SKU: LM.28289
ISBN 9790230982894.
A la maniere de Jimi Hendrix - Doubles cordes et bending - Bending et pentatonique - Le moulinet - A la maniere d'Eric Clapton - Riff pentatonique - Plan en quintes - Legato ! - Fusee ascendante - Pentatonique et quintolet - Groove Blues-Rock - Riff rythmique - A la maniere de Robben Ford - Heavy metal ? - Plan en triolets - Pentatoniques et doubles croches - Plan en demanche - Montee en intervalles - Plan en 7eme avec 13eme - Plan solo en Sol 7 - Legato et cordes a vide - A la maniere de Ritchie Blackmore - Legato et sextolets - Plan bending.
SKU: HL.48189596
Sprintz A Travers Une Tenebre Diffuse Percussion Score.
SKU: HL.50582548
SKU: HL.49045439
ISBN 9790001160865. UPC: 841886029408.
The short two-part composition refers to two persons by the name of Teresa. One of them was a beautiful Polish actress, the other the favourite model of the painter Balthus. I tried to fuse the characteristics of both female persons with each other in the merging parts. The three-line D produced by rubbing a wine glass sounds like a faraway, almost inaudible planet tone that ends with a brief sigh. Wilfried Hiller.
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: PE.EP68612
ISBN 9790300760131. 190 x 272mm inches. English.
Co-commissioned by the Texas Tech University Choir, Richard Bijella, cond.; and the Iowa State Singers, James Rodde, cond.
Program notes:
Psalm 100 was co-commissioned by the Texas Tech University Choir and the Iowa State Singers, and written with the skills of these two choirs in mind. It is a concise and hope-filled composition which seeks to fuse the craft and savor of polyphonic style from centuries past with an unmistakably modern style. The opening line “Make a joyful noise to God, all the earth” is joyfully sung in Latin, creating bookends at the beginning and end of the piece. The rest of the words are set in English and the music traverses through rhythmic and cascading textures to highlight the words and express their meaning.
SKU: BT.YE0097
A large-scale solo piece using the blues form and jazz language, changing meters, contrasting tempi and vocal sounds to fuse the jazz world with the world of concert music in a unique way. The composer is one of the world'sforemost exponents of contemporary bass music. Duration c.4'.
Grade: Advanced.
SKU: HL.49044205
ISBN 9790001198981. 9.0x11.75x0.107 inches.
SKU: HL.49044169
ISBN 9790001198974. 9.25x12.0x0.11 inches.
SKU: AP.45995
UPC: 038081524641. English.
Two notes . . . then two more. A counter-statement . . . then another. Ideas develop and unravel. Percussion punctuates, brass recapitulates, woodwinds decorate. Like a lit fuse, Vince Gassi's new work will fascinate, enervate, and captivate---drawing you to the very end . . . and then . . . KABOOM! (2:50).
SKU: HL.14030977
ISBN 9788759862148.
Work for Violin and Piano dating from 1999. The composer writes: 'Sieben Sehnsuchte was written in 1999 for David Alberman and Rolf Hind. As the title suggests, it is in seven movements - each more insanely difficult and bothersome than the other. All sorts of possible and impossible playing techniques have been used, and the performers have to both whistle and sing. However, it is not the intention that the slightly more unusual sound should be heard as effects. Everything is supposed to fuse together into something that is in itself a little opera - a 'chamber piece'. It was written in a period when I was waiting impatiently for the libretto for Under the Sky, and I see it as a meeting (or seven meetings) between two people - two instruments - longing for each other; longing to merge together. The piece is a kind of sister work to Roses are Falling.'.
SKU: GI.G-10856
ISBN 9781622777303.
Unleashing the Potential of the Musician’s Body offers clear and practical tools for music professionals, students, educators, movement specialists, and therapists working with musicians. You’ll learn about relevant anatomy—in particular, joints, muscles, and fascia—and get information on how the brain and movement are linked together. You’ll find dozens of illustrated performance-targeted exercises for all parts of the body, with specific instructions for different types of instruments as well as for singers. The exercises are designed to optimize movement and make playing or singing more effortless and expressive—and through this, access more musical potential. This book also touches on subjects such as warm-ups, pain, healthy living, and self-care tips. Tina Margareta Nilssen is a pianist, creator of the Timani movement system for musicians, and the founder of Musicians’ Health and Movement Institute. She lives in Oslo, Norway, teaches at various universities, and gives lectures and workshops to professional musicians and music students around the world. She has taught thousands of musicians from more than 20 countries how to access more potential in their bodies while playing or singing. Learn more at unleashingthepotential.com. Tina Margareta Nilssen takes you on an exciting journey through the musician’s instrument: your body and your brain. She shares her abundance of anatomical knowledge, presented in a way that is engaging and easy to understand. I highly recommend this book to both students and experienced performers looking for a deeper understanding of our functionality, not only to avoid pain and injury, but also for exploring our potential for greater artistic freedom. —Tuva Semmingsen   Opera Singer   Associate Professor at the Grieg Academy in Bergen This book should be required reading for every music educator, student, and professional. Through this information, musicians will be empowered to take their education to the next level. —Hannah Murray   Violinist and Co-founder of Corpßonore A must-read for all musicians, and for health professionals and therapists working with musicians! Tina Margareta Nilssen has managed to fuse the musical world and body science. —Karen van der Starre   Psychomotor physiotherapist at the Norwegian Academy of Music.
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