SKU: IS.PN7410EM
ISBN 9790365074105.
On January 1st, 2016, Stephane Vande Ginste had an extraordinary intention: he planned to compose a 1-minute piece for piano every single day for the whole year. The result is an impressive collection of piano miniatures which - although contemporary - result in a variety of musical styles: apart from some experimental pieces, there are jazzy- and poppy pieces, more traditional etudes, polyphonic compositions and so on... The 366 pieces also tell various stories: from very emotional events like the terrorist attacks in Brussels over homages in honor of deceased artists (David Bowie,...) to birthdays and festive occasions,... . More than once, even poetry (Heinrich Heine, Anna Enquist, ..) or other pieces of art inspired Stephane to compose his daily one-minute piece. Every single composition originated from the here and now, and therefore capture the unfiltered feelings and emotions of that very unique moment in time: joy, enthusiasm, but also melancholy and sadness.
SKU: PE.EP68680
ISBN 9790300762616.
Although his Signifying Riffs (1998) for percussion and strings is halfway there, String Quartet 1.5: Experiments in Living (2016) is the first proper string quartet by composer George Lewis. Borrowing its title from the writings of John Stuart Mill, Experiments in Living leads the performers through a series of idiosyncratic episodes featuring extremes of gesture and extended technique over the course of a single, 16-minute movement.
Commissioned by the Fromm Foundation, String Quartet 1.5: Experiments in Living was composed for Spektral Quartet, who gave the premiere performance in October 2016 at Chicago's Harris Theater. This set of score and parts has been made available for sale by Edition Peters as part of the Peters Contemporary Chamber Series and includes full performance notes. Chopsticks and superball mallets are required to achieve some of the score's percussive playing techniques.
SKU: HL.49007813
ISBN 9783795702670. 7.0x9.75x0.665 inches. German.
Improvisation, Interpretation und Komposition sind drei grundlegende Bereiche des musikalischen Lebens, die vielfaltig voneinander abhangig sind und sich standig durchdringen.Dieses Buch sammelt und verarbeitet Erfahrungen aus uber einem Jahrzehnt. Seine Absicht ist nicht, eine Einfuhrung in den Bereich zeitgenossischer Pianistik zu geben oder ein Lehrwerk zu sein, obwohl es auch hierzu taugen mag; eher schon zielt es darauf, die Vielschichtigkeit der behandelten Themen zu verdeutlichen und auf die kunstlerische Notwendigkeit selbststandig zu suchender Wege und eigenverantwortlicher Entscheidungen hinzuweisen.
SKU: HL.49015392
ISBN 9783795718640. German.
Vorwort - P. Rummenholler: Er ist der Vater, wir sind die Buben - H.-G. Ottenberg: Die Klaviersonaten Wq 55 im Verlage des Autors - G. Wagner: Anmerkungen zur historischen Auffuhrungspraxis am Beispiel von C.Ph.E. Bachs Versuch - L. Hoffmann-Erbrecht: Mit aller Freyheit und zu meinem eigenen Gebrauch gemacht - G. Puchelt: Fur Kenner und Liebhaber - P. Dinslage: Anspruch und Anpassung - I. Pfingsten: Er ubersetzte, indem er phantasierte, die Sprache des Verstandes in die Sprache der Empfindungen: denn dazu diente ihm die Musik - H. Poos: C.P.E. Bachs Rondo a-Moll aus der Zweiten Sammlung... fur Kenner und Liebhaber - C. Thorau: Kuhn, nie gehort und doch sachrichtig - U. Ringhandt: Die Litaneien von C.P.E. Bach als musikalische Lehrgedichte - R. Brandt: Der Konig und sein Zuhorer - W. Busch: Joseph Wright of Derby: Das Experiment mit der Luftpumpe - D. Diderot: Aus der Klavierschule von Bemetzrieder - J.N. Forkel: Reszension - J.J. Engel: Uber die musikalsiche Malerei - G.J. Vogler: Wie verhalten sich die zwei grossen Clavierspieler C.P.E. Bach und Alberti von Rom gegeneinander - J.F. Reichhardt: Uber die musikalische Idylle - C.F.Cramer: Rezension - C.F. Michaelis: Einige Bemerkungen uber das Erhabene der Musik - H.G. Nageli: Vorlesungen uber Musik mit Berucksichtigung der Dilettanten - F.Chrysander: Eine Klavier-Phantasie von Karl Philipp Emanuel Bach mit nachtraglich von Gerstenberg eingefugten Gesangsmelodien zu zwei verschiedenen Texten - H. Mermann: Ein Programmtrio K.P.E. Bachs - A. Schering: C.P.E. Bach und das redende Prinzip in der Musik - R. Peters: Chronologische Bibliographie des Schrifttums zu C.P.E. Bach - Sach- und Personenregister zur Bibliographie.
SKU: HL.49007521
ISBN 9783795702120. German.
Vorwort - Anfange der europaischen Musik. Erste Niederschriften zu einer Musikgeschichte Europas - Agogik als Mittel musiksprachlicher Darstellung. Uber ein Kapitel aus Carl Czernys Vortragslehre - Abstraktion und Archaik: Die Kategorie des Spatwerks - Uber das deutsche Musiktheater im 20. Jahrhundert unter besonderer Berucksichtigung von B.A. Zimmermanns Oper Die Soldaten - Mischgemuss 1630. Spurensuche bei Friedrich Spee - Zum Gesprach zwischen Musikwissenschaft und Musikpadagogik - Gedanken beim Komponieren. Passacaglien, Inventionen, Capriccios - Warum hat Heinrich Bessler das 20. Jahrhundert nicht erwahnt? Horer, Musiker und Musikpadagogik zwischen Museum, Experiment und Tapete - Musikleben. Zur Geschichte und Definitionsproblematik eines Begriffs - Aushalten oder raushalten? Wie Staat und Kunst miteinander umgehen konnen - Erfahrungen mit Johann Sebastian Bach - Richard Jacoby: Lebenslauf und Werdegang, Veroffentlichungen.
SKU: AP.32650
ISBN 9780739060117. UPC: 038081354811. English.
Take a trip through the history of blues with The Blues Guitar Experience. Designed for intermediate to advanced guitarists, this concise, comprehensive overview of important styles, techniques, and artists covers every era of the genre---from early and classic blues of the 1920s to electric blues, British blues rock, and modern-day blues. You will also learn how other styles have influenced this music along the way. Exploring the history of blues will give you a greater understanding of the blues music of today, and you'll learn to apply many practical skills to your playing for completely authentic performances. The included CD demonstrates all the music examples in the book, making it easier for you to become a more versatile and well-rounded guitarist. So break out of your comfort zone and experiment with the groundbreaking styles of The Blues Guitar Experience.
SKU: HL.49015393
ISBN 9783795718916. 7.0x9.75x0.758 inches. German.
Dass Musik zugleich Kunst wie Wissenschaft, Praxis wie Poiesis sei, ist eine seit der Antike gelaufige Gestimmung, die immer wieder neu an einzelnen Werken wie an ganzen Epochen der Musikgeschichte uberpruft werden kann. In der Fruhzeit der elektronischen Musik, deren Kunstcharakter inzwischen auch von der etablierten Musikwissenschaft anerkannt werden muss, lieferten die Arbeiten Werner Meyer-Epplers der neuen Gattung ein Begriffssystem, das den Komponisten einen hohen Grad an reflektierender Theorie ermoglichte. Die physikalische Akustik und die von Meyer-Eppler vertretene Phonetik und Kommunikationsforschung stellen neben den Apparaten auch die theoretischen Grundlagen, mit denen die elektrische Klangerzeugung vom Materialexperiment zur elektronsichen Musik wurde.Das Material der fruhen elektronischen Musik, zu definieren als der verfugbare Vorrat an real existierenden Klangen, an Klangerzeugungs-, -verarbeitungs- und -speichergeraten und an uberlieferten kompositorischen Techniken, hat Teil am historischen Prozess, der die Industriegesellschaft insgesamt bewegt: Die Tendenzen der Formalisierung und Rationalisierung, die die serielle Ideologie kennzeichnen, sind durchaus im Einklang mit dem Wirtschaftswachstum, das die 50er Jahre gepragt hat.Seither hat sich die Musikgeschichte weiter beschleunigt, so dass im Bereich der avancierten Technologien von Synthesizer, Sampler und Computer die Materialexperimente kaum mehr Zeit zu haben scheinen, sich in Kunst zu verwandeln.Mit dieser Arbeit uber Meyer-Eppler beginnt die angemessene wissenschaftliche Auseinandersetzung mit einer Musik, deren Position im Kanon der Werke, Gattungen, Stile und Epochen noch nicht geklart ist. Dass in diesem Zusammenhang auch die Klangexperimente Meyer-Epplers dem Buch als CD beigegeben werden konnen, ist vor allem dem Institut fur Musik und Akustik im Zentrum fur Kunst und Medientechnologie Karlsruhe zu danken.
SKU: CF.BPS127
ISBN 9781491156209. UPC: 680160914746. 9 x 12 inches.
Program Notes Elephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it's their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant's slow gate and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or lunch-bag mutes, over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age. Note to the Conductor This piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece. Younger students will likely need a reasonable amount of practice in successfully using the lunch-bag mutes. Allowing additional rehearsal time for this is recommended.Program Notes Elephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it's their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant's slow gait and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or lunch-bag mutes, over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age. Note to the Conductor This piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece. Younger students will likely need a reasonable amount of practice in successfully using the lunch-bag mutes. Allowing additional rehearsal time for this is recommended.Program NotesElephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it’s their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant’s slow gait and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or “lunch-bag mutes,†over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age.Note to the ConductorThis piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece.Younger students will likely need a reasonable amount of practice in successfully using the “lunch-bag mutes.†Allowing additional rehearsal time for this is recommended.
SKU: CF.BPS127F
ISBN 9781491156216. UPC: 680160914753. 9 x 12 inches.
Program Notes Elephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it's their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant's slow gate and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or lunch-bag mutes, over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age. Note to the Conductor This piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece. Younger students will likely need a reasonable amount of practice in successfully using the lunch-bag mutes. Allowing additional rehearsal time for this is recommended.Program Notes Elephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it’s their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant’s slow gate and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or “lunch-bag mutes,†over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age.Note to the ConductorThis piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece.Younger students will likely need a reasonable amount of practice in successfully using the “lunch-bag mutes.†Allowing additional rehearsal time for this is recommended.
SKU: HL.49019680
ISBN 9783254082893. Italian - German - English - French.
This four-language dictionary of music contains more than 4000 terms and is intended for musicians, teachers, students and amateurs who wish to understand and use specialist foreign terms. The book is not academic in scope; it is based on practical experience, derived from the examination of directions given on a large number of orchestral scores, piano pieces and transcriptions, and instrumental parts. In order to complement and clarify this vocabulary, specialist dictionaries and reference books have been consulted. It also includes contemporary musical terms taken from the fields of jazz, pop, electronic music and more.
SKU: BT.RSK200071
ISBN 9781789360073. English.
Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Guitar Grade 3 contains eight of thebiggest rock tracks from the past five decades arranged for you to play in your Grade 3 Exam. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your Peformance Certificate.
Featuring:
Plus:
SKU: AP.BMR08009
ISBN 9780769268385. UPC: 029156954913. English.
Kids love drums! The sight, sound, power, and feel are tremendous motivators for many students. D.R.U.M. is an acronym for Discipline, Respect and Unity Through Music. The original D.R.U.M. group was formed at author Jim Solomon's elementary school in 1995 to provide an ensemble experience for students not involved in any of the regular music groups. The group concept is designed to stress teamwork and self-discipline while learning these intensive percussion ensembles built on music from the United States, Brazil, Africa, and China. Useful for general music classes and special groups, this book is a terrific learning tool with unlimited potential!
SKU: BT.RSK200079
ISBN 9781789360158. English.
Learn to play rock and pop with Rockschool. These Specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Drums Grade 5 contains eight of the biggestrock tracks from the past five decades arranged for you to play in your Grade 5 exam. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your Performance Certificate.
SKU: KN.13672
UPC: 822795136722.
Written for percussionists at the grade 3-3+ level, each solo has its own unique style. The solos work well for recitals, and are all written for 2-4 drums.Contents:The Start; Warrior; March; The Wall; Talk For Two; Battle; Experience In Twelve; 3 For All; Short Walk For Timpani; Talking Bowls; Before The Storm; and Round 2.
SKU: HP.C6140C
UPC: 763628961404. By Keith Getty & Stuart Townend.
Medley of songs including by Keith Getty & Stuart Townend This medley for Holy Week includes many of the significant hymns and songs that center on the cross: The Power of the Cross, Beneath the Cross, Beneath the Cross of Jesus, Near the Cross, and When I Survey the Wondrous Cross. This Holy Week Experience is an extended work (7:30 mins. ), with optional scripture narration and instruments, as well as an opportunity for the congregation to join in on at the end of When I Survey. Instrumental Parts: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Horn (or Alto Sax or Clarinet), Piano, Cello/Bassoon (or Bass Clarinet).
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