By Allen Pote. For unison/2-part children's or youth choir. Musicals, Collection. Children, Scripture-Based, General, Sacred. Value Pack - 10 Listening CDs. Published by Hope Publishing Company

By Allen Pote and Thomas Long. For Children's Voices, Unison choir. Musicals, Collection. General, Children, Scripture-Based, Sacred. Score. Published by Hope Publishing Company

By Allen Pote. Edited by Thomas Long. Arranged by Thomas Long. Musical. Sacred. Preview pack (Score and Listening CD)
(Limit one per customer). Published by Hope Publishing Company

Instrumental Parts

SKU: HP.C6373P

Composed by Mark Hayes. Piano Accompaniment. Choral Parts. Hope Publishing Company #C6373P. Published by Hope Publishing Company (HP.C6373P).

UPC: 763628263737. Mark Hayes.

Original Anthem With a text based on Jeremiah 29:11-13 this original composition will instill hope in the hearts of those that sing and hear these stunningly gorgeous melodies. The text reminds us that God has a plan for each of us; a future with hope.

Composed by Randall Sensmeier (1944-). For unison voices, 2 mixed voices, piano, flute. Ascension, Children. Not for Children Only series. Sacred. 12 pages. Published by GIA Publications

Unison/2-part children's choir (3 boys; 3 girls; 1 adult male; 1 adult female; possible extras) - Moderate

SKU: LP.765762004931

A Kids' Musical about God's Master Plan for Each of Us. Composed by Tim Conrad. Arranged by Jukka Palonen. Musical. Multicultural and Sacred. Digital Resource (DVD/CD-ROM). Published by Lillenas Publishing Company (LP.765762004931).

UPC: 765762004931.

The Game Plan is a fun summertime kids' musical about the importance of team work and following the game plan - God's game plan. The story wraps around the adventures of the Tigers soccer team and cheer squad, made up of girls and boys with all different personalities, talents, and skills. From the very first upbeat song, The Game Plan, you learn that God is the one in charge and has a game plan for our life. Coach Calhoun is the one adult in their lives who is teaching the kids though bible stories is constantly encouraging them and telling them that they are something special. Through the song DNA, we learn that God made our DNA and that we are all made special. As the musical progresses the kids face various hardships from being benched, to parents getting divorced, to peer pressure. But the coaches help the kids find their way through the adversity by teaching them biblical truths and that Christ is the answer to all the hardships we face in life. Throughout the musical your kids will love singing fun, upbeat songs like Trust His Plan, the bluesy song Bench Warmin' Blues, and the warm ballad Mighty is Your Love.

The DVD includes:
A Movements Demonstration & Instuctional video that make it easy to implement choreography into your production
The CD-ROM includes:
Musical lessons designed to teach the fundamentals of music to.

Unison/2-part children's choir (3 boys; 3 girls; 1 adult male; 1 adult female; possible extras) - Moderate

SKU: LP.765762117723

A Kids' Musical about God's Master Plan for Each of Us. Composed by Tim Conrad. Arranged by Jukka Palonen. Musical. Multicultural and Sacred. Stereo CD. Published by Lillenas Publishing Company (LP.765762117723).

UPC: 765762117723.

The Game Plan is a fun summertime kids' musical about the importance of team work and following the game plan - God's game plan. The story wraps around the adventures of the Tigers soccer team and cheer squad, made up of girls and boys with all different personalities, talents, and skills. From the very first upbeat song, The Game Plan, you learn that God is the one in charge and has a game plan for our life. Coach Calhoun is the one adult in their lives who is teaching the kids though bible stories is constantly encouraging them and telling them that they are something special. Through the song DNA, we learn that God made our DNA and that we are all made special. As the musical progresses the kids face various hardships from being benched, to parents getting divorced, to peer pressure. But the coaches help the kids find their way through the adversity by teaching them biblical truths and that Christ is the answer to all the hardships we face in life. Throughout the musical your kids will love singing fun, upbeat songs like Trust His Plan, the bluesy song Bench Warmin' Blues, and the warm ballad Mighty is Your Love.

Professional quality recording useful as an aid for choir members learning the music, or for personal enjoyment and meditation times. (Performance demo - not an accompaniment CD.).

Unison/2-part children's choir (3 boys; 3 girls; 1 adult male; 1 adult female; possible extras) - Moderate

SKU: LP.765762117921

A Kids' Musical about God's Master Plan for Each of Us. Composed by Tim Conrad. Arranged by Jukka Palonen. Musical. Multicultural and Sacred. Split-channel accompaniment CD. Published by Lillenas Publishing Company (LP.765762117921).

UPC: 765762117921.

The Game Plan is a fun summertime kids' musical about the importance of team work and following the game plan - God's game plan. The story wraps around the adventures of the Tigers soccer team and cheer squad, made up of girls and boys with all different personalities, talents, and skills. From the very first upbeat song, The Game Plan, you learn that God is the one in charge and has a game plan for our life. Coach Calhoun is the one adult in their lives who is teaching the kids though bible stories is constantly encouraging them and telling them that they are something special. Through the song DNA, we learn that God made our DNA and that we are all made special. As the musical progresses the kids face various hardships from being benched, to parents getting divorced, to peer pressure. But the coaches help the kids find their way through the adversity by teaching them biblical truths and that Christ is the answer to all the hardships we face in life. Throughout the musical your kids will love singing fun, upbeat songs like Trust His Plan, the bluesy song Bench Warmin' Blues, and the warm ballad Mighty is Your Love.

Split-channel accompaniment CD can be used for both rehearsal and performance. Each contains the instrumental accompaniment on one channel, vocals on the other. For performance purposes, only the accompaniment channel is normally used. Includes multiple r.

By Jane Holstein. (SATB). General Worship, Gods Attributes/Character, Gratefulness, Hymntune, Praise, Worshiping, Hymntune and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3

SKU: CF.CPS234

Composed by Travis Weller. Folio. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+8+4+4+8+8+8+8+6+6+6+4+8+6+2+4+4+6+32 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #CPS234. Published by Carl Fischer Music (CF.CPS234).

ISBN 9781491156346. UPC: 680160914883. 9 x 12 inches.

Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!.
Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!

SKU: WD.080689478093

Composed by Nan Allen. Arranged by Lari Goss. Choral, cantatas. Modern Christian. Accompaniment video. Word Music #080689478093. Published by Word Music (WD.080689478093).

UPC: 080689478093.

Who would have imagined that a tiny baby born in a small stable over 2,000 years ago could and would change the entire world? Changed By a Baby Boy rejoices in The Greatest Story Ever Told and how God's miraculous plan impacted the world then...and now. Arranged and orchestrated by the Grammy and Dove Award-winning Lari Goss, who brings his inimitable style to this Southern Gospel-flavored musical. Veteran writer Nan Allen has created narration which uplifts and inspires, while weaving the dynamicsongs...from foot-stomping to heartfelt and soaring ballads...into a seamless 42-minute Christmas worship experience. Optional children's choir participation in one song is possible for an extra-special heartwarming moment. Plus, an accompaniment DVD is available to enhance the presentation.

SKU: WD.080689562365

Composed by Nan Allen. Arranged by Lari Goss. Choral, cantatas. Modern Christian. CD/DVD preview pak. Word Music #080689562365. Published by Word Music (WD.080689562365).

UPC: 080689562365.

Who would have imagined that a tiny baby born in a small stable over 2,000 years ago could and would change the entire world? Changed By a Baby Boy rejoices in The Greatest Story Ever Told and how God's miraculous plan impacted the world then...and now. Arranged and orchestrated by the Grammy and Dove Award-winning Lari Goss, who brings his inimitable style to this Southern Gospel-flavored musical. Veteran writer Nan Allen has created narration which uplifts and inspires, while weaving the dynamicsongs...from foot-stomping to heartfelt and soaring ballads...into a seamless 42-minute Christmas worship experience. Optional children's choir participation in one song is possible for an extra-special heartwarming moment. Plus, an accompaniment DVD is available to enhance the presentation.

Choral Children's choir, Piano

SKU: PR.312419290

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes, 35 seconds. Theodore Presser Company #312-41929. Published by Theodore Presser Company (PR.312419290).

ISBN 9781491137932. UPC: 680160692620. Texts from The King James Bible, creation myths from India, North America, and Egypt; Edna St. Vincent Millay, Percy Bysshe Shelley, Walt Whitman, Lord Byron, Esther Iverem, William Wordsworth, Wendell Berry, Lord Alfred Tennyson, Charles Mackay, William .

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?