SKU: HL.350958
ISBN 9781705107348. UPC: 840126936278. 9.0x12.0x0.183 inches.
When kids learn to play an instrument, they want to play the songs they know and love! This collection of 50 songs allows them to do just that! It includes 50 contemporary favorites, including: Believer • Dance Monkey • Don't Stop Believin' • Hallelujah • Happy • High Hopes • Let's Get It Started • Ocean Eyes • Perfect • Rewrite the Stars • A Thousand Miles • We Will Rock You • You Will Be Found • and more.
SKU: HL.44012281
UPC: 888680057817. 9x12 inches. English.
The Innocent Condemned tells of the so-called buck riders (bokkerijders) who, in the middle of the 18th Century caused mayhem in the area around Limburg. Calmer passages in the music depict the fear of the locals, while a vivo furioso describes a night raid, and powerful drum sounds together with emotional musical lines illustrate the execution of an innocent. A gripping piece of history caught in music! Deze indrukwekkende compositie vertelt het verhaal van de 'Bokkenrijders', een bende rovers die in de helft van de 18e eeuw de streek rond Limburg onveilig maakten. Vele burgers werden nadien valselijk beschuldigd bokkenrijders te zijn geweest. Ze werden ten onrechte veroordeeld en brutaal terechtgesteld. In deze programmamuziek van Rob Goorhuis kun je de gebeurtenissen terughoren. The Innocent Condemned (Der unschuldig Verurteilte) erzahlt von den so genannten Bokkerijders (Bockreitern), die Mitte des 18. Jahrhundert die Gegend um Limburg unsicher machten. Ruhige Passagen im Werk zeugen von der Angst der Burger, ein Vivo furioso beschreibt einen nachtlichen Uberfall und vehemente Schlagzeugklange sowie emotionale musikalische Linien illustrieren die Hinrichtung eines Unschuldigen. Ein packendes Stuck Geschichte in Musik gefasst!Selon la legende, les Buckriders etaient un gang de voleurs sans scrupules qui devalisaient les fermes et les presbyteres lors de leur passage. Il a ete dit que les membres avaient fait un pacte avec Satan et chevauchaient dans le ciel a dos de chevres. Les passages calmes dans l'œuvre temoignent de la crainte des citoyens, un Vivo furioso decrit un raid de nuit et les sons vehements des percussions suivis de lignes musicales lyriques illustrent l'execution d'un innocent. Cette histoire de legende reprend vie grace a la musique de Rob Goorhuis.The Innocent Condemned narra la storia dei Bokkerijders, briganti che nel XVIII secolo terrorizzavano con le loro gesta la regione olandese intorno a Limburg. I passaggi calmi proposti nel brano evocano la paura dei cittadini, un Vivo furioso descrive un'incursione notturna, mentre i suoni veementi delle percussioni seguiti da una linea melodica lirica traspogono in musica l'esecuzione di un innocente. Un brano coinvolgente che riassume la storia in musica!
SKU: BT.GOB-001200-010
9x12 inches. English.
The Innocent Condemned tells of the so-called buck riders (bokkerijders) who, in the middle of the 18th Century caused mayhem in the area around Limburg. Calmer passages in the music depict the fear of the locals, while a vivo furioso describes a night raid, and powerful drum sounds together with emotional musical lines illustrate the execution of an innocent. A gripping piece of history caught in music! Deze indrukwekkende compositie vertelt het verhaal van de ‘Bokkenrijders’, een bende rovers die in de helft van de 18e eeuw de streek rond Limburg onveilig maakten. Vele burgers werden nadien valselijk beschuldigd bokkenrijders te zijn geweest. Ze werden ten onrechte veroordeeld en brutaal terechtgesteld. In deze programmamuziek van Rob Goorhuis kun je de gebeurtenissen terughoren. The Innocent Condemned (Der unschuldig Verurteilte) erzählt von den so genannten Bokkerijders“ (Bockreitern), die Mitte des 18. Jahrhundert die Gegend um Limburg unsicher machten. Ruhige Passagen im Werk zeugen von der Angst der Bürger, ein Vivo furioso beschreibt einen nächtlichen Überfall und vehemente Schlagzeugklänge sowie emotionale musikalische Linien illustrieren die Hinrichtung eines Unschuldigen. Ein packendes Stück Geschichte in Musik gefasst!Selon la légende, les Buckriders étaient un gang de voleurs sans scrupules qui dévalisaient les fermes et les presbytères lors de leur passage. Il a été dit que les membres avaient fait un pacte avec Satan et chevauchaient dans le ciel dos de chèvres. Les passages calmes dans l’œuvre témoignent de la crainte des citoyens, un Vivo furioso décrit un raid de nuit et les sons véhéments des percussions suivis de lignes musicales lyriques illustrent l’exécution d’un innocent. Cette histoire de légende reprend vie gr ce la musique de Rob Goorhuis.The Innocent Condemned narra la storia dei “Bokkerijders”, briganti che nel XVIII secolo terrorizzavano con le loro gesta la regione olandese intorno a Limburg. I passaggi calmi proposti nel brano evocano la paura dei cittadini, un Vivo furioso descrive un’incursione notturna, mentre i suoni veementi delle percussioni seguiti da una linea melodica lirica traspogono in musica l’esecuzione di un innocente. Un brano coinvolgente che riassume la storia in musica!
SKU: BT.GOB-000257-020
SKU: HL.4004964
UPC: 888680653552. 9.0x12.0x0.051 inches.
Brendan Graham's tender song tells the emotional story of Ireland's Annie Moore, the first person to step ashore when Ellis Island opened as an immigration center in 1892. With emotions ranging from hope to fear, joy to despair, this deeply moving ballad has been recorded notably by Sean & Dolores Keane, The Irish Tenors, Celtic Thunder, and Celtic Woman. Here is a beautiful setting adapted for the concert stage. Dur: 3:40.
SKU: BT.GOB-000257-120
SKU: HL.49045437
ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.
On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
SKU: SU.90780101
Voice, Percussion, String Quartet Duration: Full Score: available for sale (#90780100) Composed: 1994 Published by: Notevole Music Publishing COMPOSER'S NOTE: Incorporating choreography by Bill T. Jones and video by Gretchen Bender, Still/Here is based on interviews and movement workshops conducted with people living with terminal illness. The eight songs of Still explore introspection, denial, fear and panic, yet ultimately are defiant and life-affirming.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
