| Music for Four, Volume 3, Part 4 - Cello/Bassoon Cello, Bassoon [Part] Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for...(+)
By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for Four. Rags & Waltzes. Intermediate/Advanced. Part 4
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cello Basics Cello [Sheet music + Audio access] - Beginner Faber Music Limited
A Method for Individual and Group Learning. Composed by Jessica O'Leary and Pa...(+)
A Method for Individual and
Group Learning. Composed by
Jessica O'Leary and Paul
Harris. Method/Instruction;
String - Cello Studies or
Collection. Faber Edition:
Basics. Book and Digital
Download. Faber Music #12-
0571542085. Published by Faber
Music
$18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jurassic Blue for Cello Cello, Piano Faber Music Limited
(Monstrous Pieces for Beginners). By Pam Wedgwood. For Cello and Piano. Book; St...(+)
(Monstrous Pieces for Beginners). By Pam Wedgwood. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition. 16 pages. Published by Faber Music
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wedgwood /Jackaroo Vc/Pf Cello, Piano - Beginner Faber Music Limited
By Pam Wedgwood. For Cello and Piano. Book; String - Cello Studies or Collection...(+)
By Pam Wedgwood. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition. Published by Faber Music
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Joy of Piano Duets 1 Piano, 4 hands [Sheet music + Audio access] Yorktown Music Press
Joy Of. Classical. Book with Online Audio. Composed 2013. 80 pages. Yorktown...(+)
Joy Of. Classical. Book with
Online Audio. Composed 2013.
80 pages. Yorktown Music Press
#YK22066. Published by
Yorktown Music Press
$20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Great Scott! Ragtime Minus You Cello [Sheet music + CD] Music Minus One
For Cello. Jazz/RandB. Includes a high-quality printed music score and a compact...(+)
For Cello. Jazz/RandB. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Joy Of Piano Duets
1 Piano, 4 hands [Sheet music] Music Sales
Arranged by Denes Agay. Book. Published by Music Sales. These familiar melodies...(+)
Arranged by Denes Agay. Book. Published by Music Sales. These familiar melodies for one piano, four hands are in arrangements equally easy for both players, with the melody alternating between the two. The collection includes Careless Love, Jamaica Farewell, and many more favorites.
(2)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade, Op. 11 [Score] Lucks Music Library
(str) SKU: TM.10808SC Composed by Dag Ivar Wiren. Score. Lucks Music Libr...(+)
(str) SKU: TM.10808SC Composed by Dag Ivar Wiren. Score. Lucks Music Library #A7977. Published by Lucks Music Library (TM.10808SC). Sandra Dackow Little Known Gem - Grade V. Preludium, Andante espressivo, Scherzo, March. Written in a retro, Swedish neo-Classical style, the four-movement Serenade for Strings offers easily hummed tunes presented with grace and good humor. The Preludium offers inner rhythm of nearly consistent sixteenth note figures including written divisi in thirds. Many beautiful lines for cello and viola are found in the Andante Espressivo, which also has a few high passages for violin, reaching high G’s and A’s. The Scherzo is the most technically challenging movement, with quickly shifting tonalities and high, rapid passages that must be kept at the frog and off the string. Finally, the March, reminiscent of toy soldiers or a music box, contains several tricky passages and high notes for the first violins. This charming piece is popular with students!! See #40907 for Sandra Dackow's Expressive Gems edition. $20.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Serenade, Op. 11 Lucks Music Library
(str) SKU: TM.10808SET Composed by Dag Ivar Wiren. Set Type: D. Set of pa...(+)
(str) SKU: TM.10808SET Composed by Dag Ivar Wiren. Set Type: D. Set of parts. Lucks Music Library #A7977. Published by Lucks Music Library (TM.10808SET). Sandra Dackow Little Known Gem - Grade V. Preludium, Andante espressivo, Scherzo, March. Written in a retro, Swedish neo-Classical style, the four-movement Serenade for Strings offers easily hummed tunes presented with grace and good humor. The Preludium offers inner rhythm of nearly consistent sixteenth note figures including written divisi in thirds. Many beautiful lines for cello and viola are found in the Andante Espressivo, which also has a few high passages for violin, reaching high G’s and A’s. The Scherzo is the most technically challenging movement, with quickly shifting tonalities and high, rapid passages that must be kept at the frog and off the string. Finally, the March, reminiscent of toy soldiers or a music box, contains several tricky passages and high notes for the first violins. This charming piece is popular with students!! See #40907 for Sandra Dackow's Expressive Gems edition. $56.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed by Dan Welcher. Spiral and Saddle. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. WRT11142. 52+16+16+16+16 pages. Duration 24 minutes. Theodore Presser Company #164-00272. Published by Theodore Presser Company (PR.164002720). UPC: 680160573042. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello [Score] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed by Dan Welcher. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Full score. With Standard notation. Composed 2007. WRT11142. 52 pages. Duration 24 minutes. Theodore Presser Company #164-00272S. Published by Theodore Presser Company (PR.16400272S). UPC: 680160588442. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alfred's Basic Piano Course - Repertoire Book Complete Levels 2 and 3 Piano solo [Sheet music] Alfred Publishing
For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Leth...(+)
For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Piano Method. Alfred's Basic Piano Library. Book. 48 pages. Published by Alfred Publishing.
(2)$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Celtic Gems for Cello Cello - Intermediate Mel Bay
International, Saddle- stitched, World. Irish/Celtic. Book. 40 pages. Mel Bay ...(+)
International, Saddle-
stitched, World. Irish/Celtic.
Book. 40 pages. Mel Bay
Publications, Inc #31082.
Published by Mel Bay
Publications, Inc
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Paradiddles Redefined for Drum Set Drums [Sheet music] Mel Bay
By Nucleo Vega. For Drum Set. Technic. Bill's Music Shelf. Contemporary. Multipl...(+)
By Nucleo Vega. For Drum Set. Technic. Bill's Music Shelf. Contemporary. Multiple Levels. Book. 112 pages
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Noona Basic Piano Book 10 Piano solo Heritage Music Press
By Walter Noona. Piano. Level: Level 4. Piano method. Published by Heritage Musi...(+)
By Walter Noona. Piano. Level: Level 4. Piano method. Published by Heritage Music Press.
(1)$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 7th Street Beat [Score] - Easy Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2, Voice - Grade 3.5 SKU...(+)
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2, Voice - Grade 3.5 SKU: CF.CAS123F Composed by Lauren Bernofsky. Sws. Carl Fischer Concert String Orchestra Series. Full score. 16 pages. Duration 3:30. Carl Fischer Music #CAS123F. Published by Carl Fischer Music (CF.CAS123F). ISBN 9781491154762. UPC: 680160913312. 9 x 12 inches. Key: D minor. It was at a flute convention, of all places, where the composer learned how to beatbox. Greg Pattillo, the flutist of the ensemble Project Trio, taught a roomful of (mostly) flute players how to make a few sounds, and she couldn't believe how easy, and effective, it was! She figured, if a random bunch of adult flute players can do this, it should be a piece of cake for students. Inspired by this new-found knowledge, she composed 7th Street Beat, writing beatbox percussion into the parts of all the instruments. The sounds imitate percussive effects normally made by a drum set. The beatbox vocal lines are optional - they are reinforcements for the beatbox sounds in the string parts. Also optional (but highly recommended!) is the improvisation section starting at m. 49. Don't tell the students any rules about what notes to play or not play - simply offer them the opportunity to make up whatever they like, to show off their abilities and musical personalities!. It was at a flute convention, of all places, where the composer learned how to beatbox. Greg Pattillo, the flutist of the ensemble Project Trio, taught a roomful of (mostly) flute players how to make a few sounds, and she couldn’t believe how easy, and effective, it was! She figured, if a random bunch of adult flute players can do this, it should be a piece of cake for students.Inspired by this new-found knowledge, she composed 7th Street Beat, writing beatbox percussion into the parts of all the instruments. The sounds imitate percussive effects normally made by a drum set.The beatbox vocal lines are optional – they are reinforcements for the beatbox sounds in the string parts. Also optional (but highly recommended!) is the improvisation section starting at m. 49. Don’t tell the students any rules about what notes to play or not play – simply offer them the opportunity to make up whatever they like, to show off their abilities and musical personalities! About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gottschalk School Song Book - Beginner Schott
1-4 Voices and Guitar (BR) - very easy to easy SKU: HL.49023849 Eine L...(+)
1-4 Voices and Guitar (BR) - very easy to easy SKU: HL.49023849 Eine Liedersammlung fur die Sekundarstufe I. Composed by Sell. Edited by Lutz Gottschalk and Stefan Sell. Arranged by Lutz Gottschalk and Stefan Sell. This edition: Paperback/Soft Cover. Sheet music. Kunter-bund-edition. Die Fundgrube zum Singen in Freizeit und Schule. Songbook. 300 pages. Schott Music #BUND71139. Published by Schott Music (HL.49023849). ISBN 9783795756758. 6.25x9.5x0.967 inches. German. Claudia Schmidt. Das Liederbuch enthalt 243 Lieder mit Erklarungen, bearbeitet fur Gesangstimmen (ein bis vier Stimmen) und Gitarrenbegleitung. Der thematische Bogen reicht von Kinderliedern, Volksliedern, franzosischen Chansons uber Spirituals, Folk Songs und Schlager bis hin zu Rock und Pop. Alle Lieder sind als leichte bis mittelschwere Arrangements gut nachzuspielen. Das Buch enthalt Basisinformationen zu jedem Kapitel, begleitende Texte und Erlauterungen zu soziokulturellen Hintergrunden von Autoren und Liedern. Diese Sammlung der besten Lieder und Songs ist mehr als ein Schulliederbuch! Sie ist das ideale Songbook fur Freizeit, Hobby und gesellige Anlasse. $24.99 - See more - Buy online | | |
| Teach Yourself Guitar Tone and Effects Guitar [Book + CD] Alfred Publishing
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwit...(+)
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwitz, Ethan Fiks, and Vivian Clement. For Guitar. Book; CD; Guitar Reference; Reference Textbooks. 96 pages. Published by Alfred Music Publishing
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sound Innovations for String Orchestra -- Creative Warm-Ups Orchestra [Sheet music + Audio access] - Intermediate Alfred Publishing
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate String Orchestra (Cello/Bass). Composed by Bob Phillips; Kirk Moss; Matt Turner; Stephen Benham. This edition: Cello/Bass. Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations for String Orchestra. Book. 56 pages. Alfred Music #00-44212. Published by Alfred Music (AP.44212).
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| William Bolcom - Concert Songs - Volume 2 (2001-2012) Medium voice, Piano Edward B. Marks Music Company
(46 Songs for Medium/Low Voice and Piano). Composed by William Bolcom. For Vocal...(+)
(46 Songs for Medium/Low Voice and Piano). Composed by William Bolcom. For Vocal, Medium/Low Voice, Piano Accompaniment. E.B. Marks. Softcover. 248 pages. Published by Edward B. Marks Music
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| William Bolcom - Concert Songs - Volume 2 (2001-2012) High voice, Piano Edward B. Marks Music Company
(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Pi...(+)
(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Piano Accompaniment. E.B. Marks. Softcover. 240 pages. Published by Edward B. Marks Music
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sound Innovations for String Orchestra -- Creative Warm-Ups Orchestra [Score] - Intermediate Alfred Publishing
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate String Orchestra (Conductor's Score). Composed by Bob Phillips; Kirk Moss; Matt Turner; Stephen Benham. This edition: Teacher's Score. Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations for String Orchestra. Score. 101 pages. Alfred Music #00-44213. Published by Alfred Music (AP.44213).
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sound Innovations for String Orchestra -- Creative Warm-Ups Violin [Sheet music + Audio access] Alfred Publishing
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate String Orchestra (Violin). Composed by Bob Phillips; Kirk Moss; Matt Turner; Stephen Benham. This edition: Violin. Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations for String Orchestra. Book. 56 pages. Alfred Music #00-44210. Published by Alfred Music (AP.44210).
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sound Innovations for String Orchestra -- Creative Warm-Ups Orchestra [Sheet music + Audio access] - Intermediate Alfred Publishing
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate String Orchestra (Viola). Composed by Bob Phillips; Kirk Moss; Matt Turner; Stephen Benham. This edition: Viola. Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations for String Orchestra. Book. 56 pages. Alfred Music #00-44211. Published by Alfred Music (AP.44211).
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| How to Play Contemporary Strings [Sheet music + Audio access] Hal Leonard
(A Step-by-Step Approach for Violin, Viola and Cello). For Strings, Cello, Viola...(+)
(A Step-by-Step Approach for Violin, Viola and Cello). For Strings, Cello, Viola, Violin. Instructional. Softcover Video Online. Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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