| Trinity Fugues Organ CanticaNOVA Publications
Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb...(+)
Composed by Stephen McManus. For organ. Bachian fuges - think Saint Anne in Eb. General. Published by CanticaNOVA Publications
$5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Two Fugues String Quartet: 2 violins, viola, cello [Score and Parts] Imagine Music
String Quartet SKU: IG.HAS08 Composed by Daniel Burwasser. Score and Part...(+)
String Quartet SKU: IG.HAS08 Composed by Daniel Burwasser. Score and Parts. Imagine Music Publishing #HAS08. Published by Imagine Music Publishing (IG.HAS08). 9 x 12 inches. The Two Fugues capture the all the elegance, charm and contrapuntal flavor of the Baroque style and can be played together or individually. These original fugues are fun to perform while still challenging the players to think independently from one another. Two Fugues is available in arrangements for brass, woodwind, clarinet, saxophone and string quartets. $16.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Well-Tempered Clavier: 48 Preludes and Fugues, Book II Piano Trio: mixed chamber instrumentation Alfred Publishing
The Well-Tempered Clavier: 48 Preludes and Fugues, Book II composed by Johann ...(+)
The Well-Tempered Clavier:
48 Preludes and Fugues, Book
II composed by Johann
Sebastian Bach (1685-1750).
Edited by Sir Donald Francis
Tovey, fingerings by Harold
Samuel. For Piano. Book;
Masterworks; Piano
Collection. Dover Edition.
Baroque; Masterwork.
Published by Alfred Music
$16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Arachnophobia and Fugue Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Newspaper, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 2.5 SKU: CF.YPS203 Composed by James Meredith. Young Band (YPS). Set of Score and Parts. With Standard notation. 16+4+8+4+4+10+4+4+8+8+12+6+6+2+1+2+20+8+8+4+4 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #YPS203. Published by Carl Fischer Music (CF.YPS203). ISBN 9781491152232. UPC: 680160909735. Key: D minor. Imagine Bach trying to compose in his studio while being pestered by a spider! Arachnophobia and Fugue exposes students to the Baroque style of music using dramatic contrasts, light articulation, chorale-style sections, and multiple references to Bach's works. The spider is represented by the xylophone and/or marimba supported by the flutes. As a humorous bonus, auxiliary percussion includes rolled-up newspapers to swat the pesky spider throughout the piece. Good music played well inspires the imagination. Imagine Bach trying to compose in his studio while being pestered by a spider! First and foremost this is educational music exposing kids to the Baroque style of music. Dramatic dynamic contrasts, light articulation, chorale-style, and multiple references to Bach’s works form the basis for the work. Toccata and Fugue in D Minor, Sleepers Wake, Little Fugue in G Minor, Sheep May Safely Graze, Dies Irae, and Come Sweet Death are the basis for this look into an imaginary situation with the Great Baroque Master. The spider is represented by either a solo xylophone or multiple xylophones and/or marimba (supported by the flutes.) As a humorous bonus auxiliary percussion use rolled up newspapers to swat the pesky spider throughout the piece in rhythm with the music. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Arachnophobia and Fugue Concert band [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Newspaper, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 2.5 SKU: CF.YPS203F Composed by James Meredith. Young Band (YPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #YPS203F. Published by Carl Fischer Music (CF.YPS203F). ISBN 9781491152911. UPC: 680160910410. Imagine Bach trying to compose in his studio while being pestered by a spider! Arachnophobia and Fugue exposes students to the Baroque style of music using dramatic contrasts, light articulation, chorale-style sections, and multiple references to Bach's works. The spider is represented by the xylophone and/or marimba supported by the flutes. As a humorous bonus, auxiliary percussion includes rolled-up newspapers to swat the pesky spider throughout the piece. Good music played well inspires the imagination. Imagine Bach trying to compose in his studio while being pestered by a spider! First and foremost this is educational music exposing kids to the Baroque style of music. Dramatic dynamic contrasts, light articulation, chorale-style, and multiple references to Bach’s works form the basis for the work. Toccata and Fugue in D Minor, Sleepers Wake, Little Fugue in G Minor, Sheep May Safely Graze, Dies Irae, and Come Sweet Death are the basis for this look into an imaginary situation with the Great Baroque Master. The spider is represented by either a solo xylophone or multiple xylophones and/or marimba (supported by the flutes.) As a humorous bonus auxiliary percussion use rolled up newspapers to swat the pesky spider throughout the piece in rhythm with the music. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 18 Contrapuntal Pieces for Guitar Guitar Ut Orpheus
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and Raffaello
Ravasio. Saddle stitching.
Piero Bonaguri Collection.
Classical. Ut Orpheus #CH 254.
Published by Ut Orpheus
$21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Overture to King Arthur String Orchestra [Score] - Easy FJH
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6244S Score Only. A...(+)
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6244S Score Only. Arranged by Carrie Lane Gruselle. Series; String Orchestra. FJH String Orchestra. Score. Duration 2:40. The FJH Music Company Inc #98-ST6244S. Published by The FJH Music Company Inc (FJ.ST6244S). English. From Henry Purcell's semi-opera King Arthur comes this wonderful arrangement in the style of the French Overture. The piece begins with a strong statement filled with regal and stately dotted rhythms. A lively fugue follows in which all sections play an equal role as they explore independent playing. Written in the key of D minor, shifting is required for first violin and bass while cello uses extensions. An excellent study in Baroque bow style! About FJH String Orchestra More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| English Fugue Orchestra - Easy Highland/Etling
Orchestra - Grade 3 SKU: AP.4323 Composed by William Selby. Arranged by A...(+)
Orchestra - Grade 3 SKU: AP.4323 Composed by William Selby. Arranged by Art Sheinberg. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Fugue. Baroque; Masterwork Arrangement. Score and Part(s). 136 pages. Highland/Etling #00-4323. Published by Highland/Etling (AP.4323). UPC: 038081026213. English. Art Sheinberg has discovered a gem from the late English Baroque keyboard literature and expertly scored it to sound as if it were originally for strings. The violin ll and viola parts are often doubled, as are the cello and bass parts; there are essentially three parts throughout. This gives a full and balanced sound which accommodates uneven instrumentation. Violin l parts are in third position much of the time, and alternate fingerings given for the other parts will keep other advanced players busy. The piece is in D major throughout, with the exception of brief excursions into A and B minor. Full of rhythmic drive and sparkling counterpoint, the piece is a sure winner with students and an excellent vehicle to teach detached style and ensemble independence. This title is available in MakeMusic Cloud. $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Contrapunctus II from "The Art of Fugue" for Brass Quintet Brass Quintet: 2 trumpets, horn, trombone, tuba [Score and Parts] - Advanced Cherry Classics
Brass Quintet - advanced SKU: CY.CC2670 Composed by Johann Sebastian Bach...(+)
Brass Quintet - advanced SKU: CY.CC2670 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Score and parts. Published by Cherry Classics (CY.CC2670). J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Two is a four-voice fugue that uses the direct form of the theme (as in Number One) but with a swinging feel due to the French style dotted eighth – sixteenth rhythm. About 3 minutes in length. $22.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Suite in Baroque Style Keyboard [Score] Zimbel Press
Keyboard SKU: SU.80101349 For Keyboard. Composed by Arthur Fracken...(+)
Keyboard SKU: SU.80101349 For Keyboard. Composed by Arthur Frackenpohl. Keyboard. Score. Zimbel Press #80101349. Published by Zimbel Press (SU.80101349). Three movements in a Baroque-inspired style that can be played on any keyboard instrument (including organ, harpsichord, or piano). Two chorale preludes (Ach Gott, wie manches Herzelied and Nur mein Jesus ist mein Leben) are followed by a freely-composed fugue in D minor. Instrumentation: Keyboard. Composed: 1948, rev. 2007 Published by: Zimbel Press. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Repertoire Level 10 Piano solo The Frederick Harris Music Company
Piano - Level 10 SKU: FH.C6R10 Celebration Series, Sixth Edition. Method ...(+)
Piano - Level 10 SKU: FH.C6R10 Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R10. Published by The Frederick Harris Music Company (FH.C6R10). ISBN 9781554409426. The Celebration Series, Sixth Edition will inspire students at every level with its comprehensive collection of graded repertoire and etudes. Carefully curated and edited to support teachers and students in artistic and technical development, this 22-book series provides an engaging compilation of music--from beloved classics to newly commissioned works. New to this series are never-before published works from popular Canadian and US composers that will enhance the musical journey. Each book includes high-quality recordings, easily accessible online, to inspire students and teachers. The Repertoire books provide students with a wide selection of outstanding pieces. This series provides a representative collection of repertoire from the Baroque, Classical, Romantic, and Contemporary style periods. With composers from more than 20 countries, these volumes are the ultimate resource for examinations, recitals, festivals, competitions, auditions, and personal enjoyment. About Celebration Series - Frederick Harris Music Celebration Series is a comprehensive series of graded repertoire and etudes for piano. This outstanding collection of music from the Baroque era to the present day provides thoroughly engaging teaching and learning materials. Each book includes high-quality recordings, easily accessible online, to inspire students and teachers. $43.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Variations and Fugue on a Christmas Carol Organ [Score] - Intermediate Schirmer
Composed by Byron Adams. Recital Music, Partita/Variations. Christmas, Lesson...(+)
Composed by Byron Adams.
Recital Music,
Partita/Variations.
Christmas, Lessons and
Carols, 21st Century. Score.
Duration 6 minutes, 45
seconds. E.C. Schirmer
Publishing #8764. Published
by E.C. Schirmer Publishing
$11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 36 Fugues for Piano Piano solo Barenreiter
By Antonin Rejcha. Edited by Jan Sykora. For piano. This edition: 1st printing 2...(+)
By Antonin Rejcha. Edited by Jan Sykora. For piano. This edition: 1st printing 2012 edition. Paperback. Performance score. Language: Czech/English/German. 162 pages. Published by Baerenreiter Verlag
$58.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Duo-Schatzkiste A Treasure Chest of Duos 2 Recorders (duet) - Easy Schott
Two Treble Recorders Recorder Duet; Treble Recorder - easy to intermediate SK...(+)
Two Treble Recorders Recorder Duet; Treble Recorder - easy to intermediate SKU: HL.49019380 Performance Score for 2 Treble Recorders. Composed by Various. Edited by Elisabeth Kretschmann. This edition: Saddle stitching. Sheet music. Woodwind. Originalkompositionen aus Renaissance, Barock und Moderne. Fur Spieler, die fundierte Grundkenntnisse besitzen. Auch gut geeignet fur Konzerte, Vorspiele und Wettbewerbe. Baroque, Classical, Contemporary, Modern, Renaissance. Softcover. 68 pages. Schott Music #ED21384. Published by Schott Music (HL.49019380). ISBN 9783795744960. UPC: 841886018808. 9.0x12.0x0.285 inches. German. This volume contains original compositions from the Renaissance, Baroque and modern eras. It is aimed at recorder players who possess profound basic knowledge. As material to be used in lessons, the pieces train the player's sense of style and the interpretation of music from different epochs. In addition, they deal with all aspects of duet playing, such as confidence in leading one's own part, performance for a balanced sound, intonation and improvement of the player's physical condition. These original pieces are also perfect for concerts, auditions, and competitions. $20.99 - See more - Buy online | | |
| Eight New Little Preludes and Fugues Organ Lorenz Publishing Company
Composed by Craig A. Penfield. Sacred. Lorenz Publishing Company #70/2131L. P...(+)
Composed by Craig A.
Penfield. Sacred. Lorenz
Publishing Company
#70/2131L. Published by
Lorenz Publishing Company
$33.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 108 pages. Breitkopf and Haertel #EB 9304. Published by Breitkopf and Haertel (BR.EB-9304). ISBN 9790004187685. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305). $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9305. Published by Breitkopf and Haertel (BR.EB-9305). ISBN 9790004187692. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9306. Published by Breitkopf and Haertel (BR.EB-9306). ISBN 9790004187708. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 192 pages. Breitkopf and Haertel #EB 9415. Published by Breitkopf and Haertel (BR.EB-9415). ISBN 9790004188897. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $90.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphonie IV in F Minor Organ [Score]
Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This editio...(+)
Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N014).
$35.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa Omnium Sanctorum ZWV 21 Breitkopf & Härtel
Woodwinds (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc) SKU: B...(+)
Woodwinds (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc) SKU: BR.OB-5578-30 Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 72 pages. Duration 60'. Breitkopf and Haertel #OB 5578-30. Published by Breitkopf and Haertel (BR.OB-5578-30). ISBN 9790004343531. 10 x 12.5 inches. The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt). $88.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa Omnium Sanctorum ZWV 21 Breitkopf & Härtel
Violin 2 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc) SKU: BR...(+)
Violin 2 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc) SKU: BR.OB-5578-16 Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5578-16. Published by Breitkopf and Haertel (BR.OB-5578-16). ISBN 9790004343494. 10 x 12.5 inches. The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt). $15.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa Omnium Sanctorum ZWV 21 Breitkopf & Härtel
Violin 1 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc) SKU: BR...(+)
Violin 1 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc) SKU: BR.OB-5578-15 Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5578-15. Published by Breitkopf and Haertel (BR.OB-5578-15). ISBN 9790004343487. 10 x 12.5 inches. The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt). $15.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| My First Book of Bach [collection] - Easy Dover Publications
Composed by Johann Sebastian Bach (1685-1750). Edited by David Dutkanicz. Arrang...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by David Dutkanicz. Arranged by David Dutkanicz. For piano. Masterworks; Piano Collection; Piano Supplemental. Dover Edition: My First Book. Baroque. Easy. Collection. Standard notation and fingerings. 48 pages. Published by Dover Publications
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
Next page 1 31 |