SKU: GI.G-10000

This edition: Pew edition. Sacred. GIA Publications #10000. Published by GIA Publications (GI.G-10000).

The pew edition without readings contains the melody line and texts for every musical item in the hymnal and includes the Order of Mass, the Rites of the Church, and forms of daily prayer for praying the Divine Office.   Gather, Fourth Edition has been intentionally designed to be GIA’s most representative and relevant Catholic hymnal to date.    The musical contents represent the contemporary Catholic church, featuring a culturally diverse roster of composers and a wider breadth of musical styles.   Gather, Fourth Edition is also designed to work seamlessly with various digital assets, making it accessible and relevant in our technology-based world. It is the first hardbound GIA hymnal to be fully coordinated for use with OneLicense, GIA’s Hymnals App, and the new GIA Choral Cloud Subscription.

SKU: GI.G-10000LS

This edition: Lead Sheet edition. Sacred. 1658 pages. GIA Publications #10000LS. Published by GIA Publications (GI.G-10000LS).

The lead sheet edition comes in three volumes and contains melody and chords only. They are, for the most part, contained on two facing pages, making this edition ideal for guitarists, bass players, percussionists, and pianists who want to cut down on page turns.   Gather, Fourth Edition has been intentionally designed to be GIA’s most representative and relevant Catholic hymnal to date.    The musical contents represent the contemporary Catholic church, featuring a culturally diverse roster of composers and a wider breadth of musical styles.   Gather, Fourth Edition is also designed to work seamlessly with various digital assets, making it accessible and relevant in our technology-based world. It is the first hardbound GIA hymnal to be fully coordinated for use with OneLicense, GIA’s Hymnals App, and the new GIA Choral Cloud Subscription.

by Madeline MacNeil. For mountain dulcimer. Gospel-old time, sacred. Level: Beg-Intermediate. Book. Solos. Size 8.75x11.75. 56 pages. Published by Mel Bay Pub.,

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

SKU: GI.G-007462

Composed by Paul Tate. Sacred. GIA Publications #007462. Published by GIA Publications (GI.G-007462).

UPC: 641151074627. English.

Includes 15 pieces ideal for teens and young adults. Five titles available in octavo format: Come! Let Us Sing Out Our Praise, Gathered as One, May We and God Be One, Show Us the Way, and The Love of God. Music Book, in lead sheet format, also includes page of chord diagrams for guitarists.

SKU: GI.G-9596

Organ Music Based on Hymn Tunes. Tune Name: Aberystwyth, Ash Grove, Aurelia, Erhalt Uns Herr, Festal Song, Hanson Place, Hyfrydol, Italian Hymn, Kas Dziedaja, Kingsfold, Lauda Anima, Laudate Dominum, Leoni, Lourdes Hymn, Nun Danket, Pleading Savior, Sine Nomine, Slane, Southwell, St. Cle. Sacred. 120 pages. GIA Publications #9596. Published by GIA Publications (GI.G-9596).

UPC: 785147959663.

This third installment in the Gathered to Worship organ series, has 25 new titles arranged by some of today’s finest composers of organ music. This volume contains classic hymn tunes—many composed in the nineteenth century—and also a good sampling of folk melodies. From the setting of laudate dominum in a Baroque style, to the contemplative meditation on southwell, to the energetic fanfare of lauda anima, and triumphant toccata on thaxted, this collection and its preceding volumes are essential for the library of every church organist!

(Three Volumes). For guitar. Hymnal. Gather. Sacred. Book. Published by GIA Publications

Grade 3

SKU: CL.026-4912-00

Hymn Of Thanksgiving. Composed by Kremser. Arranged by Stanton. Concert Band. Score and set of parts. C.L. Barnhouse #026-4912-00. Published by C.L. Barnhouse (CL.026-4912-00).

The famous Dutch hymn We Gather Together is scored for small bands with limited instrumentation, but will sound great with bands of all sizes! Dedicated to the Frontline Responders and Essential Workers who keep us safe, this is the perfect welcome back piece for both the band and your returning audience. With Build-A-Band scoring, you get to create unique sounds using the strengths of your instrumentation, and by following the suggested flexible interplay between sections. This beautiful arrangement includes optional vocal parts for performers and/or audience. Piano, bass, guitar and percussion can strengthen your sound as well. Flexible works wonders, and it’s perfect for distance learning situations!

By John Parker, Deborah Govenor. (SATB). Brookfield Christmas Choral. Sacred. Size 6.75x10.5 inches. 8 pages. Published by Brookfield Press.

Grade 2

SKU: CL.032-4788-00

Composed by Jr. Vuono. Jazz Ensemble. Score and set of parts. C.L. Barnhouse #032-4788-00. Published by C.L. Barnhouse (CL.032-4788-00).

This happy, joyous medium-tempo gospel swing with a truly sunny disposition takes the listener in immediately and just does not let go! An animated full-ensemble introduction leads the way to the sun-beamy, chirrupy melody, at first presented by trumpet and alto over a stop-time rhythm section. The entire sax section takes the melody next, while the brass offer uplifting commentary by way of stop-time chords. Plunger-muted trumpet is featured at the solo section, with inspiring backgrounds from the ensemble; this section may be repeated as desired to feature additional solos. Some deft linear writing follows the solo section, providing exciting dialog throughout the ensemble before leading up to an intriguing and effective pyramid that leaps forward into the stirring shout chorus. A clever tag alights on the ending plagal cadence, offering a place for the plunger-muted Trumpet to shine above the final chord. Gather ‘Round is sure to bring a smile, and destined to be a mainstay!

SATB choir with optional rhythm & brass

SKU: HP.GC861RB

Composed by Stan Pethel. Piano with Optional Rhythm & Brass. General Worship, Service Music, Adoration & Praise, Sacred. Brass & Rhythm Parts. Hope Publishing Company #GC861RB. Published by Hope Publishing Company (HP.GC861RB).

UPC: 763628247393.

Original composition
Stan Pethel's well-known original composition, Gather the People, is one of our best-selling SATB anthems. A real high energy call to worship for the choir or Worship Team.

Arranged by Russell L. Robinson. Daybreak Choral Series. A Cappella, General Worship. Octavo. 8 pages. Duration 195 seconds. Published by Daybreak Music

SKU: GI.G-CD-1035

Composed by Ephrem Feeley. Sacred. CD. GIA Publications #1035. Published by GIA Publications (GI.G-CD-1035).

UPC: 680569867957.

Irish composer Ephrem Feeley released this collection a few short years ago in Ireland.We liked it so much that we wanted to bring it to US for use by choirs and congregations. Here in Christ We Gather contains hymnody, psalmody, verse-refrain songs, Communion processions and more.  Many of the keyboard parts are suitable for piano and organ, and a wide variety of instruments are included to enrich the congregational and choral parts.  .