| Everglades (River of Grass) Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500101F Mvt. 1 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00101F. Published by Theodore Presser Company (PR.16500101F). ISBN 9781491131725. UPC: 680160680252. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 6 Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU: PR.16500104F Three Places in the East. Composed by Dan Welcher. Full score. Theodore Presser Company #165-00104F. Published by Theodore Presser Company (PR.16500104F). ISBN 9781491132159. UPC: 680160681082. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lyrics Lyrics only [Sheet music] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Movie Fake Book - 3rd Edition
Fake book [Fake Book] - Intermediate Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.
(1)$39.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Acadia Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500103F Mvt. 3 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 60 pages. Theodore Presser Company #165-00103F. Published by Theodore Presser Company (PR.16500103F). ISBN 9781491131763. UPC: 680160680290. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Great Smoky Mountains Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500102F Mvt. 2 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00102F. Published by Theodore Presser Company (PR.16500102F). ISBN 9781491131749. UPC: 680160680276. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Upriver Concert band Theodore Presser Co.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130). ISBN 9781598064070. UPC: 680160600144. 9x12 inches. Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’. In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,†for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,†and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Springâ€) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Upriver Concert band Theodore Presser Co.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by Dan Welcher. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013L. Published by Theodore Presser Company (PR.46500013L). UPC: 680160600151. 11 x 14 inches. I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Christmas In The Round Concert band [Score and Parts + CD] - Intermediate Belwin
Christmas in the Round arranged by Robert W. Smith. Concert Band. Concert Band. ...(+)
Christmas in the Round arranged by Robert W. Smith. Concert Band. Concert Band. Belwin Concert Band. Form: Medley. Christmas; Contemporary; Winter. Grade 3. Conductor Score and Parts. 328 pages. Published by Belwin Publishing
$75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Joy Of Piano Piano solo [Sheet music] - Easy Music Sales
Arranged by Denes Agay. Book. Published by Music Sales. (YK21103) These famili...(+)
Arranged by Denes Agay. Book. Published by Music Sales. (YK21103)
These familiar melodies in easy arrangements include Fascination, Moscow Nights, waltzes by Strauss, and over 65 more favorite pieces; themes; and folk, popular, and standard songs. The variety is both appealing and educational.
(2)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joyous Carols of Christmas Shawnee Press
Choral (Studiotrax CD) SKU: HL.294951 Arranged by Joseph M. Martin. Shawn...(+)
Choral (Studiotrax CD) SKU: HL.294951 Arranged by Joseph M. Martin. Shawnee Sacred. Christmas, General Worship, Sacred. CD. Duration 390 seconds. Published by Shawnee Press (HL.294951). UPC: 888680944490. 5.0x5.0x0.145 inches. Luke 2:14, Matthew 2:10. This dazzling menagerie of festive carols from the cantata And There Was Light will add sparkle to your Christmas program. The seasonal spirit is alive and well from the first notes of the extended introduction to the final triumphant chords. Arranged for success, these colorful carols celebrate the birth of Christ with a glorious sweep of sound and message. A must-do finale for Christmas concerts! Songs include: Ding Dong! Merrily on High; While Shepherds Watched Their Flocks by Night; Hark! The Herald Angels Sing; Joy to the World. Score and Parts for Full Orchestra (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download. Score and Parts for Consort (fl, cl, tpt 1-2, tbn, perc, kybd) also available as a digital download. $29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Raft Of The Medusa Schott
Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voic...(+)
Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voices, S/A) and orchestra (Vocal Score) - difficult SKU: HL.49006579 Oratorio Vocal Score. Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1968/1990. 336 pages. Duration 70'. Schott Music #ED6719. Published by Schott Music (HL.49006579). ISBN 9790001071291. 9x12 inches. German - English. Text: Ernst Schnabel. 4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (5 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4). $112.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Piano Treasury of Easy Classical Music
Piano solo [Sheet music + CD] - Easy Music Sales
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 great masterpieces from the baroque, classical, romantic and modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| O Night Divine - Bulletins (100-pak) Choral SATB - Easy Word Music
SATB choir - Easy SKU: WD.080689498770 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy SKU: WD.080689498770 Dawn of Love's Pure Light. Composed by Kenna Turner West, Dale Mathews & Steve W. Mauldin. Arranged by Steve W. Mauldin. Choral, cantatas. Simply Word. Bulletins (100-pak). Duration 39 minutes. Word Music #080689498770. Published by Word Music (WD.080689498770). UPC: 080689498770. From the creative team that brought you the best-selling musical, Joy, Unspeakable Joy!... Kenna Turner West, Dale Mathews and Steve W. Mauldin...comes another uplifting, worshipful and inspiring seasonal musical for your Christmas choir. O Night Divine compels the listener to celebrate the joyful, glorious birth of our Lord and Savior. It encourages us to offer our highest praise to the One known by such magnificent names as Wonderful Counselor, Mighty God, and Everlasting Father. And it invites us to come to the manger, bow down, and worship the King of Kings. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas! O Night Divine features inspired, new Christmas songs from Kenna West, threaded together by three powerful, well-known songs, such as A Christmas Alleluia, made popular by Chris Tomlin; Ring the Bells, made popular by artists Travis Cottrell and Big Daddy Weave; and Hope Was Born This Night, popularized by Sidewalk Prophets. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!
Song Titles: Ring the Bells * Gloria (Emmanuel has Come) * Carol Hymn Medley (Come, Thou Long-Expected Jesus with O Come, O Come, Emmanuel) * The Time has Come * Have You Heard the News * A Christmas Alleluia * O Night Divine with A Christmas Alleluia * Finale with Hope Was Born This Night and Ring the Bells (Reprise). $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Night Divine - Accompaniment DVD Choral SATB - Easy Word Music
SATB choir - Easy SKU: WD.080689581090 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy SKU: WD.080689581090 Dawn of Love's Pure Light. Composed by Kenna Turner West, Dale Mathews & Steve W. Mauldin. Arranged by Steve W. Mauldin. Choral, cantatas. Simply Word. Accompaniment DVD. Duration 39 minutes. Word Music #080689581090. Published by Word Music (WD.080689581090). UPC: 080689581090. From the creative team that brought you the best-selling musical, Joy, Unspeakable Joy!... Kenna Turner West, Dale Mathews and Steve W. Mauldin...comes another uplifting, worshipful and inspiring seasonal musical for your Christmas choir. O Night Divine compels the listener to celebrate the joyful, glorious birth of our Lord and Savior. It encourages us to offer our highest praise to the One known by such magnificent names as Wonderful Counselor, Mighty God, and Everlasting Father. And it invites us to come to the manger, bow down, and worship the King of Kings. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas! O Night Divine features inspired, new Christmas songs from Kenna West, threaded together by three powerful, well-known songs, such as A Christmas Alleluia, made popular by Chris Tomlin; Ring the Bells, made popular by artists Travis Cottrell and Big Daddy Weave; and Hope Was Born This Night, popularized by Sidewalk Prophets. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!
Song Titles: Ring the Bells * Gloria (Emmanuel has Come) * Carol Hymn Medley (Come, Thou Long-Expected Jesus with O Come, O Come, Emmanuel) * The Time has Come * Have You Heard the News * A Christmas Alleluia * O Night Divine with A Christmas Alleluia * Finale with Hope Was Born This Night and Ring the Bells (Reprise). $225.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Night Divine - Stem Mixes Choral SATB - Easy Word Music
SATB choir - Easy SKU: WD.080689637148 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy SKU: WD.080689637148 Dawn of Love's Pure Light. Composed by Kenna Turner West, Dale Mathews & Steve W. Mauldin. Arranged by Steve W. Mauldin. Choral, cantatas. Simply Word. Stem mixes. Duration 39 minutes. Word Music #080689637148. Published by Word Music (WD.080689637148). UPC: 080689637148. From the creative team that brought you the best-selling musical, Joy, Unspeakable Joy!... Kenna Turner West, Dale Mathews and Steve W. Mauldin...comes another uplifting, worshipful and inspiring seasonal musical for your Christmas choir. O Night Divine compels the listener to celebrate the joyful, glorious birth of our Lord and Savior. It encourages us to offer our highest praise to the One known by such magnificent names as Wonderful Counselor, Mighty God, and Everlasting Father. And it invites us to come to the manger, bow down, and worship the King of Kings. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas! O Night Divine features inspired, new Christmas songs from Kenna West, threaded together by three powerful, well-known songs, such as A Christmas Alleluia, made popular by Chris Tomlin; Ring the Bells, made popular by artists Travis Cottrell and Big Daddy Weave; and Hope Was Born This Night, popularized by Sidewalk Prophets. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!
Song Titles: Ring the Bells * Gloria (Emmanuel has Come) * Carol Hymn Medley (Come, Thou Long-Expected Jesus with O Come, O Come, Emmanuel) * The Time has Come * Have You Heard the News * A Christmas Alleluia * O Night Divine with A Christmas Alleluia * Finale with Hope Was Born This Night and Ring the Bells (Reprise). $239.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Night Divine - Accompaniment CD (Split) with Narration Choral SATB - Easy Word Music
SATB choir - Easy SKU: WD.080689963124 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy SKU: WD.080689963124 Dawn of Love's Pure Light. Composed by Kenna Turner West, Dale Mathews & Steve W. Mauldin. Arranged by Steve W. Mauldin. Choral, cantatas. Simply Word. Accompaniment CD (split) with narration. Duration 39 minutes. Word Music #080689963124. Published by Word Music (WD.080689963124). UPC: 080689963124. From the creative team that brought you the best-selling musical, Joy, Unspeakable Joy!... Kenna Turner West, Dale Mathews and Steve W. Mauldin...comes another uplifting, worshipful and inspiring seasonal musical for your Christmas choir. O Night Divine compels the listener to celebrate the joyful, glorious birth of our Lord and Savior. It encourages us to offer our highest praise to the One known by such magnificent names as Wonderful Counselor, Mighty God, and Everlasting Father. And it invites us to come to the manger, bow down, and worship the King of Kings. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas! O Night Divine features inspired, new Christmas songs from Kenna West, threaded together by three powerful, well-known songs, such as A Christmas Alleluia, made popular by Chris Tomlin; Ring the Bells, made popular by artists Travis Cottrell and Big Daddy Weave; and Hope Was Born This Night, popularized by Sidewalk Prophets. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!
Song Titles: Ring the Bells * Gloria (Emmanuel has Come) * Carol Hymn Medley (Come, Thou Long-Expected Jesus with O Come, O Come, Emmanuel) * The Time has Come * Have You Heard the News * A Christmas Alleluia * O Night Divine with A Christmas Alleluia * Finale with Hope Was Born This Night and Ring the Bells (Reprise). $99.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Night Divine - Posters (12-pak) Choral SATB - Easy Word Music
SATB choir - Easy SKU: WD.080689497773 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy SKU: WD.080689497773 Dawn of Love's Pure Light. Composed by Kenna Turner West, Dale Mathews & Steve W. Mauldin. Arranged by Steve W. Mauldin. Choral, cantatas. Simply Word. Eastertide. Posters (12-pak). Duration 39 minutes. Word Music #080689497773. Published by Word Music (WD.080689497773). UPC: 080689497773. From the creative team that brought you the best-selling musical, Joy, Unspeakable Joy!... Kenna Turner West, Dale Mathews and Steve W. Mauldin...comes another uplifting, worshipful and inspiring seasonal musical for your Christmas choir. O Night Divine compels the listener to celebrate the joyful, glorious birth of our Lord and Savior. It encourages us to offer our highest praise to the One known by such magnificent names as Wonderful Counselor, Mighty God, and Everlasting Father. And it invites us to come to the manger, bow down, and worship the King of Kings. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas! O Night Divine features inspired, new Christmas songs from Kenna West, threaded together by three powerful, well-known songs, such as A Christmas Alleluia, made popular by Chris Tomlin; Ring the Bells, made popular by artists Travis Cottrell and Big Daddy Weave; and Hope Was Born This Night, popularized by Sidewalk Prophets. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!
Song Titles: Ring the Bells * Gloria (Emmanuel has Come) * Carol Hymn Medley (Come, Thou Long-Expected Jesus with O Come, O Come, Emmanuel) * The Time has Come * Have You Heard the News * A Christmas Alleluia * O Night Divine with A Christmas Alleluia * Finale with Hope Was Born This Night and Ring the Bells (Reprise). $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Night Divine - DVD Preview Pak Choral SATB - Easy Word Music
SATB choir - Easy SKU: WD.080689614392 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy SKU: WD.080689614392 Dawn of Love's Pure Light. Composed by Kenna Turner West, Dale Mathews & Steve W. Mauldin. Arranged by Steve W. Mauldin. Choral, cantatas. Simply Word. DVD preview pak. Duration 39 minutes. Word Music #080689614392. Published by Word Music (WD.080689614392). UPC: 080689614392. From the creative team that brought you the best-selling musical, Joy, Unspeakable Joy!... Kenna Turner West, Dale Mathews and Steve W. Mauldin...comes another uplifting, worshipful and inspiring seasonal musical for your Christmas choir. O Night Divine compels the listener to celebrate the joyful, glorious birth of our Lord and Savior. It encourages us to offer our highest praise to the One known by such magnificent names as Wonderful Counselor, Mighty God, and Everlasting Father. And it invites us to come to the manger, bow down, and worship the King of Kings. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas! O Night Divine features inspired, new Christmas songs from Kenna West, threaded together by three powerful, well-known songs, such as A Christmas Alleluia, made popular by Chris Tomlin; Ring the Bells, made popular by artists Travis Cottrell and Big Daddy Weave; and Hope Was Born This Night, popularized by Sidewalk Prophets. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!
Song Titles: Ring the Bells * Gloria (Emmanuel has Come) * Carol Hymn Medley (Come, Thou Long-Expected Jesus with O Come, O Come, Emmanuel) * The Time has Come * Have You Heard the News * A Christmas Alleluia * O Night Divine with A Christmas Alleluia * Finale with Hope Was Born This Night and Ring the Bells (Reprise). $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Night Divine - Bulk CD (10-pak) Choral SATB - Easy Word Music
SATB choir - Easy SKU: WD.080689850721 Dawn of Love's Pure Light. ...(+)
SATB choir - Easy SKU: WD.080689850721 Dawn of Love's Pure Light. Composed by Kenna Turner West, Dale Mathews & Steve W. Mauldin. Arranged by Steve W. Mauldin. Choral, cantatas. Simply Word. Bulk CD (10-pak). Duration 39 minutes. Word Music #080689850721. Published by Word Music (WD.080689850721). UPC: 080689850721. From the creative team that brought you the best-selling musical, Joy, Unspeakable Joy!... Kenna Turner West, Dale Mathews and Steve W. Mauldin...comes another uplifting, worshipful and inspiring seasonal musical for your Christmas choir. O Night Divine compels the listener to celebrate the joyful, glorious birth of our Lord and Savior. It encourages us to offer our highest praise to the One known by such magnificent names as Wonderful Counselor, Mighty God, and Everlasting Father. And it invites us to come to the manger, bow down, and worship the King of Kings. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas! O Night Divine features inspired, new Christmas songs from Kenna West, threaded together by three powerful, well-known songs, such as A Christmas Alleluia, made popular by Chris Tomlin; Ring the Bells, made popular by artists Travis Cottrell and Big Daddy Weave; and Hope Was Born This Night, popularized by Sidewalk Prophets. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!
Song Titles: Ring the Bells * Gloria (Emmanuel has Come) * Carol Hymn Medley (Come, Thou Long-Expected Jesus with O Come, O Come, Emmanuel) * The Time has Come * Have You Heard the News * A Christmas Alleluia * O Night Divine with A Christmas Alleluia * Finale with Hope Was Born This Night and Ring the Bells (Reprise). $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Orchestral Excerpts for Flute
Flute and Piano [Reduction] Theodore Presser Co.
With Piano Accompaniment. By Various. Arranged by Jeanne Baxtresser. For Flute, ...(+)
With Piano Accompaniment. By Various. Arranged by Jeanne Baxtresser. For Flute, Piano Accompaniment. Published by Theodore Presser Company.
(3)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lord of Glory Choral SATB SATB [Sheet music] SoundForth
A Musical Celebraton of Christ's Incarnation. Composed by Dan Forrest. Choral, c...(+)
A Musical Celebraton of Christ's Incarnation. Composed by Dan Forrest. Choral, cantatas. Christmas. Choral score. SoundForth #243758. Published by SoundForth
$10.95 - See more - Buy online | | |
| Lord of Glory (cantata preview pack) Choral SATB SATB, Piano [Sheet music + CD] SoundForth
(A Musical Celebraton of Christ's Incarnation). By Dan Forrest. For SATB choir, ...(+)
(A Musical Celebraton of Christ's Incarnation). By Dan Forrest. For SATB choir, piano. Cantatas. Christmas. Book and CD. Published by SoundForth . Sheet music + CD. Christmas.
$18.00 - See more - Buy online | | |
| Softly the Night Is Sleeping Gentry Publications
Choral; Optional Percussion (Accompaniment Score & Parts) SKU: HL.338918 ...(+)
Choral; Optional Percussion (Accompaniment Score & Parts) SKU: HL.338918 Full Score & Parts for Percussion Ensemble. Composed by Rosephanye Powell. Gentry Publications. Christmas Sacred, Christmas/Advent Sacred. Softcover. Duration 960 seconds. Gentry Publications #JG2551B. Published by Gentry Publications (HL.338918). UPC: 840126914368. 9.0x12.0x0.139 inches. Using a variety of percussion instruments and piano most effectively, Rosephanye has created a Christmas anthem that is grand and joyous. Beginning as softly as the title states, it eventually changes direction and builds to a glorious and strong finale. Her gift for melody, rhythmic motifs, and colorful harmonies come through as she unfold the Christmas story in song. Medium in difficulty. $35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Softly the Night Is Sleeping Choral SATB SATB, Percussion(s) Gentry Publications
Choral; Optional Percussion (SATB) SKU: HL.338913 Composed by Rosephanye ...(+)
Choral; Optional Percussion (SATB) SKU: HL.338913 Composed by Rosephanye Powell. Gentry Publications. Christmas Sacred, Christmas/Advent Sacred. Octavo. 16 pages. Duration 960 seconds. Gentry Publications #JG2551. Published by Gentry Publications (HL.338913). UPC: 840126914351. 6.75x10.5x0.036 inches. Using a variety of percussion instruments and piano most effectively, Rosephanye has created a Christmas anthem that is grand and joyous. Beginning as softly as the title states, it eventually changes direction and builds to a glorious and strong finale. Her gift for melody, rhythmic motifs, and colorful harmonies come through as she unfold the Christmas story in song. Medium in difficulty. $2.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Collected Works of John Carter
Piano solo [Sheet music] Hope Publishing Company
By Various. Arranged by John Carter. For Piano. John Carter Piano Series. Devoti...(+)
By Various. Arranged by John Carter. For Piano. John Carter Piano Series. Devotion, Hymntune, Sacred. Piano Collection. 166 pages
$69.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Anthology of Movie Songs - Gold Edition Easy Piano [Sheet music] Hal Leonard | | |
| Never Thirst Again (set of instrumental parts) [Set of Parts] Word Music
(The Promise Of Easter). By Deborah Craig-Claar, Allan Douglas, & Phillip Kevere...(+)
(The Promise Of Easter). By Deborah Craig-Claar, Allan Douglas, & Phillip Keveren. Arranged by Phillip Keveren. For instrumental accompaniment. Easter, Musical. Set of instrumental parts. Published by Word Music
$250.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Joy Of Classics Piano solo [Sheet music] Music Sales
Selected and edited by Denes Agay. Book. Published by Music Sales. This fine col...(+)
Selected and edited by Denes Agay. Book. Published by Music Sales. This fine collection contains time-honored shorter piano works by the masters of the 18th and 19th centuries from Scarlatti and Purcell to Brahms and Tchaikovsky. In addition to the well-known miniatures, some rare and interesting pieces are included. All pieces are in their original forms
(2)$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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