| Best Fake Book Ever - 5th Edition C Instruments [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book. Broadway,
Country, Jazz, Pop, Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Praise and Worship Fake Book
Bb Instruments [Fake Book] Hal Leonard
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instrument...(+)
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instruments. Fake Book. Softcover. 432 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Roadrunner Rally String Orchestra [Score and Parts] - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS10 Composed by Doris ...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS10 Composed by Doris Gazda. Edited by Amy Rosen. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 16+4+16+10+10+4+10+12 pages. Carl Fischer Music #YAS10. Published by Carl Fischer Music (CF.YAS10). ISBN 9780825848261. UPC: 798408048266. 8.5 X 11 inches. Key: D major. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners.The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Great Big Praise for a Great Big God, Book 1 - CD/Book Combo Children choir Lillenas Publishing Co.
117 Fun, Exciting, Singable Songs for Younger Children. Edited by Thomas Fettke,...(+)
117 Fun, Exciting, Singable Songs for Younger Children. Edited by Thomas Fettke, Ken Bible. Arranged by Thomas Fettke, Ken Bible. (unison). This edition: MD492. Suggested Use: For children pre-school to third grade. Use at Sunday school, children's choir, children's church, VBS, camps, Christian schools, and home. Lillenas Publications. Great resource for working with younger kids. Sacred. Book/Split-Channel Accompaniment Cassette Combo. 144 pages. Published by Lillenas.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Contemporary Music For The Church Service Organ Choral SATB SATB, Organ Schirmer
By J. Beck. Arranged by J. Beck. (SATB). Choral Collection. Size 6.8x10.5 inches...(+)
By J. Beck. Arranged by J. Beck. (SATB). Choral Collection. Size 6.8x10.5 inches. 56 pages. Published by G Schirmer, Inc.
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| If You Ever Meet a Dinosaur Piano, Voice Boosey and Hawkes
Piano; Voice SKU: HL.48011603 Voice and Piano. Composed by Camilla...(+)
Piano; Voice SKU: HL.48011603 Voice and Piano. Composed by Camilla During. This edition: M060097683. Boosey & Hawkes Voice. Children, Classical, Contemporary, Educational. 44 pages. Boosey & Hawkes #M060097683. Published by Boosey & Hawkes (HL.48011603). UPC: 073999988673. 9.0x9.0x0.122 inches. 20 great songs by Camilla During which young children will love to sing. Book includes lyris, guitar chords, and simple ideas for immediate classroom use. Quitable for ages 5-8. Contents: If You Ever Meet a Dinosaur * Wrinkly Fingers * In the Band * Autumn Leaves * You'll Never Guess * In My Garden * Clap, Clap * The Insect Dance * Who's That? * Flying * Rosie * Get Out! * We Can Hear You * Let's Make Noises * My Place * Can You Eat Your Teddy Bear * You Can Jump * What Can You Do? * Jake * Summer Lullaby. $15.95 - See more - Buy online | | |
| Pan Penseroso Flute and Piano Carl Fischer
Chamber Music flute, piano SKU: CF.W2650 Version 3 - Flute With Multip...(+)
Chamber Music flute, piano SKU: CF.W2650 Version 3 - Flute With Multiphonics and Piano. Composed by Martin Bresnick. Sws. Set of Score and Parts. With Standard notation. Composed 2010. 36+16 pages. Duration 24 minutes. Carl Fischer Music #W2650. Published by Carl Fischer Music (CF.W2650). ISBN 9780825882920. UPC: 798408082925. Sc.9x112 - pt.8.5 x 12 inches. Key: C major. Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltons great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poets earlier LAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunnst the noise of folly Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques. Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltonas great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poetas earlier LaAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all avain deluding joyes,a so as to better hear the aSweet Bird that shunnast the noise of follya|a Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques. Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Milton's great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poet's earlier L'Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunn'st the noise of folly... Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques. Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements:1. The Noise of Folly2. Prophetic Strain3. More is Meant (than meets the ear)Pan Penseroso and the titles of its three movements are taken from John Milton’s great poemIl Penseroso (The Contemplative Man). The music aligns itself with this response to the poet’searlier L’Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts areflective musical eye on the world, renouncing all “vain deluding joyes,†so as to better hear the“Sweet Bird that shunn’st the noise of folly…â€Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures exploredin his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Second Set of Madrigals (1618) Choral SATB Stainer and Bell
SATB choir SKU: ST.EM22 Composed by Thomas Bateson. Edited by Edmund H Fe...(+)
SATB choir SKU: ST.EM22 Composed by Thomas Bateson. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM22. Published by Stainer & Bell Ltd. (ST.EM22). ISBN 9790220200861. CONTENTS Ah, Cupid, grant (SSATTB) All the day I waste (SSA(or T)A(or T)B) Camilla fair tripped o'er the plain (SSA(or T)T(or B)B) Come, Sorrow, help me to lament (SSATB) Cupid in a bed of roses (SSATTB) Cytherea smiling said (SSATTB) Down the hills Corinna trips (SSATB) Fond love is blind (SSATTB) Have I found her? (SST(or A)BB) Her hair the net of golden wire (SSATTB) I heard a noise (SSATB) If floods of tears (S(or T)Solo) If I seek to enjoy (SST) In depth of grief (SA(or T)TTB) Life of my life (SSATB) Live not, poor bloom (SSA(or T)B) Love is the fire (SAT) My mistress after service due (SAT) O what is she? (SSAB) One woman scarce of twenty (SST) Pleasure is a wanton thing (SST) Sadness, sit down (SSATB) See forth her eyes (SAA(or T)B(or T)) She with a cruel frown (SSTTBB) Sweet those trammels of your hair (SAT) The nightingale in silent night (SSAT) When to the gloomy woods (SATB) Why do I, dying, live? (SSA(or T)TB) Why dost thou fly? (SSA(or T)T(or A)B) With bitter sighs (SS(or A)A(or T)TB). $47.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Night Noises - P/A CD [Accompaniment CD] Heritage Music Press
By Ruth Elaine Schram. Halloween, Novelty. Performance and Accompaniment CD. Pub...(+)
By Ruth Elaine Schram. Halloween, Novelty. Performance and Accompaniment CD. Published by Heritage Music Press
$22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Night Noises Choral 3-part 3-Part Mixed [Octavo] Heritage Music Press
By Ruth Elaine Schram. For 3-part mixed choir and piano. Halloween, Novelty. Oct...(+)
By Ruth Elaine Schram. For 3-part mixed choir and piano. Halloween, Novelty. Octavo. Published by Heritage Music Press. (15/2228H)
(1)$2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Paperback Songs - Neil Diamond - Easy Guitar Melody line, Lyrics and Chords [Fake Book] Hal Leonard
Performed by Neil Diamond. Paperback Songs (Melodies, lyrics, and chords in a co...(+)
Performed by Neil Diamond. Paperback Songs (Melodies, lyrics, and chords in a convenient format). Size 4.1x6.7 inches. 256 pages. Published by Hal Leonard
$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Prophesies [Score and Parts] Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score and Parts. Composed by Mohammed Fairouz. Sws. Score and parts. With Standard notation. 68 pages. Duration 25 minutes. Theodore Presser Company #114-41903. Published by Theodore Presser Company (PR.114419030). ISBN 9781491114124. UPC: 680160669851. 9 x 12 inches. A fascination with polycultural synergy between diverse literary textsdrives the inspiration for much of Mohammed Fairouz’s prodigiouscreative output, including instrumental music as well as vocal. Inhis profound and extensive essay preceding the score, Fairouz shedslight on how Edgar Allen Poe’s “Israfel” relates to the prophetsand prophesies of the Quran, Old Testament, and New Testament.The eight-movement quartet may be heard as a dramatic galleryof portraits and of story-telling, flourishing in a post-traditionallanguage that is at once vernacular and spiritual, Middle Easternand Western. The complete set of score and parts is included in thispublication. (See pages 2-3 of score for clear distinction of paragraphs, etc.)Prophesies, by Mohammed FairouzEdgar Allen Poe’s rendition of Israfel was the point of departure for the final movement of my previous stringquartet which is titled The Named Angels. At the opening of his poem, Poe evokes the Quran:“And the angel Israfel, whose heartstrings are a lute, and who has the sweetest voice of all God’s creatures.”This informs the first lines of the poem that, in turn, gave me the title for the final movement of The Named Angels,“Israfel’s Spell”:In Heaven a spirit doth dwell“Whose heartstrings are a lute”None sing so wildly wellAs the angel Israfel,And the giddy stars (so legends tell),Ceasing their hymns, attend the spellOf his voice, all mute.It is the end of that poem, however, that is the starting point for the current quartet, Prophesies, which concernsitself with mortal prophets rather than eternal Angelic spirits.If I could dwellWhere IsrafelHath dwelt, and he where I,He might not sing so wildly wellA mortal melody,While a bolder note than this might swellFrom my lyre within the sky.Islamic thought has asked us to look at the example of the prophets. That’s significant because of the fact thatJoseph and all the prophets were human beings with the flaws of human beings. No prophet was perfect, andIslamic tradition has never asked its followers to aspire to the example of the Angels, the perfected ones. Instead weare given the gift of our prophets. While The Named Angels drew on the motion and energy of everlasting spirits,Prophesies is a depiction of the movements within our own mortal coil.This quartet is a continuation of a long tradition of Muslim artists telling their stories and singing their songs.Many of these renditions are, in fact, figurative and (contrary to popular belief) the Quran contains no “Islamicedict” prohibiting figurative renditions of the figures described in the Old Testament, New Testament, or Quran.The majority of artists, however, have preferred eternal and abstract forms such as words and their calligraphicrepresentations, poems (Yusuf and Zuleikha or the Conference of Birds come immediately to mind), architecture,and many other non-figurative art forms to the representation of man. These cold, ancient, and everlasting shapesof unending time flourished, and the divine infinity of representing geometric forms gained favor over the placementof the explicit representation of mankind and our own likeness at the center of the universes.Adding the string quartet to these forms which express the recursive spheres of heavens and earth abstractly shouldexplain why I have chosen to render higher things through the use of music without the addition of words or anyother art-form. It is the abstract art of pure form, in which all is form and all is content, which compels me. Thisquartet should be seen as no more programmatic than the arches of the Great Mosque at Cordoba.The first movement, Yāqub (Jacob), is slow, quiet and prayerful. It evokes the patient sorrow of a slow choraledeveloping over time as it coaxes our pulse out of the ticking of a clock-like meter that defines our day-to-day livesand into a divine eternity.The second, Saleh, imagines the spirit of that desert-prophet through the use of a Liwa; the dance-sequence that hasbeen such a prevalent form of expression in the Arabian Peninsula for much of our recorded history.The third movement is titled Dawoōd, and it is emblematic of the beloved Prophet, King, and Psalmist, David.Though it has no lyrics, the movement functions as a dabkeh (an ancient dance native to the Levant) and also “sets”the opening of Psalm 100 (Make a joyful noise unto the Lord, all ye lands). This line is never set to music or sung inthe quartet but is evoked through the rhythmic shape of the violin part which imitates the phonology and rhythmof my speaking the opening line in the Hebrew and develops the contours of that line incessantly throughout themovement.3The fourth movement is an ode to Yousef (Joseph) and relates to the first movement in tempo and tone just as Josephrelates to Jacob, his father. Together, the first and fourth movements provide a sort of Lamentation and relief.Joseph had the appearance of a noble angel, but he was very much a human being. And the story of this particularprophet had tragic beginnings many years before he found himself in a position of power in Egypt. Back in his youth,still among the Israelites, Joseph experienced a series of revelations through his dreams that spoke of his impendingcareer in prophecy. He confided his dreams to his father, the Prophet Jacob, who told his son of the greatness thatawaited him in his future only to have his brothers throw him into a well and leave him for dead. Joseph eventuallyfound his way from Israel to Egypt and rose out of slavery into a position of power. Meanwhile, famine engulfs Israel.Forty years pass, and back in the land of Jacob and Rachel, of Joseph’s brothers and Abraham’s tribe, Israel wasnot spared the effects of the famine. They sorely lacked Joseph’s prophecy and his vision. The Qur’an then tells usthat Jacob, sensing Joseph, sends the other brothers to Egypt instructing them to come back with food and grain.Arriving in Egypt, they unwittingly appear before Joseph. They don’t recognize their little brother who has risen toa position of might, dressed in his Egyptian regalia. They ask for the food and the grain.After some conversation, Joseph is no longer able to contain his emotion. Overcome, he reveals himself to his nowterrified brothers. He embraces them. He asks them eagerly, “How is our father?” Joseph gives them the gift of thefood and the grain that they came in search of. He relieves them from hunger and alleviates their fear. He sendsthem back with proof that he is alive, and it is this joyful proof from the miraculous hands of a prophet that bringsback the ancient Jacob’s vision after 40 years of blindness.In this story, I am struck by the fact that Joseph may not have made the decision to forgive his brothers on thespot, but that something inside the prophet’s soul found forgiveness and peace for the brothers who had so gravelywronged him at some point along his journey. I would suspect this point to have been present at Joseph’s inception,even before he had ever been wronged.This is proof, if we needed it, that Joseph’s angel-like beauty was not only physical and external, but also internalas well: Joseph possessed a profound loveliness of spirit that bound his appearance and his soul. In Joseph, formand soul are one.Time is to musicians what light is to a painter. In this way, the story of Joseph also shows us that time can affectour perception of even the most tragic wounds. In fact, the most common Arabic word for “human being” is insaan,which shares its roots with the word insaa, “to forget.” While our ability to remember is essential to how we learnabout ourselves, our capacity to “forgive and forget” may also be one of our great gifts as human beings.The fifth movement follows my ode to Joseph with a structural memory of Mūsa (Moses). The movement consistsentirely of descending motifs which I constructed as an indication of Moses’ descending movement as he emergedto his people from the heights of Mt. Sinai. The music is constructed in five phrases which function as a formalreference to the five books of Moses, the Pentateuch. The movement is placed as the fifth of the quartet for the samereason.While Joseph is always evoked as supremely beautiful in the Books of Judaism, Christianity, and Islam, Suleiman(Solomon) is described as surpassing in his quicksilver intelligence. This movement is composed of a seven-partriddle which passes by in an instant but can be caught by the attentive listener. From Solomon, we work our wayback to Yishak (Isaac) in a seventh movement that evokes Isaac’s literal meaning in Arabic and Hebrew: laughter.The eighth and final movement of this quartet is named for the Patriarch of the entire Book: Ibrahim (Abraham). Itrelates to Isaac just as Joseph relates to Jacob; they are father and son. The lines are prayerful and contemplative;the form of the music evolves from a fugue joining together many different forms of prayer into a single tapestry ofcounterpoint, to the cyclical form of this entire quartet which is rendered through the motion of pilgrims circling theKaaba (cube) in Mecca — a structure which was built by Abraham for Hagaar and their son Ismail.These are just some of the figures that are cherished by all three of the Middle Eastern monotheisms (Judaism,Christianity, and Islam) that the Qur’an refers to collectively as Ahl Al-Kitab. This Arabic phrase is most commonlytranslated as “The People of the Book,” but here the most common translation is a flawed one: the Arabic word“ahl” means “family” and not just “people.” A better translation would be “Family of the Book.” Each of the eightmovements of Prophesies grows from a single musical cell.This quartet is a family album.—Mohammed Fairouz (2018. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pan Penseroso Carl Fischer
Chamber Music Two Flutes, Piano SKU: CF.W2651 For 2 Flutes and Piano (...(+)
Chamber Music Two Flutes, Piano SKU: CF.W2651 For 2 Flutes and Piano (Version 4). Composed by Ransom Wilson Martin Bresnick. Sws 48 to cover - SWS inserts. Set of Score and Parts. With Standard notation. Composed 2009. 48+16+12 pages. Carl Fischer Music #W2651. Published by Carl Fischer Music (CF.W2651). ISBN 9780825885273. UPC: 798408085278. 9 x 12 inches. Written for master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques. Originally written for one flute, Bresnick created a two-flute version in order to make the piece accessible to a greater variety of players. This work is presented in three movements, each of which takes their titles from John Milton's poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poets earlier L'Allegro (The Cheerful Man). Orchestra version available on rental. Duration: 24'. Pan Penseroso (2009) is a concerto for flute or two flutes and orchestra or piano inthree movements:1. The Noise of Folly2. Prophetic Strain3. More is Meant (Than Meets the Ear)Pan Penseroso and the titles of its three movements are taken from John Milton’s great poemIl Penseroso (The Contemplative Man). The music aligns itself with this response to the poet’searlier L’Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton,casts a reflective musical eye on the world, renouncing all “vain deluding joyes,†so as tobetter hear the “Sweet Bird that shunn’st the noise of folly…â€Written for the master flutist Robert Dick, Pan Penseroso includes a number of proceduresexplored in. $34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 101 Songs For Easy Guitar Book 4 Music Sales | | |
| The Real Book - Volume V Eb Instruments Hal Leonard
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 page...(+)
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 pages. Published by Hal Leonard (HL.175279).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
Bb Instruments Hal Leonard
B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Publish...(+)
B-flat Edition. Composed by
Various. Fake Book.
Softcover. 504 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
C Instruments [Fake Book] Hal Leonard
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 46...(+)
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
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| Neil Diamond Lyrics and Chords [Sheet music] Hal Leonard
By Neil Diamond. Guitar Chord Songbook. Softcover. 120 pages. Published by Hal L...(+)
By Neil Diamond. Guitar Chord Songbook. Softcover. 120 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| More Than Psalms Choral SATB Novello & Co Ltd.
Anthems from the Psalms for Mixed Voice Choirs. Edited by Barry Rose. Music Sale...(+)
Anthems from the Psalms for Mixed Voice Choirs. Edited by Barry Rose. Music Sales America. Sacred, Collection, Classical. 256 pages. Novello and Co Ltd. #NOV040062. Published by Novello and Co Ltd.
$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Neil Diamond: Anthology - Easy Guitar Melody line, Lyrics and Chords [Sheet music] - Easy Hal Leonard
Performed by Neil Diamond. For guitar and voice. Format: easy guitar/vocal songb...(+)
Performed by Neil Diamond. For guitar and voice. Format: easy guitar/vocal songbook (no tablature). With vocal melody, lyrics, chord names, guitar chord diagrams and strum and pick patterns. Pop rock. 135 pages. 9x12 inches. Published by Hal Leonard.
(1)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| AACMS 7-CD combo pack GIA Publications
SKU: GI.G-CD-814 Sacred. CD. GIA Publications #814. Published by GIA Publ...(+)
SKU: GI.G-CD-814 Sacred. CD. GIA Publications #814. Published by GIA Publications (GI.G-CD-814). Recordings from the African American Church Music Series Diverse choirs throughout the country are raising a joyful noise with the powerful anthems, hymn arrangements, spirituals, and gospel selections in GIA’s African American Church Music Series, edited by James Abbington. Seven CDs (Stop By, Lord, Use Me, Beams of Heaven, How Excellent Is Thy Name, Guide My Feet, I Heard the Voice, and the newly released The Lord Is My Light) each include 14–18 selections from this rich series. The latest recording in the African American Church Music Series, The Lord Is My Light, is simply bursting with a wonderful array of music: anthems with organ and trumpets, a hymn arrangement, gospel selections in contemporary and traditional styles, and lesser known a cappella spirituals by composers/arrangers Clayton White, Uzee Brown, Jr., and the pioneer of the concert Negro spiritual, Harry T. Burleigh. Recorded in Cannon Chapel at Emory University in Atlanta, this CD features a collection of talented voices from various Georgia universities and the broader Atlanta community. Get all 7 CDs for only $87.50! That's a bargain price of only $12.50 per CD. You save over $31.00 when you buy the entire set. $87.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Neil Young Journeys [DVD] Alfred Publishing
SKU: AP.40-DDCO40784 Composed by Neil Young. Artist/Personality; Personal...(+)
SKU: AP.40-DDCO40784 Composed by Neil Young. Artist/Personality; Personality DVD. Nostalgia; Rock. DVD. Alfred Music #40-DDCO40784. Published by Alfred Music (AP.40-DDCO40784). UPC: 043396407848. English. Neil Young. In May of 2011, Neil Young drove a 1956 Crown Victoria from his idyllic hometown of Omemee, Ontario to downtown Toronto's iconic Massey Hall where he intimately performed the last two nights of his solo world tour. Along the drive, Young recounted insightful and introspective stories from his youth to filmmaker Johathan Demme. Demme, a long-time fan and collaborator, captured these tales of Young's childhood and masterfully weaved them together with his mesmerizing music including songs from the 2010 album Le Noise and powerful renditions of classics including Ohio, Hey Hey My My, I Believe in You, and previously unreleased songs Leia and You Never Call. Through the tunes and the tales, Demme portrays a personal, retrospective look into the heart and soul of the artist. In Neil Young Journeys, Young's intense performances are presented in full, along with passages from the funny and sometimes wistful ride into town. $30.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 101 Songs For Easy Guitar - Book 8 Guitar Music Sales | | |
| The Essential Neil Diamond
Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Performed by Neil Diamond. Piano/Vocal/Chords (Arrangements for piano and voice ...(+)
Performed by Neil Diamond. Piano/Vocal/Chords (Arrangements for piano and voice with guitar chords). Size 9x12 inches. Published by Hal Leonard.
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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