SKU: HL.387967

UPC: 196288025146. 9.75x12.5x11.5 inches.

The Addams Family Younger@Part® is the authorized 30 minute edition of the Broadway musical for elementary schools and youth theatres (grades 2-5). Through a series of workshops, our Younger@Part® musicals are tailor-made for younger actors. Song keys are changed where needed, songs and scenes are edited for time and content, while keeping the spirit of the original Broadway show intact. There are great parts for girls and boys, and can include any sized ensemble/chorus, who appear throughout the show. Celebrate the wackiness in every family with our best-selling Broadway musical adapted for middle school-age performers! Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family whom her parents have never met. She confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he's never done before--keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday's “normal” boyfriend and his parents. The perusal pack includes a Cast Script/Vocal Book and access to online audio containing all of the music from the show. Audio is access online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player than allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. a href=“https://www.theatricalrights.com/sho/addams-family-younger-at-part/” target=“_blank”>Click here for information on licensing this production.</a>.

SKU: HL.14015291

ISBN 9780711967120.

Daedalus Remembers is the third part in a trilogy called 3 for Icarus. Daedalus was Icarus' father and a famous craftsman. He once forged a magic sword for Peleus which had a property of making its owner victorious in battle, and he also created the labyrinth of King Minos of Crete in which the Minotaur (half bull, half man) was imprisoned. The second part of the trilogy is entitled Minotaur Games after Troy games, a kind of labyrinthine dance involving cords (Ariadne's thread?). At one point in the myth Daedalus and Icarus are also imprisoned in the labyrinth. They escape by means of wings which Daedalus has made from feathers and wax. Sadly, despite his father's warnings, Icarus flies too close to the sun in a fit of hubris, and the wings melt, causing him to plunge to his death. Daedalus alights safely on a beach in Sardinia, and after he has collected his thoughts remembers his son's fall and scenes from his own past life. Have the gods paid him back for the death of his nephew Talos, whom Daedalus killed in a fit of jealousy by pushing him off the top of a temple in the Acropolis? Daedalus rants and sorrows - dark memories nag persistently. Daedalus Remembers is scored for solo cello with flugelhorn, two horns, percussion, cimbalom, harp, three violas, four cellos and two double-basses.

SKU: GI.G-7795

UPC: 785147779537. English, German, Latin.

The cornerstone of your choral library Compiled from GIA's best sellers and newer gems, each volume in the CHORAL ESSENTIALS series highlights a particular season and includes pieces in a variety of styles, voicings, and instrumentation. Invaluable as a planning tool…   …affordable enough to purchase copies for your entire choir! Included in this edition: G-3537 Return to God - Marty Haugen G-3980 Hosanna: An Introit for Palm Sunday - Glenn Rudolph G-4213 Glory in the Cross - Steven R. Janco G-4841 So You Must Do - Marty Haugen G-5082 From Deep Distress and Troubled Thoughts - arranged Alice Parker G-5253 Love Is His Word - Ronald F. Krisman G-5791 Ah, Holy Jesus - arranged Hal H. Hopson G-6662 Be with Me, Lord - Ken Macek, arranged Paul A. Tate G-6726 For God So Loved the World - Marty Haugen G-6871 When He Died upon the Tree - Patrick M. Liebergen G-6891 Aus meiner Su_nden Tiefe / How Deep Has Been My Sinning - Orlando di Lasso, edited Austin C. Lovelace G-6917 Crucifixus etiam pro nobis / He Was Crucified for Us - J. S. Bach, arranged Carlton R. Young G-7196 A Broken Heart - Luke Mayernik G-7495 In manus tuas, Pater / Into Your Hands, O Father - Taizé Community G-7592 Velum templi - Paul Nicholson .

SKU: CA.5483813

ISBN 9790007226367. Key: B flat major. Language: Latin.

The Requiem in B flat major is Johann Michael Haydn's second setting of the liturgical text of the Mass of the dead (another Requiem, MH 599, has since been identified as the work of Father Georg Pasterwiz) and it is also his last work, his Opus ultimum. On commission from Empress Maria Theresia he began the composition in 1805, but due to a serious illness he made only slow progress with the work. Like W. A. Mozart, he could not complete this Requiem. In 1839 Father Gunther Kronecker, Benedictine Father in the monastery of Kremsmunster in Upper Austria, completed the torso in the spirit and style of Haydn. During his student days in Vienna Father Gunther belonged to the circle of friends who were associated with Franz Schubert. Score and part available separately - see item CA.5483800.

SKU: HL.44012051

9x12 inches. English-German-French-Dutch.

Les Trois Mousquetaires (The Three Musketeers) was commissioned by the Miraphone company for the Miraphone Tuba Quartett and the Musique des Gardiens de la Paix (Paris, France). It was premiered in Guebwiller (France), on 28 June 2003 by its dedicatees.Even if you have never read a line of the mythical novel The Three Musketeers (1844) by Alexandre Dumas, father, you will at least have heard of the four invincibles; four extraordinary names - D'Artagnan, Athos, Porthos, and Aramis - and one unique motto All for one, and one for all. The musical texture of Les Trois Mousquetaires is focused on specific elements of a character's personality rather thanon its influence on the book's plot. Maxime Aulio has largely turned his attention on D'Artagnan, the sensitive, romantic and perfect gentleman who is easily charmed by women such as the gentle Constance Bonacieux and the perfidious Milady de Winter whose beguiling beauty seduced him. The first movement - D'Artagnan - is true to the character of the young provincial noble of the Gascony region: heroic and enthusiastic in all circumstances. The second movement entitled Constance Bonacieux, is romantic, delicate and passionate. The third and last movement is as duplicitous as the bewitching femme fatale its reveals: Milady de Winter.

Les Trois Mousquetaires (De drie musketiers) is geschreven in opdracht van de firma Miraphone, voor het Miraphone Tuba Quartett en de Musique des Gardiens de la Paix (Parijs). De premiere vond op 28 juni 2003 plaats in Guebwiller (Frankrijk).Ook wie nooit een zin heeft gelezen van de mythische roman De drie musketiers (1844) van Alexandre Dumas pere, heeft in elk geval gehoord van de vier onoverwinnelijken - D'Artagnan, Athos, Porthos en Aramis - en hun unieke lijfspreuk Een voor allen, allen voor een. Dumas' roman is vaak bewerkt en blijft tot de verbeelding preken. De muzikale structuur van Les Trois Mousquetaires is gebaseerd op specifieke elementenvan de karakters en niet zozeer op de plot van het boek. Maxime Aulio heeft zich vooral geconcentreerd op D'Artagnan, de gevoelige, romantische gentleman die zich gemakkelijk laat verleiden door vrouwen als de mooie Constance Bonacieux en de valse femme fatale Milady de Winter. Het eerste deel, D'Artagnan, verklankt de persoonlijkheid van deze jonge edelman uit de Gascogne: heroisch en bezield onder elke omstandigheid. Deel twee, met de titel Constance Bonacieux, is romantisch, bekoorlijk en hartstochtelijk. Het derde en laatste deel is net zo bedrieglijk betoverend als de dame die erin wordt beschreven: Milady de Winter.

Les Trois Mousquetaires (Die drei Musketiere) wurde von der Firma Miraphone fur das Miraphone Tuba Quartett und die Musique des Gardiens de la Paix (Musik der Friedensgarde) in Paris in Auftrag gegeben. Von diesen Ensembles wurde das Stuck am 28. Juni 2003 im franzosischen Guebwiller uraufgefuhrt.Auch wer nie eine Zeile des geheimnisvollen Romans Die drei Musketiere (1844) von Alexandre Dumas, Vater, gelesen hat, hat doch zumindest schon von den vier Unbesiegbaren gehort - von den vier aussergewohnlichen Namen D'Artagnan, Athos, Portos und Aramis und von ihrem einzigartigen Motto Alle fur einen und einer fur alle. Die musikalische Struktur von Les TroisMousquetaires konzentriert sich mehr auf besondere Charakterzuge einer Person, denn auf deren Einfluss auf die Handlung des Buches. Maxime richtete sein Hauptaugenmerk auf D'Artagnan, den sensiblen, romantischen und perfekten Gentleman, der sich leicht von Frauen bezaubern lasst, wie zum Beispiel der liebreizenden Constance Bonacieux und der perfiden Lady de Winter, deren betorende Schonheit ihn verfuhrt. Der erste Satz - D'Artagnan - halt sich eng an den Charakter des jungen Landadligen aus der Gascogne, der sich unter allen Umstanden als heroisch und enthusiastisch erweist. Der zweite Satz mit dem Titel Constance Bonacieux ist romantisch, zart und leidenschaftlich. Der dritte und letzte Satz ist so doppelzungig wie die bezaubernde Femme fatale Milady de Winter.

Les Trois Mousquetaires est une commande de la societe Miraphone pour le Miraphone Tuba Quartett et la Musique des Gardiens de la Paix, qui en assurerent la creation a Guebwiller (France), le 28 juin 2003. / Meme si l'on n'a jamais lu une seule ligne du roman mythique d'Alexandre Dumas, Les Trois Mousquetaires (1844), on connait necessairement le quatuor parfait (avec sa celebre devise << Tous pour un, un pour tous >>) que forment D'Artagnan, Athos, Porthos, et Aramis. Aussi ne compte-t-on plus les nombreuses adaptations du roman, ni les nombreux historiens qui s'interessent au tres reel Charles de Batz de Castelmore d'Artagnan, mort au siege de Maastricht en 1673. Letissu musical des Trois Mousquetaires (The Three Musketeers) s'interesse davantage aux elements de la personnalite d'un personnage, qu'au role qu'il joue dans l'intrigue. La trame est vivante, on y vit intensement. Maxime Aulio a oriente son choix sur D'Artagnan, le parfait gentilhomme, sensible et romantique, qui se laisse facilement seduire par les femmes, a l'image de la douce Constance Bonacieux dont il s'eprend et de la perfide Milady de Winter dont la beaute l'envoute. Le premier mouvement - D'Artagnan - est fidele au caractere du jeune noble provincial venu de Gascogne : enthousiaste et heroique en toutes circonstances. Le second mouvement - Constance Bonacieux - est galant, prevenant et passionne. Le troisieme et dernier tableau est, quant a lui, aussi ensorceleur et sournois que la femme fatale qu'il depeint, Milady de Winter.

SKU: CA.3602005

ISBN 9790007112615. Language: Latin.

In the tradition of Protestant missa brevis compositions, the music of this Mass was written in the so-called stile antico following 16th-century models and known as Palestrina style. The surviving copy, in the Duben Collection, dates from 1675. Buxtehude adopted the strict form of the stile antico, contrapuntal polyphony without instrumental accompaniment for various compositions of the same period, including Mit Fried und Freud ich fahr dahin BuxWV 76, written on the death of his father. The Missa brevis consists of the Kyrie and Gloria of the Ordinarium, so it is a Lutheran Mass; in 17th-century Protestant services these sections of the Mass were sung in Latin. Score available separately - see item CA.3602000.

SKU: HL.267695

The magnificent interweaving of harmonies and dialogue-like Voices in Handel s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born, British Baroque composer George Frideric Handel originally composed this piece in 1741, for the English-language oratorio Messiah, which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio, which addresses Isaiah's specific prophecy about the virgin birth of a Messiah, For Unto Us A Child Is Born tells the news of Christmas, the birth of a son, in Isaiah s words as found in the Scripture (Isaiah 9:6). The delicate, familiar theme is introduced by the Sopranos and taken up by their counter-voices, the Tenors, later the same dialog is given over to the Altos and Basses. The tutti culminates in Wonderful, Counselor, The Mighty God, The Everlasting Father and The Prince of Peace.

SKU: MN.20-747

UPC: 688670207471.

A varied and useful collection containing the tunes BLOTT EN DAG, FINLANDIA, GIVE ME JESUS , RUTHERFORD, and TRYGGARE KAN INGEN VARA (Children of the Heavenly Father). Easy instrumental parts for C instrument (Flute, Oboe), B-flat instrument (Clarinet, Soprano Saxophone), and downloadable Violin and Viola parts as well. The accompaniments are not quite as easy, but very manageable.