| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Bb Instruments [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(8)$49.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Lyrics Lyrics only [Sheet music] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lament of the Cross Shawnee Press
(Studiotrax CD) SKU: HL.35029350 From A Time for Alleluia. Compose...(+)
(Studiotrax CD) SKU: HL.35029350 From A Time for Alleluia. Composed by Joseph M. Martin. Harold Flammer Easter. CD only. Published by Shawnee Press (HL.35029350). UPC: 884088955731. 5x5 inches. Uses: Good Friday, Holy Week
Scripture: Isaiah 53:3; John 1:11; Matthew 26:21-22; John 3:16-17; Galatians 2:20
A moving choral lamentation for the crucified Christ is presented in this anthem for Good Friday. From the shadows of Golgotha, this poignant paean weeps with emotion through expressive music and cries of “Kyrie Eleison.” The anthem is dependent on two soloists that soar above the dramatic choral. The classic chorale “Ah, Holy Jesus” is a sensitive ending to the piece. StudioTrax CD has 3 tracks - Accompaniment, Split, Performance. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lament of the Cross [Score and Parts] Shawnee Press
(Orchestra Accompaniment) SKU: HL.35029349 From A Time for Alleluia(+)
(Orchestra Accompaniment) SKU: HL.35029349 From A Time for Alleluia. Composed by Joseph M. Martin. Harold Flammer Easter. CD-ROM, Score and Parts. Published by Shawnee Press (HL.35029349). UPC: 884088955724. 5x5 inches. Uses: Good Friday, Holy Week
Scripture: Isaiah 53:3; John 1:11; Matthew 26:21-22; John 3:16-17; Galatians 2:20
A moving choral lamentation for the crucified Christ is presented in this anthem for Good Friday. From the shadows of Golgotha, this poignant paean weeps with emotion through expressive music and cries of “Kyrie Eleison.” The anthem is dependent on two soloists that soar above the dramatic choral. The classic chorale “Ah, Holy Jesus” is a sensitive ending to the piece. Score and parts for Flute 1&2 (Flute 2 dbl. Piccolo), Oboe/English Horn, Clarinet 1&2, Bassoon, Horn 1&2, Trumpets 1-3, Trombone 1&2, Bass Trombone/Tuba, Timpani, Percussion 1&2, Harp, Piano, Violin 1&2, Viola, Cello, Double Bass. $69.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| This present moment used to be the unimaginable future... Breitkopf & Härtel
SKU: BR.EB-9387 Composed by Christian Mason. Edition Breitkopf. New music...(+)
SKU: BR.EB-9387 Composed by Christian Mason. Edition Breitkopf. New music (post-2000); Music post-1945. Set of parts. Composed 2019. Duration 20'. Breitkopf and Haertel #EB 9387. Published by Breitkopf and Haertel (BR.EB-9387). ISBN 9790004188576. 0 x 0 inches. Commissioned by the Kolner Philharmonie (KolnMusik) for the non bthvn projekt 2020 and the Cite de la musique / Philharmonie de Paris Dedicated to Arditti Quartet Each movement of this quartet explores a single state, its lights and its shadows. Each movement, you could say, is a moment . And these moments could last for more or less time without compromising their essential nature. The processes could be extended or compressed, repeated or reversed, but the core ideas - if they are ideas, but maybe they are simply experiences? - are what they are. Despite this, the precise sequence of movements matters a great deal. Heard together they do articulate some kind of linear narrative, maybe even a metaphorical journey (albeit a circular one where the arrival might, who knows, prove to be a new departure). One situation gives way to another and instrumental relationships within the quartet vary, but ultimately the imaginative impulse behind the piece preferences states of unity. Whether or not this unity is expressed texturally - sometimes literal unisons pervade, but not always - there is generally a sense that even seemingly diverse aspects relate to a fundamental condition of concord: a conscious limitation in the pitch structure to spectral emanations of the root notes E-flat and C. At the opening this is unambiguously audible in the perpetual alternation of these two notes in the low cello register. Later the two spectra are woven into a micro-tonal 'double-spectral-mode' (derived from the first 24 partials of the C and E-flat fundamentals), which defines the subtle melodic inflection of the second movement, and the never-quite-chromatic ascending scales of the third. For now this feels like a rich source of melodic possibility, so far only just glimpsed... And why the insistence on E-flat? Probably by way of historical anecdote. Apparently Karl Holz (a member of the Schuppanzigh Quartet) said to Beethoven: We performed your Quartet in E-flat Op. 127 in his [Weber's] honour; he found the Adagio too long; but I told him: Beethoven also has a longer feeling and a longer imagination than anyone standing or not standing today. - Since then, even Linke (another member of the quartet) can no longer stand him: we cannot forgive him for this. Listening again to Op. 127, in light of these comments, I was struck by the opening moment: the unfolding of an E-flat 7th chord over the course of a few bars. Every time I hear it I find myself wishing that Beethoven would have lingered longer there, without resolution or progression, just enjoying that sonority. And maybe - why not? - tune the 7th naturally. And what would it be to stretch that moment into an entire piece? What would Weber think of that?! In the end I was not so extreme in my self-limitation, and other concerns took over, but it was from these thoughts that the composition process began... Lastly, about the title: it comes from a book called 'The Clock of the Long Now' by Stewart Brand, published at the turn of the millennium. It's about the creation of a thousand-year clock to embody the aspiration to thinking in terms of longer time-spans than are presently habitual. If the music of Beethoven embodied a 'longer' feeling and imagination than some of his contemporaries were able to appreciate, what is our relation to time now? Longer or shorter? Maybe it depends who you ask... It's probably more extreme in both directions: attention spans might be diminishing in the digital world, but conversely there is an awareness of distant pasts and potential futures which would have been inconceivable at the time of Beethoven. In any case, the interesting thing is to ponder how societal conditions, assumptions and expectations might - whether consciously or unconsciously - influence the time of art, for listeners and creators alike. And what if time is running out? (Christian Mason)
World premiere: Paris, Cite de la musique, January 14, 2020. $53.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| This present moment used to be the unimaginable future... String Quartet: 2 violins, viola, cello Breitkopf & Härtel
Composed by Christian Mason. World premiere: Paris, Cite de la musique, Januar...(+)
Composed by Christian Mason.
World premiere: Paris, Cite
de la musique, January 14,
2020. Breitkopf and Haertel
#EB 9377. Published by
Breitkopf and Haertel
$46.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| At the Table Choral SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Victor C. Johnson. For SATB choir, piano. Sacred anthem. Octavo. Pub...(+)
Composed by Victor C. Johnson. For SATB choir, piano. Sacred anthem. Octavo. Published by Lorenz Publishing Company
$2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Real R&B Book
C Instruments [Fake Book] Hal Leonard
C Instruments). Composed by Various. For C Instruments. Fake Book. Softcover...(+)
C Instruments). Composed by
Various. For C Instruments.
Fake Book. Softcover. 536
pages. Published by Hal
Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real RandB Book [Fake Book] Hal Leonard
B-Flat Instruments. Composed by Various. Fake Book. RandB, Jazz. Softcover. 53...(+)
B-Flat Instruments. Composed
by Various. Fake Book. RandB,
Jazz. Softcover. 536 pages.
Published by Hal Leonard
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On the Other Hand (NFMC) Piano solo [Sheet music] FJH
By John Robert Poe. For Piano. The FJH Piano Teaching Library. This extraordinar...(+)
By John Robert Poe. For Piano. The FJH Piano Teaching Library. This extraordinary collection of elementary piano solos features music written for one hand alone that can just as readily be performed with the other hand! Each of these short, creative pieces allows the student the opportunity to concentrate more intently on specific, technical aspects of the music such as: dynamics, phrasing, and articulation. A splendid choice for technical development and student motivation. Contents include: Grand Opening; A Small Bouquet; Special Announcement; Walking the Dog; Shadows on the Path; Fireflies at Play; Andrew is Angry; Fishing from the Right Bank; Celebration; Creeping Up on Sandra; Masquerade; From the East. Original. Level: Elementary. Book. Published by The FJH Music Company, In
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Not Alone Theodore Presser Co.
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to ...(+)
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to Prism. Composed by Chen Yi. Sws each. Contemporary. Set of Score and Parts. With Standard notation. Composed 2014. 24+12+12+12+8 pages. Duration 14 minutes. Theodore Presser Company #114-41713. Published by Theodore Presser Company (PR.114417130). ISBN 9781491110409. UPC: 680160626687. 9x12 inches. A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspired by the ancient Chinese poet Li Bai's poem Drinking Alone under the Moon with the Shadow. The premiere was given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned the work to celebrate its 25th Anniversary NYC Season. From the Program Note by Matthew Levy (The PRISM Quartet), Not Alone (2014) is an interdisciplinary work...but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspective solos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alone for a 2017 release on XAS Records titled Paradigm Lost. But we're excited for a wider community of saxophonists to embrace the work, and share it with their own audiences. Not Alone is published together with Happy Birthday to PRISM, a brief miniature that Chen Yi wrote for the quartet's 20th anniversary celebration in 2004. For advanced performers._________________________Text from the scanned back cover:NOT ALONE for Saxophone QuartetHAPPY BIRTHDAY TO PRISM for Saxophone QuartetNot Alone is a 14-minute saxophone quartet and dance score inspired by the ancient Chinese poet Li Bai’s “Drinking Alone under the Moon with the Shadow.†The expansively-textured sax quartet matches the exploratory and dramatic movements and gestures in the dance. NOT ALONE was commissioned by the Nai-Ni Chen Dance Company which premiered the work in collaboration with the PRISM Quartet. Also included in this publication is Chen Yi’s fascinating take on “Happy Birthday to You,†composed in celebration of Prism’s 25th anniversary season. A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspiredby the ancient Chinese poet Li Bai’s poem “Drinking Alone under the Moon with the Shadow.†The premierewas given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned thework to celebrate its 25th Anniversary NYC Season. Program Note by composer Chen YiThe original inspiration for this work for both the choreographer and the composer came from the Tang Dynasty poem - Alone Under the Moon by Li Bai. The poem describes the poet being alone in a garden. The moon and his shadow became his companions that night. The choreographer brings this idea to modern life in an urban setting. She created a series of “mindscapes†which are the result of the exploration of the different mental and physical states of being alone.Through self-examination, the choreographer raises the question: are we ever really alone? Our physical being may be standing by itself, but what about our introspective self? When we are still, we let our thoughts pass by like flowing water. If we could engage with our shadows, what would it be like?Program Note by Matthew Levy, The PRISM QuartetThe PRISM Quartet has commissioned a great many composers since our founding days in 1984. Chen Yi is among ahandful of our very favorites, and one to whom we’ve returned time and time again. Her music is powerful, expansive,intimate, and draws connections between Eastern and Western, ancient and modern traditions in a voice all her own.Chen Yi has written or adapted four works for the PRISM Quartet. She penned a wonderful miniature called HappyBirth day to PRISM to celebrate the ensemble’s 20th anniversary back in 2004 (Dedication, Innova Recordings).We subsequently commissioned her to compose Septet (2008) for Erhu, Pipa, Percussion, and Saxophone Quartet(2008), premiered and recorded with the New York ensemble Music From China (Antiphony, Innova Recordings 2010).In 2015, the PRISM Quartet performed and recorded (XAS Records) a new version of her saxophone quartet concerto,BA YIN, with the University of Missouri-Kansas City Wind Ensemble under the baton of Steven Davis (originally writtenfor the Rascher Quartet and scored for saxophones and string orchestra.).Finally, Not Alone (2014) is an interdisciplinary work written for the Nai-Ni Chen Dance Company with the PRISMQuartet, but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspectivesolos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alonefor a 2017 release on XAS Records titled Paradigm Lost. But we’re excited for a wider community of saxophonists toembrace the work, and share it with their own audiences.In his liner notes for the recording, WNYC’s John Schaefer writes: “As with much of her music, Chen employs percussiveeffects and glissandi; in Chinese music these are not considered “extended techniques†or special effects, but animportant part of the performer’s arsenal. Here, they help create the twilit mood of the opening moments. The piecesoon becomes more dramatic, suggesting the arrival of the drinker’s companions (real or imagined) and his or herincreasingly garrulous outbursts. Passages of consonance and discord can easily be heard as companionable singingand bouts of drunken argument. The piece bustles along on a kind of restless energy, until, finally, that restlessnesssubsides, giving way to a gently humorous ending where a short falling phrase signals the drinker falling asleep.â€. $39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shadows of Silence Piano solo Wilhelm Hansen
Piano SKU: HL.14030976 Piano. Composed by Bent Sorensen. Music Sal...(+)
Piano SKU: HL.14030976 Piano. Composed by Bent Sorensen. Music Sales America. Classical. Book [Softcover]. 24 pages. Edition Wilhelm Hansen #KP01588. Published by Edition Wilhelm Hansen (HL.14030976). ISBN 9788759853757. 9.5x14.25x0.086 inches. English. The composer writes, 'Quite some time ago I heard - through a conversation in a mobile phone - a wonderful concert of ringing church bells from an European capital. I found it very hard to concentrate about the conversation, because I was so engrossed by the chaotic world of bell sound. The night after, I dreamt that the sound of those low singing bells was rising up from a piano in a huge empty concert hall. That experience became the starting point for my piano piece, 'The Shadows of Silence'. But before the piece gets to the ringing bells it moves through a landscape of shadows - Shadows of the silence before the bells - Silence before the storm - Shadows of melodies which all the time leaves traces even in the short passages of storm. After the passage with the low ringing bells the shadows of silence returns melted in to a lament, which are sending two regards. One to two small beautiful - not very well known - bars by Mozart, and one to the sextet in my own opera, 'Under the Sky'. $16.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Follow the Star (from Morning Star) Shawnee Press
Choral (Orchestra Accompaniment) SKU: HL.35028413 Composed by Joseph M. M...(+)
Choral (Orchestra Accompaniment) SKU: HL.35028413 Composed by Joseph M. Martin. Harold Flammer Christmas. Christmas Sacred, Epiphany. CD-ROM, Score and Parts. Published by Shawnee Press (HL.35028413). UPC: 884088653583. 4.75x5 inches. Uses: Epiphany
Scripture: Matthew 2:1-12
This up tempo anthem is a stimulating admonition to seek the light of Christ and His illumination. Well suited for Epiphany, this rousing theme has touches of sadness suggesting the shadows that surround the young Messiah in the days and years following His birth. Using a well-known carol tune helps draw the listener close and aids the learning process. A crisp approach to diction and articulation will yield success in your presentation. Available separately: SATB, StudioTrax CD, Orchestration CD-rom (Score & parts for Flute 1&2, Oboe, Clarinet 1&2, Bassoon, Horn 1&2, Trumpet 1, Trumpet 2&3, Trombone 1&2, Bass Trombone/Tuba, Timp, Perc 1&2, Harp, Piano, Violin 1, Violin 2, Viola, Cello, Double Bass). Duration: ca. 3:11. $60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Follow the Star (from Morning Star) Shawnee Press
Choral (Studiotrax CD) SKU: HL.35028414 Composed by Joseph M. Martin. Har...(+)
Choral (Studiotrax CD) SKU: HL.35028414 Composed by Joseph M. Martin. Harold Flammer Christmas. Epiphany. CD only. Published by Shawnee Press (HL.35028414). UPC: 884088653590. 5x5 inches. Uses: Epiphany
Scripture: Matthew 2:1-12
This up tempo anthem is a stimulating admonition to seek the light of Christ and His illumination. Well suited for Epiphany, this rousing theme has touches of sadness suggesting the shadows that surround the young Messiah in the days and years following His birth. Using a well-known carol tune helps draw the listener close and aids the learning process. A crisp approach to diction and articulation will yield success in your presentation. Available separately: SATB, StudioTrax CD, Orchestration CD-rom (Score & parts for Flute 1&2, Oboe, Clarinet 1&2, Bassoon, Horn 1&2, Trumpet 1, Trumpet 2&3, Trombone 1&2, Bass Trombone/Tuba, Timp, Perc 1&2, Harp, Piano, Violin 1, Violin 2, Viola, Cello, Double Bass). Duration: ca. 3:11. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On the Road to Jerusalem Orchestra Shawnee Press
Orchestration Choral (Orchestra) SKU: HL.35027044 From Song of the Sha...(+)
Orchestration Choral (Orchestra) SKU: HL.35027044 From Song of the Shadows. Composed by Joseph M. Martin. Harold Flammer Easter. Easter, Palm Sunday. CD-ROM. Published by Shawnee Press (HL.35027044). UPC: 884088466640. 5.0x5.0x0.176 inches. Uses: Palm Sunday Scripture: Luke 19:36-38 From the iconic Lenten cantata, Song of the Shadows, we are pleased to release this important Palm Sunday anthem individually with its original orchestration. Full of irony, this poignant anthem reminds the listener that the hosannas of Palm Sunday soon become cries of crucify. Words cannot describe the impact this dramatic anthem has on its audience. A masterpiece! The orchestration includes parts for: piano, flute 1 & 2, oboe, clarinet 1 & 2, bassoon, horn 1 & 2, trumpet 1, trumpet 2 & 3, trombone 1 & 2, bass trombone/tuba, timpani, percussion 1 & 2, harp, violin 1, violin 2, viola, cello, double bass. Available separately: SATB, iPrint Orch CD-ROM, StudioTrax CD. Duration: 3:43. $60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On the Road to Jerusalem Shawnee Press
StudioTrax CD Choral (STUDIOTRX CD) SKU: HL.35027045 From Song of the ...(+)
StudioTrax CD Choral (STUDIOTRX CD) SKU: HL.35027045 From Song of the Shadows. Composed by Joseph M. Martin. Harold Flammer Easter. Easter, Palm Sunday. CD. Published by Shawnee Press (HL.35027045). UPC: 884088466657. 5.0x5.0x0.2 inches. Uses: Palm Sunday Scripture: Luke 19:36-38 From the iconic Lenten cantata, Song of the Shadows, we are pleased to release this important Palm Sunday anthem individually with its original orchestration. Full of irony, this poignant anthem reminds the listener that the hosannas of Palm Sunday soon become cries of “crucify.†Words cannot describe the impact this dramatic anthem has on its audience. A masterpiece! Available separately: SATB, iPrint Orch CD-ROM, StudioTrax CD. Duration: 3:43. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Noir Vignettes Cello, Piano Theodore Presser Co.
Chamber Music Cello, Piano SKU: PR.114418630 Composed by Stacy Garrop. Se...(+)
Chamber Music Cello, Piano SKU: PR.114418630 Composed by Stacy Garrop. Set of Score and Parts. With Standard notation. 24+8 pages. Duration 13 minutes. Theodore Presser Company #114-41863. Published by Theodore Presser Company (PR.114418630). ISBN 9781491114063. UPC: 680160642724. 9 x 12 inches. The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fataleâ€), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette. In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black filmâ€). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fataleâ€), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron; and it also published for Double Bass and Piano (114-41811). The cello version is transcribed by the composer.-- Stacy Garrop. $20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Noir Vignettes Double bass, Piano (duet) Theodore Presser Co.
Chamber Music Double Bass, Piano SKU: PR.114418110 For Double Bass and...(+)
Chamber Music Double Bass, Piano SKU: PR.114418110 For Double Bass and Piano. Composed by Stacy Garrop. Set of Score and Parts. With Standard notation. 24+16 pages. Duration 13 minutes. Theodore Presser Company #114-41811. Published by Theodore Presser Company (PR.114418110). ISBN 9781491111994. UPC: 680160640423. The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fataleâ€), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette. String bass parts are provided both for standard orchestral tuning and for solo tuning. In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black filmâ€). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fataleâ€), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES for Double Bass and Piano consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron.-Stacy Garrop. $21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| At the Movies with Danny Elfman Concert band [Score and Parts] - Intermediate Alfred Publishing
(Featuring: The Batman Theme / Dark Shadows / The River Cruise / Moon Dance). By...(+)
(Featuring: The Batman Theme / Dark Shadows / The River Cruise / Moon Dance). By Danny Elfman. Arranged by Justin Williams. Concert Band. Concert Band; Part(s); Score. Pop Concert Band. Form: Medley. Movie. Grade 3. 268 pages. Published by Alfred Music Publishing
$77.00 $73.15 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| At the Movies with Danny Elfman Concert band [Score] - Intermediate Alfred Publishing
(Featuring: The Batman Theme / Dark Shadows / The River Cruise / Moon Dance). Co...(+)
(Featuring: The Batman Theme / Dark Shadows / The River Cruise / Moon Dance). Composed by Danny Elfman. Arranged by Justin Williams. Concert Band. Concert Band; Score; SmartMusic. Pop Concert Band. Form: Medley. Movie. Grade 3. 32 pages. Published by Alfred Music
$10.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On the Beaten Path Metal Drums [Sheet music + CD] Alfred Publishing
(The Drummerâ??s Guide to the Genre and the Legends Who Defined It). By Rich La...(+)
(The Drummerâ??s Guide to the Genre and the Legends Who Defined It). By Rich Lackowski. For Drumset. Artist/Personality; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Metal; Rock. Book and CD. 104 pages. Published by Alfred Music Publishing
$20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Christmas Fake Book - 6th Edition Melody line, Lyrics and Chords [Fake Book] Hal Leonard
For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Compose...(+)
For Piano, Vocal, Guitar,
Electronic Keyboard and All C
Instruments. Composed by
Various. Fake Book.
Softcover. 232 pages.
Published by Hal Leonard
$35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| I Shall Not See the Shadows Choral SATB SATB divisi Boosey and Hawkes
Movement X from The Lost Birds. Composed by Emily Dickinson, Christina Rossett...(+)
Movement X from The Lost
Birds. Composed by Emily
Dickinson, Christina Rossetti,
and Christopher Tin. BH
Secular Choral. Collection,
Concert, Festival, Poetry.
Octavo. Duration 250 seconds.
Boosey and Hawkes #M051486052.
Published by Boosey and Hawkes
$2.60 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sherlock Holmes -- Sheet Music Selections from the Warner Bros. Pictures Soundtracks Piano solo [Sheet music] - Intermediate/advanced Alfred Publishing
(Sherlock Holmes and Sherlock Holmes: A Game of Shadows). For Piano. This ed...(+)
(Sherlock Holmes and Sherlock
Holmes: A Game of Shadows).
For Piano. This edition: Piano
Solos. Book; Piano Collection;
Piano Supplemental. Movie.
Advanced. 32 pages. Published
by Alfred Music Publishing
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Night Time Impressions Piano solo - Intermediate Forsyth Publications
Piano Solo - Easy-Intermediate SKU: FP.FBS02 Composed by Sarah Baker. She...(+)
Piano Solo - Easy-Intermediate SKU: FP.FBS02 Composed by Sarah Baker. Sheet Music and Books. Eight pieces on a night theme for solo piano, by Sarah Baker. Suggested grade 4-5. Classical. Collection. Forsyths Publications #FBS02. Published by Forsyths Publications (FP.FBS02). ISBN 9790570500192. Sarah Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.
All this experience has come together in the creation of this first published album of piano pieces, inspired by the sounds heard at night from the woodland just beyond Sarah’s childhood home.
Suitable for players of around grade 4-5 standard, her evocative sound pieces begin at the tranquillity of dusk and end with the exuberant dawn chorus.
The composer writes:
'I grew up with woods behind my house, and the nocturnal noises and images that I remember were the inspiration for these eight short sound pictures on the theme of night. The music moves first from the tranquility of dusk and evening mists, to the emerging starlight of twilight. As night falls it takes on on a darker quality with shadows and dreams disturbing peace and calm.The night birds and bats swoop and flit past as they seek their prey, but gradually dawn approaches and peaceful sleep is restored. The morning is heralded in the joyful exuberance of the dawn chorus.'. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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