By Victor C Johnson. For SSA choir and flute. Christmas. Octavo. Published by Heritage Music Press. (15/1772H)

Choir Sacred Opt. Flute and Percussion (SAB choir/3-Part choir Mixed)

SKU: AP.35616

Arranged by Sally K. Albrecht. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Multicultural; Sacred; Traditional; World. Choral Octavo. 12 pages. Alfred Music #00-35616. Published by Alfred Music (AP.35616).

UPC: 038081398129. English. Traditional French Carol.

This festive Christmas favorite is easy to assemble with lots of layers and effective counterlines. It could be used as a processional. Add the optional flute and percussion parts for a special touch. School or church.

Concert band - Grade 3

SKU: MH.1-59913-050-5

Composed by traditional English carols. Arranged by William Ryden. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music (MH.1-59913-050-5).

ISBN 9781599130507.

Charles Dickens certainly would have known the three carols in A CHARLES DICKENS CHRISTMAS. They were among the best-known and best-loved carols of the Victorian Era, and were a staple of the repertoire of roving waits, or carollers, that appear in his novels. Today this music is as familiar as Santa Claus and Tiny Tim. THE FIRST NOWELL was first collected in Christmas Carols, Ancient and Modern by William Sandys in 1833. It is most probably 200 years older than that. The Oxford Book of Carols contains nine verses, which makes it an ideal processional for Christmas or Epiphany (the feast commemorating the coming of the Magi). COVENTRY CAROL, or Lully, Lullay, comes from the medieval tradition of mystery and miracle plays. In 1534 the Pageant of the Shearman and Tailors Guild included a scene in which the mothers of Jewish children sang this haunting lullaby after hearing the horrifying order: Herod the king, In his raging, All young children to slay. The music is anonymous; the text believed to be by Robert Croo. ANGELS WE HAVE HEARD ON HIGH is probably of French origin, but the English long ago adopted it as their own. Besides the French text, Les Anges dans nos compagnes, it is known in several versions and by several titles, including Angels from the Realms of Glory, When the Crimson Sun Had Set, and Westminster Carol. It belongs to a category known as macaronic carols, which mix vernacular verses with Latin refrains - in this instance, Gloria in Excelsis Deo (Glory be to God on High). Ensemble instrumentation: 1 Piccolo, 8 Flute, 2 Oboe, 1 Bassoon 1, 1 Bassoon 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (Bass Clef), 2 Euphonium (Treble Clef), 5 Tubas, 1 Timpani, 2 Bells & Chimes, 3 Percussion 1: small triangle, suspended cymbal, crash cymbal, snare drum, bass drum, 2 Percussion 2: large triangle, finger cymbals.

By Linda Spevacek. SSA, flute, piano. Octavo. Published by Heritage Music Press.

SAB choir, flute, and piano, with optional congregation, string quartet, and guitar - Beginning

SKU: MN.50-1138

Composed by Chris De Silva, Tom Andino, and Tony Alvaro. Arranged by Chris De Silva. Christmas, Feast of the Holy Family. Choral score. MorningStar Music Publishers #50-1138. Published by MorningStar Music Publishers (MN.50-1138).

UPC: 688670511387. English.

This contemporary Christmas carol, with words by Mary Louise Bringle, is a gentle invitation to the mystery of the Incarnation. The original melody is scored for SAB voices and optional congregation, but could also be sung by children's voices. Traditional carol melodies, played on flute, are colorful interludes between stanzas, and optional string quartet parts add warmth.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Shaker and more. - Grade 3-3.5

SKU: CF.CPS1F

Composed by Traditional English Carol. Arranged by Sean O'Loughlin. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 24 pages. Carl Fischer Music #CPS1F. Published by Carl Fischer Music (CF.CPS1F).

ISBN 9780825837470. UPC: 798408037475. 9 X 12 inches.

Choir Sacred Opt. Flute, Vibraphone (SAB choir/3-Part choir Mixed)

SKU: AP.46974

Arranged by Russell L. Robinson. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Choral Designs. Christmas; Jazz; Sacred; Traditional. Choral Octavo. 12 pages. Alfred Music #00-46974. Published by Alfred Music (AP.46974).

UPC: 038081536231. English. Traditional English Carol.

What happens when you cross a beloved Christmas carol with the hip and asymmetric rhythms of Take Five? This does! A satisfying mix of the familiar and the fresh, the arrangement applies jazz articulation, harmony, and style in a way that's both exciting and accessible. All voice parts get a turn with the melody as well as a fun doo bop accompaniment! Optional parts for flute and vibraphone are free online.

Composed by Hal H. Hopson. Multi-Movement/Large Choral Work. Christmas, 21st Century. Choral score. Published by MorningStar Music Publishers (MN.70-110).

Choral Cello, Contrabass voice, Piano, Viola, Violin 1, Violin 2, Violin 3, SATB chorus

SKU: CF.CM9734

Composed by Basque Carol. Arranged by Christopher Thomas. 12 pages. Duration 2 minutes, 37 seconds. Carl Fischer Music #CM9734. Published by Carl Fischer Music (CF.CM9734).

ISBN 9781491161142. UPC: 680160919734. Key: A minor. English. Basque Carol.

A Basque Carol (also known as Gabriel's Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer's Canterbury Tales: Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .. Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song's lasting popularity. I would also attribute A Basque Carol's continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as his wings as drifted snow, his eyes as flame. I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I've added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino. I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you're a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!.
A Basque Carol (also known as Gabriel’s Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer’s Canterbury Tales:  “Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .”.Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song’s lasting popularity. I would also attribute A Basque Carol’s continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as “his wings as drifted snow, his eyes as flame.”I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I’ve added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino.I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you’re a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!

SATB choir with optional congregation and (organ) or (brass quartet, percussion, and organ) or (organ and orchestra) - Beginning

SKU: MN.50-1953

Composed by Robert A. Hobby. Christmas, 21st Century. Choral score. MorningStar Music Publishers #50-1953. Published by MorningStar Music Publishers (MN.50-1953).

UPC: 688670519536. English.

The traditional French carol IL EST NÉ is set here in a simple but beautiful way. The beauty of the melody shines throughout this exquisite arrangement. From the larger work Holy Light.

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Performance Options:
Option 1: SATB Choir, Brass Quartet (Two Trumpets in B-flat, Two Trombones), Glockenspiel, Triangle, Tambourine, and Organ, with opt. Congregation

Option 2: SATB Choir, Organ, and Orchestra (Flute, Oboe, Clarinet, Bassoon, Two Trumpets in B-flat, Two Trumpets in C, Two Trombones, Organ, Two Violins, Viola, Cello, Double Bass, Percussion [Glockenspiel, Triangle, Tambourine]), with opt. Congregation

Option 3: SATB Choir and Organ.

Composed by Julian Wachner (1969-). Advanced/Collegiate. Catholic Year A The Nativity of Our Lord. Christmas, 21st Century. Octavo. Published by E.C. Schirmer Publishing (EC.8279).