SKU: LO.99-4131L

UPC: 000308155730.

Worthy Is the Lamb! is the compelling story of God's plan to deliver all people from the clutches of sin and death. Lloyd Larson presents this powerful reminder that Isaiah's prophetic words were fulfilled in Jesus: Surely He has borne our griefs and carried our sorrows. He was pierced for our transgressions; crushed for our iniquities; upon Him was the chastisement that brought us peace, and by His wounds we are healed (Isaiah 53:4-5). Flexibly conceived for Lent, Holy Week, or Eastertide programming, each of the three sections may be presented during the weeks or days leading up to Easter, or the entire musical may be presented a single worship experience. Small and large choirs alike will find the choral writing appealing and versatile. Accompaniment options ranging from piano only to full orchestra with CD accompaniment or live instruments ensures maximum flexibility for your unique programming needs.

SKU: MN.30-834

UPC: 688670308345.

Expanded introduction, or short settings of A Mighty Fortress Is Our God; How Brightly Shines the Morning Star; and Praise to the Lord, the Almighty. Each piece incorporates the use of an optional solo instrument. A great way to utilize the handbell choir in conjunction with congregational singing. Optional flute and trumpet parts are included. 3,4,5, or 6 octaves.

SKU: PL.0102

This text from Philippians is set to music of charm and grace. The interval of a third is announced by the organ at the opening and is developed throughout the work. The piece grows in harmonic richness to the words, with thanksgiving. The peace of God is expressed in more contemplative music and the opening text is repeated at the conclusion in a quiet fashion.

The up-dating of the familiar text from Phillipians 4:4-8 firmly places this wrok within the Advent lectionary. The five verses of the text are treated as mini-motets with complimentary organ passages serving as interludes into each verse. The writing is in a simpler imitative style with skillful writing in thirds for the sopranos and altos. Once singing, the voices are most often doubled within the organ accompaniment. A well-crafted work for SAB voices. - Cross Accent August 2005.