SKU: FJ.B1234S
English.
You'll be surprised to know that this great sounding work uses only six notes in all instruments, with the exception of the clarinets, which also use a low written B to involve the right hand. The piece has a Renaissance quality to it and includes a middle processional theme (at the same tempo) to work on legato playing. Optional parts are included for clarinet 2 and trumpet 2. There is something for everyone in this dynamic addition to the repertoire!
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: HL.48024663
ISBN 9783793142171. UPC: 888680951511. 9.0x12.0x2.92 inches.
Jacques Offenbach's more than 100 stage works are an endless treasure trove of vocal highlights with highly different musical moods and lyrical themes. To mark the 200th birthday of the great composer in 2019, which is at the same time the year of the 20th anniversary of the Offenbach Edition Keck OEK, the editor and Offenbach expert Jean-Christophe Keck has assembled a selection of arias. The four-part collection arranged according to voice category shows a rather unknown, romantic side of Offenbach. Apart from rediscovered works and first editions, however, the collection is not complete without some of his unrivalled hits. Among the characters figuring in the soprano volume are not only title figures like the Beautiful Helen, the Grand Duchess of Gerolstein or the Princess of Trébizonde but also figures from more serious operas: Armgard from Les Fées du Rhin or Elsbeth from Fantasio. The volume presents stage works, including excerpts from Barkouf, Les Bergers or Le Roi Carotte, that are accessible for performances only as of recently. Romantic Offenbach is aimed at fully trained and budding professionals as well as at Offenbach fans of every shade and colour, providing repertoire pieces for recitals, studies or private music-making.
SKU: BR.OB-15129-15
In Cooperation with G. Henle Verlag
ISBN 9790004342053. 10 x 12.5 inches.
Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.with parts for horn in F and Eb major.
SKU: AP.36-A674102
UPC: 659359656231. English.
Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908 and 1909. The first performance took place on November 20, 1911 at the Tonhalle in Munich, conducted by Bruno Walter. It encompasses six settings of old Chinese poems, four of them by the Tang Dynasty poet Li Bai, loosely translated into German by Hans Bethge. Conscious of his own mortality, Mahler filled his orchestral song cycle with themes of resignation, fading beauty, and autumn loneliness. The last song, roughly the same length as the previous five movements combined, serves as a sprawling, yet deeply personal farewell to both love and life. Instrumentation: 3(3rd dPicc)+Picc.3(3rd dEH).2+BCl+Eb.3(3rd dCBsn: 4.3.3.1: Timp.Perc(4-5): 2Hp.Clst.Mand: Str (9-8-7-6-5 in set): Soli T, A (or Bar). Movements: 1. Das Trinklied vom Jammer der Erde (The Drinking Song of Earth's Sorrow); 2. Der Einsame im Herbst (Autumn Loneliness); 3. Von der Jugend (Youth); 4. Von der Schönheit (Beauty); 5. Der Trunkene im Fruhling (Wine in Spring); 6. Der Abschied (The Farewell). Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A674101
ISBN 9798892701914. UPC: 659359871511. English.
SKU: CF.CM9778
ISBN 9781491164495. UPC: 680160923403. Key: D major. Latin. Traditional Latin.
The text of Exsultate Justi in Domino compels the singer to sing with gladness and joy. Many choral compositions feature this text and it is often used in religious settings on feast days such as Easter and All Saints Day. The joyful conversation of the text is especially apparent in the middle section of this piece, as each phrase with one voice part, followed by the other voice part quickly echo and join together for the end of the phrase.With a chorus as catchy as this, students and teachers alike will likely find the melody playing over and over in their heads long after the concert!Latin vowels are pure, meaning there are no diphthongs:A=AW  E=EH   I=EE   O=OH (with AW color) U=OOUPPER CASE syllables should receive more stress than those that are lower case.Exsultate               justi     in    Domino,EHk-zool-TAW-teh  YOO-stee een DOH-mee-nohRejoice, you righteous ones, in the Lord, Alleluia!aw-leh-LOO-yawPraise the Lord! Rectos       decet          collaudatio.REHK-tohs  DEH-cheht  KOH-lAWoo-DAW-tsee-ohIt is fitting for the upright ones to give praise. Confitemini                   Domino,KOHN-fee-TEH-mee-nee  DOH-mee-nohAcknowledge the Lord,Cantate            hodie,      canticum          novum.kawn-TAW-teh  OH-dee-eh KAWN-tee-koom NOH-voomSing a new song to him today. from Psalm 32:11; Psalm 33: 1-3.
SKU: CL.011-4103-01
Hang on tight! This breathtaking circus galop is sure to be a favorite! Playable at a wide variety of speeds, here’s a perfect encore number or chaser for your next concert. Limited technical demands allow you the chance to play this at speeds reaching up to - - - who knows?!?!? Rollicking fun from start to finish! How fast can you go???
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: HL.51481458
UPC: 840126989601. 8.25x11.75x0.14 inches.
Written in 1885, the eight songs after texts by the now little-known poet Hermann von Gilm have a special place in Richard Strauss' corpus of Lieder. For the first time, he composed an entire set of songs on texts by a single poet, collecting them into one opus that was also to appear in print. Some of the numbers in it, like Zueignung, Die Nacht, and Allerseelen, are among the most popular Strauss songs of all time, but the entire cycle with its well-planned structure is also worthy of closer examination and performance. The aspiring composer quite consciously aligns himself with the tradition ranging from Schubert to Wolf, choosing the highly Romantic subject of unrequited love and illuminating its most diverse facets. The primary source for the Henle Urtext edition is the first edition from 1887, which Strauss furnished with a dedication to the Royal Bavarian chamber singer Heinrich Vogl - a serious invitation to today's male singers not to leave these wonderful Strauss songs solely to female singers!
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: CF.CPS113F
ISBN 9780825884900. UPC: 798408084905. 9 x 12 inches. Key: Eb major.
An exceptional new composition based upon the hymn Converse (commonly known as What a Friend We Have in Jesus), William Harbinson has crafted a concert overture using the hymn's theme as a starting point. Beginning with brilliant brass fanfares and woodwind flourishes, the middle section is made up of an inversion of the hymn tune, and ends with a dramatic climax. This work is simply beautiful and heartfelt; showcasing your group's musical expression like no other.
SKU: BR.EOS-1064-15
ISBN 9790004785683. 8.5 x 11.5 inches.
St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score.The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University.(Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern.(Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur.
SKU: CF.CM6652
ISBN 9781491144824. UPC: 680160902323. 6.875 X 10.5 inches. Key: C major. English.
Persichetti was a big fan of the poetry of e.e. cummings, having set a number of texts to music. Four Cummings Choruses, Op. 98, Flower Songs (Cantata No. 6), Op. 157, Glad and Very (5 Cummings Choruses, Cantata No. 5), Op. 129, Spring Cantata (Cantata No. 1), Op. 94, and Two Cummings Choruses, Op. 33 (G. Schirmer) are among his best-known choral works. The two poems in Opus 46 are very dissimilar; while Hist Whist may best be performed in a Halloween concert (little ghost-things, twitchy witches, the old woman with the wart on her nose), This Is the Garden is a flowing, layered, multi-colored descriptive choral. The Two cummings Choruses was premiered at the 1952 MTNA Conference in Dallas, TX by the Sigma Alpha Iota Chorus.
SKU: CF.CM6651
ISBN 9780825805295. UPC: 798408005290. 6.875 X 10.5 inches. Key: Bb major. English.
SKU: HL.51487248
UPC: 196288308195. 6.75x9.5x0.27 inches.
âOboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)â â was what Richard Strauss noted down. And the oboist and soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for the first time in a Henle Urtext edition in both full score and piano reduction!
SKU: HL.51481248
UPC: 196288308096. 9.25x12.25x0.23 inches.
âOboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)â â was what Richard Strauss noted down. And the oboist 0nd soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for thefirst time in a Henle Urtext edition in both full score and piano reduction!
SKU: HL.51489547
UPC: 888680991333. 6.75x9.5x0.493 inches.
The works for solo voice(s) and orchestra assembled in this volume owe their composition to the most diverse occasions. Some were tailor-made for female singers in Beethoven's milieu, while with others he was dabbling in the field of Italian opera (under the tutelage of none other than Antonio Salieri). Scarcely any of them made it into print during Beethoven's lifetime. Aside from canonical works of the repertoire such as “Ah! perfido†op. 65, this volume also contains unknown gems like the scene and aria Beethoven revised multiple times, “No, non turbarti†- “Ma tu tremi, o mio tesoro?â€. The study score contains the text of the scholarly Complete Edition. Beethoven specialist Ernst Herttrich additionally provides information about the genesis and exciting variants in the transmission history.
SKU: AP.1-ADV14216
ISBN 9783892210306. UPC: 805095142167. English.
This book should be seen as a method to help the artist to develop his or her own way when trying to improvise chromatically. Through the concepts and examples offered, the improvisor should be able to use this material alongside already familiar tonal ideas. Specifically, the book serves as a guide for organizing chromaticism into a coherent musical statement meant to satisfy both the intellectual and emotional needs of artistic creation. The reader will be introduced to more than one way of conceiving chromatic lines and harmonies. There is nothing theoretically complex or new in the text, it is the organization of the material as well as many musical examples and transcriptions (Bach, Scriabin, Coltrane, Shorter, Hancock, Beirach, Liebman a.o.) which should serve to inspire musicians to expand their usual diatonic vocabulary. This book also provides insight into the style of playing that David Liebman is known for. In addition the book contains 100 assorted solo lines and 100 chord voicings. More from David Liebman at his homepage.
SKU: BA.BA08453
ISBN 9790006507320. 30 x 23.1 cm inches. Key: C major.
Our “Symphonic Organ“ series focuses mainly on organ works from the late 19th century and early modern period: It includes unjustly neglected or previously unknown literature and rarities, all of masterly workmanship and superior quality.
SKU: HP.A686O
UPC: 763628249311. 1 Corinthians 15:51 Eccesliastes 3:1-8, Genesis 1:14, John 12:24, Psalms 1:3, Psalms 30:5.
Original anthem Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.
SKU: BR.EOS-1527-15
ISBN 9790004786482. 8.5 x 11.5 inches.
No. 1 in B major 82.2.0.0. 0.0.0.0. str bc(hps) No. 2 in A major 50.2.0.0. 0.0.0.0. str bc(hps) No. 3 in C major 50.2.0.2. 0.0.0.0. str bc(hps) No. 4 in F major 70.2.0.2. 2.0.0.0. str bc(hps) No. 5 in D major 80.2.0.0. 0.2.0.0. timp str bc(hps) No. 6 in F major 70.2.0.0. 0.0.0.0. str bc(hps) No. 7 in B major 92.2.0.0. 0.0.0.0. str bc(hps) No. 8 in D minor 112.2.0.0. 0.0.0.0. str bc(hps)
SKU: CF.YPS57
ISBN 9780825862069. UPC: 798408062064. 9 X 12 inches. Key: Bb major.
Bisbee, a small town southwest of Tucson, Arizona, is best known as the home of the Copper Queen Mine, one of the richest mineral sites in the world. Composer Doris Gazda uses here experience as a band director to give us a well constructed, tuneful and easy to play concert march.
SKU: CA.4070310
ISBN 9790007076818. Key: G minor. Language: Latin/English.
Inspiration for the Three Motets op. 39 was a visit to the romanesque church of Trinita dei Monti. On 20 Dec 1830 Mendelssohn wrote to his parents: The French nuns sing there, and it is wonderfully lovely. ... Now, one should know one more thing: that one is not allowed to see the singers. Therefore I have come to an unusual decision: I will compose something for their voices, which I rememer exactly.... Score available separately - see item CA.4070300.
SKU: AP.BD9956C
UPC: 029156998740. English.
Robert W. Smith takes one of the world's best-known and best-loved melodies and fashions a highly effective new work that features your percussion section in the concert spotlight. As we have all come to expect from this brilliant young composer's work, the energy level is extremely high, and the writing is most effective. It is one of those special works your players will enjoy rehearsing and your audiences will greet with great enthusiasm. Driving! (2:01).
SKU: BR.EOS-8041-19
ISBN 9790004789636. 8.5 x 11.5 inches.
Of the 11 surviving settings of the Mass by Charpentier, the present work, ,Messe de Minuit', ist without doubt one of the most popular. The work belongs to the tradition of the parody-Mass: the composer adapted 10 noels - whose titles are given in the autograph - to the text of the Ordinary. The resulting music is fresh, charming and jubilant.The single extant source is book 66 of the 25th volume of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.(Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung.
SKU: BR.EOS-8041-03
ISBN 9790004789582. 8.5 x 11.5 inches.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
