SKU: HL.249703
UPC: 888680712464. 5.0x5.0x0.15 inches. Luke 23:44, Mark 15:33, Matthew 27:45.
This celebrated instrumental piece has been adapted for sanctuary usage and joined with a poignant sacred text appropriate for Holy Week services. Sensitively arranged, this choral version layers beauty upon beauty, forming a tapestry of sound and message. A tasteful chamber orchestration is available for churches with instrumental resources. Score and Parts (hrpsi/pno, fl, ob, vn 1-2, va, vc, db) available as a digital download.
SKU: CN.S11087
In this arrangement, the duettists can be either Clarinet and Bassoon or Cornet and Euphonium. The Cornet parts in the band are optional; in the version for Clarinet and Bassoon they should play only at the conductor's discretion, and according to good balance. The timpani part must at all times be played with a light touch. Here too the conductor should exercise discretion.
SKU: CN.R10087
SKU: KJ.SO313F
UPC: 8402703096.
Mozart's simple, charming melody sung by Don Giovanni in Act I of the opera Don Giovanni invites amplification by variation! Variations feature different string techniques including legato, spiccato, and detache. G Major with a taste of G minor thrown in. A delightful work.
SKU: KJ.SO313C
UPC: 8402703095.
SKU: GI.G-OC06
The Chicago Symphony Brass & Alumni presents Giovanni Gabrieli Giovanni Gabrieli spent his early career in Bavaria working under the supreme master of Renaissance polyphony, Orlando di Lasso. Gabrieli's composition serviced political and religious events at St. Mark's Cathedral. The Basilica is known for placing distinct choruses in separate locations around the altar. Cori spezzati allows one group to echo the music played by another for a surround-sound effect.The present video recording was a live benefit concert for the Symphony of Oak Park and River Forest. Jay Friedman, Music Director, celebrated the retirement and career of Adolph Bud Herseth, principal trumpet of the Chicago Symphony for 53 years.
SKU: LM.28896
ISBN 9790230988964.
MOZART W.A. : Recitatif et air de Zerlina (Don Giovanni) - FAURE G. : Ici-bas ! - TELEMANN G.P. : Trauer-Kantate Du aber, Daniel, gehe hin - GOUNOD Ch. : Recitatif et air de Stephano (Romeo et Juliette) - BRAHMS J. : Liebestreu - MOZART W.A. : Air de Giunia (Lucio Silla) - Gounod Ch. : Air de Siebel (Faust) - HAENDEL G.F. : Recitatif et air de Cleopatre (Giulio Cesare) - RAMEAU J.P. : Air de Telaire (Castor et Pollux) - LALO E. : Air de Rozenn (Le Roi d'Ys).
SKU: HL.50488658
UPC: 073999886580. 8.25x11.75x0.19 inches.
Contents: Bellini: Norma * Boito: Mefistofele * Catalani: La Wally * Donizetti: L'Elisir d'amore, Linda di Chamounix * Mascagni: Iris * Meyerbeer: Roberto il Diavolo * Mozart: Don Giovanni * Puccini: Madama Butterfly, Tosca, Turandot * Rossini: Il Barbiere di Siviglia (Cavatina: Una voce poco fa) * Verdi: Aida, La Traviata * Wagner: Tannhauser.
SKU: BT.YE0003
Giovanni Cimador's Concerto in G is a bubbling roccoco romp.
SKU: AP.36-A793402
UPC: 659359748073. English.
The six CONCERTI ARMONICI was long thought to be the work of the violinist-impresario Carlo Ricciotti or composer Giovanni Battista Pergolesi, but more recent research has revealed the composer to be Unico Wilhelm van Wassenauer (1692-1766). Born into a wealthy Dutch family, the diplomat and composer founded a Collegium musicum in The Hague under the oversight of Ricciotti. Composed between 1725 and 1740, the six concertos have been falsely attributed to a variety of contemporaries, Ricciotti and Pergolesi amongst them, since its anonymous publication. Wassenauer's aristocratic background was the reason for his secretiveness. The sentiment of the time ordained that musicians belong to the lower classes. This edition of CONCERTINO No. 2 (also CONCERTO ARMONICO in G Major, CONCERTO IV, or just CONCERTINO in G), drawing from the CONCERTO ARMONICO in G Major, IUW 3, was edited by 20th century Baroque expert Fritz Rikko. Rikko spuriously attributes the work to Pergolesi. Despite Wassenauer's authorship having since been confirmed, Rikko's original editorial notes have been retained. Instrumentation: Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score.
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