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| Ports of Call
Theodore Presser Co.
Chamber Music Guitar, Violin 1, Violin 2 SKU: PR.114407260 A Mediterra...(+)
Chamber Music Guitar, Violin 1, Violin 2 SKU: PR.114407260 A Mediterranean Suite. Composed by Samuel Adler. Set of Score and Parts. With Standard notation. 24+16+16+12 pages. Duration 14 minutes. Theodore Presser Company #114-40726. Published by Theodore Presser Company (PR.114407260). UPC: 680160011209. Ports of Call, a suite of five movements for two violins and guitar was written for the Trio Triento for their New York debut. Composed in the Summer of 1992, it was premiered in April 1993. 1992 was the 500th anniversary of the 1492 expulsion of the Jews from Spain and, of course, Columbus' trip to America. To commemorate these important events, I was commissioned by organizations in 20 major cities to write an oratorio. The result was Ever Since Babylon. The musical material was greatly influenced by tunes from around the Mediterranean region. These Sephardic melodies took on treat meaning for me, and I took five of them and expanded them into these five pieces which are actually dances. I felt that the combination of two violins and guitar lent itself well as a vehicle for this music. The names of the cities are used because the tunes originated in these particular locations. Marseille, a typical provencale dance with naturally changing meters and a light, airy, touch. Alexandria, much more mysterious and languid, reflecting the heat and inertia of that glorious city in slow though sometimes steady movement. Salonika, a wild dance in typical Greek fashion celebrating a holiday with abandon. The whirling movement goes relentlessly from beginning to end. Haifa is represented by two beautiful chant-like pastoral tunes which introduce the beauty and luminous quality of this, one of the most beautiful parts in the Eastern Mediterranean. Valencia, the last, a tribute to medieval Spain. The music is a culmination of the influences of the three great cultures, Moslem, Christian, and Jewish, which flourished there for hundreds of years. It is an uplifting dance with just a tinge of sadness in the center, since the Golden Age of which the tune was a part, had come to a tragic end in 1492. --Samuel Adler. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| God Rest Ye Merry Gentlemen / Deck the Halls with Bows of Holly
String Quartet: 2 violins, viola, cello
Advance Music
SKU: AP.1-ADV6403 For String Quartet. Arranged by Dennis C. Anders...(+)
SKU: AP.1-ADV6403 For String Quartet. Arranged by Dennis C. Anderson. Quartet; Solo Small Ensembles; String Quartet. Advance Music: Holiday Celebration Series. Form: Medley. Christmas; Sacred; Secular; Traditional; Winter. Score and Part(s). Advance Music #01-ADV6403. Published by Advance Music (AP.1-ADV6403). UPC: 805095064032. English. Traditional 18th Century Carols. Featuring God Rest Ye Merry Gentlemen, and Deck the Halls with Bows of Holly, this well-crafted coupling of two popular Christmas carols has been arranged for string quartet. Ideal for holiday programming or as an encore piece. $27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Christmas Is for Children
Choral SATB
SATB
Shawnee Press
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| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Violin 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-15(+)
Violin 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-15 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by Erler. David. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-15. Published by Breitkopf and Haertel (BR.OB-32090-15). ISBN 9790004350409. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Viola 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-20 ...(+)
Viola 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-20 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-20. Published by Breitkopf and Haertel (BR.OB-32090-20). ISBN 9790004350430. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Basso (cello/double bass) (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: ...(+)
Basso (cello/double bass) (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-26 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 8 pages. Duration 12'. Breitkopf and Haertel #OB 32090-26. Published by Breitkopf and Haertel (BR.OB-32090-26). ISBN 9790004350447. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Organ (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-11 <...(+)
Organ (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-11 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 12 pages. Duration 12'. Breitkopf and Haertel #OB 32090-11. Published by Breitkopf and Haertel (BR.OB-32090-11). ISBN 9790004350393. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Violin 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-16(+)
Violin 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-16 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-16. Published by Breitkopf and Haertel (BR.OB-32090-16). ISBN 9790004350416. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Viola 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-19 ...(+)
Viola 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-19 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-19. Published by Breitkopf and Haertel (BR.OB-32090-19). ISBN 9790004350423. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Wind parts (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-30<...(+)
Wind parts (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-30 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 24 pages. Duration 12'. Breitkopf and Haertel #OB 32090-30. Published by Breitkopf and Haertel (BR.OB-32090-30). ISBN 9790004350454. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $33.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Chorus (with soloists) and piano (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) <...(+)
Chorus (with soloists) and piano (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.EB-32090 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Choir; stapled. Edition Breitkopf. Cantata; Baroque; Renaissance/early Baroque. Piano/Vocal Score. 24 pages. Duration 12'. Breitkopf and Haertel #EB 32090. Published by Breitkopf and Haertel (BR.EB-32090). ISBN 9790004186688. 7.5 x 10.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $18.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Daran erkennen wir, dass wir in Ihm bleiben [Score]
Breitkopf & Härtel
Chorus (with soloists) and orchestra (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - b...(+)
Chorus (with soloists) and orchestra (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.PB-32090 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque; Renaissance/early Baroque. Full score. 60 pages. Duration 12'. Breitkopf and Haertel #PB 32090. Published by Breitkopf and Haertel (BR.PB-32090). ISBN 9790004215708. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too. Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $57.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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