Second version with the variant of the Osanna in excelsis and the Cum Sancto Spiritu-Fugue from the first version. Urtext of the New Schubert Edition. By Franz Schubert. Edited by Doris Finke-Hecklinger. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Flute, Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Trumpet (2), Trombone (3), Kettledrum, Strings, Organ. Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718713

Composed by Georges Bizet. Edited by Marc Rigaudière. Single Part, viola. Composed 1858. 8 pages. Duration 20 minutes. Carus Verlag #2718713. Published by Carus Verlag (CA.2718713).

ISBN 9790007303556. Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718725

Composed by Georges Bizet. Edited by Marc Rigaudière. Single Part, clarinet 1. Composed 1858. 12 pages. Duration 20 minutes. Carus Verlag #2718725. Published by Carus Verlag (CA.2718725).

Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718721

Composed by Georges Bizet. Edited by Marc Rigaudière. Single Part, flute 1. Composed 1858. 8 pages. Duration 20 minutes. Carus Verlag #2718721. Published by Carus Verlag (CA.2718721).

Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718722

Composed by Georges Bizet. Edited by Marc Rigaudière. Single Part, flute 2. Composed 1858. 8 pages. Duration 20 minutes. Carus Verlag #2718722. Published by Carus Verlag (CA.2718722).

Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718732

Composed by Georges Bizet. Edited by Marc Rigaudière. Single Part, horn 1. Composed 1858. 8 pages. Duration 20 minutes. Carus Verlag #2718732. Published by Carus Verlag (CA.2718732).

Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

Viola (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-19

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 60'. Breitkopf and Haertel #OB 5578-19. Published by Breitkopf and Haertel (BR.OB-5578-19).

ISBN 9790004343500. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo

SKU: CA.4066411

Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.664/11. Published by Carus Verlag (CA.4066411).

ISBN 9790007219833. Key: B flat major. Language: Latin.

The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and part available separately - see item CA.4066400.

Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.EB-8052

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Arranged by Matthias (KA) Grunert. Choir; Softbound. Edition Breitkopf. The Missa Omnium Sanctorum is the last of the three transmitted Missae ultimae. The piano vocal score is based on the score published by Wolfgang Horn in volume 101 of the series Das Erbe deutscher Musik, now available as PB 5589. Mass; Baroque. Piano/Vocal Score. 100 pages. Duration 60'. Breitkopf and Haertel #EB 8052. Published by Breitkopf and Haertel (BR.EB-8052).

ISBN 9790004185148. 7.5 x 10.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)

The Missa Omnium Sanctorum is the last of the three transmitted Missae ultimae. The piano vocal score is based on the score published by Wolfgang Horn in volume 101 of the series Das Erbe deutscher Musik, now available as PB 5589..

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453049

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1793. MH 530. 28 pages. Duration 40 minutes. Carus Verlag #CV 54.530/49. Published by Carus Verlag (CA.5453049).

ISBN 9790007226183. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453013

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. MH 530. 16 pages. Duration 40 minutes. Carus Verlag #CV 54.530/13. Published by Carus Verlag (CA.5453013).

ISBN 9790007226176. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.

Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo

SKU: CA.4066413

Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 35 minutes. Carus Verlag #CV 40.664/13. Published by Carus Verlag (CA.4066413).

ISBN 9790007219857. Key: B flat major. Language: Latin.

The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and part available separately - see item CA.4066400.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453011

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Single Part, Violin 1. MH 530. 24 pages. Duration 40 minutes. Carus Verlag #CV 54.530/11. Published by Carus Verlag (CA.5453011).

ISBN 9790007226152. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453003

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Vocal score. MH 530. 72 pages. Duration 40 minutes. Carus Verlag #CV 54.530/03. Published by Carus Verlag (CA.5453003).

ISBN 9790007094348. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score available separately - see item CA.5453000.

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.PB-5578

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Choir; Softcover. Partitur-Bibliothek (Score Library). Mass; Baroque. Full score. 188 pages. Duration 60'. Breitkopf and Haertel #PB 5578. Published by Breitkopf and Haertel (BR.PB-5578).

ISBN 9790004213889. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).