| What I Do Today... Concert band - Easy FJH
Concert Band - Grade 2.5 SKU: FJ.B1882S Composed by Brian Balmages. Conce...(+)
Concert Band - Grade 2.5 SKU: FJ.B1882S Composed by Brian Balmages. Concert Band. FJH Young Band. Score. The FJH Music Company Inc #98-B1882S. Published by The FJH Music Company Inc (FJ.B1882S). English. Who will be better because of what I do today? These words inspire the opening chorale and the joyous celebration that follows. A powerful reminder of how each of us can affect positive change in the people and world around us, the music eventually erupts in a euphoria of sound, almost akin to a pop music concert. As quickly as this comes, the chorale returns once more, leaving everyone with a sense of peace. About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| In Shining Splendor GIA Publications
SKU: GI.G-005714 Easter. Sacred. GIA Publications #005714. Published by G...(+)
SKU: GI.G-005714 Easter. Sacred. GIA Publications #005714. Published by GIA Publications (GI.G-005714). Something cosmic happens at Easter. Under a full moon and a starry sky, the whole earth erupts into praise. Heaven and earth narrate the wonderful works of God, and all is music. The Risen One sets the rhythm, and all celestial and terrestrial voices are tuned for the song. With these words, Father Richard Fragomeni sets the tone for fifty days of meditations on the great Easter vigil song of praise, the Exsultet. Together with exquisite art by Jane Pitz, you can make these your daily prayerful reflections throughout the Easter season. Exult with all creation as you pray the Exsultet all Easter season long! Hardcover book with dustjacket includes a CD with a recording of the chanted Exsultet and more Easter music to accompany your daily meditations. $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Agua's Whelm Concert band [Score and Parts] - Intermediate/advanced C.L. Barnhouse
By Cory J. Mcbride. Bestseller. Concert Band. Level: Grade 4. Score and set of p...(+)
By Cory J. Mcbride. Bestseller. Concert Band. Level: Grade 4. Score and set of parts. Composed 2004. Duration 0:05:59. Published by C.L. Barnhouse.
(1)$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adventures in Yellowstone Piano solo - Intermediate Alfred Publishing
Piano - Intermediate SKU: AP.48701 Composed by Victor Labenske. Piano Sui...(+)
Piano - Intermediate SKU: AP.48701 Composed by Victor Labenske. Piano Suite; Piano Supplemental; Solo; Solo Small Ensembles. Recital Suite Series. Form: Suite. Recital. Score. 12 pages. Alfred Music #00-48701. Published by Alfred Music (AP.48701). ISBN 9781470643942. UPC: 038081559780. English. The three movements of Adventures in Yellowstone present iconic scenes from the park. The first movement, Waiting for Old Faithful, begins with a tremolo, representing the rumbling before the famous geyser erupts, followed by figures that move up and down the keyboard depicting the shooting water. Grand Prismatic Spring is the second movement, a mysterious piece filled with scale-like figures and short motives based on various intervals. The last movement, Wildlife in the Valleys, creates various moods associated with animals found in the region, including wolves, bears, and buffalo. The exciting ending concludes with a glissando and fortissimo chords. $5.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Veilleuse (Night Watch) Violin and Piano Oxford University Press
Violin & piano (Solo) - Difficult SKU: OU.9780193555280 Composed by Micha...(+)
Violin & piano (Solo) - Difficult SKU: OU.9780193555280 Composed by Michael Berkeley. Violin & Piano. 16 pages. Duration 10'. Oxford University Press #9780193555280. Published by Oxford University Press (OU.9780193555280). ISBN 9780193555280. 12 x 8 inches. For violin and piano This is a reworking of material from Berkeley's 1979 Violin Sonata, and is an evocative and atmospheric single movement. Veilleuse means 'Night Watch' or 'Night Lantern', and the music has a slightly melancholy, restless atmosphere, which momentarily erupts in a passionate outburst before settling back to the quietly ticking, veiled lines of the opening. $21.25 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Tundra Concert band - Easy FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1722 Composed by William O...(+)
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1722 Composed by William Owens. Concert Band. FJH Young Band. Programmatic. Score and Part(s). Duration 4:15. The FJH Music Company Inc #98-B1722. Published by The FJH Music Company Inc (FJ.B1722). UPC: 241444385982. English. This programmatic work illustrates the eeriness and ferocity of a vast, sub-zero wilderness uninhabitable by man. With optional piano part, the opening calm includes dissonant ostinato patterns paired with semi-melodic motifs. The ensuing storm erupts with driving rhythms and a bold melody as the music barrels into a whirlwind of flurry before returning to a sense of unsettled calm. A highly engaging work. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nubes Piano solo Oxford University Press
Solo piano (Solo) SKU: OU.9780193563995 Composed by Gabriel Erkoreka. Pia...(+)
Solo piano (Solo) SKU: OU.9780193563995 Composed by Gabriel Erkoreka. Piano (Solo). 12 pages. Duration 6'. Oxford University Press #9780193563995. Published by Oxford University Press (OU.9780193563995). ISBN 9780193563995. Nubes (clouds in Spanish) consists of two movements played without interruption. The first, Cumulus, is a play of sonorities based on a fixed intervallic structure. In the distance, one can hear intimations of a storm. The second movement, Nimbus, erupts powerfully; the play of intervals expands. Wind, rain and electrical discharges grow from a single nucleus and come together creating an apocalyptic climate. Suddenly the sky clears and the storm dies. Nubes II concludes the cycle. $30.99 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Riverdance Big band [Score and Parts] - Intermediate Sierra Music
By Bill Whelan. Arranged by Bob Curnow. Jazz Ensemble / Jazz Band. The Bob Curno...(+)
By Bill Whelan. Arranged by Bob Curnow. Jazz Ensemble / Jazz Band. The Bob Curnow Big Band Series. Celtic / Multi Meter. Grade 5-6. Score and set of parts
$85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Quartet Sant Petersburg String Quartet: 2 violins, viola, cello Editorial de Musica Boileau
String quartet SKU: BO.B.3664 Composed by Jordi Cervello. Published by Ed...(+)
String quartet SKU: BO.B.3664 Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3664). Cuarteto San Petersburgo (The Saint Petersburg Quartet) was written between January and March 2011. It owes its name to the fact that Saint Petersburg has been a very significant city for me. I was invited there in 1988 to take part in a big contemporary music festival, but my uninterrupted bond with the city started on 2002, thanks to the negotiations of my friend and pupil Albert Barbeta. Since then, I have constantly travelled there in order to record a considerable part of my repertoire: seventeen pieces. In addition to the concerts we went to, I took the opportunity during my trips to visit the well-known conservatoire where so many great personalities from the world of music composition once taught, and the place that launched the most important violin school in the whole of Russia: the school of Leopoldo Auer. Spending a long time in Auer's classroom writing my concert for violin and orchestra was an unforgettable experience for me. His large portrait motivated me even further.
Cuarteto San Petersburgo evokes many of the most cherished and moving moments that I have had in this city. It is structured in four movements. The first one, Allegretto-Allegro, opens with an introduction that sets forth the two main themes, amid a soft and elastic atmosphere. The Allegro starts vigorously and in it we find changes in the tempo and moments of mystery, as well as certain seclusion, returning then to the emphatic theme where the counterpoint finds its place. The movement ends placidly.
The Scherzo-marcato that follows is marked by a persistent rhythm of triplets that carries on from beginning to end. The tempo does not change, but brief and decided themes are introduced, as well as passages of counterpoint. Brief and dissonant chords are heard throughout the movement, which ends vigorously.
The third movement, Ut, is a very special one. For a while already I had been playing with the idea of writing a movement that was to have the tonality C as a leitmotiv. This one is made up by two slow and static parts. In the first one, the first violin plays pizzicatti-glissandi. In the second, the first violin and particularly the violoncello settle on C while the other two instruments produce descending chromatic harmonies.
Finally, the Introduccion-Presto (the Introduction-Presto). It starts with some bucolic passages which remind us of the introduction to the first movement. A fast and energetic Presto suddenly erupts. A kind of moto perpetuo which alternates with two expressive passages and, towards the end, a viola and violoncello tremolo, all of great mystery and expectation, make way for a resounding finale marcato. $38.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem (Requiem) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Vocal Score] Carus Verlag
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...(+)
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Full score available separately - see item CA.5162650. Requiem; Occasions: Mourning, Death. Piano/Vocal score. Language: Latin. Composed 1791/1991. 88 pages. Duration 50 min. Published by Carus Verlag (German import).
(1)$17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| NUN Breitkopf & Härtel
(solos: fl,tbne - TTTTBBBB - 3(3picc).4.3.0.dble bsn. - 4.3.0.2. - timp.perc(3) ...(+)
(solos: fl,tbne - TTTTBBBB - 3(3picc).4.3.0.dble bsn. - 4.3.0.2. - timp.perc(3) - hp.e-guit - str: 16.8.8.8.8.) SKU: BR.PB-5420 Composed by Helmut Lachenmann. Softbound. Partitur-Bibliothek (Score Library). Music post-1945; New music (post-2000). Study Score. Composed 1997-1999/2003. Duration 38'. Breitkopf and Haertel #PB 5420. Published by Breitkopf and Haertel (BR.PB-5420). ISBN 9790004211830. 9 x 12 inches. Vielleicht so etwas wie ein ,,Parergon zu meiner Madchen-Oper Zwei Klangquellen - unter ambivalenten Aspekten zugleich homogen und heterogen, nicht so ohne weiteres zusammenpassend: - Posaune und Flote/Bassflote - (mit Resonanzen aus zwei Konzertflugeln), 8 Mannerstimmen - alle erzeugen Tone, und Luft, Zweiklange, Vibrationen, Schwebungen, Rattern, Konsonanzen. Und rattern und sprechen - und japsen, Orchester mit 4 Oboen, 3 Floten, 3 Klarinetten, zwei Kontrafagotten (unterbeschaftigt), 4 Horner, drei Trompeten, keinen Posaunen, 2 Tuben, die in der Tiefe rappeln, zwei Klavieren, Gitarre-Harfe, Streicher (,,Perforateure), 3 Schlagzeuger, rappeln (Fellwirbel), - und schwingen China-Becken durch die Luft, dampfen aus und vorzeitig ab (,,japsen) und: halten aus. Musik zum Aushalten, ist nicht zum Aushalten. Ein Orchester mit vielen Unisono-Quellen Es ist immer wieder auf andere Weise - jedes Mal das gleiche: Musik, nicht als Text, nicht als diskursiver Verlauf, gar als klingendes Drama, - eher eine Art kunstliches und als Produkt einer komplexen Spekulation zugleich transzendentes Natur-Schauspiel, als ,,reine Prasenz - (Das sind allerdings Wort-Hulsen, die schlecht an das erinnern, was sie nicht mehr zu nennen, zu fassen wagen bzw. imstande sind. Begriffe, die es abzurufen und zugleich im Blick auf die Sache selbst auszustreichen gilt.): Sie zu beschworen, ohne dabei in schlecht besinnliche ,,meditative Idyllen, bzw. idyllische Standards zu verfallen, gehort zu meinen zentralen Utopien - Ihre Wunschbarkeit/Stringenz/existentielle Notwendigkeit, ,,Wahrheit ist hienieden nicht zu trennen von ihrer Unmoglichkeit, wegen der Standardisiertheit aller Mittel, auf der ihre Verwirklichung, ihre Anpeilung, ihre Ins-Werk-Setzung verwiesen ist. Aber: alles soll/wird in dieser wie auch immer vermittelten Prasenz beruhrt, erlost, befreit sein. Kann man Erfahrungen, deren Unmoglichkeit, deren Verschuttetheit man sich bewusst macht, vermitteln durch den Kampf gegen diese Unmoglichkeiten, Verschuttetheiten (= Unfreiheiten)??? Wer bin ich? Was ist das: das ich, das solche Suche, solches Abenteuer, solchen Kampf gegen die Materie auf sich nimmt?? Das ,,Ich ist kein Ding, sondern ein Ort (Kitaro Nishida - aber ich bin kein Buddhist, und auch kein Zen-Monch, sondern ein Anfanger in allem, auch im Komponieren des jeweilig konzipierten Stucks.) Das Wasser wascht das Wasser nicht - das Feuer verbrennt das Feuer nicht - der Schmerz selbst tut nicht weh. Der Genuss geniesst nicht. Das Horen hort nicht, das Leben lebt nicht - und so lebt es. Das Ich ist nicht das ich. Musik ist nicht Musik, ist Nicht-Musik: die einzige Musik, die den Namen in seiner emphatischen Bedeutung verdient. Musik sei Nicht Musik?? Sondern?? Ja - sondern. Komponieren heisst: sondern. Utopien kompositorisch zu beschworen, bedeutete fur meinen Mechanismus stets: ihre Verschuttetheit. Und das was - nicht zufallig - sie verschuttet hat. Oder zu verschutten droht, in den Griff zu nehmen.Helmut Lachenmann (Skizze)Mitten in meiner Oper Das Madchen mit den Schwefelholzern - nach Hans Christian Andersen -, die im winterlichen eiskalten Kopenhagen spielt, gibt es einen Sprung in die mediterrane Vulkanlandschaft Suditaliens, wo - nach einem Text von Leonardo Da Vinci - ,,die Schwefelfeuer den grossen Berg offnen, um Steine und Erde samt den heraustretenden und herausgespieenen Flammen durch die Luft zu schleudern, und im Ausbruch ,,jedes Hindernis verjagen, das sich ihrem ungestumen Wuten entgegenstellt. Leonardo sieht in diesem Naturvorgang eine Metapher fur die Unruhe des menschlichen Herzens bei der Suche nach Erkenntnis. Er beschreibt eine Wanderung durch die schattigen Klippen hindurch bis vor den Eingang einer grossen Hohle, vor welcher der Erzahlende ,,im Gefuhl der Unwissenheit eine Zeitlang verharrt: ,,Ich hockte mit gekrummtem Rucken, die mude Hand aufs Knie gestutzt, beschattete ich mit der Rechten die gesenkten und geschlossenen Wimpern: - und n u n -, da ich mich mehrmals hin und her beugte, um in die Hohle hineinzublicken, verbot mir das die grosse Dunkelheit, die darin herrschte. Als ich aber eine Zeitlang verharrt hatte, erwachten in mir zwei Gefuhle: Furcht und Verlangen - Furcht vor der drohenden Dunkelheit der Hohle, Verlangen aber, mit eigenen Augen zu sehen, was an Wunderbarem darin sein mochte. Diesem ,,n u n ist meine Komposition gewidmet: Sie - ahnlich wie auf andere Weise mein Klavierkonzert Ausklang - ist sozusagen ,,meine Alpensymphonie. Anders als bei Strauss allerdings beschwort sie Energien und Eruptionen in einer Klanglandschaft weitab von jeglicher musiksprachlichen Geborgenheit. Wahrend im Strauss'schen Meisterwerk der Wanderer aus stimmungsvollem b-moll-Morgennebel aufbricht - allerdings erst den in A-Dur strahlenden Sonnenaufgang abwartet ... - und in frohlichem Es-Dur lossturmend auf tonal gesicherten Wegen zum majestatischen C-dur-Gipfel glucklich hinaufgelangt - den er allerdings bei hereinbrechendem Unwetter eilends verlasst, um ins schutzende Tal hinabzufluchten -, verharrt der Wanderer Leonardos in NUN in unwirtlicher Hohe vor jener Furcht und Verlangen erregenden Hohle. Meine Musik, sozusagen als brodelnder Krater beginnend, verwandelt sich in eine Sequenz von Rufen, deren Widerhall die ,,drohende Finsternis zu durchdringen und auszuloten versucht, und sie mundet - auf dem Umweg uber eine Art ,,Tanz auf dem Vulkan der beiden Solo-Instrumente - in eine instrumental paraphrasierte Sprech-Landschaft, als ob das Zischen und Fauchen, nichts weiter wiedergabe als die erweiterten Konsonanten eines gesprochenen imaginaren Textes. Dieser schliesslich - als Botschaft des im Ungeborgenen nach Erkenntnis Suchenden - konkretisiert sich zu jenem abgrundigen Satz des japanischen Philosophen und Grunders der ,,Kyoto-Schule, Kitaro Nishida: ,,Das Ich ist kein Ding, sondern ein Ort. Die Beziehung meines Werks zur Strauss'schen Alpensymphonie - der Komponist wollte sie ursprunglich nennen ,,der Antichrist - ist in ihrer antipodischen Gegensatzlichkeit evident. Es ist eine machtvolle, letztlich aber gutige, dem Menschen zugewandte, idyllische Natur, die bei Strauss beschworen wird, und den nachtlich in die hausliche Behaglichkeit Heimkehrenden erfullt Ehrfurcht und Dankbarkeit: es ist ein ,,glaubiger Antichrist, und die Pastorale Beethovens lasst grussen. Wie alles von Strauss war es ein - s e i n - letzter (oder vorletzter ...) Blick auf ein zerfallendes Paradies (1915 geschrieben ...). Heute ist vielleicht jedes Werk, welches sich den innovativen Anspruch von musikalischer Tradition zu Eigen gemacht hat und im 21. Jahrhundert den Musikbegriff jenseits tonaler Sprachvertrautheit in ungesichertem Klang-Terrain neu zu bestimmen sucht - eine Art Bergbesteigung in weglosem Gelande, und wenn schon nicht eine ,,Alpensymphonie, so doch eine Gratwanderung: abenteuerlich - verlockend - nicht ungefahrlich: ,,non hay caminos .... Helmut Lachenmann (Februar 2003)CDs: Gaby Pas-Van Riet (flute), Michael Svoboda (trombone), Neue Vocalsolisten Stuttgart, WDR Sinfonieorchester Koln, cond. Jonathan Nott CD KAIROS 0012142KAIDietmar Wiesner (flute), Uwe Dierksen (trombone), SCHOLA Heidelberg, Ensemble Modern Orchestra, cond. Markus StenzEMCD-004Bibliography:Hidalgo, Manuel: Mozart in Lachenmann, in: auf (-) und zuhoren. 14 essayistische Reflexionen uber die Musik und die Person Helmut Lachenmanns, hrsg. von Hans-Peter Jahn, Hofheim: Wolke 2005, pp. 35-46.Hiekel, Jorn Peter: Interkulturalitat als existentielle Erfahrung. Asiatische Perspektiven in Helmut Lachenmanns Asthetik, in: Nachgedachte Musik. Studien zum Werk von Helmut Lachenmann, hrsg. von Jorn Peter Hiekel und Siegfried Mauser, Saarbrucken: Pfau 2005, pp. 62-84.Kaltenecker, Martin: Was nun? Die Musik Helmut Lachenmanns als Beispiel, in: Der Atem des Wanderers. Der Komponist Helmut Lachenmann, hrsg. von Hans-Klaus Jungheinrich, Mainz: Schott 2006, pp. 113-128.Maier, Birgit; Britz, Vanessa; Arnold, Miriam: Helmut Lachenmann: NUN, in: Flote aktuell (2003), Heft 4, pp. 20-24.Pas-Van Riet, Gaby: On NUN, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, p. 165f.Svoboda, Mike: NUN An Inside View, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 161-164.Wellmer, Albrecht: Helmut Lachenmann: Die Befreiung des Klangs in der konstruktivistischen Tradition der europaischen Moderne, in: ders., Versuch uber Musik und Sprache, Munchen: Hanser 2009, pp. 270-299.Utz, Christian: Paradoxien musikalischer Temporalitat. Die Konstruktion von Klanggegenwart im Spatwerk Bernd Alois Zimmermanns im Kontext der Prasenzasthetik bei Giacinto Scelsi, Gyorgy Ligeti, Morton Feldman und Helmut Lachenmann, in: Die Musikforschung 68 (2015), pp. 22-52.
World premiere: Cologne (Musik der Zeit), October 20, 1999 World premiere of the revised version: Berlin, Konzerthaus, January 17, 2003. $102.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Requiem Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
(completed by Robert D. Levin). Composed by Wolfgang Amadeus Mozart (1756-1791)....(+)
(completed by Robert D. Levin). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Robert D. Levin. For SATB vocal soli, SATB choir, 2 basset horn, 2 bassoons, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, viola, basso continuo. D-Moll (D minor). Score available separately - see item CA.5162650. Requiem, Mourning, death. Complete orchestral parts. Language: Latin. Composed 1791/1991. KV 626. Duration 50 minutes. Published by Carus Verlag
$264.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Agua's Whelm Concert band - Intermediate/advanced Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-3315-01 Composed by C. McBride. Concert Band. Heritag...(+)
Grade 4 SKU: CL.012-3315-01 Composed by C. McBride. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR331). Extra full score. Composed 2004. Duration 5 minutes, 59 seconds. Opus III Wind Orchestra Publications #012-3315-01. Published by Opus III Wind Orchestra Publications (CL.012-3315-01). A very exciting and contemporary work that is descriptive of the tragedy that occurred in Central America in 1541 when a long quiet volcano that had filled with water suddenly erupted, sending mud and water covering the city of Ciudad Vieja killing many and completely wiping out the city. The name of that volcano was Agua, which on that day brought whelm on to everything that its waters touched. This is the second published work by young composer Cory McBride and was written when he was a 16 year old high school student. Bold, unique and distinctive, includes solos for flute, tenor sax, bari sax & horn and it’s an excellent programming choice for any festival or concert performance by better bands. About Heritage of the March Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Resurrection of Christ Fred Bock Music Company
Solo Voice with optional Duet Piano Accompaniment; Vocal Duet; Vocal Solo (Music...(+)
Solo Voice with optional Duet Piano Accompaniment; Vocal Duet; Vocal Solo (Music For Voice) SKU: HL.364388 Composed by Richard A. Nichols. Fred Bock Publications. General Worship, Sacred, Traditional. Softcover. 6 pages. Fred Bock Music Company #BGV1013. Published by Fred Bock Music Company (HL.364388). UPC: 840126958812. 9.0x12.0x0.075 inches. As each verse begins with the concept of Christ's death, each chorus erupts with joy as we celebrate the resurrection of Christ. A triumphant and stately accompaniment creates the landscape for the unfolding story of the gospel of Christ. $7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Come Down Rain Concert band - Intermediate FJH
Concert Band Concert Band - Grade 3 SKU: FJ.B1748 Composed by Jack Wilds....(+)
Concert Band Concert Band - Grade 3 SKU: FJ.B1748 Composed by Jack Wilds. Concert Band. FJH Concert Band. Multicultural. Score and Part(s). Duration 4:45. The FJH Music Company Inc #98-B1748. Published by The FJH Music Company Inc (FJ.B1748). UPC: 241444391204. English. Inspired by an Arabic folk song of the same name, the music describes a rainstorm followed by a harvest celebration. Opening with atmospheric sounds, the music slowly increases in intensity, accompanied by the compelling sounds of a thunder sheet. A powerful percussion section joins with brass to signal the storm's arrival before the music erupts in dance and celebration. About FJH Concert Band Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5 $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Swing Low Sweet Chariot Choral SATB SATB, Piano [Octavo] - Easy Oxford University Press
By Andrew Pryce Jackman. For Mixed Choir and Piano. This edition: X454. Choral o...(+)
By Andrew Pryce Jackman. For Mixed Choir and Piano. This edition: X454. Choral octavo
$3.25 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Alchemy in Silent Spaces Concert band Hal Leonard
Concert Band (Score) SKU: HL.4002119 Full Score. Composed by Steve...(+)
Concert Band (Score) SKU: HL.4002119 Full Score. Composed by Steven Bryant. Steve Bryant. 22 pages. Published by Hal Leonard (HL.4002119). UPC: 073999263251. 11x17 inches. This large-scale three-movement work, commissioned by Ray Cramer and the Indiana University Wind Ensemble, embodies the transformation of silence into sound. The opening movement is sparse, utilizing mallet percussion, harp, and piano to create a floating sense of timelessness. Featuring extensive solo flute, this floating texture gradually builds over several minutes, ultimately launching itself into a grandiose, warm, harmonically consonant blanket of sound. The second movement continues the focus on solo flute, and again opens slowly, gradually gaining momentum, but at a faster pace than in the first movement. The music spirals upward and outward, but instead of reaching a plateau, winds itself out and comes to a grinding halt in the upper range of the ensemble. Five brief, solemn chords conclude the movement, which immediately erupts into Movement III, music of unceasing, unsettling, motion, propelled by a driving ostinato which is repeatedly interrupted by bittersweet moments of lyricism, all the while pushing toward an unforgiving climax. The movements may also be performed separately. There is no explicit narrative to the piece, though many particular elements do have personal quasi-biographical significance. Ultimately, this is music of both personal and musical transformation.
NOTE: This work is available as a rental item directly from the composer. For details, e-mail rental@stevenbryant.com. The score is also available separately for purchase from Hal Leonard. $40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Jaws of Fenris Concert band [Score and Parts] - Beginner Belwin
Composed by Roland Barrett. Concert Band; Part(s); Score. Belwin Beginning Band....(+)
Composed by Roland Barrett. Concert Band; Part(s); Score. Belwin Beginning Band. Form: Overture. 138 pages. Published by Belwin Music (AP.44891).
$51.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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