| Bill Evans (Jazz Piano Solos Series Volume 19)
Piano solo [Sheet music] Hal Leonard
(Jazz Piano Solos Series Volume 19). By Bill Evans. Piano Solo Personality. S...(+)
(Jazz Piano Solos Series
Volume 19). By Bill Evans.
Piano Solo Personality.
Softcover. 98 pages. Published
by Hal Leonard
(4)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bill Evans Standards B Flat, E Flat, C and Bass clef Instruments [Sheet music + CD] Hal Leonard
Bill Evans Standards. (Jazz Play-Along Volume 141). By Bill Evans. For C Instrum...(+)
Bill Evans Standards. (Jazz Play-Along Volume 141). By Bill Evans. For C Instruments, Bass Clef Instruments, Bb Instruments, Eb Instruments. Jazz Play Along. Softcover with CD. 88 pages. Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Craftsmen Concert band - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1053879-015 Comp...(+)
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1053879-015 Composed by Christian Bouthier. Flexible 5 Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053879-015. Published by De Haske Publications (BT.DHP-1053879-015). 9x12 inches. English-German-French-Dutch. The energetic activities of three craftsmen at a local crafts market inspired the composer Christian Bouthier to write this work in three movements. The clockmaker gets many curious visitors at his stand. He patiently and proudly shows the precision work of his beautiful clocks and lets all of them tick - the small ones and large ones. The cooper (barrel-maker) skillfully puts together fine-looking, sturdy barrels of the best types of wood. From afar, you can hear the cooper hammering. In the final movement things are hectic at the blacksmith because the local horse-riding society has just arrived. Many horses are provided with new shoes. The experienced blacksmith hits thehorseshoes into the proper shape on his anvil; now the horses can spiritedly trot and gallop on the way back. A fascinating new addition to the concert band repertoire.
De energieke werkzaamheden van drie ambachtslieden op een plaatselijke ambachtsmarkt inspireerden de Belgische componist Christian Bouthier tot het schrijven van The Craftsmen, een compositie in drie delen. De klokkenmaker,de kuiper (tonnenmaker) en de hoefsmid worden achtereenvolgens op ludieke wijze in de muziek weergegeven.
Zu The Craftsmen - ‘Die Handwerker’ - ließ sich Christian Bouthier beim Bummel über einen Markt inspirieren, wo alte Handwerkskünste vorgeführt wurden. In den drei Sätzen seiner Komposition werden sehr anschaulich die Klangeindrücke in Musik umgesetzt: das Ticken nostalgischer Uhren beim Uhrmacher, das Hämmern des Böttchers beim Bau von Holzfässern und schließlich das Schlagen der Hufeisen, bevor der Hufschmied die Pferde beschlägt. Ein Werk der Reihe Flexible 5 für eine fünfstimmig variable Besetzung, an dem Musiker und Publikum ihre Freude haben werden!
Séduit par l’authenticité et le charme d’un marché artisanal, Christian Bouthier s’est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. l’ombre des platanes, ils font et refont devant un public nombreux et passionné, ces gestes ancestraux qui donnent naissance tant de belles choses. Découvrez les traditions perpétuées par l’artisan horloger, le tonnelier et le maréchal-ferrant.
Affascinato dall’originalit e dallo charme di un mercato di artigiani, per comporre questa suite in tre movimenti, Christian Bouthier si è ispirato al “savoir-faire†di tre artigiani. All’ombra dei platani, dinnanzi ad un pubblico numeroso ed appassionato, gli artigiani eseguono e ripetono gesti ancestrali che danno vita a oggetti unici. Scoprite le tradizioni attraverso un orologiaio, un bottaio e un fabbro. $125.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Craftsmen - Easy De Haske Publications
Piccolo - Grade 2 SKU: BT.DHP-1053879-170 Composed by Christian Bouthier....(+)
Piccolo - Grade 2 SKU: BT.DHP-1053879-170 Composed by Christian Bouthier. Flexible 5 Series. Concert Piece. Score Only. Composed 2005. 20 pages. De Haske Publications #DHP 1053879-170. Published by De Haske Publications (BT.DHP-1053879-170). 9x12 inches. English-German-French-Dutch. The energetic activities of three craftsmen at a local crafts market inspired the composer Christian Bouthier to write this work in three movements. The clockmaker gets many curious visitors at his stand. He patiently and proudlyshows the precision work of his beautiful clocks and lets all of them tick the small ones and large ones. The cooper (barrel-maker) skillfully puts together fine-looking, sturdy barrels of the best types of wood. From afar, youcan hear the cooper hammering. In the final movement, things are hectic at the blacksmith because the local horse-riding society has just arrived. Many horses are provided with new shoes. The experienced blacksmith hits thehorseshoes into the proper shape on his anvil - now the horses can spiritedly trot and gallop on the way back. A fascinating new addition to the concert band repertoire.
De energieke werkzaamheden van drie ambachtslieden op een plaatselijke ambachtsmarkt inspireerden de Belgische componist Christian Bouthier tot het schrijven van The Craftsmen, een compositie in drie delen. De klokkenmaker,de kuiper (tonnenmaker) en de hoefsmid worden achtereenvolgens op ludieke wijze in de muziek weergegeven.
Zu The Craftsmen - ‘Die Handwerker’ - ließ sich Christian Bouthier beim Bummel über einen Markt inspirieren, wo alte Handwerkskünste vorgeführt wurden. In den drei Sätzen seiner Komposition werden sehr anschaulich die Klangeindrücke in Musik umgesetzt: das Ticken nostalgischer Uhren beim Uhrmacher, das Hämmern des Böttchers beim Bau von Holzfässern und schließlich das Schlagen der Hufeisen, bevor der Hufschmied die Pferde beschlägt. Ein Werk der Reihe Flexible 5 für eine fünfstimmig variable Besetzung, an dem Musiker und Publikum ihre Freude haben werden!
Séduit par l’authenticité et le charme d’un marché artisanal, Christian Bouthier s’est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. l’ombre des platanes, ils font et refont devant un public nombreux et passionné, ces gestes ancestraux qui donnent naissance tant de belles choses. Découvrez les traditions perpétuées par l’artisan horloger, le tonnelier et le maréchal-ferrant.
Affascinato dall’originalit e dallo charme di un mercato di artigiani, per comporre questa suite in tre movimenti, Christian Bouthier si è ispirato al “savoir-faire†di tre artigiani. All’ombra dei platani, dinnanzi ad un pubblico numeroso ed appassionato, gli artigiani eseguono e ripetono gesti ancestrali che danno vita a oggetti unici. Scoprite le tradizioni attraverso un orologiaio, un bottaio e un fabbro. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Craftsmen Concert band - Easy De Haske Publications
Concert Band - Grade 2 SKU: BT.DHP-1053879-040 Composed by Christian Bout...(+)
Concert Band - Grade 2 SKU: BT.DHP-1053879-040 Composed by Christian Bouthier. Flexible 5 Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053879-040. Published by De Haske Publications (BT.DHP-1053879-040). 9x12 inches. English-German-French-Dutch. The energetic activities of three craftsmen at a local crafts market inspired the composer Christian Bouthier to write this work in three movements. The clockmaker gets many curious visitors at his stand. He patiently and proudly shows the precision work of his beautiful clocks and lets all of them tick - the small ones and large ones. The cooper (barrel-maker) skillfully puts together fine-looking, sturdy barrels of the best types of wood. From afar, you can hear the cooper hammering. In the final movement things are hectic at the blacksmith because the local horse-riding society has just arrived. Many horses are provided with new shoes. The experienced blacksmith hits thehorseshoes into the proper shape on his anvil; now the horses can spiritedly trot and gallop on the way back. A fascinating new addition to the concert band repertoire.
De energieke werkzaamheden van drie ambachtslieden op een plaatselijke ambachtsmarkt inspireerden de Belgische componist Christian Bouthier tot het schrijven van The Craftsmen, een compositie in drie delen. De klokkenmaker,de kuiper (tonnenmaker) en de hoefsmid worden achtereenvolgens op ludieke wijze in de muziek weergegeven.
Zu The Craftsmen - ‘Die Handwerker’ - ließ sich Christian Bouthier beim Bummel über einen Markt inspirieren, wo alte Handwerkskünste vorgeführt wurden. In den drei Sätzen seiner Komposition werden sehr anschaulich die Klangeindrücke in Musik umgesetzt: das Ticken nostalgischer Uhren beim Uhrmacher, das Hämmern des Böttchers beim Bau von Holzfässern und schließlich das Schlagen der Hufeisen, bevor der Hufschmied die Pferde beschlägt. Ein Werk der Reihe Flexible 5 für eine fünfstimmig variable Besetzung, an dem Musiker und Publikum ihre Freude haben werden!
Séduit par l’authenticité et le charme d’un marché artisanal, Christian Bouthier s’est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. l’ombre des platanes, ils font et refont devant un public nombreux et passionné, ces gestes ancestraux qui donnent naissance tant de belles choses. Découvrez les traditions perpétuées par l’artisan horloger, le tonnelier et le maréchal-ferrant.
Affascinato dall’originalit e dallo charme di un mercato di artigiani, per comporre questa suite in tre movimenti, Christian Bouthier si è ispirato al “savoir-faire†di tre artigiani. All’ombra dei platani, dinnanzi ad un pubblico numeroso ed appassionato, gli artigiani eseguono e ripetono gesti ancestrali che danno vita a oggetti unici. Scoprite le tradizioni attraverso un orologiaio, un bottaio e un fabbro. $125.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Élégie Guitar Classical guitar - Intermediate Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522). ISBN 9782897963026. Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France. Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis. Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO. Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique. Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même. Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après. Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme. Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français ! Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas. Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.
Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France. We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA. After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department. In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music. Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself. He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter. Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French! Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas. His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The All-Jazz Real Book - Eb Edition Eb Instruments [Fake Book] Sher Music Company | | |
| The All-Jazz Real Book - Bb Edition Bb Instruments [Sheet music + CD] Sher Music Company | | |
| The All-Jazz Real Book - C Edition C Instruments [Fake Book] Sher Music Company
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Incl...(+)
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Included with the book contains 37 melodies played by the following artists:
Bob Sheppard - saxes and flute
Steve Houghton - drums
Dave Carpenter - acoustic bass
Paul van Wageningen - drums
Marc van Wageningen - electric bass
Larry Dunlap - piano and synthesizer
Dave Mac Nab - guitar.
(3)$44.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Funeral March Of A Marionette Concert band - Intermediate/advanced RWS Music Company
Grade 4 SKU: CL.RWS-2318-00 Composed by Charles Francois Gounod. Arranged...(+)
Grade 4 SKU: CL.RWS-2318-00 Composed by Charles Francois Gounod. Arranged by VanDoren. Concert Band. Score and set of parts. Composed 2023. RWS Music Company #RWS-2318-00. Published by RWS Music Company (CL.RWS-2318-00). Your audience will be delighted with this sly, tongue-in-cheek programmatic march! Filled with clever melodies and colorful surprises, Funeral March of a Marionette is perhaps best known as the theme song from the Alfred Hitchcock Presents TV show. Evan VanDoren has crafted this new transcription for the modern wind ensemble, taking care to maximize playability while presenting the work in its truest form. $120.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fanfare For The Festival Of Lights Concert band - Intermediate RWS Music Company
Grade 3 SKU: CL.RWS-2220-01 Composed by VanDoren. Concert Band. Extra ful...(+)
Grade 3 SKU: CL.RWS-2220-01 Composed by VanDoren. Concert Band. Extra full score. Composed 2022. RWS Music Company #RWS-2220-01. Published by RWS Music Company (CL.RWS-2220-01). Fanfare for the Festival of Lights weaves two traditional Hanukkah melodies, Ma’oz Tzur and The Dreidel Song into a colorful, rousing celebration! Evan VanDoren has masterfully crafted an approachable, mature-sounding composition that will challenge your best performers while meeting the needs of your developing players. Get your next holiday concert started with energy and excitement! $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fanfare For The Festival Of Lights Concert band - Intermediate RWS Music Company
Grade 3 SKU: CL.RWS-2220-00 Composed by VanDoren. Concert Band. Score and...(+)
Grade 3 SKU: CL.RWS-2220-00 Composed by VanDoren. Concert Band. Score and set of parts. Composed 2022. RWS Music Company #RWS-2220-00. Published by RWS Music Company (CL.RWS-2220-00). Fanfare for the Festival of Lights weaves two traditional Hanukkah melodies, Ma’oz Tzur and The Dreidel Song into a colorful, rousing celebration! Evan VanDoren has masterfully crafted an approachable, mature-sounding composition that will challenge your best performers while meeting the needs of your developing players. Get your next holiday concert started with energy and excitement! $85.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony Fantastique Concert band - Advanced RWS Music Company
Grade 5 SKU: AP.98-RWS210101 IV. March to the Scaffold. Composed b...(+)
Grade 5 SKU: AP.98-RWS210101 IV. March to the Scaffold. Composed by Hector Berlioz. Arranged by VanDoren. Concert Band. Extra full score. Composed 2021. RWS Music Company #RWS-2101-01. Published by RWS Music Company (AP.98-RWS210101). Berlioz’s most famous Romantic Era standard, Symphony Fantastique is a colorful, evocative musical masterpiece that continues to withstand the test of time, pleasing all audiences. In this transcription, Evan VanDoren has artfully crafted its fourth movement, March to the Scaffold, for the modern wind ensemble, taking creative care to present the work in its truest form while maximizing playability! $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony Fantastique Concert band RWS Music Company
Grade 5 SKU: AP.98-RWS210100 IV. March to the Scaffold. Composed b...(+)
Grade 5 SKU: AP.98-RWS210100 IV. March to the Scaffold. Composed by Hector Berlioz. Arranged by VanDoren. Concert Band. Score and set of parts. Composed 2021. RWS Music Company #RWS-2101-00. Published by RWS Music Company (AP.98-RWS210100). Berlioz’s most famous Romantic Era standard, Symphony Fantastique is a colorful, evocative musical masterpiece that continues to withstand the test of time, pleasing all audiences. In this transcription, Evan VanDoren has artfully crafted its fourth movement, March to the Scaffold, for the modern wind ensemble, taking creative care to present the work in its truest form while maximizing playability! $150.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Funeral March Of A Marionette Concert band - Intermediate/advanced RWS Music Company
Grade 4 SKU: AP.98-RWS231801 Composed by Charles Francois Gounod. Arrange...(+)
Grade 4 SKU: AP.98-RWS231801 Composed by Charles Francois Gounod. Arranged by VanDoren. Concert Band. Extra score. Composed 2023. RWS Music Company #RWS-2318-01. Published by RWS Music Company (AP.98-RWS231801). Your audience will be delighted with this sly, tongue-in-cheek programmatic march! Filled with clever melodies and colorful surprises, Funeral March of a Marionette is perhaps best known as the theme song from the Alfred Hitchcock Presents TV show. Evan VanDoren has crafted this new transcription for the modern wind ensemble, taking care to maximize playability while presenting the work in its truest form. $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Text and Beyond. The Process of Music Composition from the 19th to the 20th Century Ut Orpheus
Books and Journals SKU: UT.APS-8 Edited by Jonathan Goldman. Paperback (S...(+)
Books and Journals SKU: UT.APS-8 Edited by Jonathan Goldman. Paperback (Soft Cover). Ad Parnassum Studies. Essays by Giacomo Albert, Nicola Bernardini, Remy Campos, Michael Dias, Mylene Gioffredo, Jonathan Goldman, Robert Hasegawa, Joel V. Hunt, Anna Stoll Knecht, Benjamin M. Korstvedt, Federico Lazzaro, Alessandra Carlotta Pellegrini, Camille Rondeau, Friedem. Classical. Books and Journals. 320 pages. Ut Orpheus #APS 8. Published by Ut Orpheus (UT.APS-8). ISBN 9788881094967. 6.5 x 9.5 inches. Saggi di Giacomo Albert, Nicola Bernardini, Remy Campos, Michael Dias, Mylene Gioffredo, Jonathan Goldman, Robert Hasegawa, Joel V. Hunt, Anna Stoll Knecht, Benjamin M. Korstvedt, Federico Lazzaro, Alessandra Carlotta Pellegrini, Camille Rondeau, Friedemann Sallis
A growing number of music scholars have lately shifted their attention from musical works to the creative processes that produced them. The study of these processes serves as a springboard for interdisciplinary research that goes beyond the traditional boundaries of musical philology. These recent orientations adopt a heuristic approach to musical craft in the composer's workshop and build on the rich heritage of sketch studies, while incorporating psychological, anthropological, sociological, historical and analytical methods. The study of the creative process in music also seeks to adapt the apparatus of literary critique genetique. Scholars of creative process also regularly turn their attention to artistic situations in which sketches and scores may not be available as loci of investigation and seek to adapt the tools of creativity studies to research not only on composers, but also performers, improvisers, and even artistic directors, recording engineers, radio producers, commissioners or any other actor in the musical field. Texts and Beyond offers new orientations in the study of the creative process in music. The essays included here show a particular interest in unfinished works and in the logic of their completion, as well as in the creative interaction of music coupled with other arts. In twelve chapters and an Afterword, this volume explores a wide variety of topics, including compositions by Anton Bruckner, Gustav Mahler, Charles Koechlin, Giacinto Scelsi, Henry Brant, Luciano Berio, Brian Ferneyhough, Jacques Hetu and Jose Evangelista, as well as extending to the realm of ballet staging, composing for the cinema and video art. $93.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Gloriosi GIA Publications
SKU: GI.G-1109 Music of the Paschal Triduum / Música del Triduo Pas...(+)
SKU: GI.G-1109 Music of the Paschal Triduum / Música del Triduo Pascual. Composed by Tony Alonso S.J. Sacred. GIA Publications #1109. Published by GIA Publications (GI.G-1109). The first comprehensive resource of its kind, Gloriosi contains a treasure trove of ritual music that bridges linguistic, cultural, and musical differences for the liturgies of Holy Thursday, Good Friday, and the Easter Vigil. Weaving together familiar tunes and ancient chants with newly-composed pieces, Tony Alonso has meticulously crafted the music of Gloriosi to inspire the participation of a diverse assembly during these celebrations at the heart of the liturgical year.  In addition to settings of all of the ritual texts found in the Roman Missal / Misal Romano for the Three Days, this collection contains settings of every prescribed psalm drawn from texts approved for liturgical use in English and in Spanish.  ~~~~~~~~~~~~~~~~~~~~~~  El primer recurso completo de su tipo, Gloriosi es un tesoro rebosante de música ritual que supera las diferencias lingüÃsticas, culturales y musicales para las liturgias del Jueves Santo, Viernes Santo y la Vigilia Pascual. Tejiendo melodÃas familiares y cantos antiguos con piezas recién compuestas, Tony Alonso ha elaborado meticulosamente la música de Gloriosi para inspirar la participación de una asamblea diversa durante estas celebraciones que están al centro del año litúrgico.  Además de proporcionar los textos rituales que se encuentran en el Misal Romano / Roman Missal para los Tres DÃas en forma musicalizada, esta colección también ofrece nueva música para todos los salmos prescritos para las liturgias del Triduo utilizando los textos oficiales en español y en inglés.  Disc 1 / Disco 1 Holy Thursday Mass of the Lord’s Supper / Jueves Santo de la Cena del Señor We Should Glory in the Cross / Que Nuestro Único Orgullo Sea la Cruz • Blessed Be God Forever / Bendito Sea Dios por Siempre (Reception of the Holy Oils / Recepción de los Santos Óleos) • Kyrie, Eleison (Penitential Act / Acto Penitencial) • Our Blessing-Cup / El Cáliz que Bendecimos (Psalm 116 / Salmo 116/115) • Glory to You / Gloria a Ti (Gospel Acclamation / Aclamación del Evangelio) • A New Commandment / Un Mandamiento Nuevo • Love One Another / Ãmense Unos a Otros • Lord, Hear Our Prayer / Te Rogamos, Óyenos (Prayer of the Faithful / Oración de los Fieles) • Ubi Caritas • Agnus Dei • Called to the Supper of the Lamb / Llamados al Banquete del Señor • Called to Keep Vigil with the Lord / Llamados a Velar con el Señor (Transfer of the Most Blessed Sacrament / Traslado del SantÃsimo Sacramento) • Tantum Ergo Sacramentum   Disc 2 / Disco 2 Good Friday of the Passion of the Lord / Viernes Santo de la Pasión del Señor Into Your Hands / En Tus Manos (Psalm 31 / Salmo 31/30) • Glory to You / Gloria a Ti (Gospel Acclamation / Aclamación del Evangelio) • Adoramus Te (Passion Acclamation / Aclamación para la Pasión) • The Solemn Intercessions of Good Friday / La Oración Universal del Viernes Santo • Behold the Wood of the Cross / Miren el Ãrbol de la Cruz (The Showing of the Holy Cross / Presentación de la Santa Cruz) • Faithful Cross / Cruz Fiel • Forgive Us, Your People / Perdona a Tu Pueblo • O Come, Let Us Worship / Venid, Oh Cristianos • Called to the Supper of the Lamb / Llamados al Banquete del Señor   Disc 3 / Disco 3 The Easter Vigil in the Holy Night / Vigilia Pascual en la Noche Santa The Easter Proclamation / Pregón Pascual (Exsultet) • Lord, Send Out Your Spirit / EnvÃa Tu EspÃritu, Señor (Psalm 104 / Salmo 104/103) • Keep Me Safe, O God / Protégeme, Dios MÃo (Psalm 16 / Salmo 16/15) • Let Us Sing to the Lord / Cantemos al Señor (Exodus 15 / Éxodo 15) • I Will Praise You, Lord / Te Ensalzaré, Señor (Psalm 30 / Salmo 30/29) • You Will Draw Water Joyfully / Ustedes Sacarán Agua con Gozo (Isaiah 12 / IsaÃas 12) • Words of Everlasting Life / Palabras de Vida Eterna (Psalm 19 / Salmo 19/18) • Like a Deer that Longs / Como Busca la Cierva (Psalm 42, 43 / Salmo 42/41, 43/42) • Easter Alleluia / Aleluya Pascual (Psalm 118 / Salmo 118/117) • Litany of the Saints / LetanÃa de los Santos • Alleluia Popular / Aleluya Popular (Blessing of the Baptismal Water / Bendición del Agua Bautismal) • Alleluia Popular / Aleluya Popular (Baptism / Bautismo) • Alleluia Popular /Aleluya Popular (Acclamation / Aclamación) • Veni Sancte Spiritus (Confirmation / Confirmación) • Alleluia Popular / Aleluya Popular (Sprinkling Rite / Rito de la Aspersión) • Lord, We Ask You, Hear Our Prayer / Te Rogamos, Óyenos (Prayer of the Faithful / Oración de los Fieles) • Called to the Supper of the Lamb / Llamados al Banquete del Señor  . $39.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quilting Orchestra Chester
Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by B...(+)
Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by Bryce Dessner. Music Sales America. Classical. Softcover. Composed 2017. 64 pages. Duration 1020 seconds. Chester Music #CH83985. Published by Chester Music (HL.244904). 8.25x12.0x0.508 inches. Quilting, co-commissioned by the BBC Symphony Orchestra and the Los Angeles Philharmonic, is my first stand alone work for orchestraand is loosely inspired by the American tradition of quilt making. I composed Quilting while living most of last year in Paris.During my time there, I thought a lot about what it means to compose symphonic music as a young American in the 21st century, when so many of the many masterworks which are programmed year in and out by orchestras across the country are European. I considered which artistic traditions defined the American 19th-century. I began to think of the American crafts-tradition of quilting as a foilto the high-art tradition of European orchestral composition. As the score for my new work began to take shape, I started thinking about the manuscript itself as an object, its vertical and horizontal planes create a kind of patterned geometry of their own. Visually the way a musical score is woven together like patchwork brought to mind quilts and the great American tradition of quilting. I imagined about how conducting an orchestra can feellike stitching a piece together, or sewing together a large number of musical ideas and musicians into a coherent and transcendent whole. Quilting was an integral part of American vernacular in the 18th and 19th centuries, the African-American quilting tradition is especially fascinating, and the quilts tell the stories of the women and communities who made them. The names of the quilt patterns themselves can have their own sense of narrative: 'jacobs ladder', 'drunkards path', 'solomon's puzzle', and (my favorite for its relevance to this piece) 'the road to California. - Bryce Dessner. $33.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The New Real Book - C Edition
C Instruments [Fake Book] - Intermediate Sher Music Company
For C instrument. Format: fakebook (spiral bound). With melody, chord names, int...(+)
For C instrument. Format: fakebook (spiral bound). With melody, chord names, introductory text and black and white photos. Jazz and Pop. 438 pages. 9x12 inches. Published by Sher Music Company.
(1)$47.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Dream of Snow Choral SSAA Chester
Choral (SSAA Choir) SKU: HL.14021007 Composed by Sir Peter Maxwell Davies...(+)
Choral (SSAA Choir) SKU: HL.14021007 Composed by Sir Peter Maxwell Davies. Music Sales America. Classical, Youth Choir. Book [Softcover]. Composed 2003. 28 pages. Chester Music #CH61800. Published by Chester Music (HL.14021007). ISBN 9781844492893. 8.5x11.0x0.088 inches. A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the text of George Mackay Brown. This enchanting 12-minute cycle is typical of the subtle and delicate way Maxwell-Davies approaches writing for children: straightforward, tender, affectionate, yet with just a hint of the complexity found in challenging 'adult' works like the cycle Westerlings. George Mackay Brown's poetry with its haiku-like short stanzas and pointilliste allusive imagery leaves you constantly intrigued : who is the boy 'lost on the hill till sundown', and why is time 'a bird with white wings?' Is this perhaps the poet himself playing a bit of holiday truant? $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ensemble Setting of Holy Communion, Setting Seven: Leader Score Augsburg Fortress
SKU: AU.9781451478006 Arranged by Juan Cortez. Liturgy Song. Published by...(+)
SKU: AU.9781451478006 Arranged by Juan Cortez. Liturgy Song. Published by Augsburg Fortress (AU.9781451478006). Ensemble Edition of Holy Communion: Setting Seven is an enhanced instrumental setting of Evangelical Lutheran Worship Holy Communion, Setting Seven. Composer Juan M. Cortez has crafted an arrangement that gives each musical component its own distinctive style that is true to its Hispanic roots. Flexible parts are included for flute, violin, two trumpets, keyboard, one or two guitars (vihuela), and bass (guitarron), bringing to life the bilingual songs with original music by Gerhard Cartford, Victor Jortack, Jose Ruiz, and Pablo Sosa. Worshipers at the Eastern Washington -- Idaho Synod Assembly and the ELCA Churchwide Assembly responded enthusiastically to this setting, which has now been published in this Leader Score edition. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ensemble Setting of Holy Communion, Setting Eight: Leader Score Augsburg Fortress
SKU: AU.9781451478013 Arranged by Paul Friesen-Carper. Liturgy Song. Publ...(+)
SKU: AU.9781451478013 Arranged by Paul Friesen-Carper. Liturgy Song. Published by Augsburg Fortress (AU.9781451478013). Ensemble Edition of Holy Communion: Setting Eight is an enhanced instrumental setting of Evangelical Lutheran Worship Holy Communion, Setting Eight. Composer Paul Friesen-Carper has crafted an arrangement that gives each musical component its own distinctive flavor in various popular music styles. Flexible parts are included for assembly, SAB choir, piano, guitar, electric bass, drums, as well as lead and harmony instruments, bringing to life the original music by Jay Beech, Robin Cain, Dennis Friesen-Carper, Phil Kadidlo, Larry Olson, and John Ylvisaker. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Crossed Hearts GIA Publications
SKU: GI.G-CD-577 Composed by David Smith. Sacred. CD. GIA Publications #5...(+)
SKU: GI.G-CD-577 Composed by David Smith. Sacred. CD. GIA Publications #577. Published by GIA Publications (GI.G-CD-577). From the guitar-backed opening bars of “Over My Head†(about the Eucharist) to the final drumbeats of “Spread the Word†(about evangelization), Crossed Hearts combine the best of pop music with solid spiritual teaching. Topics like the Blessed Sacrament (“I Know Where You Areâ€), the saints (“Friends in High Placesâ€), reconciliation (Music to My Ears), and the sacraments (“River of Graceâ€) flow through the album on a stream of tightly crafted lyrics and toe tapping, feel-good melodies that make the listener want to get up and move. $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ensemble Setting of Holy Communion, Setting Six: Leader Score Augsburg Fortress
SKU: AU.9781451477993 Arranged by Paul Friesen-Carper. Liturgy Song. Full...(+)
SKU: AU.9781451477993 Arranged by Paul Friesen-Carper. Liturgy Song. Full score. Published by Augsburg Fortress (AU.9781451477993). Ensemble Edition of Holy Communion: Setting Six is an enhanced instrumental setting of Evangelical Lutheran Worship Holy Communion, Setting Six. Composer Paul Friesen-Carper has crafted an arrangement that gives each musical component its own distinctive style that is true to its jazz and gospel origins. Flexible parts are included for assembly, piano, guitar, electric bass, and drums, bringing to life the original music by Tillis Butler, James Capers, James Harris, and Rawn Harbor. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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