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| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy
Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Real Little Classical Fake Book - 2nd Edition
Piano solo - Intermediate
Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced
Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
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| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Woodwinds (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: B...(+)
Woodwinds (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-14660-30 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Choir; Folder. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Have a look into EB 10546 and CHB 14660. Solo concerto; Classical. Set of parts. 46 pages. Duration 16'. Breitkopf and Haertel #OB 14660-30. Published by Breitkopf and Haertel (BR.OB-14660-30). ISBN 9790004335659. 10 x 12.5 inches. All conducting scores and orchestral parts as well as piano-vocal scores and choral parts are thus obtainable exclusively from Breitkopf & Hartel. The piano reductions of Beethoven's solo concertos and the study scores (,,Studien-Editionen) remain within the G. Henle Verlag and can be ordered there. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Ludwig van Beethoven komponierte seine Missa solemnis zwischen 1819 und 1822. Die vorliegende Ausgabe legt als Hauptquelle die Arbeitskopie der Partitur zugrunde die Beethoven wohl unmittelbar nach Fertigstellung der Komposition in Auftrag gab. Sie ist die alteste Abschrift des Werks und die einzige Kopie die das heute unvollstandige Autograph zur Vorlage hatte. Da die Arbeitskopie im Zuge des weiteren Kopierens immer wieder selbst revidiert und korrigiert wurde kommt sie heute einer Fassung letzter Hand am nachsten. Alle Dirigierpartituren und Orchesterstimmen sind exklusiv uber Breitkopf & Hartel erhaltlich. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Beethovens komplexe Veroffentlichungsstrategie einer gleichzeitigen Herausgabe in England Frankreich und Deutschland bei der er nach der grosstmoglichen Verbreitung seiner Werke trachtete wirft die schwierige Frage nach der richtigen Datierung der Originalausgabe auf. So konnte Hans-Werner Kuthen bei seiner Urtextausgabe der Ouverture zu Coriolan nachweisen dass es sich bei der ursprunglich als authentisch bewerteten Quelle vom 1. September 1807 doch um einen Nachdruck Simrocks handelt den Beethoven in einem Brief vom 16. Juni 1807 offensichtlich als ein toleriertes Relikt erwahnt. Verbindlich fur die Neuausgabe ist allein der Wiener Originaldruck des Industriekontors der vor der Simrock-Ausgabe entstanden sein muss. Die Neubewertung der Quellen brachte schliesslich auch Anderungen in der Artikulation mit sich. $65.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Violin 2 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR...(+)
Violin 2 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-14660-16 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Choir; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Have a look into EB 10546 and CHB 14660. Solo concerto; Classical. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 14660-16. Published by Breitkopf and Haertel (BR.OB-14660-16). ISBN 9790004335611. 10 x 12.5 inches. All conducting scores and orchestral parts as well as piano-vocal scores and choral parts are thus obtainable exclusively from Breitkopf & Hartel. The piano reductions of Beethoven's solo concertos and the study scores (,,Studien-Editionen) remain within the G. Henle Verlag and can be ordered there. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Ludwig van Beethoven komponierte seine Missa solemnis zwischen 1819 und 1822. Die vorliegende Ausgabe legt als Hauptquelle die Arbeitskopie der Partitur zugrunde die Beethoven wohl unmittelbar nach Fertigstellung der Komposition in Auftrag gab. Sie ist die alteste Abschrift des Werks und die einzige Kopie die das heute unvollstandige Autograph zur Vorlage hatte. Da die Arbeitskopie im Zuge des weiteren Kopierens immer wieder selbst revidiert und korrigiert wurde kommt sie heute einer Fassung letzter Hand am nachsten. Alle Dirigierpartituren und Orchesterstimmen sind exklusiv uber Breitkopf & Hartel erhaltlich. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Beethovens komplexe Veroffentlichungsstrategie einer gleichzeitigen Herausgabe in England Frankreich und Deutschland bei der er nach der grosstmoglichen Verbreitung seiner Werke trachtete wirft die schwierige Frage nach der richtigen Datierung der Originalausgabe auf. So konnte Hans-Werner Kuthen bei seiner Urtextausgabe der Ouverture zu Coriolan nachweisen dass es sich bei der ursprunglich als authentisch bewerteten Quelle vom 1. September 1807 doch um einen Nachdruck Simrocks handelt den Beethoven in einem Brief vom 16. Juni 1807 offensichtlich als ein toleriertes Relikt erwahnt. Verbindlich fur die Neuausgabe ist allein der Wiener Originaldruck des Industriekontors der vor der Simrock-Ausgabe entstanden sein muss. Die Neubewertung der Quellen brachte schliesslich auch Anderungen in der Artikulation mit sich. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Violin 1 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR...(+)
Violin 1 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-14660-15 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Choir; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Have a look into EB 10546 and CHB 14660. Solo concerto; Classical. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 14660-15. Published by Breitkopf and Haertel (BR.OB-14660-15). ISBN 9790004335604. 10 x 12.5 inches. All conducting scores and orchestral parts as well as piano-vocal scores and choral parts are thus obtainable exclusively from Breitkopf & Hartel. The piano reductions of Beethoven's solo concertos and the study scores (,,Studien-Editionen) remain within the G. Henle Verlag and can be ordered there. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Ludwig van Beethoven komponierte seine Missa solemnis zwischen 1819 und 1822. Die vorliegende Ausgabe legt als Hauptquelle die Arbeitskopie der Partitur zugrunde die Beethoven wohl unmittelbar nach Fertigstellung der Komposition in Auftrag gab. Sie ist die alteste Abschrift des Werks und die einzige Kopie die das heute unvollstandige Autograph zur Vorlage hatte. Da die Arbeitskopie im Zuge des weiteren Kopierens immer wieder selbst revidiert und korrigiert wurde kommt sie heute einer Fassung letzter Hand am nachsten. Alle Dirigierpartituren und Orchesterstimmen sind exklusiv uber Breitkopf & Hartel erhaltlich. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Beethovens komplexe Veroffentlichungsstrategie einer gleichzeitigen Herausgabe in England Frankreich und Deutschland bei der er nach der grosstmoglichen Verbreitung seiner Werke trachtete wirft die schwierige Frage nach der richtigen Datierung der Originalausgabe auf. So konnte Hans-Werner Kuthen bei seiner Urtextausgabe der Ouverture zu Coriolan nachweisen dass es sich bei der ursprunglich als authentisch bewerteten Quelle vom 1. September 1807 doch um einen Nachdruck Simrocks handelt den Beethoven in einem Brief vom 16. Juni 1807 offensichtlich als ein toleriertes Relikt erwahnt. Verbindlich fur die Neuausgabe ist allein der Wiener Originaldruck des Industriekontors der vor der Simrock-Ausgabe entstanden sein muss. Die Neubewertung der Quellen brachte schliesslich auch Anderungen in der Artikulation mit sich. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Violoncello (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU:...(+)
Violoncello (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-14660-23 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Choir; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Have a look into EB 10546 and CHB 14660. Solo concerto; Classical. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 14660-23. Published by Breitkopf and Haertel (BR.OB-14660-23). ISBN 9790004335635. 10 x 12.5 inches. All conducting scores and orchestral parts as well as piano-vocal scores and choral parts are thus obtainable exclusively from Breitkopf & Hartel. The piano reductions of Beethoven's solo concertos and the study scores (,,Studien-Editionen) remain within the G. Henle Verlag and can be ordered there. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Ludwig van Beethoven komponierte seine Missa solemnis zwischen 1819 und 1822. Die vorliegende Ausgabe legt als Hauptquelle die Arbeitskopie der Partitur zugrunde die Beethoven wohl unmittelbar nach Fertigstellung der Komposition in Auftrag gab. Sie ist die alteste Abschrift des Werks und die einzige Kopie die das heute unvollstandige Autograph zur Vorlage hatte. Da die Arbeitskopie im Zuge des weiteren Kopierens immer wieder selbst revidiert und korrigiert wurde kommt sie heute einer Fassung letzter Hand am nachsten. Alle Dirigierpartituren und Orchesterstimmen sind exklusiv uber Breitkopf & Hartel erhaltlich. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Beethovens komplexe Veroffentlichungsstrategie einer gleichzeitigen Herausgabe in England Frankreich und Deutschland bei der er nach der grosstmoglichen Verbreitung seiner Werke trachtete wirft die schwierige Frage nach der richtigen Datierung der Originalausgabe auf. So konnte Hans-Werner Kuthen bei seiner Urtextausgabe der Ouverture zu Coriolan nachweisen dass es sich bei der ursprunglich als authentisch bewerteten Quelle vom 1. September 1807 doch um einen Nachdruck Simrocks handelt den Beethoven in einem Brief vom 16. Juni 1807 offensichtlich als ein toleriertes Relikt erwahnt. Verbindlich fur die Neuausgabe ist allein der Wiener Originaldruck des Industriekontors der vor der Simrock-Ausgabe entstanden sein muss. Die Neubewertung der Quellen brachte schliesslich auch Anderungen in der Artikulation mit sich. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Viola (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB...(+)
Viola (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-14660-19 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Choir; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Have a look into EB 10546 and CHB 14660. Solo concerto; Classical. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 14660-19. Published by Breitkopf and Haertel (BR.OB-14660-19). ISBN 9790004335628. 10 x 12.5 inches. All conducting scores and orchestral parts as well as piano-vocal scores and choral parts are thus obtainable exclusively from Breitkopf & Hartel. The piano reductions of Beethoven's solo concertos and the study scores (,,Studien-Editionen) remain within the G. Henle Verlag and can be ordered there. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Ludwig van Beethoven komponierte seine Missa solemnis zwischen 1819 und 1822. Die vorliegende Ausgabe legt als Hauptquelle die Arbeitskopie der Partitur zugrunde die Beethoven wohl unmittelbar nach Fertigstellung der Komposition in Auftrag gab. Sie ist die alteste Abschrift des Werks und die einzige Kopie die das heute unvollstandige Autograph zur Vorlage hatte. Da die Arbeitskopie im Zuge des weiteren Kopierens immer wieder selbst revidiert und korrigiert wurde kommt sie heute einer Fassung letzter Hand am nachsten. Alle Dirigierpartituren und Orchesterstimmen sind exklusiv uber Breitkopf & Hartel erhaltlich. Die Studien-Editionen (Studienpartituren) verbleiben beim G. Henle Verlag und sind dort erhaltlich. Beethovens komplexe Veroffentlichungsstrategie einer gleichzeitigen Herausgabe in England Frankreich und Deutschland bei der er nach der grosstmoglichen Verbreitung seiner Werke trachtete wirft die schwierige Frage nach der richtigen Datierung der Originalausgabe auf. So konnte Hans-Werner Kuthen bei seiner Urtextausgabe der Ouverture zu Coriolan nachweisen dass es sich bei der ursprunglich als authentisch bewerteten Quelle vom 1. September 1807 doch um einen Nachdruck Simrocks handelt den Beethoven in einem Brief vom 16. Juni 1807 offensichtlich als ein toleriertes Relikt erwahnt. Verbindlich fur die Neuausgabe ist allein der Wiener Originaldruck des Industriekontors der vor der Simrock-Ausgabe entstanden sein muss. Die Neubewertung der Quellen brachte schliesslich auch Anderungen in der Artikulation mit sich. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Organ Works, Volume 6
Organ [Score]
Barenreiter
Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to ...(+)
Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6). Composed by Johann Sebastian Bach (1685-1750). Edited by Dietrich Kilian / Peter Wollny. This edition: urtext edition. Paperback. Johann Sebastian Bach. Organ Works 6 | BARENREITER URTEXT. Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6). Performance score, anthology. Published by Baerenreiter Verlag (BA.BA5266).
$38.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| COMPLETE MANDOLINIST, VOLUME 2: MUSIC IN CONTEXT
Mandolin - Intermediate/advanced
Mel Bay
Perfect binding. Exercises. Book. Mel Bay Publications, Inc #30782. Publishe...(+)
Perfect binding. Exercises.
Book. Mel Bay Publications,
Inc #30782. Published by Mel
Bay Publications, Inc
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Essential Keyboard Repertoire, Volume 8 (Miniatures)
Piano solo [Sheet music] - Easy
Alfred Publishing
95 Early / Late Intermediate Miniatures - Baroque to Modern. Edited by Maurice H...(+)
95 Early / Late Intermediate Miniatures - Baroque to Modern. Edited by Maurice Hinson. For Piano. Piano Collection. Essential Keyboard Repertoire. Masterwork. Level: Early Intermediate / Late Intermediate. Book. 144 pages. Published by Alfred Publishing. (
$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Woodwinds (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: B...(+)
Woodwinds (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-30 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Folder. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Set of parts. 46 pages. Breitkopf and Haertel #OB 5230-30. Published by Breitkopf and Haertel (BR.OB-5230-30). ISBN 9790004331569. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $64.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Violin 1 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR...(+)
Violin 1 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-15 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-15. Published by Breitkopf and Haertel (BR.OB-5230-15). ISBN 9790004331514. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Violin 2 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR...(+)
Violin 2 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-16 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-16. Published by Breitkopf and Haertel (BR.OB-5230-16). ISBN 9790004331521. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Twelve Fantasias
Kevin Mayhew
These twelve fantasias by Telemann for unaccompanied flute (composed around 1728...(+)
These twelve fantasias by Telemann for unaccompanied flute (composed around 1728) hold much for modern flute players to discover and enjoy. Telemann's flute compositions had universal appeal, being enjoyable for the less dexterous players while remaining attractive to virtuosi. He embraced multiple styles and forms, creating simple yet effective works which are relatively easy to master but also highly satisfying. This edition includes a complete performance on CD
$21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Viola (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB...(+)
Viola (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-19 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-19. Published by Breitkopf and Haertel (BR.OB-5230-19). ISBN 9790004331538. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Violoncello (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU:...(+)
Violoncello (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-23 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-23. Published by Breitkopf and Haertel (BR.OB-5230-23). ISBN 9790004331545. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Choral Fantasia in C minor Op. 80
Breitkopf & Härtel
Double bass (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU:...(+)
Double bass (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-27 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-27. Published by Breitkopf and Haertel (BR.OB-5230-27). ISBN 9790004331552. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Renaissance String Quartets - Parts
String Quartet: 2 violins, viola, cello
Greenblatt and Seay
Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, c...(+)
Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, cello. This edition: spiral-bound. Tunebook. 26 pages (violin 1), 26 pages (violin 2), 26 pages (viola), 26 pages (cello). Published by Greenblatt & Seay
$30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Renaissance String Quartets - Score
String Quartet: 2 violins, viola, cello [Score]
Greenblatt and Seay
Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, c...(+)
Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, cello. This edition: spiral-bound. Tunebook. 63 pages. Published by Greenblatt & Seay
$15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Wolfgang Amadeus Mozart: Mozart
Piano solo [Sheet music] - Intermediate
Hal Leonard
Composed by Wolfgang Amadeus Mozart (1756-1791). For solo piano. Format: piano s...(+)
Composed by Wolfgang Amadeus Mozart (1756-1791). For solo piano. Format: piano solo book. Classical period. Series: The World's Great Classical Music. 224 pages. 9x12 inches. Published by Hal Leonard.
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Organ Wedding Album
Organ
Barenreiter
(Easy Organ Music for Grand Occasions) Edited by Martin Bartsch. For organ. Form...(+)
(Easy Organ Music for Grand Occasions) Edited by Martin Bartsch. For organ. Format: organ solo book. With organ notation and introductory text. Wedding. 82 pages. 9x12 inches. Published by Baerenreiter-Ausgaben
$46.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Classical Album: 12 original pieces
1 Piano, 4 hands
Schirmer
Piano Duet. By Various. Piano Duet. Size 11.6x9 inches. 84 pages. Published by G...(+)
Piano Duet. By Various. Piano Duet. Size 11.6x9 inches. 84 pages. Published by G. Schirmer, Inc.
(1)$15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Classical Piano Solos Collection
Piano solo
Willis Music
106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, ...(+)
106 Graded Pieces from
Baroque to the 20th C.
Compiled and Edited by P. Low,
S. Schumann, C. Siagian.
Composed by Various. Edited
by Charmaine Siagian. Willis.
Classical, Recital, Solos.
Softcover. Published by
Willis Music
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Fantasia and Fugue in C Minor, BWV 537
Concert band [Score and Parts] - Intermediate/advanced
Alfred Publishing
By Johann Sebastian Bach (1685-1750). Concert Band. Concert Band. Donald Hunsber...(+)
By Johann Sebastian Bach (1685-1750). Concert Band. Concert Band. Donald Hunsberger Wind Library. Form: Fantasia. Baroque. Grade 4. Conductor Score and Parts. 184 pages
$125.00 $118.75 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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