Arranged by Mark Phillips. Guitar. Classical. Softcover Audio Online. With guitar tablature. 64 pages. Published by Cherry Lane Music

Composed by Allen Pote and Bryan Jeffery Leech. For Brass, Choral, Organ (SATB). Fred Bock Publications. 10 pages. Fred Bock Music Company #BG2578. Published by Fred Bock Music Company

Fanfare Band - Grade 3

SKU: BT.DHP-1104880-020

From Paulus. Composed by Felix Bartholdy Mendelssohn. Arranged by Robert van Beringen. Musica Sacra. Classical. Set (Score and Parts). Composed 2010. De Haske Publications #DHP 1104880-020. Published by De Haske Publications (BT.DHP-1104880-020).

9x12 inches. English-German-French-Dutch.

This excellent arrangement by Robert van Beringen is of the well-known German chorale Wachet auf, ruft uns die Stimme, taken from the oratorio Paulus (St. Paul) by Felix Mendelssohn Bartholdy (1809-1847). Although accredited to Mendelssohn it is thought the melody was in fact written by the pastor and poet Philipp Nicolai in 1599. Robert van Beringenâ??s arrangement perfectly captures the biblical story of St. Paul.

Robert van Beringen bewerkte het bekende koraal Wachet auf, ruft uns die Stimme uit Paulus, het eerste oratorium van Felix Mendelssohn Bartholdy. Mendelssohn liet zich graag door de muziek van Johann Sebastian Bach inspireren.Pas vijfentwintig jaar oud zette hij het dramatische bijbelverhaal over Paulus zeer overtuigend op muziek. Robert van Beringen maakte hiervan een bekoorlijke versie voor fanfareorkest.

Robert van Beringen bearbeitete den bekannten Choral Wachet auf, ruft uns die Stimme aus Felix Mendelssohn Bartholdys erstem Oratorium Paulus. Der erst 25-jährige Mendelssohn, der sich gerne von Johann Sebastian Bachs Musik inspirieren lie�, setzte die dramatische biblische Geschichte von Paulus sehr überzeugend in Musik um. Auch in der Fassung für Fanfareorchester von Robert van Beringen bestechend gut!

Paulus (1834-1836) est le premier oratorio de Mendelssohn. Il raconte la vie de Saint Paul. L'ouverture est une fantaisie sur le célèbre choral Wachet auf, ruft uns die Stimme. Rarement donné, lâ??oratorio Paulus est pourtant significatif du romantisme allemand. Lâ??arrangement de Robert van Beringen nous fait redécouvrir ce chef-dâ??Å?uvre oublié.

Paulus (1834-1836), il primo oratorio di Mendelssohn, narra la vita di San Paolo. Lâ??ouverture è una fantasia sul celebre corale Wachet auf, ruft uns die Stimme. Lâ??oratorio Paulus è rappresentativo del romanticismo tedesco. Lâ??arrangiamento di Robert van Beringen ci fa riscoprire questo capolavoro spesso dimenticato.

By Aaron Copland (1900-1990). For Choral (CD). Resource. Published by Hal Leonard

by Costel Puscoiu. For violin. solos. Non-Series. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 136 pages. Published by Mel Bay Publications, Inc

From Il re pastore. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by and arr., by Patrick M. Liebergen, and with English words. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Classical; Masterwork Arrangement; Secular. Choral Octavo. 12 pages. Alfred Music #00-48454. Published by Alfred Music

From Il re pastore. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by and arr.; with English words; by Patrick M. Liebergen. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Classical; Masterwork Arrangement; Secular. Choral Octavo. 12 pages. Alfred Music #00-45602. Published by Alfred Music (AP.45602).

Concert band - Grade 4

SKU: CL.012-4434-00

Composed by Romeyn. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR388). Score and set of parts. Composed 2016. Duration 6 minutes, 8 seconds. Opus III Wind Orchestra Publications #012-4434-00. Published by Opus III Wind Orchestra Publications (CL.012-4434-00).

An epic programmatic work that captures the fight between good and evil. The work opens with a heroic fanfare that commands attention. From here the music subsides into a beautifully lyric chorale section. Our musical story begins to unfold as the demons theme is introduced. The theme is developed and expanded, creating a feeling of unresolved conflict, ultimately leading to a thunderous conclusion. From here, the heroic theme returns, stronger and more developed this time as our battle between good and evil comes to its conclusion, but not before a brief final battle creating a dramatic end to the piece that will have your audiences on their feet. Destined to be a classic for concert and festival use, cross cueing is used to insure success in most performance settings. Don’t miss this exceptional addition to the concert band repertoire.

Edited by Denes Agay. For piano. Music For Millions: Volume 27. Format: piano solo book. With fingerings. Baroque, Classical Period, Romantic Period and 20th Century. 160 pages. 9x12 inches. Published by Music Sales.

Trombone Octet - advanced

SKU: CY.CC2708

Composed by Gustav Mahler. Arranged by Randall Malmstrom. German 20th Century. Score and parts. Published by Cherry Classics (CY.CC2708).

The Chorale from the Finale of Symphony No. 2 (Resurrection) by Gustav Mahler is taken from the fifth movement, lasting over an hour. The Chorale is actually a quote from the Dies Irae, which Mahler called the march of the dead. Also added in is the Resurrection theme which is almost a fanfare. This excerpt from the Symphony features the low brass which makes this arrangement by Randall Malmstrom so meaningful.

For advanced performers, this work will add another dimension to your concert.

Grade 3

SKU: CL.012-1748-00

Composed by R. Foster. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR101). Score and set of parts. Composed 1984. Duration 5 minutes, 49 seconds. Opus III Wind Orchestra Publications #012-1748-00. Published by Opus III Wind Orchestra Publications (CL.012-1748-00).

A composition student of the late J. Clifton Williams, Robert Foster composed this work for symphonic band as a tribute to Mr. Williams. The work begins with a statement of the primary theme as a fanfare. The theme recurs later in the work in the form of a chorale, and returns even later in the energetic and rhythmic dance section. A recapitulation of the chorale follows, and the work concludes with a brilliant fanfare. This is a unique musical work and an ideal contest selection.

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style