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| Johann Gottfried Walther: Three Chorale Preludes For Organ
Organ
Music Sales
Three Chorale Preludes For Organ by Johann Gottfried Walther. Edited by Walter E...(+)
Three Chorale Preludes For Organ by Johann Gottfried Walther. Edited by Walter Emery
$14.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Eternal - Music Collection - Easy
GIA Publications
Keyboard - Early intermediate SKU: GI.G-8569 Composed by Liam Lawton. Arr...(+)
Keyboard - Early intermediate SKU: GI.G-8569 Composed by Liam Lawton. Arranged by Chris De Silva. Sacred. Collection. GIA Publications #8569. Published by GIA Publications (GI.G-8569). UPC: 785147856931. English. This collection is definitive Lawton: expressive texts, soaring melodies, and deep emotions all imbued with the power of God's comforting embrace. Inspired by life and his experiences in the world around him Lawton captures these holy moments, gives them a song, and preserves them for all eternity. Beautifully scored and orchestrated by Chris de Silva song-after song inspires a swell of love for God and the gifts bestowed upon us day-by-day. CONTENTS: Holy Ground • Into the Quiet • In God We Live • Eternal Is Your Love • To You Glory and Praise • The Lord Is My Shelter • Christ Has No Body Now but Yours • Ave Maria • Bethlehem Sky • Holy Is God's Name • How Good Is God • Breastplate. $20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Children's Songs
Melody line, Lyrics and Chords [Fake Book]
Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and leadsheet notation. Children's. Series: Hal Leonard Paperback Songs (Melodies, lyrics, and chords in a convenient format), . 256 pages. 4.2x6.7 inches. Published by Hal Leonard.
(2)$7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Shout to the North
Handbells [Score] - Easy
Hope Publishing Company
By Martin Smith. Arranged by Patricia Cota. Contemporary and Sacred. Level: Grad...(+)
By Martin Smith. Arranged by Patricia Cota. Contemporary and Sacred. Level: Grade 2. Print Music Single (3-5 octaves). 8 pages. Published by Hope Publishing Company.
$7.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | | |
| Ecclesiodiae novae (CONVIVIVM MVSICVM, Bande 4.1, 4.2 und 4.3)
Carus Verlag
SKU: CA.9000800 Composed by Christoph Thomas Walliser. Edited by Marc Hon...(+)
SKU: CA.9000800 Composed by Christoph Thomas Walliser. Edited by Marc Honegger, Christian Meyer. This edition: Paperbound. Hymns by Martin Luther: Ausgaben mit mehreren Luther-Liedern; Complete editions / Selected works: Monument editions. German title: Ecclesiodiae Novae (3 Bande). Psalms, German, Easter and Eastertide, Whitsun, Psalms. Collection. 474 pages. Carus Verlag #CV 90.008/00. Published by Carus Verlag (CA.9000800). ISBN 9790007108229. $271.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Praktische Instrumentenkunde
Orchestra, Violin
Barenreiter
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950). ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N. Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
- New source situation owing to recently rediscovered proofs
- Revised Urtext edition
- With a separate booklet on performance practice (Eng/Ger). $22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Concerto in E Minor, Opus 64 [Score]
Barenreiter
Violin, orchestra (V-solo, 2 Fl, 2 Ob, 2 clarinet-ia, 2 bassoon, 2 Hn, 2 Trp, ti...(+)
Violin, orchestra (V-solo, 2 Fl, 2 Ob, 2 clarinet-ia, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 Violin, Viola, Cello,KB) SKU: BA.BA09099 Composed by Felix Bartholdy Mendelssohn. Edited by Clive Brown and R. Larry Todd. This edition: urtext edition. Paperback. Barenreiter Urtext. Early version 1844 and late version 1845. Score. Opus 64. Duration 12 hours. Baerenreiter Verlag #BA09099_00. Published by Baerenreiter Verlag (BA.BA09099). ISBN 9790006564330. 31 x 24.3 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive. Mendelssohn’s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Lonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Lonard.
The letter informs us that the composer invited Lonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Lonard.
The recently discovered proofs reveal how Lonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Lonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Lonard’s playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
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| Symphony in G Major, Opus 88, No. 8
Double Bass
Barenreiter
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 88. 12 pages. Baerenreiter Verlag #BA10418_85. Published by Baerenreiter Verlag (BA.BA10418-85). ISBN 9790006564699. 32.5 x 25.5 cm inches. Key: G major. Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions
- With alternate versions in full score and parts
- Orchestral parts in an enlarged format of 25.5cm x 32.5cm
- With cues, rehearsal letters, and page turns where players need them
- Clearly presented divisi passages so that players know exactly what they have to play
- High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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