(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Chamber Music & Piano Accompaniment 1 Bb Cornet 1 Piano - Grade 5

SKU: FL.FX072038

Composed by Jean-Baptiste Arban. Arranged by Eric Vireton. Arrangement, Republished Master Piece. Classical, Educational. Score and Set of Parts. Duration 7 minutes, 50 seconds. FLEX Editions #FX072038. Published by FLEX Editions (FL.FX072038).

I strongly encourage the thorough study of the work of Jean-Baptiste ARBAN, among which his famous Twelve Celebrated Fantasies and Air Varies. These 12 tunes, among which this piece, include all difficulties faced by a trumpet player to control his instrument. I had, together with Mireille CAPET MERAUD, lot of fun doing the recording of these Airs Varies, and I wish you a lot of joy and fun to re-discover them in this brand new version... - Franck PULCINI ; Instruments: 1 Bb Cornet 1 Piano; Difficuly Level: Grade 5.

By Fredryck Chopin. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.

Concert Band/Harmonie and Trumpet Solo - Grade 3

SKU: BT.DHP-1053845-140

For Trumpet and Concert Band. Composed by Kees Schoonenbeek. Soloworks. Concert Piece. Score Only. Composed 2005. 72 pages. De Haske Publications #DHP 1053845-140. Published by De Haske Publications (BT.DHP-1053845-140).

English-German-French-Dutch.

This fantastic new work is set to become a classic in the trumpet repertoire. Each of its three contrasting movements can be played alone as shorter pieces or together as a mini concerto. The second movement is particularly interesting in the fact it is a fantasy in theme and variations form, based on a Handel minuet. A must for all trumpet players of an intermediate to advanced level.

Deel een van dit werk draait om twee contrasterende thema’s: het eerste is resoluut, het tweede lyrischer. Het tweede deel is een fantasie over een menuet van Händel. Het derde deel begint met een energiek thema, waarna een themamet een ander karakter volgt. De twee thema’s wisselen elkaar af, uitmondend in een cantabile. Het concerto eindigt met een reprise van de eerste twee thema’s.

In diesem dreisätzigen Werk verarbeitete Kees Schoonenbeek mehrere eigene Themen sowie ein Menuett von Händel. Ein Thema ist resolut, das nächste eher lyrisch, ein drittes sehr energisch. Aus der Gegenüberstellung, Weiterentwicklung und abwechselnden Wiederholung dieser Themen und Melodien ergeben sich interessante Kontraste, die das Evergreen Concerto zu einem wahren Evergreen machen, an dem sich das Publikum nie satt hören wird.

Evergreen Concerto s’articule autour d’un premier mouvement constitué de deux thèmes contrastants - l’un résolu, l’autre lyriquement mélodieux - d’une fantaisie libre sur un menuet de Georg Friedrich Haendel et d’un troisième mouvement qui développe deux entités thématiques progressant vers un charmant cantabile. Evergreen Concerto se conclut par un retour alterné des deux thèmes initiaux.

Piano

SKU: BT.EMBZ13730

Sur des themes de Paganini. Composed by Franz Liszt. Book Only. Composed 1990. 44 pages. Editio Musica Budapest #EMBZ13730. Published by Editio Musica Budapest (BT.EMBZ13730).

English-German-Hungarian.

Liszt composed three piano works on Paganini's bell theme. The best known of these works is La Campanella (1851). The Clochette fantasia, that is the Grande Fantaisie de bravoure sur la Clochette de Paganini (1831-1834) as well as the early version of the F sharp minor study, the Campanella (1838) in A flat minor are much less played. Liszt composed a fourth piano work on the campanelle theme. Similar to the preceding it is a series of variations. The second theme is also taken from Paganini: it is the theme of a variation series known with the title The Carnival in Venice.

Der hier vorgelegten Edition liegt das Autograph Liszts zugrunde, das im Goethe- und Schiller-Archiv, Weimar unter der Signatur Ms I 44 aufbewahrt wird. Das Werk hat keine Inschrift. Unter dem letzten Takt (498) steht das autographe Datum Lisbonne / 2 Février ohne Jahreszahl. Sie soll aller Wahrscheinlichkeit nach 1845 sein, da sich Liszt nur ein einziges Mal, nämlich in diesem Jahr Portugal aufhielt.