SKU: HL.14009067
English.
Why are Christmas shoppers rushing about when you can wait at home for Father Christmas to bring you presents? Or should that be Mother Christmas? Equal opportunities now, you know! This lively and up-to-date seasonal musical will amuse primary school children and is great entertainment. Three easy-to-stage scenes: a bustling street, chaotic preperations for the Nativity play and the children's bedroom on Christmas Eve. Children of all ages can take part with chorus, speaking and solo singing roles. Also includes dance. If you need to license a school/youth theatre performance of this product, please use the online application form.
SKU: HL.137546
UPC: 888680027629. 5x5 inches.
It is rare to find a major non-seasonal cantata with such power and meaning. The Lord's Prayer forms the foundation of this creative worship experience. With highly original music and thoughtful narration, the composer turns a musical presentation into a teachable moment for the choir and congregation alike. A concept for any time of the year, this cantata delivers both artistry and ministry. A full line of support products is available to facilitate your presentation.Songs include: We Are Not Alone; Our Father in Heaven; Holy Be Thy Name; Let Your Kingdom Come; Give Us This Day; Forgive Us (Help Us Forgive Ourselves); Lead Us Not into Temptation; Thine Is the Kingdom. Score and Parts (pic, fl 1-2, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-2, tbn 3/tba, perc 1-3, hp, pno, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.
SKU: JK.01844
Original anthem for a cappella mixed chorus (SATB), on the invaluable role of fatherhood.In the learning of my father I was taught in my youth--His sweet teachings imparted in kindness and truth. Composer: Craig Larson Lyricist: Craig Larson Difficulty: Medium Performance time: 3:00.
SKU: JK.01660
Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
Original arrangement for mixed chorus (SSATB), about our Father in Heaven and our fathers on earth: From soothing hands under quiet skies, to the reflection of wond'ring eyes. He gently hums heaven's lullaby. Beautiful harmony between the voices.Composer: Julie Webb Lyricist: Julie Webb Difficulty: Medium Performance time: 2:30Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
SKU: JK.01580
1 Nephi 1:1, Proverbs 4:1.
Original Father's Day anthem for mixed chorus (SATB), sung as a joyful celebration of the role of a father.Composer: Brent Jorgensen Arranger: Brent Jorgensen Lyricist: Penelope Moody Allen Difficulty: Easy Performance time: 5:45Reference: 1 Nephi 1:1, Proverbs 4:1.
SKU: TM.03170SET
Eternal Father - Key of C, 2 minutes; Faith of Fathers - Key of G, 3 minutes. P/C in set.
SKU: CL.011-3635-00
A lush ballad that is an emotional tribute to fatherhood this richly scored work is suitable for both middle school and high school level bands. Featuring colorful woodwind and brass melodic lines, Love and Peace is unique in that it is a ballad that utilizes your entire percussion section! This piece contains many soaring countermelodies in the middle voices, and builds into a powerful proclamation of sonority and beauty. Perfect for festivals or concert programs.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.011-3635-01
SKU: BT.BOE7935
ISBN 9783954562008. German.
Known professionally as Hauschka, composer Volker Bertelmann has catapulted himself into the top tier of instrumental composers. This is proven, not least, by the Oscar nomination which he received for his soundtrack to the2016 film Lion.
In his latest album A Different Forest, released on 8 February 2019 at Sony Classical, Hauschka takes the forest as a contrast to the urban life. The names of the pieces, such as 'Talking To My Father',testify equally that those natural experiences are metaphorical of the important things in life.
For this album Hauschka renounces entirely his prepared Piano. The existential questions which he musically poses, however,donot lose their intensity, but rather, without the alienation by electronic elements, gain urgency.
In addition to the 13 LP tracks, this songbook for Piano also contains three exclusive arrangements of previouslyunreleased songs: 'Collecting Stones', 'Loosing Directions' and 'Misty Day'.
Titels zoals Talking To My Father tonen dat deze ervaringen in de natuur metaforen zijn voor belangrijke gebeurtenissen in het leven. Dit songbook voor piano bevat, naast de 13 nummers van de LP, eneneens 3 exclusieve bewerkingen van tot nu onuitgebrachte nummers: Collecting Stones, Losing Directions and Misty Day.Volker Bertelmann alias Hauschka hat sich mittlerweile in die oberste Riege der Instrumentalkomponisten katapultiert. Dies beweist nicht zuletzt die Oscar-Nominierung, die er für seinen Soundtrack zum Film Lion“ erhielt. In seinem neusten Album A Different Forest“ am 08. Februar 2019 bei Sony Classical erschienen nimmt er sich dem Wald als Kontrastraum zum städtischen Leben an. Titelnamen wie Talking To My Father bezeugen gleichermaßen, dass jene Naturerfahrungen metaphorisch für die wichtigen Dinge des Lebens stehen. Für dieses Album verzichtet Hauschka gänzlich auf sein präpariertes Klavier. Die existentiellen Fragen, denen er sich musikalisch stellt, verlieren hierdurch aber nicht an Intensität, sondern gewinnen ohne die Verfremdung durch elektronische Elemente vielmehr an Dringlichkeit. Dieses Songbook für Klavier enthält neben den 13 Titeln der LP drei exklusive Arrangements bisher unveröffentlichter Songs: Collecting Stones, Losing Directions und Misty Day.Volker Bertelmann, également connu sous le nom de Hauschka, s'est retrouvé au premier rang des compositieurs instrumentaux : ceci a été confirmé par sa nomination aux Oscars pour la bande-originale du film Lion. Dans son dernier album « A Different Forest », sorti le 8 février 2019, la forêt fait usage de contaste avec la vie urbaine.
Des titres tels que Talking to My Father déclarent de la même façon que ces expériences au contact de la nature sont des métaphores de moments importants dans la vie. En plus des 13 pistes du vinyl 33 trous, ce recueil de chansons pour piano comprend en exclusivité trois arrangements de titres inédits : Collecting Stones, Losing Directions et Misty Day.Volker Bertelmann aka Hauschka si è portato a un livello superiore dei compositori strumentali. Questo non è subito evidente nella colonna sonora del film Lion, per cui ha ricevuto una candidatura all' Oscar, ma nel suo ultimo album A Different Forest - uscito l'8 febbraio 2019 - in cui utilizza l'immagine della foresta come contrasto con la vita urbana.
Titoli come Talking to My Father testimoniano allo stesso modo che tutte quelle esperienze della natura sono metafore di eventi importanti della vita. Questo canzoniere per pianoforte contiene, oltre ai 13 brani dell'LP, tre arrangiamenti esculisivi di canzoni inedite: Collecting Stones, Losing Directions e Misty Day.
SKU: SU.80111202
Violin & Clarinet Duration: ' Composed: 1972 Published by: Soundspells Productions Includes set of 2 scores The Garden of My Father's House (1973) is a dramatic rhapsody for violin and clarinet duo. The composer wrote the following: I composed THE GARDEN OF MY FATHER'S HOUSE in 1972 in memory of my father, who was my first music teacher. Although he played many instruments and loved to sing, he could not read a note of music. When I was very young he would sing Gypsy songs, Yiddish folk-songs and Rumanian tunes to me and I would play them back on my clarinet, often with ornaments and variations. Sometimes he would accompany me on the piano; he had a few favorite chords which always seemed to pop up no matter what the tune. The piece is a musical ritual, based on a C-sharp drone, or pedal note, that is heard without interruption, across several ranges, throughout the piece. The violin's drone tremolos, often combined with perfect fifths and quarter-tone tunings, imply the key of Csharp minor. The violin part is always rubato — lyrical, expressive and frequently very passionate. But, most importantly, the violin is always tonal. The clarinet, on the other hand, is atonal, its pitches drawn from the twelve-tone row that I used to write my Cycles of Infinities. The style of the clarinet is contemporary, using wide-range intervals, biting accents and unusual instrumental effects, including fluttertonguing and quarter-tone trills. In combining the 'contrasting' roles of the two instruments, I sought to create a musical ritual-game that would draw energy and bits of information from the polarized instruments. The language of the piece calls the listener's attention to the cogent features of both instrumental personalities in a manner that is somewhat similar to the way in which Yiddish combines German and Hebrew. The drone becomes more and more magnetic and begins to join the parts together until they become one in the final C-sharp unison.
SKU: WD.080689275494
UPC: 080689275494.
Father Knows Best is an upbeat, unison/two-part musical that teaches children the importance of trusting and obeying. The musical showcases a variety of musical styles, including rock, rap, rhythm and blues, and ballads. The storyline takes place in Eden Park, the perfect setting to learn that our Father knows best. The children learn that rules, especially our Father's, are there to help us. Ages: 1st to 6th Grade
SKU: C4.9790902260480
ISBN 9790902260480. 8.27 x 11.7 inches.
Heavenly Father was commissioned by Sydney Chamber Choir for a concert in 2022 which featured Heinrich Schütz’s Musikalische Exequien. Melodic lines from Schütz’s work are used throughout Heavenly Father: the first soprano melody in the opening chorus at ‘Herr Gott Vater in Himmel’ is featured at the beginning and repeated throughout, as are the melodies, for example, at ‘Also hat Gott die Welt geliebt’, and at ‘seinem verklärten Leibe’, among other places.In a conversation about what this commission would be, it was agreed that the sense of the work would be about the circle of life expressed in Musikalische Exequien rather than about death itself. It is because of this ‘sense’ that the end of Heavenly Father is reversed, illustrating a musical circle: the lower voices sing the ‘Herr Gott Vater in Himmel’ phrase backwards, and the upper voices sing the melodies backwards that were sung by the lower voices at the beginning.
SKU: LO.20-1099L
UPC: 000308034455.
Bells used: 2 oct (22) 3 oct (31).
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