SKU: HL.49041963

ISBN 9783795751074. German.

Diese Schule richtet sich an Schuler und Lehrer, die eine aktuelle Rock- und Pop-Gitarrenschule im Anfangerbereich suchen. Der Autor hat eine Schule entwickelt, die nicht nur mit einer E-Gitarre, sondern ebenso mit einer Konzert- oder Westerngitarre spielbar ist. Jedem Band liegt eine CD bei, die neben E-Gitarren auch mit Konzert- und Westerngitarren eingespielt worden ist. Die CD ist fur die Schuler besonders interessant, weil sie die Lieder, Notenwerte, Rhythmen etc. auch zu Hause anhoren konnen - und dadurch den Spielstoff besser nachvollziehen. Die Titel sind vor allem zu Beginn sehr langsam, um dem Spieler ein Mitspielen zur CD zu gewahrleisten. Die nachfolgenden Lieder steigern sich im Tempo allmahlich. Die Rock & Pop Gitarrenschule lehnt sich im methodischen Aufbau an bewahrte klassische Schulen an. Die Schuler lernen in diesem Band verschiedene Rock- und Popstile und Spieltechniken kennen anhand von Songs wie: El Condor Pasa, Sailing, Lady In Black, I Just Called To Say I Love You, Freiheit.

SKU: HL.49033068

ISBN 9783795756000. 9.0x12.0x0.664 inches. German.

Whoever pursues piano playing as a hobby mostly focusses on two things: playing from music, with as wide a range of works from classical, pop and jazz music as possible, and playing without the book, i.e. the ability to accompany melodies with chords, play songs by ear and improvise freely. In this volume, both topics are dealt with thoroughly and systematically. Whereas most piano methods prefer either classical or popular music, both kinds of music are well-balanced herein.Clearly structured chapters cover a variety of interesting topics: the Baroque, Classical and Romantic eras, popular piano styles (e.g. ragtime, boogie, rock 'n' roll, pop ballad), the blues and the genres of opera, operetta and ballet.

SKU: MB.30780M

ISBN 9781513462714. 8.75 x 11.75 inches. Transcribed by Stefan Grossman.

This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Mossâ??s recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound â??rough and tumbleâ? but once you explore the intricacies of his playing you will discover a powerful blues guitarist.

REV. GARY DAVIS: Cincinnati Flow â?¢ Piece without Words â?¢ Children of Zion â?¢ Twelve Gates to The City

BO CARTER: Letâ??s Get Drunk Again â?¢ Nobodyâ??s Business â?¢ Honey â?¢ What You Want Your Daddy to Do

BUDDY MOSS: Oh Lordy Mama â?¢ Sleepless Night â?¢ Someday Baby (Iâ??ll Have Mine)

JOSH WHITE Crying Blues â?¢ Bad Depression Blues â?¢ High Brown Cheater â?¢ My Soul Is Gonna Live With God â?¢ Pure Religion Hallilu

LONNIE JOHNSON: Away Down In the Alley Blues â?¢ Stomping â??Em Along Slow â?¢ Blue Ghost Blues There Is No Justice â?¢ Helena Blues â?¢ Sittinâ?? On A Log â?¢ Corn Bread Blues

TOMMY McCLENNAN: Blues as I Can Be â?¢ Iâ??m Goinâ??, Donâ??t You Know â?¢ Love With a Feeling â?¢Â New Highway No.51 â?¢ Drop Down Mama

HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!!