| Five Preludes for guitar Guitar - Easy Oxford University Press
Solo guitar - Easy to Moderately Difficult SKU: OU.9780193588295 Composed...(+)
Solo guitar - Easy to Moderately Difficult SKU: OU.9780193588295 Composed by Howard Skempton. Guitar/Plucked Instruments (Solo). Solo part. 8 pages. Duration 5.5'. Oxford University Press #9780193588295. Published by Oxford University Press (OU.9780193588295). ISBN 9780193588295. 12 x 8 inches. Five Preludes were commissioned by the International Guitar Festival at Bath Spa University College with the financial assistance of South West Arts and Keller S.A. It has been recorded by Tom Kerstens on the album Black Venus (BGS113). $11.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Five Preludes, for Guitar Guitar Da Vinci Publishing
Guitar SKU: BT.DV-11347 Composed by Fabio Selvafiorita. Book Only. Compos...(+)
Guitar SKU: BT.DV-11347 Composed by Fabio Selvafiorita. Book Only. Composed 2018. 36 pages. Da Vinci Publishing #DV 11347. Published by Da Vinci Publishing (BT.DV-11347). $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Five Preludes for Guitar Guitar Fennica Gehrman
Guitar SKU: FG.55011-227-8 Composed by Mikko Heinio. Published by Fennica...(+)
Guitar SKU: FG.55011-227-8 Composed by Mikko Heinio. Published by Fennica Gehrman (FG.55011-227-8). ISBN 979-0-55011-227-8. Three Songs to Texts by Mawlana Rumi by Kalevi Aho have texts in Finnish translations. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Sonata XXIII (Dresden nr.48) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM). ISBN 9790365067619. This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXIX (Dresden nr.25) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM). ISBN 9790365067633. This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXIV (Dresden nr.4) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6765EM. Published by Metropolis Music Publishers (IS.G6765EM). ISBN 9790365067657. This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Philippe Bertaud On the Music of Heitor Villa-Lobos [Performance DVD] Carl Fischer
(An Instructional and Performance DVD (Five Preludes and Choros No.1)). By Heito...(+)
(An Instructional and Performance DVD (Five Preludes and Choros No.1)). By Heitor Villa-Lobos (1887-1959). Edited by Philppe Bertaud
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Real Book - Volume VI C Instruments [Fake Book] Hal Leonard
C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Le...(+)
C Instruments. Composed by
Various. Fake Book.
Softcover. Published by Hal
Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume VI Bb Instruments Hal Leonard
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 page...(+)
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 pages. Published by Hal Leonard (HL.223637).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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