| I've Got You Under My Skin [Studio Orchestra] Voice and Big Band [Score] Jazz Lines Publications
By Frank Sinatra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Nelson ...(+)
By Frank Sinatra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Nelson Riddle. For orchestra with vocal solo. Swing, Jazz. Medium Difficult. Score only. Published by Jazz Lines Publications
$25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Spirituals Brass Quintet: 2 trumpets, horn, trombone, tuba [Score] - Advanced Cherry Classics
By Karl Hinterbichler. Brass Quintet. For 2 trumpets, horn in F, trombone, tuba....(+)
By Karl Hinterbichler. Brass Quintet. For 2 trumpets, horn in F, trombone, tuba. Sacred Spiritual. Advanced. Full score and set of parts
$25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Royal Coronation Dances Concert band [Score and Parts] - Easy Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8). ISBN 9781599130545. Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Christmas Troika Concert band [Score and Parts] - Intermediate Curnow Music
By James Curnow. (Score and Parts). Curnow Concert Band Full Set. Published by ...(+)
By James Curnow. (Score and Parts). Curnow Concert Band Full Set. Published by Curnow Music.
$69.00 $65.55 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Premiere Band Folio Concert band [Score] - Beginner C. Alan Publications
By Elliot Del Borgo. For concert band (Flute, Oboe, Bassoon, Clarinet in Bb, Bb ...(+)
By Elliot Del Borgo. For concert band (Flute, Oboe, Bassoon, Clarinet in Bb, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Trumpet in Bb, Horn in F, Trombone/Baritone, (Baritone T.C.), Tuba, Bells, Percussion 1 [2 Players] (Snare Drum, Bass Drum, Triangle, Tam). Band Music. Grade 1. Score only. Duration 7:25. Published by C. Alan Publications
$15.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hiland (full set) Concert band [Score and Parts] Carl Fischer
Composed by Harold Bennett. Arranged by Larry Clark. For concert band (flute, ob...(+)
Composed by Harold Bennett. Arranged by Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet 1 in Bb, clarinet 2 in Bb, bass clarinet in Bb, bassoon, alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, horn in F, trombone, euphonium t.c. in Bb, euphonium b.c). Young Performance Series. Score and parts. Duration 2 minutes, 10 seconds. Published by Carl Fischer
$70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Closure [Score and Parts] Forton Music
Brass Ensemble (trumpet in Eb or D, 2 Bb trumpets, flugelhorn, horn in F, 3 trom...(+)
Brass Ensemble (trumpet in Eb or D, 2 Bb trumpets, flugelhorn, horn in F, 3 trombones, bass trombone, tuba) - Intermediate-Advanced SKU: FT.FM213 Composed by Keiron Anderson. Score and parts. Forton Music #FM213. Published by Forton Music (FT.FM213). ISBN 9790570481125. Brass Ensemble - Trumpet in Eb or D, 2 Bb Trumpets, Flugelhorn, Horn in F, 3 Trombones, Bass Trombone, Tuba. A large scale ensemble in a mature and confidant style. The opening section is slow, with gentle syncopation and sophisticated harmonies including very controlled dissonances to heighten the emotion and tension of the music. This is then followed by a riotous fast section with the modal feeling of a Scottish reel, with everyone getting a piece of the action. Frequent modulations and lively syncopations drive this music forward - you can almost hear the dancers stamp the floor! At the end of this section the syncopations wind down and the music returns to the material from the start of the piece, before winding down and relaxing even further to an almost mournful conclusion. The slower sections will require sensitive and musical playing and direction, whilst the fast section requires nimble fingers and tongues to get the best from the music. Suitable for players of Grade 6 upwards. $35.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Uptown Swing! Jazz Ensemble - Intermediate Hal Leonard
Score and Parts Jazz Ensemble (Score and Parts) - Grade 4 SKU: HL.7014281 ...(+)
Score and Parts Jazz Ensemble (Score and Parts) - Grade 4 SKU: HL.7014281 Composed by Mark Taylor. Jazz Ensemble Library. Contest, Festival, Jazz. Softcover. Published by Hal Leonard (HL.7014281). UPC: 196288211884. 9.0x12.0x0.213 inches. Designed as a flashy showpiece that features every section of the band, this uptempo burner is the perfect opener! After the attention-grabbing intro, the rhythm section starts things off then passes the baton to the trombone section. (A short interlude separates each feature spot, so plug in an announcer if you like!) The section shows its stuff followed by the trumpets. A short drum solo leads to the final full band chorus where everything comes together. This gets any concert off to an exciting start! $55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Call of the Ancient Clans - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Timpani, Tom-tom, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 1.5 SKU: CF.FPS164 Composed by Amy Webb. Set of Score and Parts. Carl Fischer Music #FPS164. Published by Carl Fischer Music (CF.FPS164). ISBN 9781491163504. UPC: 680160922291. Call of the Ancient Clans takes players back to the time of the dawn of man, when neighboring tribes could communicate with each other not by racing through the harsh jungle or dry desert, but by the use of different rhythm instruments. Music was also used in religious rituals, celebrations and to share the history of the group.With an interesting, pulsating rhythm and catchy woodwind lines, Call of the Ancient Clans is sure to light a fire under students and get them involved in making some exhilarating music. The notes can be easily played by those with over a year of band experience, but will also provide a good challenge, as the first clarinets do go over the break a couple of times.Students will have a lot of fun playing double forte (who doesn’t?). However, caution students that playing “as loud as you can†can lead to bad-sounding notes. Balance with the person next to you; if you can’t hear them, you’re too loud. Double forte is a bit like calling to your friend from across the gym when nobody else is in there. You don’t want to be louder than that.Who has the melody at each rehearsal mark? Your students should know and if they do not, tell them. If they don’t have the melody, they need to back off their notes and play softer. Let the melody shine.Balance will make this piece truly sing. I hope you enjoy playing it; I loved writing it. $58.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Call of the Ancient Clans [Score] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Timpani, Tom-tom, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. SKU: CF.FPS164F Composed by Amy Webb. Full score. 16 pages. Carl Fischer Music #FPS164F. Published by Carl Fischer Music (CF.FPS164F). ISBN 9781491163900. UPC: 680160922697. Call of the Ancient Clans takes players back to the time of the dawn of man, when neighboring tribes could communicate with each other not by racing through the harsh jungle or dry desert, but by the use of different rhythm instruments. Music was also used in religious rituals, celebrations and to share the history of the group.With an interesting, pulsating rhythm and catchy woodwind lines, Call of the Ancient Clans is sure to light a fire under students and get them involved in making some exhilarating music. The notes can be easily played by those with over a year of band experience, but will also provide a good challenge, as the first clarinets do go over the break a couple of times.Students will have a lot of fun playing double forte (who doesn’t?). However, caution students that playing “as loud as you can†can lead to bad-sounding notes. Balance with the person next to you; if you can’t hear them, you’re too loud. Double forte is a bit like calling to your friend from across the gym when nobody else is in there. You don’t want to be louder than that.Who has the melody at each rehearsal mark? Your students should know and if they do not, tell them. If they don’t have the melody, they need to back off their notes and play softer. Let the melody shine.Balance will make this piece truly sing. I hope you enjoy playing it; I loved writing it. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Toot Your Own Horns Jazz Ensemble [Score and Parts] - Easy C.L. Barnhouse
Jazz ensemble - Grade 3 SKU: CL.032-4099-00 Composed by Sherburne. Jazz E...(+)
Jazz ensemble - Grade 3 SKU: CL.032-4099-00 Composed by Sherburne. Jazz Ensemble. Audio recording available separately (item CL.991-2012-00). Score and set of parts. Composed 2012. Duration 4 minutes, 45 seconds. C.L. Barnhouse #032-4099-00. Published by C.L. Barnhouse (CL.032-4099-00). A medium tempo swing chart with a playful sound a la the Count Basie style. Features a combo of tenor sax, trumpet and trombone before the whole band gets into the action with some very tasty ensemble writing. Includes an open solo section for the soloists of your choice. Ranges aren’t extreme (trumpet to written Bb and trombone to G above the staff) but the big solid sound is sure to impress. Outstanding concert or festival chart. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Toot Your Own Horns Jazz Ensemble [Score] - Easy C.L. Barnhouse
Jazz ensemble - Grade 3 SKU: CL.032-4099-01 Composed by Sherburne. Jazz E...(+)
Jazz ensemble - Grade 3 SKU: CL.032-4099-01 Composed by Sherburne. Jazz Ensemble. Audio recording available separately (item CL.991-2012-00). Extra full score. Composed 2012. Duration 4 minutes, 45 seconds. C.L. Barnhouse #032-4099-01. Published by C.L. Barnhouse (CL.032-4099-01). A medium tempo swing chart with a playful sound a la the Count Basie style. Features a combo of tenor sax, trumpet and trombone before the whole band gets into the action with some very tasty ensemble writing. Includes an open solo section for the soloists of your choice. Ranges aren’t extreme (trumpet to written Bb and trombone to G above the staff) but the big solid sound is sure to impress. Outstanding concert or festival chart. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bandstand Samba Concert band [Score and Parts] - Easy G and M Brand Music Publishers
Concert band (flute 1, flute 2, oboe, Bb clarinet 1, Bb clarinet 2, Bb clarinet ...(+)
Concert band (flute 1, flute 2, oboe, Bb clarinet 1, Bb clarinet 2, Bb clarinet 3, Bb bass clarinet, bassoon, Eb alto saxophone, Bb tenor saxophone, Eb baritone saxophone, Bb trumpet 1/2, F horn 1/2, trombone 1/2, euphonium (T.C, baritone ) tuba, percussion 1, percussi) - grade 3 SKU: CN.R10078 Composed by Stuart Johnson. Band Music. Score and parts. Published by G & M Brand Music Publishers (CN.R10078). This Samba has an infectious rhythm and this addition to the Stuart Johnson Bandstand series will certainly make your audience want to get up and dance. At the same time, it is good practice for achieving a style which is disciplined but relaxed! $40.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Three Billy Goats Gruff Concert band [Score and Parts] - Beginner Curnow Music
By Amy Adam and Mike Hannickel. Score and Parts. Curnow Concert Band Full Set. G...(+)
By Amy Adam and Mike Hannickel. Score and Parts. Curnow Concert Band Full Set. Grade 1. Softcover with CD
$40.00 $38 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Missa Brevis [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033337-015. Published by De Haske Publications (BT.DHP-1033337-015). 9x12 inches. Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to BassClarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. allbrass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir + saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel + fluit, eventueel + contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, geschrieben für Chor und Blasorchester entstand im Auftrag des Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (Frankreich), anlässlich des tausendjährigen Jubiläumsder Geburt von Papst Leo IX in Éguisheim. Der Komponist dirigierte die Uraufführung am 23. Juni 2002. Sie wurde live vom französischen Fernsehen France 2 übertragen. Die Messesätze Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Deieignen sich ausgezeichnet sowohl für die katholische als auch die protestantische Liturgie. Diese Messe kann in diversen variablen Spielstärken aufgeführt werden. Eine Instrumentalaufführung ist möglich, wenn das Blech die Chorstimme übernimmt.Um der Idee von zwei Chören in dieser Variante möglichst gerecht zu werden, empfiehlt es sich, das Blechregister getrennt vom Rest des Blasorchesters aufzustellen (beispielsweise auf einer Galerie). In einer Aufführung mit einem großen Chor kann dasBlechregister sehr gut als Unterstützung dienen. In diesem Fall sollten die Dynamikangaben der Blechbläser etwas angepasst werden, da sie ja eigentlich für eine Instrumentalaufführung gedacht sind. Man kann zugunsten des Chors auch völlig auf dasBlech verzichten. Zur Begleitung kleinerer Chöre können Sie ein kleines Ensemble aus dem Blasorchester wählen. Dies könnte auch ein Quartett in beliebiger Zusammensetzung sein. Für die Aufführung dieser Messe bietet sich eine der oben genanntenVarianten an. Eine Kombination dieser Wahlmöglichkeiten (vokal/instrumental) ist jedoch auch möglich und das nicht nur vom künstlerischen Standpunkt aus betrachtet (zur Abwechslung), sondern auch aus praktischen Erwägungen beispielsweise, wennder Chor nur zwei Sätze einstudiert hat. In voller Besetzung kann der Dirigent die Instrumentierung nach Belieben variieren. Dann können die Blechbläser auch eine Rolle in der Begleitung übernehmen (anstatt den Chor zu unterstützen). Die folgendenKombinationen sind möglich: 1. Klarinettenchor (von Klarinette in Es bis Bassklarinette) 2. Klarinettenchor + Saxophone 3. Blech (Flügelhorn, Horn, Euphonium, Bassregister) 4. Blech (2 Trompeten / 2 Posaunen) 5. Doppelrohrblattinstrumente (wahlweise + Flöte, wahlweise + Kontrabass) 6. Tutti 7. Alle Holzbläser 8. Alle Blechbläser In einer Aufführung mit Brass Band und Chor ist es gewöhnlich ratsam, nicht die erste Option (Chor + Blech + Blasorchester) zu wählen. Der Chor singt unabhängig, begleitet von einer vollständigen Brass Band. In einer Instrumentalaufführung könnenSie sich für ein kombiniertes Quartett (zwei Kornette und zwei Posaunen) + Brass Band entscheiden. Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes + Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $327.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Can-Can Festival [Score] Carl Fischer
Orchestra Bassoon 1, Bassoon 2, Cello, Clarinet 1, Clarinet 2, Contrabass, Flute...(+)
Orchestra Bassoon 1, Bassoon 2, Cello, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Tuba, Viola, Violin, Violin 1, Violin 2, Violoncello - 4-Jan SKU: CF.MAS1F For Multi-Level String or Full Orchestra. Composed by Jacques Offenbach. Arranged by Todd Parrish. Full score. 20 pages. Duration 2:45. Carl Fischer Music #MAS1F. Published by Carl Fischer Music (CF.MAS1F). ISBN 9781491163252. UPC: 680160922000. Key: D major. In this multi-level arrangement for string or full orchestra, both new and experienced students get to enjoy the excitement of Offenbach's lively dance. This abbreviated rendition captures the energy of the familiar melody, allowing players at every ability level to play the tune most beginners will know from their method books. The piece can be performed with strings only, with parts for beginning, intermediate, and advanced levels. Or, add optional advanced wind, brass, and percussion parts for a full orchestra concert - combined levels or advanced players only. The perfect grand finale to your pyramid concert that will motivate young musicians with a great sense of pride and accomplishment! $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Can-Can Festival Carl Fischer
Orchestra Bassoon 1, Bassoon 2, Cello, Clarinet 1, Clarinet 2, Contrabass, Flute...(+)
Orchestra Bassoon 1, Bassoon 2, Cello, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Tuba, Viola, Violin, Violin 1 and more. - 4-Jan SKU: CF.MAS1 For Multi-Level String or Full Orchestra. Composed by Jacques Offenbach. Arranged by Todd Parrish. Set of Score and Parts. Duration 2:45. Carl Fischer Music #MAS1. Published by Carl Fischer Music (CF.MAS1). ISBN 9781491162910. UPC: 680160921669. Key: D major. In this multi-level arrangement for string or full orchestra, both new and experienced students get to enjoy the excitement of Offenbach's lively dance. This abbreviated rendition captures the energy of the familiar melody, allowing players at every ability level to play the tune most beginners will know from their method books. The piece can be performed with strings only, with parts for beginning, intermediate, and advanced levels. Or, add optional advanced wind, brass, and percussion parts for a full orchestra concert - combined levels or advanced players only. The perfect grand finale to your pyramid concert that will motivate young musicians with a great sense of pride and accomplishment! $80.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Joust Concert band [Score] - Beginner Carl Fischer
Band Bass Clarinet in Bb, Clarinet 1 in Bb, Clarinet 2 in Bb, Euphonium B.C., Eu...(+)
Band Bass Clarinet in Bb, Clarinet 1 in Bb, Clarinet 2 in Bb, Euphonium B.C., Euphonium T.C. in Bb, Flute, Horn in F, Mallet Percussion, Oboe (opt. Flute 2), Percussion 1, Percussion 2, Timpani, Trombone, Trumpet 1 in Bb, Trumpet 2 in Bb, Tuba and more - Grade 1.5 SKU: CF.FPS88F Composed by Larry Clark. SWS. Carl Fischer First Plus Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 47 seconds. Carl Fischer Music #FPS88F. Published by Carl Fischer Music (CF.FPS88F). ISBN 9780825873966. UPC: 798408073961. 9x12 inches. Key: C minor. You will hear the power and aggressive nature of the medieval tournament in this strong new work for developing bands by Larry Clark. Larry's pieces are some of the most performed at this grade level and this piece proves why with its bold rhythms, powerful harmonies and singable melodies. Every section of the band gets to shine in this contest/festival style piece. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Birdhouse Blues Jazz Ensemble [Score and Parts] Jalen Publishing
By Terry White. For jazz band. Jalen Jazz Band. Blues / Swing. Easy. Score and s...(+)
By Terry White. For jazz band. Jalen Jazz Band. Blues / Swing. Easy. Score and set of parts. Published by Jalen Publishing
$50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Canzone della Fantasia Concert band [Score and Parts] - Easy De Haske Publications
Composed by Gerald Oswald. De Haske Concert Band. Concert. Softcover. Publis...(+)
Composed by Gerald Oswald. De
Haske Concert Band. Concert.
Softcover. Published by De
Haske Publications
$65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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