SKU: GI.G-9992
UPC: 785147999201. Latin. Text Source: from the Requiem Mass.
 This French impressionistic and contemplative work, “In paradisum†(May the angels lead you into paradise ), was added to the original Requiem by Fauré in 1893. The original 1888 version was heard in Paris in a funeral Mass at La Madeleine with Fauré playing the organ. The text refers to the miracle of eternal rest (“aeternam habeas requiemâ€). In this edition for treble voices, listeners can hear the continuous fluttering of angel’s wings in the keyboard against the beautifully melodic, mostly unison vocal lines sung by the choir. The rich D major harmonies are developed toward the end of both verses and, finally, in the ending invitation to have eternal rest. About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.
SKU: LM.29083D
ISBN 9790231702545.
ALBENIZ M. : Sonate en Re - BACH C.P.E. : Sonata 6 - BACH J.S. : Petite fugue a 2 voix - BERKOWITSCH I. : Variations - BOELY A.P.F. : Allegretto - BONIS M. : Romance sans paroles - BROADY T.E. : Mandy's Broadway Stroll - FAURE G. : Improvisation - GADE N. : Barcarolle - GALUPPI B. : Sonate no. 5 - HAYDN J. : Adagio - LISZT F. : Variation sur une valse de A. Diabelli - LISZT F. : Piece pour piano no. 2 - LISZT F. : Mazurek - LISZT F. : Avec joie et souffrance - LISZT F. : Krakowiak - LONGO A. : Due momenti musicali - RACHMANINOV S. : Morceau de fantaisie - ROTA N. : Pagina - SATIE E. : Je te veux - SCHUMANN R. : 7 pieces en forme de fugue - SCRIABINE A. : Prelude - SIBELIUS J. : Etude - SZYMANOWSKI K. : Prelude - WEBER C.M. von : Andante con variazioni - YUYAMA A. : Rush Rush Rush.
SKU: CA.952600
ISBN 9790007300968. Key: G major. French. Text: Victor Hugo.
This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: CF.CM9768
ISBN 9781491160343. UPC: 680160923298. Key: G major. English.
About the WorkThe text of this work is most often attributed to Ralph Waldo Emerson, although it doesn't mirror his style, and no research credits an essay, book or letter with its source. Other individuals are occasionally suggested as possible authors, but equally unsubstantiated. Even whether the textis a poem or a quote seems unclear. But there is one thing that is without question: that this beloved text has inspired countless people and contributed toward a view of the world through eyes of hope, resilience, courage, beauty, and joy. Music for this text flowed more easily than about any text I have ever set. It has an emotional connection that is mystical, and after I read it for the first time, I immediately sat down and wrote this work without stop.Rehearsal NotesIn many cases, art is more expressive and reaches a wider range of human emotions when multiple artistic fields are fused together. Such is the case with choral music: the intertwining of literature, music, and very often dance, visual arts, and more. The story in choral music is often quite specific, much like film scoring. At times, the music is the picture frame (score) around the picture (text), while at others the music is the leading dramatic/emotional impetus.In the present case (My Farewell Wish), the text is sincere, innocent, heartfelt, and earnest. By all accounts, the message is altruistic, expressing selfless desire for another's present/future happiness. Capturing this message has a strong reliance on the performers to not only carry the emotional intent of the moment (a phrase of text or a measure), but the the energy and continuance of the message throughout.The use of the [o] vowel functions almost as instrumental interludes or underpinning of strings. The conductor may use the [o] as indicated in the score, or a [u] vowel, a hum (with [o] as the vowel inside the mouth), or all three at different times for different reasons. In an acoustical performance (no mic), the soloist and the ensemble are a reflection of each other's natural sound. And, even gentle, warm solo voices should have no trouble projecting.Two final thoughts: 1) the obbligato or added voice or two on high passages (m. 66) or a single note (final chord) will be best delivered by lyrical, pure voices with demonstrated control; and 2) the metronome marking of 80 bpm (mm. 1–81) was strongly considered and should be followed.About the ComposerZ. Randall Stroope is an American composer and conductor. His composition teachers were Normand Lockwood and Cecil Effinger, both students of the Nadia Boulanger, the famous French teacher (and student of Gabriel FaureÌ). Randall is the artistic director of two international summer music festivals, is an Honorary Board Member of the NationalAssociation of Italian Choral Directors, and has conducted in 25 countries. He has directed over 40 times at Carnegie Hall, and is a frequent conductor at other prestigious concert venues. Randall has 190 published works, and his music can be heard on Spotify, YouTube and other platforms, including his website (www.zrstroope.com).
SKU: BT.HU-3372-250
Latin.
SKU: LM.VV282D
ISBN 9790231702507.
ATTAIGNANT P. : Branle et branle gay (p. 23, 1'09) - GRANADOS E. : Callejeo (p. 30, 1'33) - SAINT SAENS C. : La Cigale et la fourmi (p. 32, 1'56) - BELLINI V. : Arietta (p. 35, 2'22) - BEETHOVEN L. van : Theme sur La Flute enchantee (p. 42, 0'56) - BEETHOVEN L. van : Variation I sur La Flute enchantee (p. 43, 0'45) - ANONYME XVe : Ben venga maggio (Texte de A. Poliziano, p. 49, 1'59) - BRITTEN B. : Fishing song (p. 52, 2'22) - HOWARD B. : Fly me to the moon (p. 64, 5'44) - BONFA L. : La Chanson d'Orphee (I) (p. 89, 2'30) - BONFA L. : La Chanson d'Orphee (II) (p. 89, 3'23) - FAURE G. : Elegie (jusqu'a mes.22, p. 94, 3'14).
SKU: YM.GTW01097944
ISBN 9784636979442.
Flute scores for famous songs from J-Pop to classical music. This selection is perfect for concert programs, recitals, encores, and more. The impressive and beautiful sound of these arrangements will captivate the audience.
SKU: HL.50495909
PER VOCE E PIANOFORTE.
SKU: CA.260200
ISBN 9790007137243.
A many-faceted cross section of interesting works for men's choir from the Romantic era. - Contains works by Cornelius, Bortnjanskij, Faure, Hauptmann, Hiller, Spohr, Mendelssohn Bartholdy, Loewe, Rinck etc., many of whom in world's premiere editions. - This valuable, representative collection of works will enable choirs to rediscover pieces for performance which today are scarcely known. - The works range from easy to mid-level difficulty. - Genuine rarities: the collection contains music and texts of the highest quality which are no longer accessible in other editions. - In addition to choruses for three voices modeled on the works of the classic era (e.g., Spohr, Klein and Rinck), there are also easy to perform compositions scored for large ensembles.
SKU: CA.924200
ISBN 9790007244378. Key: G major. Language: French. Text: Leconte de Lisle, Charles.
SKU: VD.ED22799
ISBN 9790202047996. 11.69 x 8.27 inches.
SKU: YM.GTP01094463
ISBN 9784636944631.
20 easy arrangements of famous classical works. 20Shou Zhu Ming Gu Dian Zuo Pin De Chu Ji Nan Du Bian Pei Ban Ben . 1. Wild Rose/Schubert; 2. Lullaby/Schubert; 3. Trout/Schubert; 4. Ju te veux/Satie; 5. Prelude No.5/Chopin; 6. Grand Brilliant Waltz/Chopin; 7. First Movement from KV 331/Mozart; 8. Menuet in G/J. S. Bach; 9. Doll's Dream and Awakening/Oesten; 10. Jesu, Joy of Man's Desiring/J. S. Bach; 11. Ave Maria/Caccini; 12. Gymnopedie No.1/Satie; 13. Fantasy Impromptu/Chopin; 14. Spring from 4 Seasons/Vivaldi; 15. Polovetsian Dance/Borodin; 16. Swan from Carnival of Animals/Saint-Saens; 17. Eine Kleine Nachtmusik/Mozart; 18. Traumerei/Schumann; 19. Nocturne No.2/Chopin; 20. Siciliano/Faure 1. Ye Mei Gui /Shu Bo Te ; 2. Yao Lan Qu /Shu Bo Te ; 3. Zun Yu /Shu Bo Te ; 4. Wo Xu Yao Ni /Sa Di ; 5. Qian Zou Qu Di Wu Hao /Xiao Bang ; 6. Hua Li Yuan Wu Qu /Xiao Bang ; 7. First Movement from KV 331/Mo Zha Te ; 8. GDa Diao Xiao Bu Wu Qu /Ba He ; 9. Yang Wa Wa Zhi Meng /Ao Ye Si Dun ; 10. Ye Su , Ren Lei Xin Ling De Xi Wang /Ba He ; 11. Sheng Mu Ma Li Ya /Qia Qi Ni ; 12. Ji Nuo Pei Di 1Hao /Sa Di ; 13. Huan Xiang Ji Xing Qu /Xiao Bang ; 14. Chun Xuan Zi Si Ji /Wei Wa Er Di ; 15. Da Da Ren Wu Qu /Bao Luo Ding ; 16. Tian E Xuan Zi Dong Wu Kuang Huan Jie /Sheng Sang ; 17. Xian Le Xiao Ye Qu /Mo Zha Te ; 18. Meng Huan Qu /Shu Man ; 19. Ye Qu No.2/Xiao Bang ; 20. Xi Xi Li Wu Qu /Fu Lei.
SKU: VD.ED22800
ISBN 9790202048009. 11.69 x 8.27 inches.
SKU: FH.WS5
ISBN 978-1-55440-554-1.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata, HWV 373 - attr. George Frideric Handel, arr. Su Jeon- First Movement- Second MovementSonata in G minor - Henri Eccles, arr. Sigurd Rascher- First Movement- Second MovementSonata, TWV 41:G9 - Georg Philipp Telemann- First Movement- Second MovementMainly Original Repertoire for Saxophone:Nine Arias - Timothy Broege- 3. Aria senza accompagamento- 9. Aria fugataNigun - Srul Irving Glick Take Five - Paul Desmond, arr. Gary KellerBb Saxophone:Mainly Transcriptions:Sonata in D Major, op. 2, no. 5 (La chauvet) - Michel Blavet, arr. Jason Noble - First Movement- Second MovementSinfonia - Nicolo Porpora, arr. Paul Maynard- First Movement- Second MovementMainly Original Repertoire for Saxophone:Sicilienne, op. 78 - Gabriel FaureMarch - William SchmidtEb Saxophone or Bb Saxophone:Unaccompanied Repertoire:Petite Suite - Walter S. Hartley- Second Movement: Tango- Third Movement: ScherzoSix Exchanges - Lothar Klein- Third Movement- Fifth MovementFantasia no. 8 in E Minor, TWV 40:9 - Georg Philipp Telemann- Second Movement- Third MovementFantasia no. 4 in B flat Major, TWV 40:5 - Georg Philipp Telemann- Third Movement.
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