Orchestra Violoncello

SKU: CA.2730114

Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Individual part. Composed 1856. Op. 146. 16 pages. Duration 60 minutes. Carus Verlag #CV 27.301/14. Published by Carus Verlag (CA.2730114).

ISBN 9790007201319. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and part available separately - see item CA.2730100.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730109

Composed by Franz Lachner. 1x 27.301/21 flute 1, 1x 27.301/22 flute 2, 1x 27.301/23 clarinet 1, 1x 27.301/24 clarinet 2, 1x 27.301/25 bassoon 1, 1x 27.301/26 bassoon 2, 1x 27.301/31 horn 1, 1x 27.301/32 horn 2, 1x 27.301/33 trumpet 1, 1x 27.301/34 trumpet 2, 1x 27.301/35 trombone 1. Requiem In F-Moll. Sacred vocal music, Requiem. Set of Orchestra Parts. Composed 1856. Op. 146. 112 pages. Duration 60 minutes. Carus Verlag #CV 27.301/09. Published by Carus Verlag (CA.2730109).

ISBN 9790007201272. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and parts available separately - see item CA.2730100.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730105

Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Choral Score. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/05. Published by Carus Verlag (CA.2730105).

ISBN 9790007115210. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score available separately - see item CA.2730100.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730103

Composed by Franz Lachner. This edition: Paperbound. Requiem In F-Moll. Sacred vocal music, Requiem. Vocal score. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/03. Published by Carus Verlag (CA.2730103).

ISBN 9790007080853. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score available separately - see item CA.2730100.

Orchestra Contrabass

SKU: CA.2730115

Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Individual part. Composed 1856. Op. 146. 16 pages. Duration 60 minutes. Carus Verlag #CV 27.301/15. Published by Carus Verlag (CA.2730115).

ISBN 9790007201326. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and part available separately - see item CA.2730100.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077315

Composed by Franz Lachner. Edited by Georg Gunther. Double bass. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Double Bass. Composed 1870. Op. 168. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.773/15. Published by Carus Verlag (CA.4077315).

ISBN 9790007221034. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077305

Composed by Franz Lachner. Edited by Georg Gunther. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1870. Op. 168. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.773/05. Published by Carus Verlag (CA.4077305).

ISBN 9790007109332. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077319

Composed by Franz Lachner. Edited by Georg Gunther. German title: Stabat Mater. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1870. Op. 168. Duration 20 minutes. Carus Verlag #CV 40.773/19. Published by Carus Verlag (CA.4077319).

ISBN 9790007139469. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and parts available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077314

Composed by Franz Lachner. Edited by Georg Gunther. Violoncello 2. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello 2. Composed 1870. Op. 168. 8 pages. Duration 20 minutes. Carus Verlag #CV 40.773/14. Published by Carus Verlag (CA.4077314).

ISBN 9790007221027. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077312

Composed by Franz Lachner. Edited by Georg Gunther. Viola 2. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. Composed 1870. Op. 168. 8 pages. Duration 20 minutes. Carus Verlag #CV 40.773/12. Published by Carus Verlag (CA.4077312).

ISBN 9790007221003. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

Viola

SKU: KU.GM-571_VA

Composed by Franz Lachner. Edited by Franz Beyer. Bach format (230 x 302). Staple Bound. Part. 6 pages. Edition Kunzelmann #GM-571_VA. Published by Edition Kunzelmann (KU.GM-571_VA).

Key: D minor.

Violin 1

SKU: KU.GM-571_VL1

Composed by Franz Lachner. Edited by Franz Beyer. Bach format (230 x 302). Staple Bound. Part. 5 pages. Edition Kunzelmann #GM-571_VL1. Published by Edition Kunzelmann (KU.GM-571_VL1).

Key: D minor.

Harp solo

SKU: KU.GM-571H

Composed by Franz Lachner. Edited by Franz Beyer. Bach format (230 x 302). Staple Bound. Solo part. 24 pages. Edition Kunzelmann #GM-571h. Published by Edition Kunzelmann (KU.GM-571H).

Key: D minor.

Solo harp part for the concerto, plus 3 short works for solo harp

By Franz Lachner (1803-1890). Edited by Franz Beyer. For flute, clarinet, horn, violin, viola, cello and double bass. Score and parts. Published by Amadeus Verlag

French Horn - intermediate

SKU: HL.49002159

Horn in F and Piano. Composed by Franz Lachner. Edited by Hermann Baumann. This edition: Saddle stitching. Sheet music. Il Corno (Horn Library). Classical. 20 pages. Schott Music #COR10. Published by Schott Music (HL.49002159).

ISBN 9790001025218. UPC: 073999356366. 9.0x12.0x0.096 inches.