Language: German/English. Text: Goethe, Johann Wolfgang.

Goethe's dramatic ballad The First Walpurgis Night inspired Mendelssohn to write a magnificent and vivid portrayal of the conflict between an old heathen community and the new aspirations of Christianization, between belief and superstition on both sides. In 1833 Mendelssohn had his ballad premiered, but he decided to make far-reaching revisions before he finally had the work published in 1844. The Carus edition by the leading Mendelssohn scholar R. Larry Todd is based on the first printed edition of the score and thus the last authentic version of the work. This important choral work by Mendelssohn is now available in a modern Urtext edition, with full score (in two languages), vocal score, choral score and orchestral material available on sale, as well as a CD recording by the Kammerchor Stuttgart conducted by Frieder Bernius (planned for autumn 2019). Score and part available separately - see item CA.4013800.

SKU: AP.81-SPS979

ISBN 9781554729081. UPC: 685462007721. English.

This addition to the Eighth Note Publications library is a set of volumes containing some of the most famous classical pieces which have been arranged for various solo instruments with keyboard accompaniment. This collection is ideal for solo recitals, master classes, concerts, weddings, church services or receptions. The playable accompaniment parts are designed to reduce the time of rehearsal with the pianist/organist and to best show the soloist's musicality. Pieces in this collection are: Largo from New World Symphony, Anitra's Dance from Peer Gynt Suite, Largo from Winter (Four Seasons), The Prince and the Princess from Scheherazade, Air from Orchestral Suite in D, Movement 1 from Autumn (Four Seasons) and Largo from Xerses.

SKU: AP.36-A296301

ISBN 9798892702249. UPC: 659359924736. English.

A dream inspired Charles Tomlinson Griffes (1884-1920) to compose The Pleasure Dome of Kubla Kahn, based on the poem by Samuel Taylor Coleridge. The composer originally wrote it for piano in 1912. Four years later, at the encouragement of Ferruccio Busoni, he expanded it into a shimmering symphonic poem. Following the first performance in the autumn of 1919 under the direction of Pierre Monteux, it achieved great success and remains one of his most frequently-performed works today. The work reveals the influence of French impressionism, meandering through the lush gardens of the legendary palace. This edition by Gregory Vaught is part of the Nieweg Performance Editions series. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2).Clst.Pno: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.