| Tochter Zion - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-0950646-2...(+)
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-0950646-216 Composed by George Frideric Handel. Arranged by Jan de Haan. Musica Sacra. Concert Piece. Score Only. Composed 1995. De Haske Publications #DHP 0950646-216. Published by De Haske Publications (BT.DHP-0950646-216). Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel’s music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).
Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Händel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeër gebaseerde heldenepos werd door Händel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De première van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Händels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).
Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der berühmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Händel. Dieses Werk - das im gefälligen, üppig barocken Stil, der für Händels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenössische niederländische Komponist Jan de Haan für Blechbläserquartett und Orgel.
Tochter Zion ( Toi la gloire) est le plus célèbre chœur de l’oratorio Judas Macchabée de Georg Friedrich Haendel (1685-1759). La création de cette œuvre patriotique a eu lieu sous la direction du compositeur. Écrite dans le style baroque, elle déploie toute la richesse et la subtilité de la musique d’Haendel. Judas Macchabée est couronné de succès. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Tochter Zion Concert band - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0950646-015 Comp...(+)
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0950646-015 Composed by George Frideric Handel. Arranged by Jan de Haan. Musica Sacra. Concert Piece. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950646-015. Published by De Haske Publications (BT.DHP-0950646-015). Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel’s music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).
Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Händel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeër gebaseerde heldenepos werd door Händel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De première van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Händels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).
Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der berühmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Händel. Dieses Werk - das im gefälligen, üppig barocken Stil, der für Händels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenössische niederländische Komponist Jan de Haan für Blechbläserquartett und Orgel.
Tochter Zion ( Toi la gloire) est le plus célèbre chœur de l’oratorio Judas Macchabée de Georg Friedrich Haendel (1685-1759). La création de cette œuvre patriotique a eu lieu sous la direction du compositeur. Écrite dans le style baroque, elle déploie toute la richesse et la subtilité de la musique d’Haendel. Judas Macchabée est couronné de succès. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Chorus and March Concert band Anglo Music
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-039-140 See, the Conquer...(+)
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-039-140 See, the Conquering Hero Comes!' from Judas Mac. Composed by George Frideric Handel. Arranged by Philip Sparke. Debut Series (Anglo). Hymns & Chorals. Score Only. Composed 2003. 20 pages. Anglo Music Press #AMP 039-140. Published by Anglo Music Press (BT.AMP-039-140). Handel’s oratorio Judas Maccabaeus was composed in a period of not much more than a month in 1746. As with the famous Messiah, use was made of previously composed material and indeed See, the Conquering Hero Comes! was grafted from another oratorio about Joshua. This arrangement of See the conquering Hero Comes will bring a great sense of ceremony to any concert.
Chorus and March is een bewerking van See, the Conquering Hero Comes uit het oratorium Judas Maccabaeus, waarmee voor Händel in 1746 het grote succes kwam. Philip Sparke schreef een meesterwerkwaardige bewerkingvoor harmonieorkest.
Chorus and March ist eine Bearbeitung von See, the Conquering Hero Comes ('Seht, der siegreiche Held kommt') aus Georg Friedrich Händels Oratorium Judas Maccabaeus, das dieser im Jahre 1746 in weniger als einem Monat komponierte. Das Oratorium handelt von Judas Makkabäus, der gemäß der jüdischen Überlieferung siegreich gegen die heidnischen Feinde kämpfte. Philip Sparke verfasste eine dem großen Meisterkomponisten würdige Bearbeitung für Blasorchester.
Chorus and March est basé sur le célèbre air See, the Conquering Hero comes! ( toi la Gloire !) extrait de l’oratorio Judas Macchabée composé en 1746, en un peu moins d’un mois. Ce nouvel oratorio relate les exploits de Judas Macchabée, un héros de l’histoire sacrée juive qui a mené des combats victorieux contre les ennemis pa ens. Philip Sparke en a réalisé une version pour Orchestre d'Harmonie (Conducteur seul) digne de la création originale du grand maître de la musique baroque. $17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chorus and March Concert band Anglo Music
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-039-010 See, the Conquer...(+)
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-039-010 See, the Conquering Hero Comes!' from Judas Mac. Composed by George Frideric Handel. Arranged by Philip Sparke. Debut Series (Anglo). Hymns & Chorals. Set (Score & Parts). Composed 2003. Anglo Music Press #AMP 039-010. Published by Anglo Music Press (BT.AMP-039-010). Handel’s oratorio Judas Maccabaeus was composed in a period of not much more than a month in 1746. As with the famous Messiah, use was made of previously composed material and indeed See, the Conquering Hero Comes! was grafted from another oratorio about Joshua. This arrangement of See the conquering Hero Comes will bring a great sense of ceremony to any concert.
Chorus and March is een bewerking van See, the Conquering Hero Comes uit het oratorium Judas Maccabaeus, waarmee voor Händel in 1746 het grote succes kwam. Philip Sparke schreef een meesterwerkwaardige bewerkingvoor harmonieorkest.
Chorus and March ist eine Bearbeitung von See, the Conquering Hero Comes ('Seht, der siegreiche Held kommt') aus Georg Friedrich Händels Oratorium Judas Maccabaeus, das dieser im Jahre 1746 in weniger als einem Monat komponierte. Das Oratorium handelt von Judas Makkabäus, der gemäß der jüdischen Überlieferung siegreich gegen die heidnischen Feinde kämpfte. Philip Sparke verfasste eine dem großen Meisterkomponisten würdige Bearbeitung für Blasorchester.
Chorus and March est basé sur le célèbre air See, the Conquering Hero comes! ( toi la Gloire !) extrait de l’oratorio Judas Macchabée composé en 1746, en un peu moins d’un mois. Ce nouvel oratorio relate les exploits de Judas Macchabée, un héros de l’histoire sacrée juive qui a mené des combats victorieux contre les ennemis pa ens. Philip Sparke en a réalisé une version pour Orchestre d’Harmonie digne de la création originale du grand maître de la musique baroque. $95.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Viola Technique Viola The Frederick Harris Music Company
Viola - Preparatory-Advanced SKU: FH.VAT Viola Series, 2013 Edition(+)
Viola - Preparatory-Advanced SKU: FH.VAT Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book. The Frederick Harris Music Company #VAT. Published by The Frederick Harris Music Company (FH.VAT). ISBN 978-1-55440-573-2. This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. This thoughtful progression of scales and arpeggios will encourage agility, accuracy, and intonation from the Preparatory Level through Level 10 in one complete volume. Each technical exercise builds on skills from the previous level and provides a continual challenge from students throughout their course of study. Legato Pieces in a Slower Tempo: Grant Us Peace (Dona nobis pacem) - Anonymous arr. Jason Gray Waltz (from The Merry Widow) - Lehar, Franz arr. Janice Tucker Rhoda Bring a Torch, Jeannette, Isabella! (Un flambeau, Jeannette, Isabelle!) - French carol arr. Christine Donkin Largo (from Symphony No. 9 [New World]) - Dvorak, Antonin arr. Jason Noble L'elephant (The Elephant) - Saint-Saens, Camille arr. Jason Gray Spy Movie - Blackwell, David and Kathy Blackwell Sakura (Cherry Blossoms) - Japanese folk song arr. Stephen Chatman Text a Message - Lumsden, Caroline and Ben Attwood The Ash Grove (Llynn Onn) - Welsh folk song arr. Forrest Kinney Energetic Pieces in a Faster Tempo Menuet II (from Music for the Royal Fireworks, HWV 351) - Handel, George Frideric arr. Jason Noble Li'l Liza Jane - American folk song arr. Forrest Kinney The King's March, T 432 - Clarke, Jeremiah arr. Jason Noble Now Is the Month of Maying - Morley, Thomas arr. Christine Donkin Lannigan's Ball - Irish jig arr. Christine Donkin Caterpillar! Caterpillar! - Russian folk song arr. Akiko Kinney Brazilian Breeze - Birston, Harold Dantz - Peuerl, Paul arr. Jason Gray Turkey in the Straw - American minstrel song arr. Forrest Kinney German Dance, K 600 - Mozart, Wolfgang Amadeus arr. Jason Noble Spider Dance - Cowles, Colin Mango Walk - Jamaican folk song arr. Christine Donkin. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cello Repertoire Level 1 Cello The Frederick Harris Music Company
Cello - Elementary SKU: FH.VC1 Cello Series, 2013 Edition. Compose...(+)
Cello - Elementary SKU: FH.VC1 Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC1. Published by The Frederick Harris Music Company (FH.VC1). ISBN 978-1-55440-537-4. This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique. Baroque and Classical Repertoire: Menuet and Trio, W.O 10, no. 3 - Beethoven, Ludwig van arr. Watson Forbes Rondeau (from The Fairy Queen) - Purcell, Henry arr. Watson Forbes Sarabande - Handel, George Frideric arr. Jason Noble Andante grazioso - Mozart, Wolfgang Amadeus arr. Jason Gray Hornpipe a l'Inglese - Galliard, John Ernest arr. Christine Donkin Vittoria, mio core! - Carissimi, Giacomo arr. Christine Donkin Traditional and Romantic Repertoire: Tambourin - Rameau, Jean-Philippe arr. Christine Donkin All the Pretty Little Horses - American lullaby arr. Jason Gray Barbara Allen - British folk song arr. Forrest Kinney Simple Gifts - Brackett, Joseph Jr. arr. Forrest Kinney March (from The Nutcracker) - Tchaikovsky, Pyotr Il'yich arr. Jason Noble Londonderry Air - Irish folk song arr. Forrest Kinney Repertoire Composed After ca 1930: A Little Child's Dance - Konicek, Zdenek ...I Say Ca-rib-'be-an - Birston, Harold Sonata da camera - Matz, Rudolf - First Movement: Adagio - Fourth Movement: Allegro vivace Grab the Slippery Toad! - Lumsden, Caroline and Ben Attwood Hungarian Stomp - Wedgwood, Pam Budapesto - Cheney, Carey Wild West - Blackwell, David and Kathy Blackwell Livi's Blues - Cheney, Elliott W. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Viola Repertoire 4 Viola - Easy The Frederick Harris Music Company
Viola - Early Intermediate SKU: FH.VA4 Viola Series, 2013 Edition....(+)
Viola - Early Intermediate SKU: FH.VA4 Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA4. Published by The Frederick Harris Music Company (FH.VA4). ISBN 978-1-55440-566-4. This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler. Concertos, Concertinos, Airs Varies, and Fantasias: Concerto in G Major, TWV 51:G9 - Telemann, Georg Philipp - First Movement - Second Movement Concertino in D Minor, op. 81 - Beer, Leopold J. - Third Movement: Rondo Air varie on a Theme by Rossini, op. 89, no. 2 - Dancla, Charles The Boy Paganini: Fantasia - Mollenhauer, Eduard Sonatas and Sonatinas: Sonata in A Minor, op. 2, no. 9 - Valentine, Robert arr. Harold Birston Sonata in C Major - attr. Handel, George Frideric - First Movement - Second Movement Sonatina in D Minor, WoO 43a - Beethoven, Ludwig van Concert Repertoire: Berceuse - Bridge, Frank Catch Me if You Can! - Donkin, Christine L'Americaine - Marais, Marin arr. Marcelle Soulage Orientale, op. 50, no. 9 - Cui, Cesar Elfentanz - Jenkinson, Ezra Interlude, op. 19, no. 2 - Chausson, Ernest. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cello Repertoire Level 3 Cello - Easy The Frederick Harris Music Company
Cello - Early Intermediate SKU: FH.VC3 Cello Series, 2013 Edition....(+)
Cello - Early Intermediate SKU: FH.VC3 Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC3. Published by The Frederick Harris Music Company (FH.VC3). ISBN 978-1-55440-539-8. This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique. Baroque and Classical Repertoire: Trio Sonata in D Minor (La Follia), RV 63 - Vivaldi, Antonio arr. arpad Pejtsik Sonata in F Major, TWV 41:F2 - Telemann, Georg Philipp arr. Kathleen Wood - First Movement Sonata in D Major, HWV 371 - Handel, George Frideric - Third Movement Suite No. 3 - Caix d'Hervelois, Louis de arr. L.-R. Feuillard - Eleventh Movement: Musette (La Brantes) Ave Verum Corpus (Hail, True Body), K 618 - Mozart, Wolfgang Amadeus arr. Jason Gray Concertino No. 5 in D Major - Breval, Jean-Baptiste arr. Pierre Ruyssen - First Movement Traditional and Romantic Repertoire: Norweigian Dance, op. 35, no. 2 - Grieg, Edvard arr. Christine Donkin Prelude in B Minor, op. 28, no. 6 - Chopin, Frederic arr. Jason Noble El cant dels ocells (Song of the Birds) - Catalan Christmas carol arr. Jason Gray On Wings of Song, op. 34, no. 2 - Mendelssohn, Felix L'elephant (The Elephant) - Saint-Saens, Camille Standchen (Serenade), D 957, no. 4 - Schubert, Franz Repertoire Composed After ca 1930 My Blue 'Cello - Gout, Alan Rondo - Matz, Rudolf Just Passing By - Wedgwood, Pam Fuego Espanol! (Spanish Fire!) - Birston, Harold Minuet, op. 19, no. 3 - Squire, William Henry Langsam (Slowly) - Hindemith, Paul. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Riccardo primo, Re dInghilterra / Richard der Erste, Konig von England HWV 23 Barenreiter
2 alto voice solos, 2 soprano voice solos, 2 bass voice solos, orchestra (2 Alto...(+)
2 alto voice solos, 2 soprano voice solos, 2 bass voice solos, orchestra (2 Alto Voice Solos, 2 soprano voice solos, 2 bass voice solos, Orchestra) SKU: BA.BA04081 Opera in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II Band 20. Complete edition, Score. HWV 23. Duration 3 hours. Baerenreiter Verlag #BA04081_00. Published by Baerenreiter Verlag (BA.BA04081). ISBN 9790006497782. 33 x 25.8 cm inches. In his libretto for “ Riccardo primo”, Paolo Rolli drew on Antonio Lotti’s opera “ Isacio tiranno ” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles, for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni . He had already written the operas “Alessandro” and “ Admeto ” for them. He began composing “ Riccardo ” in spring 1727, completing the first version on 16 May. However, following the death of King George I on 11 June 1727, the theatres remained closed. For Handel, who had become a British citizen in February 1727, the accession of George II to the throne offered new possibilities, and he embarked on a revision of the opera. With this, he was able to offer a new opera for the coronation festivities, the hero of which was one of King George’s charismatic forebears. From May onwards, Handel thoroughly revised the present score, wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy. The historic background is the third crusade against Saladin, the Sultan of Egypt and Syria , who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land, the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion‹’ by the English for his great military ability and bravery, although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina . The vocal score is based on the Halle Handel Edition volume published in 2005, edited by Terence Best, and contains the second version of the opera which was premiered in November 1727.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$608.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For Unto Us a Child Is Born Piano solo Novello & Co Ltd.
Continuo (Piano) SKU: HL.267695 Continuo Part. Composed by Georg F...(+)
Continuo (Piano) SKU: HL.267695 Continuo Part. Composed by Georg Frederick Handel. Music Sales America. Baroque, Classical. Softcover. 8 pages. Novello & Co Ltd. #NOV29692308. Published by Novello & Co Ltd. (HL.267695). The magnificent interweaving of harmonies and dialogue-like Voices in Handel s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born, British Baroque composer George Frideric Handel originally composed this piece in 1741, for the English-language oratorio Messiah, which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio, which addresses Isaiah's specific prophecy about the virgin birth of a Messiah, For Unto Us A Child Is Born tells the news of Christmas, the birth of a son, in Isaiah s words as found in the Scripture (Isaiah 9:6). The delicate, familiar theme is introduced by the Sopranos and taken up by their counter-voices, the Tenors, later the same dialog is given over to the Altos and Basses. The tutti culminates in Wonderful, Counselor, The Mighty God, The Everlasting Father and The Prince of Peace. $4.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto a due cori [Study Score / Miniature] Barenreiter
Konzert fur 2 Blaserchore und Streicher. Urtext der Hallischen Handel-Ausgabe. B...(+)
Konzert fur 2 Blaserchore und Streicher. Urtext der Hallischen Handel-Ausgabe. By George Frideric Handel. Edited by Frederick Hudson. Baerenreiter Studienpartituren - Study scores. Study Score; Urtext Edition. HWV 332. Published by Baerenreiter-Taschenpartituren (German import).
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerti a due cori Orchestra Barenreiter
5 Konzerte, Anhang. Composed by George Frideric Handel (1685-1759). Edite...(+)
5 Konzerte, Anhang. Composed by George Frideric Handel (1685-1759). Edited by Frederick Hudson. This edition: complete edition, urtext edition. Linen. Halle Handel Edition. Series IV, Volume 16. Score, anthology. Published by Baerenreiter Verlag (BA.BA4037).
$348.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lascia ch'io pianga (Let Me Weep) Brass ensemble - Easy De Haske Publications
Brass Band - Grade 2 SKU: BT.DHP-1043545-030 From the opera Rinaldo va...(+)
Brass Band - Grade 2 SKU: BT.DHP-1043545-030 From the opera Rinaldo van Georg Friedrich Händel. Composed by George Frideric Handel. Arranged by Jacob De Haan. Your Favorite Classics. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043545-030. Published by De Haske Publications (BT.DHP-1043545-030). Let Me Weep (‘Lascia ch’io pianga’) is an aria from Handel’s opera ‘Rinaldo’. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original.
Lascia ch’io pianga (Let Me Weep) is een aria uit de opera Rinaldo. Aaron Hill schreef het scenario, waarna Giacomo Rossi de poëtische teksten schreef. Georg Friedrich Händel voorzag deze later van muziek. Hij zou demuziek in veertien dagen hebben gecomponeerd en veel melodieën uit eerdere werken hebben gebruikt. In 1711 werd Rinaldo voor het eerst uitgevoerd. De melodie van deze prachtige aria is wereldwijd bekend en komt uitstekendtot haar recht in dit arrangement van Jacob de Haan.
Let Me Weep - im Original Laschia ch’io pianga - stammt aus der Oper Rinaldo, deren Musik Georg Friedrich Händel angeblich in weniger als vierzehn Tagen geschrieben hat! Er verwendete für diese märchenhafte Oper viele Melodien aus älteren Werken. Die Melodie dieser prächtigen Arie ist weltweit bekannt und beliebt - so ist mit Jacob de Haans hervorragender Bearbeitung für Brass Band ein Publikumserfolg garantiert!
Lascia ch’io pianga est un air extrait de Rinaldo, premier opéra londonien de Georg Friedrich Haendel sur un livret de Giacomo Rossi d’après un scénario d’Aaron Hill. Quinze jours de travail suffirent Haendel pour achever la partition. Le résultat est en réalité une vaste adaptation de plusieurs œuvres antérieures. Rinaldo a été créé Londres en 1711. Les décors féeriques et chevaleresques étaient éblouissants pour l’époque, et c’est sans doute pour cela que l’œuvre fut plébiscitée par le public.Dans le merveilleux jardin du palais enchanté d’Armide (l’alliée d’Argante, le rival de Rinaldo), Almirène (la promise de Rinaldo) pleure sa captivité dansson air Lascia ch’io pianga, l’un des plus beaux qu’Haendel ait écrits. Cette sublime mélodie, célèbre dans le monde entier, a été arrangée avec finesse et justesse par Jacob de Haan. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lascia ch'io pianga (Let Me Weep) Brass ensemble - Easy De Haske Publications
Brass Band - Grade 2 SKU: BT.DHP-1043545-130 From the opera Rinaldo va...(+)
Brass Band - Grade 2 SKU: BT.DHP-1043545-130 From the opera Rinaldo van Georg Friedrich Händel. Composed by George Frideric Handel. Arranged by Jacob De Haan. Your Favorite Classics. Score Only. Composed 2004. De Haske Publications #DHP 1043545-130. Published by De Haske Publications (BT.DHP-1043545-130). Let Me Weep (‘Lascia ch’io pianga’) is an aria from Handel’s opera ‘Rinaldo’. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original.
Lascia ch’io pianga (Let Me Weep) is een aria uit de opera Rinaldo. Aaron Hill schreef het scenario, waarna Giacomo Rossi de poëtische teksten schreef. Georg Friedrich Händel voorzag deze later van muziek. Hij zou demuziek in veertien dagen hebben gecomponeerd en veel melodieën uit eerdere werken hebben gebruikt. In 1711 werd Rinaldo voor het eerst uitgevoerd. De melodie van deze prachtige aria is wereldwijd bekend en komt uitstekendtot haar recht in dit arrangement van Jacob de Haan.
Let Me Weep - im Original Laschia ch’io pianga - stammt aus der Oper Rinaldo, deren Musik Georg Friedrich Händel angeblich in weniger als vierzehn Tagen geschrieben hat! Er verwendete für diese märchenhafte Oper viele Melodien aus älteren Werken. Die Melodie dieser prächtigen Arie ist weltweit bekannt und beliebt - so ist mit Jacob de Haans hervorragender Bearbeitung für Brass Band ein Publikumserfolg garantiert!
Lascia ch’io pianga est un air extrait de Rinaldo, premier opéra londonien de Georg Friedrich Haendel sur un livret de Giacomo Rossi d’après un scénario d’Aaron Hill. Quinze jours de travail suffirent Haendel pour achever la partition. Le résultat est en réalité une vaste adaptation de plusieurs œuvres antérieures. Rinaldo a été créé Londres en 1711. Les décors féeriques et chevaleresques étaient éblouissants pour l’époque, et c’est sans doute pour cela que l’œuvre fut plébiscitée par le public.Dans le merveilleux jardin du palais enchanté d’Armide (l’alliée d’Argante, le rival de Rinaldo), Almirène (la promise de Rinaldo) pleure sa captivité dansson air Lascia ch’io pianga, l’un des plus beaux qu’Haendel ait écrits. Cette sublime mélodie, célèbre dans le monde entier, a été arrangée avec finesse et justesse par Jacob de Haan. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hallelujah! Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1013065-010 Composed by Georg...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1013065-010 Composed by George Frideric Handel. Arranged by Takashi Hoshide. New Sounds for Concert Band. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1013065-010. Published by De Haske Publications (BT.DHP-1013065-010). Hallelujah! begins with the exalted sounds of the original, but… then it changes into the lively arrangement by Naohiro Iwai - swinging musical fireworks. The modern twist to this religious classic means it now well suited for use in more than just than church services.
Een verrassende uitvoering van het bekende Hallelujah Chorus uit het beroemde oratorium Messiah van Georg Friedrich Händel. Verras uw publiek met een moderne bewerking van deze klassieker in bigband stijl.
So haben sie den bekannten Hallelujah Chorus aus Georg Friedrich Händels Messiah noch nie gehört oder gespielt: Überraschen Sie Ihr Publikum mit einer modernen Bearbeitung des Klassikers im Big-Band-Stil! Chorstimmen für gemischten Chor sind separat erhältlich.
Alors que tout ce qu'il entreprenait semblait voué l'échec, Haendel compose dans une période plus que difficile, un chef d'œuvre de la musique : Le Messie, un oratorio dans la plus pure tradition de la Passion allemande et de la cantate sacrée. L’Alléluia est le mouvement final de la deuxième partie du Messie. Takashi Hoshide reprend cette célèbre page musicale dans un traitement enthousiaste, dynamique, aux inflexions de swing. Cet arrangement peut également être interprété avec un Chœur Mixte trois voix (SAT - Set chœur vendu séparément - DHP 1013065-050). $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hallelujah! - Intermediate/advanced De Haske Publications
SAT - Grade 4 SKU: BT.DHP-1013065-250 Composed by George Frideric Handel....(+)
SAT - Grade 4 SKU: BT.DHP-1013065-250 Composed by George Frideric Handel. Arranged by Takashi Hoshide. New Sounds for Concert Band. Choral Score. Composed 2001. De Haske Publications #DHP 1013065-250. Published by De Haske Publications (BT.DHP-1013065-250). English. Hallelujah! begins with the exalted sounds of the original, but… then it changes into the lively arrangement by Naohiro Iwai - swinging musical fireworks. The modern twist to this religious classic means it now well suited for use in more than just than church services.
Een verrassende uitvoering van het bekende Hallelujah Chorus uit het beroemde oratorium Messiah van Georg Friedrich Händel. Verras uw publiek met een moderne bewerking van deze klassieker in bigband stijl.
So haben sie den bekannten Hallelujah Chorus aus Georg Friedrich Händels Messiah noch nie gehört oder gespielt: Überraschen Sie Ihr Publikum mit einer modernen Bearbeitung des Klassikers im Big-Band-Stil! Chorstimmen für gemischten Chor sind separat erhältlich.
Alors que tout ce qu'il entreprenait semblait voué l'échec, Haendel compose dans une période plus que difficile, un chef d'œuvre de la musique : Le Messie, un oratorio dans la plus pure tradition de la Passion allemande et de la cantate sacrée. L’Alléluia est le mouvement final de la deuxième partie du Messie. Takashi Hoshide reprend cette célèbre page musicale dans un traitement enthousiaste, dynamique, aux inflexions de swing. Cet arrangement peut également être interprété avec un Chœur Mixte trois voix (SAT - Set chœur vendu séparément - DHP 1013065-050). $4.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hallelujah! Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1013065-140 Composed by Georg...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1013065-140 Composed by George Frideric Handel. Arranged by Takashi Hoshide. New Sounds for Concert Band. Score Only. Composed 2001. De Haske Publications #DHP 1013065-140. Published by De Haske Publications (BT.DHP-1013065-140). Een verrassende uitvoering van het bekende Hallelujah Chorus uit het beroemde oratorium Messiah van Georg Friedrich Händel. Verras uw publiek met een moderne bewerking van deze klassieker in bigband stijl.
So haben sie den bekannten Hallelujah Chorus aus Georg Friedrich Händels Messiah noch nie gehört oder gespielt: Überraschen Sie Ihr Publikum mit einer modernen Bearbeitung des Klassikers im Big-Band-Stil! Chorstimmen für gemischten Chor sind separat erhältlich.
Alors que tout ce qu'il entreprenait semblait voué l'échec, Haendel compose dans une période plus que difficile, un chef d'œuvre de la musique : Le Messie, un oratorio dans la plus pure tradition de la Passion allemande et de la cantate sacrée. L’Alléluia est le mouvement final de la deuxième partie du Messie. Takashi Hoshide reprend cette célèbre page musicale dans un traitement enthousiaste, dynamique, aux inflexions de swing. Cet arrangement peut également être interprété avec un Chœur Mixte trois voix (SAT - Set chœur vendu séparément - DHP 1013065-050). $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hallelujah! - Intermediate/advanced De Haske Publications
SAT - Grade 4 SKU: BT.DHP-1013065-050 Composed by George Frideric Handel....(+)
SAT - Grade 4 SKU: BT.DHP-1013065-050 Composed by George Frideric Handel. Arranged by Takashi Hoshide. New Sounds for Concert Band. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1013065-050. Published by De Haske Publications (BT.DHP-1013065-050). English. Hallelujah! begins with the exalted sounds of the original, but… then it changes into the lively arrangement by Naohiro Iwai - swinging musical fireworks. The modern twist to this religious classic means it now well suited for use in more than just than church services.
Een verrassende uitvoering van het bekende Hallelujah Chorus uit het beroemde oratorium Messiah van Georg Friedrich Händel. Verras uw publiek met een moderne bewerking van deze klassieker in bigband stijl.
So haben sie den bekannten Hallelujah Chorus aus Georg Friedrich Händels Messiah noch nie gehört oder gespielt: Überraschen Sie Ihr Publikum mit einer modernen Bearbeitung des Klassikers im Big-Band-Stil! Chorstimmen für gemischten Chor sind separat erhältlich.
Alors que tout ce qu'il entreprenait semblait voué l'échec, Haendel compose dans une période plus que difficile, un chef d'œuvre de la musique : Le Messie, un oratorio dans la plus pure tradition de la Passion allemande et de la cantate sacrée. L’Alléluia est le mouvement final de la deuxième partie du Messie. Takashi Hoshide reprend cette célèbre page musicale dans un traitement enthousiaste, dynamique, aux inflexions de swing. Cet arrangement peut également être interprété avec un Chœur Mixte trois voix (SAT - Set chœur vendu séparément - DHP 1013065-050). $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Il trionfo del Tempo e della Verità, HWV 46 b Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three parts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: Complete edition. Linen. Complete edition, Score. HWV 46. Baerenreiter Verlag #BA10726-01. Published by Baerenreiter Verlag (BA.BA10726-01). ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael. In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled ??Il trionfo del Tempo e della Verità? (??The Triumph of Time and Truth?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio ??La Bellezza ravveduta nel trionfo del Tempo e del Disinganno? (??Beauty Reconciled in the Triumph of Time and Enlightenment?) HWV 46a written in 1707. With ??La Bellezza ravveduta?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.
In 1737, when reworking the oratorio material as ??Il trionfo del Tempo e della Verità?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the evening??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handel??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part ??English? oratorio form that he had developed in ??Esther? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.
The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from ??Il trionfo del Tempo e della Verità?.
$527.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lascia ch'io pianga (Let Me Weep) Concert band - Easy De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1043545-140 From the opera...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1043545-140 From the opera Rinaldo van Georg Friedrich Händel. Composed by George Frideric Handel. Arranged by Jacob De Haan. Your Favorite Classics. Score Only. Composed 2004. De Haske Publications #DHP 1043545-140. Published by De Haske Publications (BT.DHP-1043545-140). Lascia ch’io pianga (Let Me Weep) is een aria uit de opera Rinaldo. Aaron Hill schreef het scenario, waarna Giacomo Rossi de poëtische teksten schreef. Georg Friedrich Händel voorzag deze later van muziek. Hij zou demuziek in veertien dagen hebben gecomponeerd en veel melodieën uit eerdere werken hebben gebruikt. In 1711 werd Rinaldo voor het eerst uitgevoerd. De melodie van deze prachtige aria is wereldwijd bekend en komt uitstekendtot haar recht in dit arrangement van Jacob de Haan.
Let Me Weep - im Original Laschia ch'io pianga - stammt aus der Oper Rinaldo, deren Musik Georg Friedrich Händel angeblich in weniger als vierzehn Tagen geschrieben hat! Er verwendete für diese märchenhafte Oper viele Melodien aus älteren Werken. Die Melodie dieser prächtigen Arie ist weltweit bekannt und beliebt - so ist mit Jacob de Haans hervorragender Bearbeitung für Blasorchester ein Publikumserfolg garantiert!
Lascia ch’io pianga est un air extrait de Rinaldo, premier opéra londonien de Georg Friedrich Haendel sur un livret de Giacomo Rossi d’après un scénario d’Aaron Hill. Quinze jours de travail suffirent Haendel pour achever la partition. Le résultat est en réalité une vaste adaptation de plusieurs œuvres antérieures. Rinaldo a été créé Londres en 1711. Les décors féeriques et chevaleresques étaient éblouissants pour l’époque, et c’est sans doute pour cela que l’œuvre fut plébiscitée par le public.Dans le merveilleux jardin du palais enchanté d’Armide (l’alliée d’Argante, le rival de Rinaldo), Almirène (la promise de Rinaldo) pleure sa captivité dansson air Lascia ch’io pianga, l’un des plus beaux qu’Haendel ait écrits. Cette sublime mélodie, célèbre dans le monde entier, a été arrangée avec finesse et justesse par Jacob de Haan. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lascia ch'io pianga (Let Me Weep) Marching band - Easy De Haske Publications
Fanfare Band - Grade 2 SKU: BT.DHP-1043545-120 From the opera Rinaldo ...(+)
Fanfare Band - Grade 2 SKU: BT.DHP-1043545-120 From the opera Rinaldo van Georg Friedrich Händel. Composed by George Frideric Handel. Arranged by Jacob De Haan. Your Favorite Classics. Score Only. Composed 2004. De Haske Publications #DHP 1043545-120. Published by De Haske Publications (BT.DHP-1043545-120). Lascia ch’io pianga (Let Me Weep) is een aria uit de opera Rinaldo. Aaron Hill schreef het scenario, waarna Giacomo Rossi de poëtische teksten schreef. Georg Friedrich Händel voorzag deze later van muziek. Hij zou demuziek in veertien dagen hebben gecomponeerd en veel melodieën uit eerdere werken hebben gebruikt. In 1711 werd Rinaldo voor het eerst uitgevoerd. De melodie van deze prachtige aria is wereldwijd bekend en komt uitstekendtot haar recht in dit arrangement van Jacob de Haan.
Let Me Weep - im Original Laschia ch'io pianga - stammt aus der Oper Rinaldo, deren Musik Georg Friedrich Händel angeblich in weniger als vierzehn Tagen geschrieben hat! Er verwendete für diese märchenhafte Oper viele Melodien aus älteren Werken. Die Melodie dieser prächtigen Arie ist weltweit bekannt und beliebt - so ist mit Jacob de Haans hervorragender Bearbeitung für Blasorchester ein Publikumserfolg garantiert!
Lascia ch’io pianga est un air extrait de Rinaldo, premier opéra londonien de Georg Friedrich Haendel sur un livret de Giacomo Rossi d’après un scénario d’Aaron Hill. Quinze jours de travail suffirent Haendel pour achever la partition. Le résultat est en réalité une vaste adaptation de plusieurs œuvres antérieures. Rinaldo a été créé Londres en 1711. Les décors féeriques et chevaleresques étaient éblouissants pour l’époque, et c’est sans doute pour cela que l’œuvre fut plébiscitée par le public.Dans le merveilleux jardin du palais enchanté d’Armide (l’alliée d’Argante, le rival de Rinaldo), Almirène (la promise de Rinaldo) pleure sa captivité dansson air Lascia ch’io pianga, l’un des plus beaux qu’Haendel ait écrits. Cette sublime mélodie, célèbre dans le monde entier, a été arrangée avec finesse et justesse par Jacob de Haan. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lascia ch'io pianga (Let Me Weep) Concert band - Easy De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1043545-010 From the opera...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1043545-010 From the opera Rinaldo van Georg Friedrich Händel. Composed by George Frideric Handel. Arranged by Jacob De Haan. Your Favorite Classics. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043545-010. Published by De Haske Publications (BT.DHP-1043545-010). Film music is usually written to match the action in a scenario. Sometimes the opposite is true as is proved by Jacob de Haan’s piece La Storia. Written for creative musicians and audiences, the listener is given the opportunity of making up his own story to fit the music, without even the restriction of composer’s comments.
Lascia ch’io pianga (Let Me Weep) is een aria uit de opera Rinaldo. Aaron Hill schreef het scenario, waarna Giacomo Rossi de poëtische teksten schreef. Georg Friedrich Händel voorzag deze later van muziek. Hij zou demuziek in veertien dagen hebben gecomponeerd en veel melodieën uit eerdere werken hebben gebruikt. In 1711 werd Rinaldo voor het eerst uitgevoerd. De melodie van deze prachtige aria is wereldwijd bekend en komt uitstekendtot haar recht in dit arrangement van Jacob de Haan.
Let Me Weep - im Original Laschia ch'io pianga - stammt aus der Oper Rinaldo, deren Musik Georg Friedrich Händel angeblich in weniger als vierzehn Tagen geschrieben hat! Er verwendete für diese märchenhafte Oper viele Melodien aus älteren Werken. Die Melodie dieser prächtigen Arie ist weltweit bekannt und beliebt - so ist mit Jacob de Haans hervorragender Bearbeitung für Blasorchester ein Publikumserfolg garantiert!
Lascia ch’io pianga est un air extrait de Rinaldo, premier opéra londonien de Georg Friedrich Haendel sur un livret de Giacomo Rossi d’après un scénario d’Aaron Hill. Quinze jours de travail suffirent Haendel pour achever la partition. Le résultat est en réalité une vaste adaptation de plusieurs œuvres antérieures. Rinaldo a été créé Londres en 1711. Les décors féeriques et chevaleresques étaient éblouissants pour l’époque, et c’est sans doute pour cela que l’œuvre fut plébiscitée par le public.Dans le merveilleux jardin du palais enchanté d’Armide (l’alliée d’Argante, le rival de Rinaldo), Almirène (la promise de Rinaldo) pleure sa captivité dansson air Lascia ch’io pianga, l’un des plus beaux qu’Haendel ait écrits. Cette sublime mélodie, célèbre dans le monde entier, a été arrangée avec finesse et justesse par Jacob de Haan. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lascia ch'io pianga (Let Me Weep) Marching band - Easy De Haske Publications
Fanfare Band - Grade 2 SKU: BT.DHP-1043545-020 From the opera Rinaldo ...(+)
Fanfare Band - Grade 2 SKU: BT.DHP-1043545-020 From the opera Rinaldo van Georg Friedrich Händel. Composed by George Frideric Handel. Arranged by Jacob De Haan. Your Favorite Classics. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043545-020. Published by De Haske Publications (BT.DHP-1043545-020). Lascia ch’io pianga (Let Me Weep) is een aria uit de opera Rinaldo. Aaron Hill schreef het scenario, waarna Giacomo Rossi de poëtische teksten schreef. Georg Friedrich Händel voorzag deze later van muziek. Hij zou demuziek in veertien dagen hebben gecomponeerd en veel melodieën uit eerdere werken hebben gebruikt. In 1711 werd Rinaldo voor het eerst uitgevoerd. De melodie van deze prachtige aria is wereldwijd bekend en komt uitstekendtot haar recht in dit arrangement van Jacob de Haan.
Let Me Weep - im Original Laschia ch'io pianga - stammt aus der Oper Rinaldo, deren Musik Georg Friedrich Händel angeblich in weniger als vierzehn Tagen geschrieben hat! Er verwendete für diese märchenhafte Oper viele Melodien aus älteren Werken. Die Melodie dieser prächtigen Arie ist weltweit bekannt und beliebt - so ist mit Jacob de Haans hervorragender Bearbeitung für Blasorchester ein Publikumserfolg garantiert!
Lascia ch’io pianga est un air extrait de Rinaldo, premier opéra londonien de Georg Friedrich Haendel sur un livret de Giacomo Rossi d’après un scénario d’Aaron Hill. Quinze jours de travail suffirent Haendel pour achever la partition. Le résultat est en réalité une vaste adaptation de plusieurs œuvres antérieures. Rinaldo a été créé Londres en 1711. Les décors féeriques et chevaleresques étaient éblouissants pour l’époque, et c’est sans doute pour cela que l’œuvre fut plébiscitée par le public.Dans le merveilleux jardin du palais enchanté d’Armide (l’alliée d’Argante, le rival de Rinaldo), Almirène (la promise de Rinaldo) pleure sa captivité dansson air Lascia ch’io pianga, l’un des plus beaux qu’Haendel ait écrits. Cette sublime mélodie, célèbre dans le monde entier, a été arrangée avec finesse et justesse par Jacob de Haan. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Grosso in F Major Op. 3, No. 4 Eulenburg
Mixed Ensemble (Study Score) SKU: HL.49009849 Composed by George Frideric...(+)
Mixed Ensemble (Study Score) SKU: HL.49009849 Composed by George Frideric Handel. Edited by Frederick Hudson and Hans Ferdinand Redlich. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 3/4. 38 pages. Duration 13'. Eulenburg Edition #ETP 374. Published by Eulenburg Edition (HL.49009849). ISBN 9790200203134. UPC: 073999843156. 5.25x7.5x0.116 inches. With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. $12.99 - See more - Buy online | | |
| Sonata for Flute and BC "Hallenser No. 3" Flute and Piano - Intermediate Dowani
Flute and Piano - intermediate SKU: BT.DOW-05535-404 HWV 376 B minor(+)
Flute and Piano - intermediate SKU: BT.DOW-05535-404 HWV 376 B minor. Composed by George Frideric Handel. Dowani 3 Tempi Play Along. Book with Part and Audio-Online. Composed 2021. 20 pages. Dowani #DOW 05535-404. Published by Dowani (BT.DOW-05535-404). ISBN 9789043162425. English-German-French. This edition presents a piece that belongs in the standard repertoire of every flutist: the Sonata for Flute and Basso continuo (“Hallenser No. 3”, HWV 376) in B minor by Georg Friedrich Händel. It allows you to work through the piece systematically and at different tempi with accompaniment. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with basso continuo accompaniment at the original tempo. All of the versions were recorded live.
Mit dieser Ausgabe präsentieren wir Ihnen ein Stück, das zum Standardrepertoire eines jeden Flötisten zählt: die Sonate für Flöte und Basso continuo (Hallenser Nr. 3“, HWV 374) in h-Moll von Georg Friedrich Händel. Diese Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Basso continuo). Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung; anschließend können Sie sich im Originaltempo von der Continuogruppe begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.
Cette édition présente un morceau qui fait partie du répertoire standard de tous les fl tistes : la sonate pour fl te et basse continue (“Hallenser n° 3”, HWV 376) en Si mineur de Georg Friedrich Händel. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et basse continue). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de la basse continue. Toutes les versions ont été enregistrées en live. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Semele, HWV 58 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel-Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01). ISBN 9790006443222. 33 x 26 cm inches. Text Language: English. Handel??s ??Semele?, which premiered in February 1744, is based on an adapted version of William Congreve??s opera libretto titled ??The Story of Semele?, originally published in 1706. However, neither Handel nor his librettist referred to ??Semele? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The ??Halle Handel Edition? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.
Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semele??s abduction by Jupiter. While Jupiter??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Ino??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semele??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.
Handel??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.
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| Sonata for Flute and Basso continuo Flute and Piano - Intermediate Dowani
Flute and Piano - intermediate SKU: BT.DOW-05529-400 “Hallenser No. ...(+)
Flute and Piano - intermediate SKU: BT.DOW-05529-400 “Hallenser No. 1”, HWV 374 A minor. Composed by George Frideric Handel. Dowani 3 Tempi Play Along. Classical. Book with Part and Audio-Online. Composed 2021. 20 pages. Dowani #DOW 05529-400. Published by Dowani (BT.DOW-05529-400). ISBN 9789043160803. English-German-French. This edition presents a piece that belongs in the standard repertoire of every flutist: the Sonata for Flute and Basso continuo (“Hallenser No. 1”, HWV 374) in A minor by Georg Friedrich Händel. It allows you to work through the piece systematically and at different tempi with accompaniment. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.
Mit dieser Ausgabe präsentieren wir Ihnen ein Stück, das zum Standardrepertoire eines jeden Flötisten zählt: die Sonate für Flöte und Basso continuo (Hallenser Nr. 1“, HWV 374) in a-Moll von Georg Friedrich Händel. Diese Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.
Cette édition présente un morceau qui fait partie du répertoire standard de tous les fl tistes : la sonate pour fl te et basse continue (“Hallenser n° 1”, HWV 374) en La mineur de Georg Friedrich Händel. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutes les versions ont été enregistrées en live. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto grosso d minor, Op. 3/5 HWV 316 [single part] Barenreiter
Composed by George Frideric Handel (1685-1759). Edited by Frederick Hudson. For ...(+)
Composed by George Frideric Handel (1685-1759). Edited by Frederick Hudson. For harpsichord. This edition: Urtext edition. Stapled. Single part. Opus 3/5, HWV 316. 7 pages. Published by Baerenreiter Verlag
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