SKU: GI.G-OC06

Classical. GIA Publications #OC06. Published by GIA Publications (GI.G-OC06).

The Chicago Symphony Brass & Alumni presents Giovanni Gabrieli Giovanni Gabrieli spent his early career in Bavaria working under the supreme master of Renaissance polyphony, Orlando di Lasso. Gabrieli's composition serviced political and religious events at St. Mark's Cathedral. The Basilica is known for placing distinct choruses in separate locations around the altar. Cori spezzati allows one group to echo the music played by another for a surround-sound effect.The present video recording was a live benefit concert for the Symphony of Oak Park and River Forest. Jay Friedman, Music Director, celebrated the retirement and career of Adolph Bud Herseth, principal trumpet of the Chicago Symphony for 53 years.

Composed by Giovanni Gabrieli (1553-1612). Arranged by David Marlatt. Brass Ensemble - Quintet; Masterworks; Part(s); Score. Eighth Note Publications. Baroque; Masterwork Arrangement; Renaissance. Published by Eighth Note Publications (AP.81-BQ15423).

By Giovanni Gabrieli (1553-1612). Arranged by David Marlatt. For Soprano, Alto, Tenor and Baritone Saxophones (SATB or AATB). Masterworks; Quartet; Woodwind - Saxophone Quartet. Eighth Note Publications. Baroque; Masterwork Arrangement; Renaissance. 20 pages. Published by Eighth Note Publications

Octet

SKU: BR.MR-1542

Composed by Giovanni Gabrieli. Edited by Robert P. Block. Chamber music; stapled. Musica Rara. Renaissance/early Baroque. Score and parts. 56 pages. Breitkopf and Haertel #MR 1542. Published by Breitkopf and Haertel (BR.MR-1542).

ISBN 9790004482353. 9 x 12 inches.

Hidden away in Gabrieli's Sacrae Symphoniae of 1597, among forty-five vocal compositions, lie sixteen works that make up one of the first great monuments of instrumental ensemble music; fourteen canzoni and two sonatas that surpass any of their genre at that time, and that were only rarely matched in the following decades, most often by Gabrieli himself. Gabrieli must be credited with many firsts in regard to the development of the canzona and sonata: he was the first to write for more than eight parts, and first to deploy his forces polychorally. He was first to contrast polyphonic and homophonic writing, and duple and triple meter, within the same piece, and was a pioneer in the use of tone colour - and specified instrumentation - for dramatic musical effect. Egon Kenton, in his Life and Works of Giovanni Gabrieli (American Institute of Musicology, 1967) sees as well the seeds of the concerto grosso and the solo concerto in Gabrieli's use of tutti and solo writing and his setting off of soloistic upper parts against frankly accompanimental lower parts. lt would not stretch the point to add that Gabrieli fleshed out his many innovations with musical materials of a high order, and that he handled his materials with consummate skill.

String Quartet

SKU: PR.154400180

Composed by Andrea Gabrieli. Edited by Hans David. Arranged by Hans Theodore David. Renaissance. Score and parts. With Standard notation. 28 pages. Theodore Presser Company #154-40018. Published by Theodore Presser Company (PR.154400180).

UPC: 680160642465. 9 x 12 inches.

Andrea Gabrieli was a major force in moving the classical music world toward the more modern Venetian school of the Renaissance. Called by Alfred Einstein One of the greatest and most influential masters of the Renaissance period, Gabrieli fully developed the use of choirs of voices and instruments, often in opposition to each other. David has selected three examples from a posthumous 1589 collection, advising that the four-part pieces were originally scored for viols but are here arranged for modern instruments. And while the arrangement will accommodate a number of players per part, single players would be more historically correct. As important as Andrea was to the Venetian School, his fame would be eclipsed by his nephew and student, Giovanni Gabrieli.

Ensemble

SKU: HL.48184941

Composed by Giovanni Gabrieli. Robert King. Softcover. 48 pages. Alphonse Leduc #AL28273. Published by Alphonse Leduc (HL.48184941).

UPC: 888680905750. 8.5x11.0x0.127 inches.

“Transcribed by popular brass arranger, Robert King, this edition of Giovanni Gabrieli's Canzon Primi Toni provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era, it is no secret that the composer leant himself primarily to vocal and sacred works. However, his Canzon Primi Toni, as part of the composer's Sacred Symphony, represents an important turn not only in the composer's career, but in musical history. Composed in 1597, this piece paved the way to what would soon become the new Baroque concerto style, which remains popular to this day. King's arrangement of this historical work is indispensable for Brass Ensembles. ”.

SKU: HL.48185043

Composed by Giovanni Gabrieli. Robert King. Classical. 12 pages. Alphonse Leduc #AL28382. Published by Alphonse Leduc (HL.48185043).

UPC: 888680880729. 8.0x11.0x0.148 inches.

“Transcribed by popular brass arranger, Robert King, this edition of Giovanni Gabrieli's Canzon septimi toni No. 1 provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era, it is no secret that the composer leaned himself primarily to vocal and sacred works. However, his Canzon septimi toni No. 1 represents an important turn, not only in the composer's career, but in musical history. Composed in 1597, this piece paved the way to what would soon become the new Baroque concerto style, which remains popular to this day. King's arrangement of this historical work is indispensable for Brass Ensembles. ”.

SSAATB choir, piano reduction - Intermediate

SKU: GI.G-8360

Composed by Giovanni Gabrieli. Edited by Dennis Shrock. GIA Historical Music. Music Education. Octavo. 8 pages. GIA Publications #8360. Published by GIA Publications (GI.G-8360).

UPC: 785147836001. Italian.

Giovanni Gabrieli's Se cantano gl'augelli comes from a collection of madrigals entitled Il trionfo di Dori. Each madrigal is scored for six voices and each ends with the text Viva la bella Dori (Long live fair Dori). This late sixteenth-century collection of madrigals enjoyed great success and was the model of the famous English collection of madrigals entitled, The Triumphes of Oriana. The GIA Historical Music Series edited by Dennis Shrock, presents repertoire suitable for performance by public school, college and university, church, and community ensembles, with the purpose of making available to today’s conductors lesser-known and previously difficult-to-procure historical masterpieces. The music, drawn from the Renaissance through the Romantic eras, is in performance editions based on the most current and rigorous scholarly research. The musical scores reflect original intent of notation, with all editorial markings and emendations clearly identified as such. In addition, preface material accompanying the music contains literal translations of foreign language texts and information regarding the lives of the composers, genres, and relevant performance practices. Dennis Shrock is Director of Choral Activities at Texas Christian University. He has been called one of the top choral scholars in the United States and has received a number of awards for his work. He received a bachelor's degree in music education from Westminster Choir College and both master's and doctoral degrees in choral conducting from Indiana University. .

(Brass Ensemble)

SKU: HL.48184964

Composed by Giovanni Gabrieli. Robert King. Classical. 20 pages. Alphonse Leduc #AL28298. Published by Alphonse Leduc (HL.48184964).

UPC: 888680881801. 8.5x11.0x0.064 inches.

Transcribed by popular brass arranger, Robert King, this edition of Giovanni Gabrieli's Canzona per Sonare No. 1 from Canzoni per sonare con ogni sorte di stromenti provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era, it is no secret that the composer leant himself primarily to vocal and sacred works. However, his Canzona per Sonare No. 1 represents an important turn, not only in the composer's career, but in musical history. Composed in 1608, this piece helped pave the way to what would soon become the new Baroque concerto style, which remains popular to this day. King's arrangement of this historical work is indispensible for Brass Ensembles. .

Brass Quartet

SKU: HL.48184911

Composed by Giovanni Gabrieli. Robert King. Classical. 8 pages. Alphonse Leduc #AL28243. Published by Alphonse Leduc (HL.48184911).

UPC: 888680788490. 8.5x11.0x0.065 inches.

Transcribed by popular brass arranger, Robert King, this edition of Giovanni Gabrieli's Canzona per Sonare No. 2 from Canzoni per sonare con ogni sorte di stromenti provides an exciting performance piece for a large brass ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era, it is no secret that the composer leaned himself primarily to vocal and sacred works. However, his Canzona per Sonare No. 2 represents an important turn, not only in the composer's career, but in musical history. Composed in 1608, this piece helped pave the way to what would soon become the new Baroque concerto style, which remains popular to this day. King's arrangement of this historical work is indispensable for Brass Ensembles.