Choir (SAB choir/3-Part choir Mixed)

SKU: AP.48906

Composed by Victor C Johnson. MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Sacred. Choral Octavo. 12 pages. Alfred Music #00-48906. Published by Alfred Music (AP.48906).

UPC: 038081562308. English.

Let's gather together, let's celebrate, let's sing! The action-packed main theme of this glorious original work organizes rhythmic accents into 332 subdivisions and seamlessly pivots from key to key, before opening up to full choral harmony. A reverent Gaudeamus Hodie passage assembles lyrical lines section by section in smooth choral counterpoint, leading to a triumphant fanfare that bookends this jubilant song of exaltation. Ideal for school and/or church. This title is available in MakeMusic Cloud.

SATB choir, piano

SKU: LO.10-5693L

Composed by Pepper Choplin. Choral. Sacred Anthem, Ascension, Eastertide. Lorenz Publishing Company #10/5693L. Published by Lorenz Publishing Company (LO.10-5693L).

ISBN 9780787776930.

With a fanfare style introduction, the words Glory! He is lifted up to ascend to Heaven's glory! ring out in celebration. This anthem is a wonderful option for Ascension Sunday or throughout Eastertide. The original words and music from Pepper Choplin are met with a section incorporating hymn tune WYE VALLEY and additional text based on Look, Ye Saints. The orchestral accompaniment is a spectacular addition to this celebratory anthem.

SATB choir, assembly, keyboard accompaniment - Beginning

SKU: GI.G-3189

Somos la creacion de Dios. Composed by Marty Haugen. Eastertide, Ordinary Time 16 B, Lent 4 B, Easter Sunday. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #3189. Published by GIA Publications (GI.G-3189).

English, Spanish. Translation: Donna Peña. Text by Marty Haugen. Scripture: Ephesians 2:1, 4–7, 10, 19, 21–22.

An energetic piece for choir and assembly that will captivate from the opening choral fanfare to the final refrain. Donna Peña has provided a complete singing translation in Spanish.

Grade 2

SKU: CL.024-4824-01

Composed by Romeyn. Young Concert Band. Extra full score. C.L. Barnhouse #024-4824-01. Published by C.L. Barnhouse (CL.024-4824-01).

On Wings Of Glory is a bold and celebratory concert opener of impeccable quality and style for young bands. A bright and authoritative opening fanfare leads to a memorable melodic theme. As the music continues, this theme grows and develops, with added flourishes, countermelodies, and changing textures. The piece then ends as it began, in a shimmering, celebrative style, but even more powerfully. A natural for concert or festival performances, On Wings Of Glory is also appropriate for graduations, sporting events, or any other event where a celebratory piece is called for. Truly outstanding!

SATB choir, divisi, piano reduction - Late intermediate

SKU: GI.WJMS1191

Composed by Daniel Brinsmead. Jo-Michael Scheibe Choral Series. Classical. 20 pages. Walton Music #WJMS1191. Published by Walton Music (GI.WJMS1191).

UPC: 785147040361. Latin. Text Source: Traditional Latin.

A song of celebration, expression, and praise for all that has been and all that is yet to come. Rhythmic, lyric, and fanfare-like, this is an excellent choice for more advanced choirs.

SATB(B) a capella Choral; Mixed Choir; Soprano (SATBB)

SKU: HL.48025402

SATB(B) a capella with Solo Soprano. Composed by James Macmillan. Boosey & Hawkes Sacred Choral. Choral, Classical. Octavo. Boosey & Hawkes #M060141997. Published by Boosey & Hawkes (HL.48025402).

UPC: 196288201038.

Short motet commissioned by St DominicÂ’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be let loose on the world to fulfil their potential: 'Be who God meant you to be and you will set the world on fire'. But where another composer might have made this a fanfare MacMillan writes with the gentleness of sincerity. The music is very straightforward and in wanting a solo soprano line he outlines all the ways this can be achieved: soloist, group of sopranos, or all the sopranos if the altos can be split into two. The choir repeats the mantra text above throughout the motet, while the soprano solo line is given the prayer which follows. Only at the very end do they all join together in the words 'Jesus, love, Jesus, love' with a lovely E major ending.

Band concert band - Grade 3

SKU: KJ.JB73F

Composed by Timothy Mahr. Bandworks. Score. Duration 4:00. Neil A. Kjos Music Company #JB73F. Published by Neil A. Kjos Music Company (KJ.JB73F).

Inaugural Dances invokes the election celebrations of early America. A proud fanfare leads into the folk-like dancing of the common man, then changes to depict the newly elected leaders dancing in a more sophisticated manner. A final return to the music of the folk dance celebrates the founding of our nation for We, the People. Use Inaugural Dances to commemorate the upcoming 2008 general election and get students interested in the electoral process.

Concert Band/Harmonie/Fanfare/Brass Band - Grade 2

SKU: HL.44002419

Composed by George Frideric Handel. Arranged by Jan de Haan. De Haske Concert Band. Concert Piece. Score Only. Composed 1995. De Haske Publications #950646. Published by De Haske Publications (HL.44002419).

UPC: 073999024197. 6.75x10.5 inches.

Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel's music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Handel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeer gebaseerde heldenepos werd door Handel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De premiere van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Handels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).

Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der beruhmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Handel. Dieses Werk - das im gefalligen, uppig barocken Stil, der fur Handels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenossische niederlandische Komponist Jan de Haan fur Blechblaserquartett und Orgel.

Tochter Zion (A Toi la gloire) est le plus celebre chœur de l'oratorio Judas Macchabee de Georg Friedrich Haendel (1685-1759). La creation de cette œuvre patriotique a eu lieu sous la direction du compositeur. Ecrite dans le style baroque, elle deploie toute la richesse et la subtilite de la musique d'Haendel. Judas Macchabee est couronne de succes.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-0950646-216

Composed by George Frideric Handel. Arranged by Jan de Haan. Musica Sacra. Concert Piece. Score Only. Composed 1995. De Haske Publications #DHP 0950646-216. Published by De Haske Publications (BT.DHP-0950646-216).

Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel’s music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Händel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeër gebaseerde heldenepos werd door Händel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De première van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Händels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).

Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der berühmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Händel. Dieses Werk - das im gefälligen, üppig barocken Stil, der für Händels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenössische niederländische Komponist Jan de Haan für Blechbläserquartett und Orgel.

Tochter Zion ( Toi la gloire) est le plus célèbre chœur de l’oratorio Judas Macchabée de Georg Friedrich Haendel (1685-1759). La création de cette œuvre patriotique a eu lieu sous la direction du compositeur. Écrite dans le style baroque, elle déploie toute la richesse et la subtilité de la musique d’Haendel. Judas Macchabée est couronné de succès.

Brass Band - Grade 5

SKU: BT.DHP-0920450-030

Tanabata. Composed by Itaru Sakai. Arranged by Marc Jeanbourquin. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 0920450-030. Published by De Haske Publications (BT.DHP-0920450-030).

9x12 inches.

In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai’s musical interpretation of this romantic legend. The flugel horn and euphonium solos during the middle movement represent the two main themes from the legend.

In Japan vindt op 7 juli jaarlijks het feest Tanabata plaats, met vele festiviteiten in het hele land. Volgens een legende mogen een jonge man en vrouw in de vorm van twee sterren die door de Melkweg van elkaar gescheiden zijn elkaar alleen op deze ene avond in het jaar ontmoeten. The Seventh Night of July is Itaru Sakai’s muzikale weerspiegeling van dit romantische verhaal. De bugel- en euphoniumsolo’s in het middelste deel staan symbool voor de hoofdpersonen uit de legende.

Der 7. Juli ist in Japan ein Feiertag namens Tanabata, zu dem im ganzen Land große Feste gefeiert werden. Er geht auf eine Legende zurück, der zufolge ein junger Mann und eine junge Frau, die durch die Milchstraße voneinander getrennt sind, sich nur in dieser einen Nacht sehen dürfen. In The Seventh Night of July vertonte Itaru Sakai diese romantische Legende. Die im mittleren Satz eingeschobenen Flügelhorn- und Euphonium-Soli symbolisieren die beiden Hauptthemen der Erzählung.

Au Japon, de grandes célébrations ont lieu travers tout le pays le 7 juillet, l’occasion du jour férié connu sous le nom de Tanabata. Il est basé sur la légende d’un jeune homme et d’une jeune femme qui sont séparés par la Galaxie et ne peuvent se voir qu’une fois par année, ce jour-ci. The Seventh Night of July est l’interprétation musicale d’Itaru Sakai de cette légende romantique. Les solos de bugle et euphonium du mouvement central représentent les deux thèmes principaux de la légende.

Score Only Concert Band (Score) - Grade 2

SKU: HL.4006621

Composed by Paul Murtha. MusicWorks Grade 2. Contest, Festival. Softcover. 20 pages. Duration 850 seconds. Published by Hal Leonard (HL.4006621).

UPC: 840126923308. 9.0x12.0x0.07 inches.

Kiskiminetas is a Native American word that means to make daylight and was likely a command given to break camp and continue the journey. Paul Murtha's escriptive work for young players opens with a noble fanfare suggesting the break of day. A lyric section follows depicting scenic vistas along the path, and finally an exuberant adventure theme celebrates the conclusion of the journey. Nicely paced with plenty of variety.