I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk Song and Tuscan Folk Song. Arranged by Christi Jones. Fold. Octavo. 8 pages. Duration 2 minutes, 35 seconds. BriLee Music #BL1123. Published by BriLee Music

(Three Pictures of Chassidic Life) Composed by Ernest Bloch (1880-1959). Set of performance parts for violin and piano. With bowings and fingerings. 14 pages. Published by Carl Fischer.

SSAA choir (a cappella)

SKU: GH.CG-3965

Sv.Ps. 238b. Composed by Ernest Thiel, Jr. Octavo. With Language: Swedish. Gehrmans Musikforlag #CG 3965. Published by Gehrmans Musikforlag (GH.CG-3965).

ISBN 9790070037976. 185 x 262 mm inches. Key: G dur / g major. Text: Arrhenius / Svedberg.

For SSAA a cappella.

(Charles Neidich 21st Century Series for Clarinet). By Ernesto Cavallini. Edited by Charles Neidich. LKM Music. Softcover with CD. Hal Leonard #S131007. Published by Lauren Keiser Music Publishing

(Neapolitan Song). Composed by Ernesto De Curtis (1860-1926). Arranged by Jos Dobbelstein. For Tenor voice and Concert Band. Grade 3. Full score and set of parts. Duration 4:30. Published by Baton Music

The Complete Thomas Y. Tirino Edition. Composed by Ernesto Lecuona (1895-1963). Edited by Thomas Y. Tirino. E.B. Marks. Softcover. 218 pages. Published by Edward B. Marks Music

The Phunky Hip-Hop Drummer. (Includes CD with 6 Play-Along Grooves Featuring Dj Tonee Mcguire). By Bob Ernest. For Percussion. Student book. Standard notation. 80 pages. Published by Carl Fischer

Piano - Grade 4

SKU: HL.14037636

Volume 1. By John Talbot. By Ernest John Moeran. Music Sales America. Classical. Softcover. 68 pages. Thames Publishing #TH978562. Published by Thames Publishing (HL.14037636).

ISBN 9781846098307. 8.25x11.75x0.22 inches. English.

The first volume of collected Solo Piano music by Ernest John Moeran, complete with editorial notes by John Talbot. These miniatures for solo piano range in difficulty, and offer a range of styles, contrasts and tones. Greatly influenced by folk-music, these pieces have a very intimate, thoughtful and lyrical feel, and are a delightful addition to any advancing pianist's repertoire.

Choral Children's choir, Piano

SKU: PR.312419290

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes, 35 seconds. Theodore Presser Company #312-41929. Published by Theodore Presser Company (PR.312419290).

ISBN 9781491137932. UPC: 680160692620. Texts from The King James Bible, creation myths from India, North America, and Egypt; Edna St. Vincent Millay, Percy Bysshe Shelley, Walt Whitman, Lord Byron, Esther Iverem, William Wordsworth, Wendell Berry, Lord Alfred Tennyson, Charles Mackay, William .

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Composed by William Howard Doane, Robert Lowry and Henry Ernest Nichol. Arranged by Robert J. Powell. For organ. 21st Century. Moderately Easy. Published by MorningStar Music Publishers

By Ernest Kramer. For Piano. Piano Duet (1 Piano, 4 Hands). Late Intermediate level piece for the Piano Duet event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Level: Late Intermediate (grade 6). Sheet. 12 pages. Published by Alfred Publishing

By Ernest Kramer. For Piano. This edition: 2 copies included. Piano Duo (2 Pianos, 4 Hands). Intermediate level piece for the Piano Duo event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Level: Intermediate (grade 4/5). 8 pages. Published by Alfred Publishing.