| Deep and Lasting Peace - Music Collection GIA Publications
SKU: GI.G-9724 Composed by Jan Michael Joncas. Sacred. Collection. GIA Pu...(+)
SKU: GI.G-9724 Composed by Jan Michael Joncas. Sacred. Collection. GIA Publications #9724. Published by GIA Publications (GI.G-9724). UPC: 785147972433. English. Michael Joncas’s collection, Deep and Lasting Peace, is as rich as it is varied. Here you’ll find festive settings of great hymns scored for congregations, choir, brass, and organ incorporating Joncas’s original texts. Simple settings of the three gospel canticles found in Luke utilize a “psalm tune†while another setting of the Magnificat is ideal for festive occasions. Responding to frequent requests, Joncas has revised the Gloria from his Psallite Mass casting it in a “festive†setting using a refrain format augmented by brass as well as in a “ferial†setting for everyday Sunday use with two woodwinds and guitar. Not to be missed is the title track “Deep and Lasting Peace,†which is sure to enter mainstream congregational Communion repertoire. For an in-depth look at some of the pieces featured in Deep and Lasting Peace, click on the video below. GIA Senior Editor Michael Silhavy sits down with Michael Joncas to discuss what makes this new collection special.  CONTENTS: Psallite Gloria • One People, Here, We Gather • God Creating, God Sustaining • Deep and Lasting Peace • Gospel Canticle of Zechariah • In Christ We Come to Offer Thanks • Gospel Canticle of Mary • Drawn by His Word • Gospel Canticle of Simeon •  A Place Called Home • My Soul Gives Glory to the Holy One • O Sacrament Most Holy • Psallite Gloria (Festival Edition). $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Deep and Lasting Peace GIA Publications
SKU: GI.G-1047 Composed by Jan Michael Joncas. Sacred. GIA Publications #...(+)
SKU: GI.G-1047 Composed by Jan Michael Joncas. Sacred. GIA Publications #1047. Published by GIA Publications (GI.G-1047). UPC: 785147004721. Michael Joncas’ newest collection, Deep and Lasting Peace, is as rich as it is varied. Here you’ll find festive settings of great hymns scored for congregations, choir, brass, and organ incorporating Joncas’s original texts. Simple settings of the three gospel canticles found in Luke utilize a “psalm tune†while another setting of the Maginificat is ideal for festive occasions. Responding to frequent requests, Joncas has revised the Gloria from his Psallite Mass casting it in a “festive†setting using a refrain format augmented by brass as well as in a “ferial†setting for everyday Sunday use with two woodwinds and guitar. Not to be missed is the title track “Deep and Lasting Peace,†which is sure to enter mainstream congregational Communion repertoire. $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| There Is No Rose Choral 3-part SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580). ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. $1.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing Gloria! Choral SATB SATB, Oboe [Octavo] Hope Publishing Company
By Joel Raney. For SATB choir with optional oboe, strings and harp. The Joel Ran...(+)
By Joel Raney. For SATB choir with optional oboe, strings and harp. The Joel Raney Choral Series. Christmas, General Worship, Sacred. Octavo. 16 pages. Published by Hope Publishing Company
$3.45 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Where Love and Mercy Meet - Listening CD Choral CD - Easy Word Music
SATB choir - Easy to Moderate SKU: WD.080689845222 Behold the Cross of...(+)
SATB choir - Easy to Moderate SKU: WD.080689845222 Behold the Cross of Christ. Composed by Marty Parks. Arranged by Marty Parks. Choral, cantatas. Listening CD. Duration 40-45 minutes. Word Music #080689845222. Published by Word Music (WD.080689845222). UPC: 080689845222. Jesus made an astounding claim in Luke 4. When He proclaimed that He was the fulfillment of Isaiah's prophecy, it was more than a resume of credentials; it was a mission statement. In fact, it was a commitment - to you and to me - that there would be a place where sinners can find mercy; the afflicted can find healing; the broken can find compassion, and the outcast can find dignity. Behold the cross of Christ...it is the place where love and mercy meet.
This profound spiritual theme is movingly captured by veteran arranger Marty Parks in Where Love & Mercy Meet, the latest offering from Simply Word Easter. Combining popular songs by Michael W. Smith, Bill and Gloria Gaither, and Darlene Zschech and Reuben Morgan with beloved classics, this musical features engaging worship sequences with easy-to-learn SATB choral parts and arrangements for one male and one female solos (with optional men/women unison), making it ideal for smaller choirs or those with limited rehearsal time. A well-designed accompaniment DVD is available to enhance your production, as well as an optional small-cast dramatic script by Kim Messer that will bring the themes of the musical into a powerful contemporary focus. This Easter, invite your congregation and community to come to the place where love and mercy meet - the cross of Jesus Christ. $16.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gloria in Excelsis! Choral SATB Hope Publishing Company
SATB choir SKU: HP.C5882C Composed by John Carter. Arranged by Mary Beall...(+)
SATB choir SKU: HP.C5882C Composed by John Carter. Arranged by Mary Beall. Piano Accompaniment. Christmas, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5882C. Published by Hope Publishing Company (HP.C5882C). UPC: 763628958824. Mary Kay Beall. Scripture: Luke 2:1, Luke 2:2, Luke 2:3, Luke 2:4, Luke 2:5, Luke 2:6, Luke 2:7, Luke 2:8, Luke 2:9, Luke 2:10, Luke 2:11, Luke 2:12, Luke 2:13, Luke 2:14, Luke 2:15, Luke 2:16, Luke 2:17, Luke 2:18, Luke 2:19, Luke 2:20. Original anthem Brimming with energetic choral writing, this new Christmas collaboration from Mary Kay Beall and John Carter retells the story through the angels' hymn of praise, Gloria in excelsis Deo! The final verse calls for all of us to come kneel before him,. . . Brimming with energetic choral writing, this new Christmas collaboration from Mary Kay Beall and John Carter retells the story through the angels' hymn of praise, Gloria in excelsis Deo! The final verse calls for all of us to come kneel before him, let your heart rejoice in celebration of the Christ child. $29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| It Came Upon a Midnight Clear Choral CD Daybreak Music
Choral (ChoirTrax CD) SKU: HL.334900 Composed by Heather Sorenson. Daybre...(+)
Choral (ChoirTrax CD) SKU: HL.334900 Composed by Heather Sorenson. Daybreak Christmas Choral. Christmas, General Worship, Sacred. CD. Duration 220 seconds. Published by Daybreak Music (HL.334900). UPC: 840126910582. 5.0x5.0x0.15 inches. Edmund H. Sears/Heather Sorenson. John 14:27, Luke 2:9-14. From the cantata Little Lion, Little Lamb, the contours of this reimagined carol are fashioned with beautiful arching leaps, instantly endearing it to the listener. A good balance of unison and four-part writing expresses the miracle of the incarnation with sensitivity and sincere devotion. The B section offers some theater with distinctive layers of Gloria that crescendo with impressive impact. The final angelic proclamation fades into the Christmas sky with delicate and artful sonority. Heavenly! Score and Parts (fl 1-2, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-2, tbn3/tba, perc 1-2, timp, hp, vn 1-2, va, vc, db) available as a digital download. $29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sing Gloria! Choral CD Hope Publishing Company
Cello, Flute, Various Instruments, Violin SKU: HP.C5773C Composed by Joel...(+)
Cello, Flute, Various Instruments, Violin SKU: HP.C5773C Composed by Joel Raney. Piano with Optional Oboe, Strings & Harp. Christmas, General Worship, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5773C. Published by Hope Publishing Company (HP.C5773C). UPC: 763628957735. Luke 2:14. Original composition This original composition from Joel Raney is a setting of the Gloria text adapted from Luke 2:14. Classic choral writing and optional instrumental parts (including a Conductor's Score) for oboe, strings and harp provides color and sparkle to this powerful anthem of praise. $29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Gloriosi Choral 3-part SAB - Easy GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, tr...(+)
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, trumpet in B-flat, trumpet in C, cello, guitar - Early intermediate SKU: GI.G-10515 Music of the Paschal Triduum / Música del Triduo Pascual. Composed by Tony Alonso S.J. Lent, Eastertide, Holy Thursday, Good Friday, Easter Vigil, Easter Sunday, Easter PM. Sacred. With guitar chord names. 296 pages. GIA Publications #10515. Published by GIA Publications (GI.G-10515). UPC: 785147051527. English, Spanish. Scripture: Psalm 16, Psalm 19, Psalm 30, Psalm 31, Psalm 42:3, 5cdef, Psalm 43:3, 4, Psalm 103:1–2a, 5–6, 10, 12, 13–14, 24, 35c, Psalm 103:30, Psalm 116, Psalm 118, 1 Corinthians 10:16, Luke 23:46, Isaiah 12. The first comprehensive resource of its kind, Gloriosi contains a treasure trove of ritual music that bridges linguistic, cultural, and musical differences for the liturgies of Holy Thursday, Good Friday, and the Easter Vigil. Weaving together familiar tunes and ancient chants with newly-composed pieces, Tony Alonso has meticulously crafted the music of Gloriosi to inspire the participation of a diverse assembly during these celebrations at the heart of the liturgical year. In addition to settings of all of the ritual texts found in the Roman Missal / Misal Romano for the Three Days, this collection contains settings of every prescribed psalm drawn from texts approved for liturgical use in English and in Spanish. El primer recurso completo de su tipo, Gloriosi es un tesoro rebosante de música ritual que supera las diferencias lingüÃsticas, culturales y musicales para las liturgias del Jueves Santo, Viernes Santo y la Vigilia Pascual. Tejiendo melodÃas familiares y cantos antiguos con piezas recién compuestas, Tony Alonso ha elaborado meticulosamente la música de Gloriosi para inspirar la participación de una asamblea diversa durante estas celebraciones que están al centro del año litúrgico. Además de proporcionar los textos rituales que se encuentran en el Misal Romano / Roman Missal para los Tres DÃas en forma musicalizada, esta colección también ofrece nueva música para todos los salmos prescritos para las liturgias del Triduo utilizando los textos oficiales en español y en inglés. Listen to Music Samples on the Gloriosi Recording Page by Clicking HERE. CONTENTS: Holy Thursday Mass of the Lord’s Supper / Jueves Santo de la Cena del Señor: We Should Glory in the Cross / Que Nuestro Único Orgullo Sea la Cruz • Blessed Be God Forever / Bendito Sea Dios por Siempre • Kyrie, Eleison • Our Blessing-Cup / El Cáliz que Bendecimos • Glory to You / Gloria a Ti • A New Commandment / Un Mandamiento Nuevo • Love One Another / Ãmense Unos a Otros • Lord, Hear Our Prayer / Te Rogamos, Óyenos • Ubi Caritas • Agnus Dei • Called to the Supper of the Lamb / Llamados al Banquete del Señor • Called to Keep Vigil with the Lord / Llamados a Velar con el Señor • Tantum Ergo Sacramentum Good Friday of the Passion of the Lord / Viernes Santo de la Pasión del Señor: Into Your Hands / En Tus Manos • Glory to You / Gloria a Ti • Adoramus Te • The Solemn Intercessions of Good Friday / La Oración Universal del Viernes Santo • Behold the Wood of the Cross / Miren el Ãrbol de la Cruz • Faithful Cross / Cruz Fiel • Forgive Us, Your People / Perdona a Tu Pueblo • O Come, Let Us Worship / Venid, Oh Cristianos • Called to the Supper of the Lamb / Llamados al Banquete del Señor The Easter Vigil in the Holy Night / Vigilia Pascual en la Noche Santa: The Easter Proclamation / Pregón Pascual • Lord, Send Out Your Spirit / EnvÃa Tu EspÃritu, Señor • Keep Me Safe, O God / Protégeme, Dios MÃo • Let Us Sing to the Lord / Cantemos al Señor • I Will Praise You, Lord / Te Ensalzaré, Señor • You Will Draw Water Joyfully / Ustedes Sacarán Agua con Gozo • Words of Everlasting Life / Palabras de Vida Eterna • Like a Deer that Longs / Como Busca la Cierva (Psalm 42, 43 / Salmo 42/41, 43/42) • Easter Alleluia / Aleluya Pascual • Litany of the Saints / LetanÃa de los Santos • Alleluia Popular: Blessing of Water / Aleluya Popular: Bendición del Agua • Alleluia Popular: Baptism / Aleluya Popular: Bautismo • Alleluia Popular: Acclamation / Aleluya Popular: Aclamación • Veni Sancte Spiritus • Alleluia Popular: Sprinkling / Aleluya Popular: Aspersión • Lord, We Ask You, Hear Our Prayer / Te Rogamos, Óyenos • Called to the Supper of the Lamb / Llamados al Banquete del Señor. Learn more about this collection in this webinar below featuring composer Tony Alonso. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Where Love and Mercy Meet - Accompaniment CD (Split) Choral SATB - Easy Word Music
SATB choir - Easy to Moderate SKU: WD.080689878121 Behold the Cross of...(+)
SATB choir - Easy to Moderate SKU: WD.080689878121 Behold the Cross of Christ. Composed by Marty Parks. Arranged by Marty Parks. Choral, cantatas. Christmas. Accompaniment CD (split). Duration 40-45 minutes. Word Music #080689878121. Published by Word Music (WD.080689878121). UPC: 080689878121. Jesus made an astounding claim in Luke 4. When He proclaimed that He was the fulfillment of Isaiah's prophecy, it was more than a resume of credentials; it was a mission statement. In fact, it was a commitment - to you and to me - that there would be a place where sinners can find mercy; the afflicted can find healing; the broken can find compassion, and the outcast can find dignity. Behold the cross of Christ...it is the place where love and mercy meet.
This profound spiritual theme is movingly captured by veteran arranger Marty Parks in Where Love & Mercy Meet, the latest offering from Simply Word Easter. Combining popular songs by Michael W. Smith, Bill and Gloria Gaither, and Darlene Zschech and Reuben Morgan with beloved classics, this musical features engaging worship sequences with easy-to-learn SATB choral parts and arrangements for one male and one female solos (with optional men/women unison), making it ideal for smaller choirs or those with limited rehearsal time. A well-designed accompaniment DVD is available to enhance your production, as well as an optional small-cast dramatic script by Kim Messer that will bring the themes of the musical into a powerful contemporary focus. This Easter, invite your congregation and community to come to the place where love and mercy meet - the cross of Jesus Christ. $99.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Where Love and Mercy Meet - Bulk CD (10-pak) Choral SATB - Easy Word Music
SATB choir - Easy to Moderate SKU: WD.080689769726 Behold the Cross of...(+)
SATB choir - Easy to Moderate SKU: WD.080689769726 Behold the Cross of Christ. Composed by Marty Parks. Arranged by Marty Parks. Choral, cantatas. Bulk CD (10-pak). Duration 40-45 minutes. Word Music #080689769726. Published by Word Music (WD.080689769726). UPC: 080689769726. Jesus made an astounding claim in Luke 4. When He proclaimed that He was the fulfillment of Isaiah's prophecy, it was more than a resume of credentials; it was a mission statement. In fact, it was a commitment - to you and to me - that there would be a place where sinners can find mercy; the afflicted can find healing; the broken can find compassion, and the outcast can find dignity. Behold the cross of Christ...it is the place where love and mercy meet.
This profound spiritual theme is movingly captured by veteran arranger Marty Parks in Where Love & Mercy Meet, the latest offering from Simply Word Easter. Combining popular songs by Michael W. Smith, Bill and Gloria Gaither, and Darlene Zschech and Reuben Morgan with beloved classics, this musical features engaging worship sequences with easy-to-learn SATB choral parts and arrangements for one male and one female solos (with optional men/women unison), making it ideal for smaller choirs or those with limited rehearsal time. A well-designed accompaniment DVD is available to enhance your production, as well as an optional small-cast dramatic script by Kim Messer that will bring the themes of the musical into a powerful contemporary focus. This Easter, invite your congregation and community to come to the place where love and mercy meet - the cross of Jesus Christ. $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Where Love and Mercy Meet - Accompaniment Video Choral SATB - Easy Word Music
SATB choir - Easy to Moderate SKU: WD.080689479090 Behold the Cross of...(+)
SATB choir - Easy to Moderate SKU: WD.080689479090 Behold the Cross of Christ. Composed by Marty Parks. Arranged by Marty Parks. Choral, cantatas. Accompaniment video. Duration 40-45 minutes. Word Music #080689479090. Published by Word Music (WD.080689479090). UPC: 080689479090. Jesus made an astounding claim in Luke 4. When He proclaimed that He was the fulfillment of Isaiah's prophecy, it was more than a resume of credentials; it was a mission statement. In fact, it was a commitment - to you and to me - that there would be a place where sinners can find mercy; the afflicted can find healing; the broken can find compassion, and the outcast can find dignity. Behold the cross of Christ...it is the place where love and mercy meet.
This profound spiritual theme is movingly captured by veteran arranger Marty Parks in Where Love & Mercy Meet, the latest offering from Simply Word Easter. Combining popular songs by Michael W. Smith, Bill and Gloria Gaither, and Darlene Zschech and Reuben Morgan with beloved classics, this musical features engaging worship sequences with easy-to-learn SATB choral parts and arrangements for one male and one female solos (with optional men/women unison), making it ideal for smaller choirs or those with limited rehearsal time. A well-designed accompaniment DVD is available to enhance your production, as well as an optional small-cast dramatic script by Kim Messer that will bring the themes of the musical into a powerful contemporary focus. This Easter, invite your congregation and community to come to the place where love and mercy meet - the cross of Jesus Christ. $225.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gloria in Excelsis Deo (Glory to God in the Highest) from Magnificat Choral SSATB Schirmer
By Johann Sebastian Bach. For SSATB Choir, keyboard. (Mixed Voices). Christmas,...(+)
By Johann Sebastian Bach. For SSATB Choir, keyboard. (Mixed Voices). Christmas, Mass, General. Luke 2:14. Choral. Published by E.C. Schirmer Publishing.
$1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Come and Worship the Newborn King - SATB Choral SATB SATB, Piano Jackman Music Corporation
SATB chorus and piano - Medium SKU: JK.00123 Composed by Traditional Fren...(+)
SATB chorus and piano - Medium SKU: JK.00123 Composed by Traditional French Carol Gloria. Arranged by Rickey G. Shirley. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Christmas, Christmas. Christian, Inspirational. Duration 2:45. Jackman Music Corporation #00123. Published by Jackman Music Corporation (JK.00123). Luke 2. Christmas choral for mixed chorus (SATB) and piano, proclaiming: Angels from the realms of glory, wing your flight o'er all the earth; Ye who sang creation's story, now proclaim Messiah's birth. Composer: Traditional French Carol Gloria Arranger: Rickey G. Shirley Lyricist: James Montgomery Difficulty: Medium Performance time: 2:45 Reference: Luke 2.
$1.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Glory to God Choral SATB SATB, Piano - Beginner GIA Publications
SATB choir, cantor, assembly, keyboard accompaniment, C instrument 1, C instrume...(+)
SATB choir, cantor, assembly, keyboard accompaniment, C instrument 1, C instrument 2, handbells - Beginning SKU: GI.G-3492 From Now the Feast and Celebration. Composed by Marty Haugen. Christmastide. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #3492. Published by GIA Publications (GI.G-3492). Translation: ICET. Scripture: Luke 2:8–14. 10 Handbells. from Now the Feast and Celebration - Sets of verses for Gloria (ICET), Christmas, and Te Deum. $0.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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