SKU: CA.5027300

ISBN 9790007298456.

As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends. They are ideally suited for mass and organ lessons.

This organ volume brings together twelve compositions Rheinberger wrote for different occasions and at various points during his career. Included in the collection are seven short pieces in different keys that date from the early 1860s. Rheinberger wrote these at the request of his teacher Herzog and others for several organ collections of “easy, performable” pieces – and they are rewarding pieces for liturgical use. The works without opus numbers (WoO 10, 37, 56, 70) can no longer be regarded as early works. The Fugue in F minor WoO 10 of 1867, with its tendency to translate counterpoint into expressive chordal writing, already displays many characteristics of the late Rheinberger, the Canzonetta WoO 77 is a late work from autumn 1899, whereas the Romanze WoO 70 is a second version of no. 1 of the Miscellaneen op. 174 in the easier to play key of C major.

Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition.

SKU: LM.VV194

ISBN 9790560051949.

Les premiers pas (piano, perc., violoncelle, violon et flute) - Petite abeille (piano, violon et flute) - Conte de grand' mere (piano, violoncelle, violon, clarinette et flute) - Sur cinq notes (piano, perc., violoncelle, clarinette et flute) - Petite valse en trio (piano, violoncelle et violon) - Beau mois de Mai (piano, violon et flute) - Les marionnettes (piano, clarinette et flute) - Jingle bells (piano, perc., violoncelle, violon, clarinette et flute) - Petite berceuse (piano, violoncelle, violon et flute) - Chant du soir (piano et flute) - Little girl (piano, perc., violoncelle et clarinette) - Valse Alsacienne (piano, perc., clarinette et flute) - Rock a my soul (piano, perc., violoncelle et clarinette) - So viele Sterne (piano, perc., violoncelle, violon, clarinette et flute ) - Taler, Taler... (piano, violon et clarinette) - Greensleeves (piano, violoncelle, violon et clarinette) - My Bonnie (piano, violoncelle, violon, clarinette et flute) - Melodie Irlandaise (piano, violoncelle, violon et clarinette) - Suzannah (piano, perc., violoncelle, violon, clarinette et flute) - When the Saints (piano, perc., violoncelle, violon, clarinette et flute).

SKU: CA.321810

ISBN 9790007177751. Key: G major. Language: German. Text: Oser, Friedrich. Text: Friedrich Oser.

SKU: CA.7010031

ISBN 9790007242497. Key: F minor. Language: German.

Score available separately - see item CA.7010000.

SKU: CA.3112307

ISBN 9790007166748. Language: German/English. Text: Fritsch, Ahasverus. Text by Ahasverus Fritsch.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score available separately - see item CA.3112300.

SKU: BR.EB-7123

ISBN 9790004172773. 7.5 x 10.5 inches.

SKU: FZ.5909

ISBN 9790230659093. 22.00 x 31.00 cm inches.

These original publications of Telemann, Dieupart, Mancini and Virgiliano are in facsimile on Fac-similes et Enseignement collection. Telemann Georg Philipp : Essercizii Musici. Hamburg, 1739. Solo 10 : Adagio, Allegro, Adagio, Allegro, Larghetto, Vivace. Dieupart Francois : Six Suittes de Clavessin. Amsterdam, Roger, 1701. 5e Suitte : Ouverture, Allemande, Courante, Sarabande, Gavotte, Menuet en Rondeau, Gigue. Mancini Francesco : XII Solos for a flute or a violin with a thorough bass. London, Walsh and Hare, 1727. Sonate VI : Largo, Allegro,Largo, Allegro. Virgiliano Aurelio : Il Dolcimelo. (s. d. n. l. , ca 1600). Ricercar per Flauto : Cornetto : Violino : Traversa. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - German National Library of Berlin (Germany). - Herzog August Library of Wolfenbuttel (Germany). - British Library of London (England). - Civico Museo Bibliographico Musicale of Bologna (Italy). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: CA.3112313

ISBN 9790007207496. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

SKU: BT.SCHBB101808

2 Pianos. Einem, G.

SKU: CY.CC2765

God Bless the Child is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. Holiday's version was honored with a Grammy in 1976. The lyrics are inspired by a personal event in Holiday's life and a quote from the Bible. The song has been recorded by dozens of artists over the years.

Marc Williams' 6-minute all instrumental arrangement is inspired by the Blood Sweat & Tears version from 1969 and features solo Trombone, 9-part Trombone Ensemble and rhythm section.

The arrangement is appropriate for advanced performers.