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| Duo Fantasia
Tuba-Euphonium Press
By Brian Kershner. Duet. For Tuba and Percussion. Published by Tuba-Euphonium Pr...(+)
By Brian Kershner. Duet. For Tuba and Percussion. Published by Tuba-Euphonium Press
$18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Fantasia and Variations on the Duet La ci darem la mano from Mozart's Don Giovanni
Harp
Ut Orpheus
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| Prelude and Fughetta
Flute, Organ (duet) - Intermediate
Schirmer
Composed by Stanley M. Hoffman. 21st Century. Published by E.C. Schirmer Publish...(+)
Composed by Stanley M. Hoffman. 21st Century. Published by E.C. Schirmer Publishing (EC.8263).
$10.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| La Marziale. Fantasia Concertante for Harp (Piano) and Flute
Harp, Flute (duet) [Score and Parts]
Ut Orpheus
Composed by Carlo Michelangelo Sola. Edited by Anna Pasetti. Magadis. Score and ...(+)
Composed by Carlo Michelangelo Sola. Edited by Anna Pasetti. Magadis. Score and parts. 32 pages. Published by Ut Orpheus (UT.MAG-250).
$20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Ludwig van Beethoven: 13 Most Popular Pieces
Piano solo [Sheet music] - Intermediate/advanced
Alfred Publishing
By Ludwig van Beethoven. Edited by Willard A. Palmer. For Piano. Piano Collectio...(+)
By Ludwig van Beethoven. Edited by Willard A. Palmer. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Level: Late Intermediate / Early Advanced (grade 6/6 ). Book. 64 pages. Published by Alfred Publishing.
(2)$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Sonatas, Fantasias and Shorter Works for Piano Duet
1 Piano, 4 hands
Stainer and Bell
By Wolfgang Amadeus Mozart (1756-1791). For piano duet. Piano and keyboard music...(+)
By Wolfgang Amadeus Mozart (1756-1791). For piano duet. Piano and keyboard music. Published by Stainer and Bell Ltd.
$23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Three Fantasias
Treble (Alto) Recorder
Faber Music Limited
By Orlando Gibbons (1583-1625). For Treble Recorder. Book; Masterworks; Recorder...(+)
By Orlando Gibbons (1583-1625). For Treble Recorder. Book; Masterworks; Recorder - Treble Duet. Faber Edition. Masterwork; Renaissance. Published by Faber Music
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| COMPLETE MANDOLINIST, VOLUME 2: MUSIC IN CONTEXT
Mandolin - Intermediate/advanced
Mel Bay
Perfect binding. Exercises. Book. Mel Bay Publications, Inc #30782. Publishe...(+)
Perfect binding. Exercises.
Book. Mel Bay Publications,
Inc #30782. Published by Mel
Bay Publications, Inc
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced
Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
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| Classical Guitar Music Volume 1
Guitar
Classical guitar [CD Sheet Music]
Subito Music
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals...(+)
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.
(2)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Choral SATB - Intermediate
Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violin...(+)
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3112749 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Organ. Composed 1725. BWV 127. 12 pages. Duration 21 minutes. Carus Verlag #CV 31.127/49. Published by Carus Verlag (CA.3112749). ISBN 9790007048907. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Choral SATB - Intermediate
Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violin...(+)
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3112709 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. 1x 31.127/21 recorder 1, 1x 31.127/22 recorder 2, 1x 31.127/23 oboe 1, 1x 31.127/24 oboe 2, 1x 31.127/31 trumpet. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ 5. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Set of Orchestra Parts. Composed 1725. BWV 127. 30 pages. Duration 21 minutes. Carus Verlag #CV 31.127/09. Published by Carus Verlag (CA.3112709). ISBN 9790007048853. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and parts available separately - see item CA.3112700. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Choral SATB - Intermediate
Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violin...(+)
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3112712 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Violin 2. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/12. Published by Carus Verlag (CA.3112712). ISBN 9790007048877. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Choral SATB - Intermediate
Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violin...(+)
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3112705 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Choral Score. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/05. Published by Carus Verlag (CA.3112705). ISBN 9790007048846. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score available separately - see item CA.3112700. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Choral SATB - Intermediate
Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violin...(+)
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3112713 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Viola. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/13. Published by Carus Verlag (CA.3112713). ISBN 9790007048884. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Choral SATB - Intermediate
Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violin...(+)
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3112711 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Violin 1. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/11. Published by Carus Verlag (CA.3112711). ISBN 9790007048860. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra - Intermediate
Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Blfl f1, 2 Ob, Tr, 2 Vl, Va, Bc - Level 3 SK...(+)
Orchestra Soli STB, Coro SATB, 2 Blfl f1, 2 Ob, Tr, 2 Vl, Va, Bc - Level 3 SKU: CA.3112707 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Study score. Composed 1725. BWV 127. 44 pages. Duration 21 minutes. Carus Verlag #CV 31.127/07. Published by Carus Verlag (CA.3112707). ISBN 9790007245177. Key: F major. Language: German/English. Text: Eber, Paul. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score available separately - see item CA.3112700. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Choral SATB - Intermediate
Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violin...(+)
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3112719 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ, wahr' Mensch und Gott. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Set of Orchestra Parts. Composed 1725. BWV 127. Duration 21 minutes. Carus Verlag #CV 31.127/19. Published by Carus Verlag (CA.3112719). ISBN 9790007136703. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and parts available separately - see item CA.3112700. $88.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Thou who, a God, as man yet came (Herr Jesu Christ, wahr' Mensch und Gott)
Choral SATB - Intermediate
Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violin...(+)
Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3112714 Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Cello/Double Bass. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/14. Published by Carus Verlag (CA.3112714). ISBN 9790007048891. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber. Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Alla Turca Jazz Op. 5b
Schott
Piano Duet (Piano For 2 Players) SKU: HL.49046797 Fantasia on the Rond...(+)
Piano Duet (Piano For 2 Players) SKU: HL.49046797 Fantasia on the Rondo from the Piano Sonata in A Major, K. 331 Ve. Composed by Fazil Say. Edited by Selin Sekeranber and Yudum Centiner. Piano Duet. Classical. Softcover. 12 pages. Duration 90 seconds. Schott Music #ED23518. Published by Schott Music (HL.49046797). UPC: 842819115670. 9.0x12.0x0.099 inches. The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars havebeen presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. $10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Festival Anthology
Organ
Associated
Organ Solo. By Various. Arranged by E. Power Biggs. Organ Collection. Size 9x11....(+)
Organ Solo. By Various. Arranged by E. Power Biggs. Organ Collection. Size 9x11.25 inches. Published by Associated.
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Little Women
Piano, Voice [Vocal Score]
Schirmer
Opera in Two Acts. By Mark Adamo. Vocal Score. Size 9x12 inches. 400 pages. Publ...(+)
Opera in Two Acts. By Mark Adamo. Vocal Score. Size 9x12 inches. 400 pages. Published by G. Schirmer, Inc.
$80.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Alla Turca Jazz, Op. 5b
1 Piano, 4 hands
Schott
Piano 4 Hands 2 Pianos, 4 Hands (1 Piano, 4 Hands) SKU: HL.49047113 Fa...(+)
Piano 4 Hands 2 Pianos, 4 Hands (1 Piano, 4 Hands) SKU: HL.49047113 Fantasia on the Rondo from the Piano Sonata in A major K. 331 by. Composed by Fazil Say. Edited by Selin Sekeranber and Yudum Centiner. Piano Duet. Classical. Softcover. 16 pages. Duration 90 seconds. Schott Music #ED23613. Published by Schott Music (HL.49047113). ISBN 9781705189269. UPC: 842819117520. 0.096 inches. The final movement of the Sonata in A major K. 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all. Once reserved for all music connoisseurs, later played by every piano student, its opening melody, alienated like a sine tone, is now omnipresent even as a mobile phone ringtone. The arrangement by Fazil Say, created as an effective encore, builds on this popularity. Mounted on the still recognizable classic basic level, typical jazz elements such as syncopation of the top tones and embellishment with chromatic blue notes, embedded in sometimes frenzied chains of sixteenth notes, are found - after the first eight bars have been presented originally. In accordance with the improvisational character, Say himself likes to perform his Alla Turca Jazz in other combinations, for example with the accompaniment of jazz singers or with an orchestra. Perhaps it is surprising that Fazil Say, who was born in Turkey and lives there when not on tour, does not trace Mozart's adaptation of genuinely Turkish music closer to its origins, since many of his compositions such as Black Earth or the Violin Sonata are characterized by a subtle touch Combination of classic-romantic tradition, Turkish folk music and jazz elements. In another Mozart arrangement, the ballet music Patara, which premiered in Vienna in 2006, but now composed on the rococo-esque (and almost equally popular) theme from the first movement of the same A major sonata, Say still has the connection denied to the Alla Turca, albeit inthe opposite direction. In distinctive chamber music instrumentation, the piano stands for Western culture, the ney flute for that of the Orient, atmospherically conveyed by sparse percussion and vocalises by a soprano. $10.99 - See more - Buy online | | | |
| Clarinet Solos and Duos: The Ultimate Collection
Clarinet
CD Sheet Music
SKU: SU.00220334 Woodwinds, Clarinet. Accompanied by piano. CD (PDF Score...(+)
SKU: SU.00220334 Woodwinds, Clarinet. Accompanied by piano. CD (PDF Scores). CD Sheet Music #00220334. Published by CD Sheet Music (SU.00220334). This CD Sheet Music™ collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets and Album of Short Solos by Various Composers. Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on Au Clair de la Lune); Klosé )Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante) Easy Duets Book 1: works by Fodor, Pleyel, Volckmar, Wanhal; Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1200+ pages Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| 21 Of His Most Popular Pieces
Piano solo [Sheet music] - Intermediate/advanced
Alfred Publishing
By Wolfgang Amadeus Mozart. Keyboard. Level: Intermediate/Early Advanced (4/5/6/...(+)
By Wolfgang Amadeus Mozart. Keyboard. Level: Intermediate/Early Advanced (4/5/6/6 ). Published by Alfred Publishing.
(1)$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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