| It Feels New SSA Choral 3-part SSA - Easy Pinkzebra
Choral SSA chorus - early intermediate SKU: XC.2203013 Composed by Pinkze...(+)
Choral SSA chorus - early intermediate SKU: XC.2203013 Composed by Pinkzebra. Arranged by Pinkzebra. Octavo. Pinkzebra #2203013. Published by Pinkzebra (XC.2203013). 9 x 12 inches. Everywhere I look it's a storybook, and it feels so pure and true. It feels new. This peaceful original winter song expresses feelings of hopefulness and renewal that come when the quiet landscape is covered with a layer of fresh snow. Gentle syncopation and echoing harmonies bring life to the charming melody. Perform with the accompaniment MP3. Rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir. $2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| It Feels New (Two-Part) Choral 2-part 2-part - Easy Pinkzebra
Choral Two-Part chorus - early intermediate SKU: XC.2203014 Composed by P...(+)
Choral Two-Part chorus - early intermediate SKU: XC.2203014 Composed by Pinkzebra. Arranged by Pinkzebra. Octavo. Pinkzebra #2203014. Published by Pinkzebra (XC.2203014). 9 x 12 inches. Everywhere I look it's a storybook, and it feels so pure and true. It feels new. This peaceful original winter song expresses feelings of hopefulness and renewal that come when the quiet landscape is covered with a layer of fresh snow. Gentle syncopation and echoing harmonies bring life to the charming melody. Perform with the accompaniment MP3. Rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir. $2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| It Feels New SATB Choral SATB SATB - Easy Pinkzebra
Choral SATB chorus - early intermediate SKU: XC.2203011 Composed by Pinkz...(+)
Choral SATB chorus - early intermediate SKU: XC.2203011 Composed by Pinkzebra. Arranged by Pinkzebra. Octavo. Pinkzebra #2203011. Published by Pinkzebra (XC.2203011). 9 x 12 inches. Everywhere I look it's a storybook, and it feels so pure and true. It feels new. This peaceful original winter song expresses feelings of hopefulness and renewal that come when the quiet landscape is covered with a layer of fresh snow. Gentle syncopation and echoing harmonies bring life to the charming melody. Perform with the accompaniment MP3. Rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir. $2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| It Feels New SAB Choral 3-part SAB - Easy Pinkzebra
Choral SAB chorus - early intermediate SKU: XC.2203012 Composed by Pinkze...(+)
Choral SAB chorus - early intermediate SKU: XC.2203012 Composed by Pinkzebra. Arranged by Pinkzebra. Octavo. Pinkzebra #2203012. Published by Pinkzebra (XC.2203012). 9 x 12 inches. Everywhere I look it's a storybook, and it feels so pure and true. It feels new. This peaceful original winter song expresses feelings of hopefulness and renewal that come when the quiet landscape is covered with a layer of fresh snow. Gentle syncopation and echoing harmonies bring life to the charming melody. Perform with the accompaniment MP3. Rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir. $2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Guide For Jazz And Scat Vocalists - A Survival Manual Voice solo [Sheet music + CD] - Intermediate/advanced Jamey Aebersold Jazz
By Denis Diblasio. Published by Jamey Aebersold Jazz. (SCAT) This book and C...(+)
By Denis Diblasio. Published by Jamey Aebersold Jazz. (SCAT)
This book and CD examines some of the problems that vocalists encounter and how to deal with them. Designed for the vocalist that feels alone in the world of instrumentalists. Includes chapters on Jargon, preparing songs, chord voicings, scat singing, scales and chords, ear training and more...all supported by actual examples on the CD!
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beginning Blues Bass (Book and Cd) Bass guitar [Sheet music + CD] - Beginner Alfred Publishing
Published by Alfred Publishing. Designed for beginning bassists who want to play...(+)
Published by Alfred Publishing. Designed for beginning bassists who want to play the blues, this title makes a great companion to any starter bass method and the perfect complement to the author's Complete Electric Bass Method. Learn various grooves in both straight and swing feels, all within the context of such styles as rock blues, jazz blues, funk blues and more. Highlighted with lessons on scales and chords that are clear and easy to understand, this abundant resource of blues bass lines not only adds to your vocabulary, but also provides the tools you need to create great bass lines of your own for any practical playing situation.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chuck Mangione: Feels So Good Jazz Ensemble [Score] Alfred Publishing
Composed by Chuck Mangione, arranged by Jeff Tkazyik. Full score and set of perf...(+)
Composed by Chuck Mangione, arranged by Jeff Tkazyik. Full score and set of performance parts for jazz band. 96 pages. Published by Alfred Publishing.
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Feels like Today Choral 3-part TTB/TBB Hal Leonard
Performed by Rascal Flatts. Arranged by Alan Billingsley. (TTB). Pop Choral Ser...(+)
Performed by Rascal Flatts. Arranged by Alan Billingsley. (TTB). Pop Choral Series. Size 6.8x10.5 inches. 16 pages. Published by Hal Leonard. (8201768) 6-PACK includes six original copies of this piece.
$1.70 $1.615 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Feels So Good Jazz Ensemble [Score] Alfred Publishing
By Chuck Mangione. Arranged by Victor Lopez. By Chuck Mangione / arr. Victor Lop...(+)
By Chuck Mangione. Arranged by Victor Lopez. By Chuck Mangione / arr. Victor Lopez. For Jazz Ensemble. Jazz Ensemble. Conductor Score. 20 pages. Published by Alfred Publishing.
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Vince Gill: Feels Like Love Piano, Vocal and Guitar [Singles] - Easy Alfred Publishing
Performed by Vince Gill. Single for voice, piano and guitar chords. Bb Major. 6 ...(+)
Performed by Vince Gill. Single for voice, piano and guitar chords. Bb Major. 6 pages. Published by Alfred Publishing.
$3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bonnie Raitt: Feels Like Home
Piano, Vocal and Guitar [Singles] - Intermediate Alfred Publishing
Performed by Bonnie Raitt, composed by Randy Newman. Single for voice, piano an...(+)
Performed by Bonnie Raitt, composed by Randy Newman. Single for voice, piano and guitar chords. From the motion picture "Michael". C Major. 6 pages. Published by Alfred Publishing.
(3)$3.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Feels So Good Jazz Ensemble [Score and Parts] - Intermediate Alfred Publishing
By Chuck Mangione. Arranged by Victor Lopez. By Chuck Mangione / arr. Victor Lop...(+)
By Chuck Mangione. Arranged by Victor Lopez. By Chuck Mangione / arr. Victor Lopez. For Jazz Ensemble. Jazz Ensemble. Jazz Band Series. Level: Medium Easy (grade III). Conductor Score, Parts and CD. 104 pages. Duration 6:36. Published by Alfred Publishing.
(1)$52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| It Feels Like Christmas (from “The Muppet Christmas Carol”) Choral 2-part - Beginner Hal Leonard
Discovery Level 1. Composed by Paul Williams. Arranged by Audrey Snyder. Dis...(+)
Discovery Level 1. Composed by
Paul Williams. Arranged by
Audrey Snyder. Discovery
Choral. Christmas, Holiday,
Movies, Muppets. Octavo.
Duration 135 seconds.
Published by Hal Leonard
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Patterns For Improvisation
B Flat, E Flat, C and Bass clef Instruments [Sheet music] - Intermediate Jamey Aebersold Jazz
By Oliver Nelson. For singers, vocalists, drums, bass, guitar, flute, clarinet, ...(+)
By Oliver Nelson. For singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet, harmonica. An exhaustive collection of improvisational jazz patterns in various meters and feels. Level: intermediate, advanced. Book. Published by Jamey Aebersold Jazz
(3)$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bonnie Raitt, Linda Ronstadt: Feels Like Home from Michael - SATB Choral SATB SATB, Piano [Octavo] Alfred Publishing
Edited by Bob Dingley, performed by Bonnie Raitt, arranged by Greg Gilpin, perfo...(+)
Edited by Bob Dingley, performed by Bonnie Raitt, arranged by Greg Gilpin, performed by Linda Ronstadt, words and music by Randy Newman. Octavo for SATB choir and piano accompaniment. Series: Pop choral octavo (SATB). 12 pages. Published by Alfred Publishing.
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Whispering Woods Piano solo Hal Leonard
Piano/Keyboard - Late Elementary SKU: HL.275905 9 Piano Solos with Opt...(+)
Piano/Keyboard - Late Elementary SKU: HL.275905 9 Piano Solos with Optional Teacher Duets Composer Showcase Serie. Composed by Lynda Lybeck-Robinson. Educational Piano Library. Piano Duet, Recital. Softcover. 32 pages. Published by Hal Leonard (HL.275905). ISBN 9781540026613. UPC: 888680745066. 9x12 inches. Lynda Lybeck-Robinson Late Elementary Level. Nine piano solos with optional teacher duets by Lynda Lybeck-Robinson are presented in this Composer Showcase series volume. Includes: Cabin Dance • Cool, Shade! • Feels like Spring • Gold Creek • Little Bear Tango • Loon Song • Moongaze • Whispering Woods • The Wishing Trees. $8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| It Feels Like Christmas (from “The Muppet Christmas Carol”) Choral 3-part 3-Part Mixed - Beginner Hal Leonard
Discovery Level 1. Composed by Paul Williams. Arranged by Audrey Snyder. Dis...(+)
Discovery Level 1. Composed by
Paul Williams. Arranged by
Audrey Snyder. Discovery
Choral. Christmas, Holiday,
Movies, Muppets. Octavo.
Duration 135 seconds.
Published by Hal Leonard
$2.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Remembering Marcel And Chet Guitar [Sheet music + CD] Lemoine, Henry
Guitar SKU: LM.28218 Composed by Patrice Jania. Pop, jazz. Score and CD. ...(+)
Guitar SKU: LM.28218 Composed by Patrice Jania. Pop, jazz. Score and CD. Editions Henry Lemoine #28218. Published by Editions Henry Lemoine (LM.28218). ISBN 9790230982184. Give me a clue - Promenade in a dream - Song for Tilk - Tartine - Feels like home - Sur ton epaule - Garden party - A night in Arquata Scrivia - Meeting your ways - Where are you now - Week-end a Issoudun avec Marcel - La Marcellaise. $42.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Dorian’s Barn - Beginner Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5 SKU: CF.FAS105 Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 8+8+2+5+5+2+5+8 pages. Duration 1 minute, 46 seconds. Carl Fischer Music #FAS105. Published by Carl Fischer Music (CF.FAS105). ISBN 9781491151365. UPC: 680160908868. 9 x 12 inches. Key: B minor. Composer Bud Woodruff continues to present compositions that students will love to perform and will learn from playing. The title, Dorian's Barn has a unique double meaning in that it is dedicated to a man named Dorian and it is in the Dorian mode. The addition of the word 'barn' in the title also adds to the music a fun country backwoods aesthetic.
I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. . I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. A The title Dorian's BarnA is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. A As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. . I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. A The title Dorian's BarnA is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. A As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. . I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. . I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. $53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Unleashed [Score] - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3 SKU: CF.CAS112F Composed by Peter Terry. Concert String Orchestra (CAS). Full score. With Standard notation. 12 pages. Carl Fischer Music #CAS112F. Published by Carl Fischer Music (CF.CAS112F). ISBN 9781491151686. UPC: 680160909186. 9 x 12 inches. Peter Terry's Unleashed?makes for an impressive concert opener that is the musical equivalent of unleashing a caged animal. The piece is exciting from start to finish, with energetic and bold material that students will love to play. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy.A The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy.A The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun.The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.​​​​​​​​​Peter Terry, 2018. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Unleashed - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3 SKU: CF.CAS112 Composed by Peter Terry. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+4+12 pages. Duration 2 minutes, 57 seconds. Carl Fischer Music #CAS112. Published by Carl Fischer Music (CF.CAS112). ISBN 9781491151310. UPC: 680160908813. 9 x 12 inches. Key: E minor. Peter Terry's Unleashed?makes for an impressive concert opener that is the musical equivalent of unleashing a caged animal. The piece is exciting from start to finish, with energetic and bold material that students will love to play. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy.A The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy.A The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. Peter Terry, 2018. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun.The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.​​​​​​​​​Peter Terry, 2018. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Dorian’s Barn [Score] - Beginner Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5 SKU: CF.FAS105F Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #FAS105F. Published by Carl Fischer Music (CF.FAS105F). ISBN 9781491151730. UPC: 680160909230. 9 x 12 inches. Composer Bud Woodruff continues to present compositions that students will love to perform and will learn from playing. The title, Dorian's Barn has a unique double meaning in that it is dedicated to a man named Dorian and it is in the Dorian mode. The addition of the word 'barn' in the title also adds to the music a fun country backwoods aesthetic.
I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. . I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. A The title Dorian's BarnA is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. A As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. . I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. A The title Dorian's BarnA is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. A As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. . I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. . I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode. $7.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| She Walks in Beauty Choral SATB Carl Fischer
Choral SATB choir, piano accompaniment SKU: CF.CM9607 Composed by Z. Rand...(+)
Choral SATB choir, piano accompaniment SKU: CF.CM9607 Composed by Z. Randall Stroope. Sws. Performance Score. 16 pages. Duration 4 minutes, 3 seconds. Carl Fischer Music #CM9607. Published by Carl Fischer Music (CF.CM9607). ISBN 9781491154298. UPC: 680160912797. 6.875 x 10.5 inches. Key: Db major. English. Lord George Gordon Byron (1788-1824). Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subjects outer physical beauty and inner peace. Byron feels that the persons beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byrons best known poem.  . Lord George Gordon Byron, described as amad, bad and dangerous to know,a is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subjectas outer physical beauty and inner peace. Byron feels that the personas beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byronas best known poem.  . Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject's outer physical beauty and inner peace. Byron feels that the person's beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron's best known poem.  . Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject's outer physical beauty and inner peace. Byron feels that the person's beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron's best known poem.  . Lord George Gordon Byron, described as “mad, bad and dangerous to know,†is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades.Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject’s outer physical beauty and inner peace. Byron feels that the person’s beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron’s best known poem. . $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Groove Essentials - The Play-Along Drums [Sheet music + CD] Hudson Music
A Complete Groove Encyclopedia for the 21st Century Drummer. Performed by Tommy ...(+)
A Complete Groove Encyclopedia for the 21st Century Drummer. Performed by Tommy Igoe. Percussion. Book and CD Package. 120 pages. Published by Hudson Music.
(1)$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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