SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066113

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Single Part, Viola 1. 8 pages. Duration 32 minutes. Carus Verlag #CV 40.661/13. Published by Carus Verlag (CA.4066113).

ISBN 9790007076290. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and part available separately - see item CA.4066100.

SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066109

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. 1x 40.661/21 flute, 1x 40.661/22 oboe 1, 1x 40.661/23 oboe 2, 1x 40.661/31 trumpet. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Set of Orchestra Parts. 26 pages. Duration 32 minutes. Carus Verlag #CV 40.661/09. Published by Carus Verlag (CA.4066109).

ISBN 9790007076269. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and parts available separately - see item CA.4066100.

SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066114

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Single Part, Viola 2. 8 pages. Duration 32 minutes. Carus Verlag #CV 40.661/14. Published by Carus Verlag (CA.4066114).

ISBN 9790007076306. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and part available separately - see item CA.4066100.

SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066112

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Single Part, Violin 2. 12 pages. Duration 32 minutes. Carus Verlag #CV 40.661/12. Published by Carus Verlag (CA.4066112).

ISBN 9790007076283. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and part available separately - see item CA.4066100.

(Kyrie-Gloria-Messe (Lutherische Messe)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For Soli SAB, SATB Choir, 2 Oboes, Bassoon, 2 Horns, 2 Violins, Viola, Basso continuo. F-Dur (F major). Stuttgart Urtext editions. Score available separately - see item CA.3123300. Masses, Latin, Mass settings, incomplete (also Kyrie and Gloria). Part: viola. Language: Latin. BWV 233. 8 pages. Duration 28 min. Published by Carus Verlag

Two-Part Mixed chorus and piano

SKU: HP.C6267

Composed by Gloria Gaither, Phil McHugh, and Sandi Patty. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Palm Sunday, General Worship. Octavo. 12 pages. Hope Publishing Company #C6267. Published by Hope Publishing Company (HP.C6267).

UPC: 763628162672.

Popular praise song by Gloria Gaither, Phil McHugh & Sandi Patty Ideal for Palm Sunday, this popular praise song sets the tone as it tells the story of Jesus, the man from Galilee, entering Jerusalem. The familiar refrain brings it all together: there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!

Orchestrations: Conductor's Score, Flute, Oboe(or Soprano Sax or Clarinet), Clarinet, Horn (or Alto Sax or Clarinet), 2 Trumpets (or Alto Sax), 2 Trombones (or Tenor Sax or Baritone T. C. ), Percussion, Piano, Acoustic Guitar (w/separate Capo Guitar Pt. ), Electric Bass, Drums, Violins 1 & 2, Viola (or Clarinet), Cello/Bassoon (or Bass Clarinet).

(Kyrie-Gloria-Messe (Lutherische Messe)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For Soli SAB, SATB Choir, 2 Oboes, Bassoon, 2 Horns, 2 Violins, Viola, Basso continuo. F-Dur (F major). Stuttgart Urtext editions. Score available separately - see item CA.3123300. Masses, Latin, Mass settings, incomplete (also Kyrie and Gloria). Part: cello/double bass. Language: Latin. BWV 233. 12 pages. Duration 28 min. Published by Carus Verlag

TTBB chorus and piano

SKU: HP.C6290

Composed by Gloria Gaither, Phil McHugh, and Sandi Patty. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Palm Sunday, General Worship. Octavo. 12 pages. Hope Publishing Company #C6290. Published by Hope Publishing Company (HP.C6290).

UPC: 763628162900.

Popular praise song by Gloria Gaither, Phil McHugh & Sandi Patty Ideal for Palm Sunday, this popular praise song sets the tone as it tells the story of Jesus, the man from Galilee, entering Jerusalem. The familiar refrain brings it all together: there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!

Orchestrations: Conductor's Score, Flute, Oboe(or Soprano Sax or Clarinet), Clarinet, Horn (or Alto Sax or Clarinet), 2 Trumpets (or Alto Sax), 2 Trombones (or Tenor Sax or Baritone T. C. ), Percussion, Piano, Acoustic Guitar (w/separate Capo Guitar Pt. ), Electric Bass, Drums, Violins 1 & 2, Viola (or Clarinet), Cello/Bassoon (or Bass Clarinet).

Composed by Sandi Patty. Arranged by Mary McDonald. Palm Sunday, Sacred. Octavo. Hope Publishing Company #C 6133. Published by Hope Publishing Company (HP.C6133).

Orchestra SST vocal soli, SATB/SATB choir flute, 2 oboes, clarinet, 2 bassoons, 2 horns, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, 2 violas, cello/contrabass, [speaker]

SKU: CA.5146909

Cantata. Composed by Wolfgang Amadeus Mozart. Edited by Wolfgang Gersthofer. Arranged by Paul Horn. This edition: urtext. 1x 51.469/21 flute, 1x 51.469/22 oboe 1, 1x 51.469/23 oboe 2, 1x 51.469/24 clarinet, 1x 51.469/25 bassoon 1, 1x 51.469/26 bassoon 2, 1x 51.469/31 horn 1, 1x 51.469/32 horn 2, 1x 51.469/33 clarino 1, 1x 51.469/34 clarino 2, 1x 51.469/35 trombone 1, 1x 51.4. Stuttgart Urtext Edition: Mozart. Davide Penitente Rev. 2006. Sacred vocal music, Oratorios, Lent and Passiontide. Set of Orchestra Parts. Composed 1785. KV 469. 108 pages. Duration 45 minutes. Carus Verlag #CV 51.469/09. Published by Carus Verlag (CA.5146909).

ISBN 9790007225094. Key: C minor / c major. Language: Italian.

The Vienna Musicians' Society, a pension fund for the widows and orphans of professional musicians, asked Mozart, among others, to compose a choral work for performance at their benefit concert series. Presumably it was due not just to the pressure of a deadline, but also for the chance to have the music of the torso of the great C minor Mass, K. 427, performed in Vienna that he chose to arrange this composition for the Society as the cantata Davide penitente (The Mass was originally written for a performance in Salzburg in 1783). Thus, Mozart set the Kyrie and Gloria with a sacred text in Italian in the style of penitential prayers. The text was suited for Lent, which occurred at the time of the benefit concert. He also added one newly-composed aria for tenor and one aria for soprano. Score and parts available separately - see item CA.5146900.

Concert band - Grade 3

SKU: MH.1-59913-050-5

Composed by traditional English carols. Arranged by William Ryden. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music (MH.1-59913-050-5).

ISBN 9781599130507.

Charles Dickens certainly would have known the three carols in A CHARLES DICKENS CHRISTMAS. They were among the best-known and best-loved carols of the Victorian Era, and were a staple of the repertoire of roving waits, or carollers, that appear in his novels. Today this music is as familiar as Santa Claus and Tiny Tim. THE FIRST NOWELL was first collected in Christmas Carols, Ancient and Modern by William Sandys in 1833. It is most probably 200 years older than that. The Oxford Book of Carols contains nine verses, which makes it an ideal processional for Christmas or Epiphany (the feast commemorating the coming of the Magi). COVENTRY CAROL, or Lully, Lullay, comes from the medieval tradition of mystery and miracle plays. In 1534 the Pageant of the Shearman and Tailors Guild included a scene in which the mothers of Jewish children sang this haunting lullaby after hearing the horrifying order: Herod the king, In his raging, All young children to slay. The music is anonymous; the text believed to be by Robert Croo. ANGELS WE HAVE HEARD ON HIGH is probably of French origin, but the English long ago adopted it as their own. Besides the French text, Les Anges dans nos compagnes, it is known in several versions and by several titles, including Angels from the Realms of Glory, When the Crimson Sun Had Set, and Westminster Carol. It belongs to a category known as macaronic carols, which mix vernacular verses with Latin refrains - in this instance, Gloria in Excelsis Deo (Glory be to God on High). Ensemble instrumentation: 1 Piccolo, 8 Flute, 2 Oboe, 1 Bassoon 1, 1 Bassoon 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (Bass Clef), 2 Euphonium (Treble Clef), 5 Tubas, 1 Timpani, 2 Bells & Chimes, 3 Percussion 1: small triangle, suspended cymbal, crash cymbal, snare drum, bass drum, 2 Percussion 2: large triangle, finger cymbals.

Concert Band Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bass, Bass Clarinet, Bassoon I, Bassoon II, Clarinet I, Clarinet II, Flute I, Flute II, Horn I, Horn II, Horn III, Horn IV, Oboe I, Oboe II, Tenor I, Tenor II, Tenor Saxophone, Trumpet I, Trumpet II - Grade 4 and up

SKU: CF.SPS30F

Composed by Mike Forbes. SWS. Carl Fischer Symphonic Performance Series. Full score. With Standard notation. Carl Fischer Music #SPS30F. Published by Carl Fischer Music (CF.SPS30F).

ISBN 9780825864889. UPC: 798408064884. 9 X 12 inches.

Using the musical styles and forms of the Medieval and Renaissance periods, Mike Forbes has written a striking and powerful three movement suite that is a major addition to serious band literature. The music is entirely original, but the style and approach is similar to such pieces as the Courtly Dances from Gloriana by Benjamin Britten, and makes effective use of the coloristic possibilities of the modern concert band.

Orchestra SATB vocal soli, SATB/SATB choir, flute, 2 oboes, 2 bassoons, 2 horns, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, viola, basso continuo - Grade 4

SKU: CA.4062005

Composed by Wolfgang Amadeus Mozart. Edited by Richard Maunder. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Arr. Maunder). Sacred vocal music, Masses, Latin. Choral Score. Composed 1783. KV 427. 32 pages. Duration 57 minutes. Carus Verlag #CV 40.620/05. Published by Carus Verlag (CA.4062005).

ISBN 9790007073916. Key: C minor. Language: Latin.

The Mass in C minor, K. 427, Mozart's Great Mass remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, Osanna, and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio Davide penitente. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. Score available separately - see item CA.4062000.

Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.OB-5329-16

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5329-16. Published by Breitkopf and Haertel (BR.OB-5329-16).

ISBN 9790004333549. 10 x 12.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.