| Pizza Music Concert band [Score and Parts] - Easy G and M Brand Music Publishers
Concert band (flute 1/2, oboe, clarinet 1/2, /3, Bb bass clarinet, alto sax 1/2,...(+)
Concert band (flute 1/2, oboe, clarinet 1/2, /3, Bb bass clarinet, alto sax 1/2, tenor sax, baritone sax, trumpet 1/2, F horn 1/2, trombone 1/2, euphonium, tuba, percussion 1 (klaxon horn, cuckoo, cork gun, duck call, snare drum/temple blocks/cow Bell) - grade 3 SKU: CN.R10236 Novelty. Composed by Ravi Oli. Band Music. Score and parts. Duration 2:45. Published by G & M Brand Music Publishers (CN.R10236). This pepperoni special is probably the first piece yet written calling for molto mozzarella. It combines Ponchielli's Dance of the Hours with pizzicato Polka. If you were unsure of your Italian condiments, this is the work on which to learn. It is rumored to be Ravi Oli's only contribution to the (hors d') oeuvre. Delicious
This pepperoni special is probably the first piece yet written call ing for molto mozzarella. It combines Ponchielli's Dance of the Hours with pizzicato Polka. If you were unsure of your Italian condiments, this is the work on which to learn. It is rumored to be Ravi Oli's only contribution to the (hors d') oeuvre. Delicious. $55.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Pizza Music Concert band [Score] - Easy G and M Brand Music Publishers
Concert band (flute 1/2, oboe, clarinet 1/2, /3, Bb bass clarinet, alto sax 1/2,...(+)
Concert band (flute 1/2, oboe, clarinet 1/2, /3, Bb bass clarinet, alto sax 1/2, tenor sax, baritone sax, trumpet 1/2, F horn 1/2, trombone 1/2, euphonium, tuba, percussion 1 (klaxon horn, cuckoo, cork gun, duck call, snare drum/temple blocks/cow Bell) - grade 3 SKU: CN.S11236 Novelty. Composed by Ravi Oli. Arranged by Geoffrey Brand. Band Music. Score only. Duration 2:45. Published by G & M Brand Music Publishers (CN.S11236). This pepperoni special is probably the first piece yet written calling for molto mozzarella. It combines Ponchielli's Dance of the Hours with pizzicato Polka. If you were unsure of your Italian condiments, this is the work on which to learn. It is rumored to be Ravi Oli's only contribution to the (hors d') oeuvre. Delicious
This pepperoni special is probably the first piece yet written call ing for molto mozzarella. It combines Ponchielli's Dance of the Hours with pizzicato Polka. If you were unsure of your Italian condiments, this is the work on which to learn. It is rumored to be Ravi Oli's only contribution to the (hors d') oeuvre. Delicious. $7.50 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hors D'oeuvre (percussion(s) & Piano) Leduc, Alphonse
Percussion (Percussion Parts) SKU: HL.48181411 Composed by Pierre Petit. ...(+)
Percussion (Percussion Parts) SKU: HL.48181411 Composed by Pierre Petit. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL20925. Published by Alphonse Leduc (HL.48181411). UPC: 888680855550. 9x12.25 inches. Pierre Petit: Hors d'Oeuvre (Percussion(s) & Piano). $28.60 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hors D'oeuvre Piano solo Novello & Co Ltd.
Piano SKU: HL.284156 Eight Pieces Piano. Composed by Richard Drake...(+)
Piano SKU: HL.284156 Eight Pieces Piano. Composed by Richard Drakeford. Music Sales America. Classical. Softcover. 12 pages. Novello & Co Ltd. #NOV262756. Published by Novello & Co Ltd. (HL.284156). Richard Drakeford's Hors D'oeuvre includes eight compositions for solo Piano. Compositions include Prelude, Minuet, Lament 1, Dance, Scherzo, Lament 2, A Maggot and Pastorale. $9.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hors D'Oeuvre Piano solo Hal Leonard Australia
Piano SKU: BT.MV00001321 Composed by David Comer. Songbook . Music Vault ...(+)
Piano SKU: BT.MV00001321 Composed by David Comer. Songbook . Music Vault #MV00001321. Published by Music Vault (BT.MV00001321). $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hors-d'Oeuvre Tuba and Piano [Score and Parts] Editions Marc Reift (Swiss import)
By Cyrill Schurch. For tuba & piano. Swiss import. Level: 4+. Score and parts. P...(+)
By Cyrill Schurch. For tuba & piano. Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 2005)
$18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hors d'oeuvre Accordion Music Distribution Services
Accordion - difficult SKU: M7.AV-1973 Foxtrott. Composed by Heinz ...(+)
Accordion - difficult SKU: M7.AV-1973 Foxtrott. Composed by Heinz Illing. Sheet music. 3 pages. MDS (Music Distribution Services) #AV 1973. Published by MDS (Music Distribution Services) (M7.AV-1973). ISBN 9790203907398. $8.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hymn to the Fallen Concert band - Intermediate Anglo Music
Concert Band - Grade 4 SKU: HL.44010712 Brass Band - Score Only. C...(+)
Concert Band - Grade 4 SKU: HL.44010712 Brass Band - Score Only. Composed by John Williams. Arranged by Philip Sparke. Anglo Music Concert Band. Movies. Set (Score and Parts). Composed 2004. Anglo Music Press #AMP068030. Published by Anglo Music Press (HL.44010712). UPC: 884088519414. Saving Private Ryan is certainly one of Steven Spielberg's most powerful films. The brilliant John Williams score creates part of this power. Hymn to the Fallen one of the most powerful and emotional melodies which appears during the closing credits, evokes a feeling of hope and strength amid the overall tone of reverence. Philip Sparke has transcribed this moving work for brass band using John Williams original orchestral score as the source. For added effect this work can also be performed with a wordless chorus, with parts being available separately. A terrific Brass Band arrangement of Johnm Williams' Hymn To The Fallen from the paramount and DreamWorks motion picture Saving Private Ryan - by Philip Sparke. Saving Private Ryan is beslist een van de meest indrukwekkende films van Steven Spielberg. De effecten van zijn grootse fotografie en de uitmuntende acteerprestaties in de film creeren samen een emotioneel schokeffect, metname in de laatste momenten van de film, aldus John Williams in zijn voorwoord bij de orkestscore van de filmmuziek. Deze transcriptie van Philip Sparke benadert de originele score zo dicht mogelijk. De optionele koorpartijen zijnafzonderlijk verkrijgbaar. Kaum ein Film hat die Wirren des zweiten Weltkriegs je ehrlicher und in so erschutternden und eindrucksvollen Bildern dargestellt, als Steven Spielbergs Der Soldat James Ryan. Die Musik zu dem monumentalen Epos stammt vom grossen amerikanischen Filmmusikkomponisten John Williams, der sein Werk den gefallenen Kriegshelden widmete. Hymn to the Fallen - eine Ehrerbietung an die Gefallenen - wurde von Philip Sparke getreu der Originalpartitur fur Brass Band bearbeitet. Optionale Chorstimmen sind separat erhaltlich. Quand on pense a Steven Spielberg, on evoque facilement ses films a grand spectacle. Mais c'est occulter l'homme engage qui a signe plusieurs chef-d'oeuvres dont Saving Private Ryan (Il faut sauver le soldat Ryan) couronne par 5 Oscars. Avec Hymn To The Fallen, le generique de fin, John Williams nous offre un puissant hymne en memoire aux soldats qui ont sacrifie leur vie sur l'autel de la liberte lors du debarquement en Normandie, le 6 juin 1944. Une note d'humanite dans un ocean de noirceur et de violence. Se si pensa a Steven Spielberg, si evocano allo stesso tempo i suoi film di grande successo. Spielberg e anche un regista che ha firmato molti capolavori tra i quali Saving Private Ryan (Salvate il Soldato Ryan) insignito di 5 Oscar. Con Hymn to the Fallen, John Williams ci offre un potente inno in memoria dei soldati americani che hanno sacrificato la loro vita durante lo sbarco in Normandia, il 6 giugno 1944. $23.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa Brevis Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: B...(+)
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: BT.DHP-1033337-170 Composed by Jacob De Haan. Musica Sacra. Hymns and Chorals. Score Only. Composed 2003. 28 pages. De Haske Publications #DHP 1033337-170. Published by De Haske Publications (BT.DHP-1033337-170). A4 (210X297) inches. Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration ofchoir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is alsopossible to perform the work with brass band and organ. A truly flexible religious masterpiece. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Ãâ°guisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) - niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel fluit, eventueel contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, eine Messe für Brass Band und Chor ad libitum, kann in diversen variablen Spielstärken aufgeführt werden. Zahlreiche mögliche Instrumentenkombinationen diverse mögliche Kombinationen mit großen oder kleineren Chören, lassen eineVielzahl von verschiedenen Aufführungen dieser Messe zu. So kann z. B. ein Blechbläserquartett, von der Kirchenempore herab spielend, die Chorpartien übernehmen. Darüber hinaus ergeben sich durch die Orgelbegleitung weitere Aufführungsvarianten. EineAufstellung der Wahlmöglichkeiten wird vom Komponisten mitgeliefert. Die wunderschöne Musik aus der Feder von Jacob de Haan garantiert in jedem Fall einen gelungenen Auftritt!Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre dââ¬â¢Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, lââ¬â¢occasion des célébrations dumillénaire de la naissance du Pape Léon IX Ãâ°guisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique quââ¬â¢ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres lââ¬â¢Ã©cart de la formation (sur une estrade, par exemple) de façon reproduire lââ¬â¢idée dedeux groupes indépendants. Dans le cadre dââ¬â¢une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, lââ¬â¢origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourlââ¬â¢interprétation de cette messe lââ¬â¢un des choix proposés ci-dessus sââ¬â¢impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant dââ¬â¢un point devue artistique (variante) que pratique dans le cas où le Choeur nââ¬â¢a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre dââ¬â¢Harmonie), il peut varier lââ¬â¢instrumentation selon ses préférences. ce moment-l , il peut confier un rôle dââ¬â¢accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre dââ¬â¢une interprétation par un Brass Band accompagné dââ¬â¢un Choeur, il est préférable de supprimer lââ¬â¢option 1 (Choeur Cuivres Orchestre dââ¬â¢Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chÃ
âur disponibles séparément.
Parti per coro disponibili a parte. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sailing with the Tall Ships Concert band [Score and Parts] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-334-010 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-334-010 Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2012. Anglo Music Press #AMP 334-010. Published by Anglo Music Press (BT.AMP-334-010). 9x12 inches. English-German-French-Dutch. The title of this work refers to the Tall Ship Race, in which large sailing ships annually appear at various European destinations. The work consists of a slow introduction, which describes the majestic sailing ships; and a faster section (Vivo), which begins in the style of a sea shanty. Now the ship is under full sail, and we hear a reprise of material from the introduction to bring the piece to a close.
Tijdens de wereldbekende, jaarlijkse ‘Tall Ship Race’ nemen op verschillende plaatsen in Europa grote zeilschepen het tegen elkaar op. Dit event vormt de inspiratiebron van dit werk, dat in het eerste, langzame deel een majestueuze boot beschrijft. Hierna volgt een snel ‚vivo’ gedeelte waarin alle zeilen worden bijgezet waarna een spectaculair slot - gebaseerd op het beginmateriaal éen einde maakt aan deze tocht.
Der Titel des Werkes bezieht sich auf das Tall Ship Race, bei dem sich jährlich große Segelschiffe an verschiedenen Orten in Europa messen. Das Werk besteht aus einer langsamen Einleitung, welche den majestätischen Segler beschreibt, und einem schnelleren Abschnitt (Vivo), der im Stile eines Seemannsliedes beginnt. Im Mittelteil fährt das Schiff_x001F_ schon unter vollen Segeln, bevor Motive aus der Einleitung wieder aufgenommen werden, um das Stück zu beenden.
Le titre de la pièce évoque la Tall Ship Race (La Course des Grands Voiliers) qui se déroule chaque année depuis 1956. Les bateaux qui y participent sont tous de grands voiliers servant la formation des jeunes équipages et couvrent des centaines de miles marins sur les mers d’Europe. L’oeuvre se compose d’une lente introduction qui évoque les bateaux majestueux et une section plus rapide débutant dans le style d’une chanson de marins. Un passage central voit les bateaux toutes voiles dehors, puis les thèmes de la première section reviennent pour clore la composition. Hissez la grand voile !
Il titolo del brano evoca la Tall Ship Race, una gara velistica che si tiene ogni anno in diverse localit in Europa. Il brano si compone di una lenta introduzione che rappresenta la maestosit delle imbarcazioni e che precede una sezione veloce (vivo), scritta nello stile di una canzone di marinai. Un passaggio centrale vede le imbarcazioni allineate prima della partenza, in seguito i temi del primo movimento sono ripresentati e concludono la composizione. $201.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sailing with the Tall Ships Concert band [Score] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-334-140 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-334-140 Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2012. 40 pages. Anglo Music Press #AMP 334-140. Published by Anglo Music Press (BT.AMP-334-140). 9x12 inches. English-German-French-Dutch. The title of this work refers to the Tall Ship Race, in which large sailing ships annually appear at various European destinations. The work consists of a slow introduction, which describes the majestic sailing ships; and a faster section (Vivo), which begins in the style of a sea shanty. Now the ship is under full sail, and we hear a reprise of material from the introduction to bring the piece to a close.
Tijdens de wereldbekende, jaarlijkse ‘Tall Ship Race’ nemen op verschillende plaatsen in Europa grote zeilschepen het tegen elkaar op. Dit event vormt de inspiratiebron van dit werk, dat in het eerste, langzame deel een majestueuze boot beschrijft. Hierna volgt een snel ‚vivo’ gedeelte waarin alle zeilen worden bijgezet waarna een spectaculair slot - gebaseerd op het beginmateriaal éen einde maakt aan deze tocht.
Der Titel des Werkes bezieht sich auf das Tall Ship Race, bei dem sich jährlich große Segelschiffe an verschiedenen Orten in Europa messen. Das Werk besteht aus einer langsamen Einleitung, welche den majestätischen Segler beschreibt, und einem schnelleren Abschnitt (Vivo), der im Stile eines Seemannsliedes beginnt. Im Mittelteil fährt das Schiff_x001F_ schon unter vollen Segeln, bevor Motive aus der Einleitung wieder aufgenommen werden, um das Stück zu beenden.
Le titre de la pièce évoque la Tall Ship Race (La Course des Grands Voiliers) qui se déroule chaque année depuis 1956. Les bateaux qui y participent sont tous de grands voiliers servant la formation des jeunes équipages et couvrent des centaines de miles marins sur les mers d’Europe. L’oeuvre se compose d’une lente introduction qui évoque les bateaux majestueux et une section plus rapide débutant dans le style d’une chanson de marins. Un passage central voit les bateaux toutes voiles dehors, puis les thèmes de la première section reviennent pour clore la composition. Hissez la grand voile !
Il titolo del brano evoca la Tall Ship Race, una gara velistica che si tiene ogni anno in diverse localit in Europa. Il brano si compone di una lenta introduzione che rappresenta la maestosit delle imbarcazioni e che precede una sezione veloce (vivo), scritta nello stile di una canzone di marinai. Un passaggio centrale vede le imbarcazioni allineate prima della partenza, in seguito i temi del primo movimento sono ripresentati e concludono la composizione. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa Santa Cecilia Concert band, Choral [Score and Parts] - Intermediate De Haske Publications
For Concert Band, Mixed Choir and Organ (optional). Composed by Jacob De Haa...(+)
For Concert Band, Mixed
Choir and Organ (optional).
Composed by Jacob De Haan.
Musica Sacra. Set (Score &
Parts). Composed 2015. De
Haske Publications #DHP
1155661-010. Published by De
Haske Publications
$275.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dream Cruise Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135402-140 Composed by Satos...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135402-140 Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Score Only. Composed 2013. 24 pages. De Haske Publications #DHP 1135402-140. Published by De Haske Publications (BT.DHP-1135402-140). 356 X 267 inches. English-German-French-Dutch. Satoshi Yagisawa has lived in Ichikawa City, Chiba Prefecture in Japan since he was in elementary school. Around Christmas time every year in Ichikawa City, seven Chiba high school bands hold a joint concert. For the 20th anniversary the composer was asked to write a piece to be performed to close the concert. This piece was first performed in 2010 by Tadashi Yoshida, conductor and close friend of Satoshi Yagisawa, with a combined wind orchestra from Chiba Prefectural Kokubun High School, Chiba Prefectural Ichikawa Nishi High School, Chiba Prefectural Matsudo Mutsumi High School, Chiba Prefectural Matsudo Akiyama High School, Chiba Prefectural Matsudo Yakiri High School,Chiba Prefectural Funabashi Nishi High School and Chiba Prefectural Shiroi High School. The title was chosen from suggestions submitted by participating students. Dream Cruise was chosen by Satomi Otsu, a junior in Chiba Prefectural Matsudo Mutsumi High School Wind Orchestra. The composer skillfully scored this piece and created the chorus part so that all the hundreds of students could participate in the performance. This version has been revised so it can be played without the chorus part.
In de Japanse stad Ichikawa City, de woonplaats van Satoshi Yagisawa, houden zeven schoolorkesten ieder jaar rond kerst een gezamenlijk concert. Met zoveel deelnemers was de componist er veel aan gelegen een werk te orkestreren waaraan iedereen kon deelnemen. Zo componeerde Yagisawa het werk bijzonder zorgvuldig, met toevoeging van een koorpartij. Op deze manier konden alle leerlingen aan het optreden meedoen. Deze herziene versie kunt u zowel mét als zonder koor uitvoeren.
Dream Cruise schrieb der Japaner Satoshi Yagisawa für ein Konzert von einem Zusammenschluss aus sieben Schulblasorchestern seiner Heimatstadt Ichikawa. So war es ihm ein Anliegen, ein besonderes Werk zu schaffen, das er mit großer Sorgfalt orchestrierte und mit einer Chorstimme ausstattete, die eine Aufführung mit einer großen Anzahl an Musikern und Sängern erlaubt, aber auch weggelassen werden kann.
Chaque année, l’époque de Noël, sept orchestres d’harmonie des écoles secondaires de Chiba (Japon) se réunissent pour donner un concert Ichikawa, ville natale du compositeur. Pour marquer le 20e anniversaire de cet événement, le compositeur avait été prié d’écrire une pièce destinée clore le concert. Dream Cruise est une oeuvre fraîche et pétillante mettant l’honneur l’ensemble des pupitres.
Dream Cruise è stata composta da Satoshi Yagisawa per un concerto che includeva sette orchestre di fiati della sua citt natale. Il risultato è un’opera caratterizzata da un’orchestrazione particolarmente curata con parti del coro che consentono un’esecuzione da parte di un numero importante di musicisti e cantanti. Questa versione è stata rivisitata per essere eseguita senza le parti del coro. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sa Musica Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125313-140 Composed by Jacob...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125313-140 Composed by Jacob De Haan. Concert and Contest Collection CBHA. Original Light Music. Score Only. Composed 2012. 28 pages. De Haske Publications #DHP 1125313-140. Published by De Haske Publications (BT.DHP-1125313-140). 9x12 inches. English-German-French-Dutch. Sa Música - ‘Our Music’ - is the music from Mallorca, an island with a long and difficult past. The work tells of the Greeks, who once erected a temple on the island; of the Romans who occupied the island; and of traditional processions that continue to take place. A Spanish fiesta and a lyrical section, which is inspired by a famous pirate poem, bring this work to a close with Spanish flair. This theme can also be sung in the original Spanish with one or more singers or choir (available separately: DHP 1125313-050).
Sa Música, ‘Haar’ muziek, de muziek van Mallorca, een eiland met een bewogen geschiedenis. Het werk verhaalt van de Grieken die een tempel oprichtten op het eiland. En van de Romeinen die het eiland bezetten. Maar ook van de traditionele rooms-katholieke processies die daar nog steeds in ere worden gehouden. Een Spaanse fiesta en een lyrisch deel, gebaseerd op een beroemd piratengedicht, besluit dit werk met Spaanse flair. Dit thema kan worden gewzongen in het Spaans, met een of meer zangers/zangeressen of een koor (koorpartijen zijn separaat verkrijgbaar: DHP 1125313-050).
Sa Música - ‘Ihre Musik’ - ist die Musik der Insel Mallorca, die auf eine bewegte Geschichte zurückblicken kann. Das Werk erzählt von den Griechen, die einst einen Tempel auf der Insel errichteten, von den Römern, die die Insel besetzten und von den traditionellen Prozessionen, die heute noch in Ehren gehalten werden. Eine spanische Fiesta und ein lyrischer Teil, der von einem berühmten Piratengedicht inspiriert ist, runden dieses Werk mit spanischem Flair ab. Dieses Thema kann auch von einem oder mehreren Sängern oder einem Chor zum originalen spanischen Text gesungen werden. Chorstimmen erhältlich: DHP 1125313-050.
Sa Música évoque l’histoire et l’ambiance de l’île espagnole de Majorque, l’une des îles Baléares. L’oeuvre débute avec une introduction majestueuse s’inspirant de motifs grecs. Peu peu, les influences espagnoles se distinguent clairement dans le thème rapide qui vient ensuite, une véritable fiesta. A cette ambiance festive succède le calme, avec un lent passage lyrique que Jacob de Haan a composé sur le texte du célèbre poème sur les pirates, Canción del pirata. Une pièce pétillante ! Ce thème peut être interprété dans sa version espagnole d'origine ou chanté par un ou plusieurs chanteurs ou un choeur (voix disponibles séparément: DHP 1125313-050).
Sa Música si ispira alla storia e alle atmosfere dell’isola di Mallorca nell’arcipelago delle Baleari. Il brano apre con una maestosa introduzione che vuole ricordare le gesta dei colonizzatori greci; segue un tema che riprende le tradizionali processioni che si tengono sull’isola e che anticipa un tema tipicamente spagnolo. A questa atmosfera festiva segue la calma con un passaggio lirico che Jacob de Haan ha composto sul testo del celebre poema Cancion del pirata. (This theme can also be sung in the original Spanish with one or more singers or choir (available separately: DHP 1125313-050)). $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dream Cruise Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135402-010 Composed by Satos...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135402-010 Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135402-010. Published by De Haske Publications (BT.DHP-1135402-010). 9x12 inches. English-German-French-Dutch. Satoshi Yagisawa has lived in Ichikawa City, Chiba Prefecture in Japan since he was in elementary school. Around Christmas time every year in Ichikawa City, seven Chiba high school bands hold a joint concert. For the 20th anniversary the composer was asked to write a piece to be performed to close the concert. This piece was first performed in 2010 by Tadashi Yoshida, conductor and close friend of Satoshi Yagisawa, with a combined wind orchestra from Chiba Prefectural Kokubun High School, Chiba Prefectural Ichikawa Nishi High School, Chiba Prefectural Matsudo Mutsumi High School, Chiba Prefectural Matsudo Akiyama High School, Chiba Prefectural Matsudo Yakiri High School,Chiba Prefectural Funabashi Nishi High School and Chiba Prefectural Shiroi High School. The title was chosen from suggestions submitted by participating students. Dream Cruise was chosen by Satomi Otsu, a junior in Chiba Prefectural Matsudo Mutsumi High School Wind Orchestra. The composer skillfully scored this piece and created the chorus part so that all the hundreds of students could participate in the performance. This version has been revised so it can be played without the chorus part.
In de Japanse stad Ichikawa City, de woonplaats van Satoshi Yagisawa, houden zeven schoolorkesten ieder jaar rond kerst een gezamenlijk concert. Met zoveel deelnemers was de componist er veel aan gelegen een werk te orkestreren waaraan iedereen kon deelnemen. Zo componeerde Yagisawa het werk bijzonder zorgvuldig, met toevoeging van een koorpartij. Op deze manier konden alle leerlingen aan het optreden meedoen. Deze herziene versie kunt u zowel mét als zonder koor uitvoeren.
Dream Cruise schrieb der Japaner Satoshi Yagisawa für ein Konzert von einem Zusammenschluss aus sieben Schulblasorchestern seiner Heimatstadt Ichikawa. So war es ihm ein Anliegen, ein besonderes Werk zu schaffen, das er mit großer Sorgfalt orchestrierte und mit einer Chorstimme ausstattete, die eine Aufführung mit einer großen Anzahl an Musikern und Sängern erlaubt, aber auch weggelassen werden kann.
Chaque année, l’époque de Noël, sept orchestres d’harmonie des écoles secondaires de Chiba (Japon) se réunissent pour donner un concert Ichikawa, ville natale du compositeur. Pour marquer le 20e anniversaire de cet événement, le compositeur avait été prié d’écrire une pièce destinée clore le concert. Dream Cruise est une oeuvre fraîche et pétillante mettant l’honneur l’ensemble des pupitres.
Dream Cruise è stata composta da Satoshi Yagisawa per un concerto che includeva sette orchestre di fiati della sua citt natale. Il risultato è un’opera caratterizzata da un’orchestrazione particolarmente curata con parti del coro che consentono un’esecuzione da parte di un numero importante di musicisti e cantanti. Questa versione è stata rivisitata per essere eseguita senza le parti del coro. $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sa Musica Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125313-010 Composed by Jacob...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125313-010 Composed by Jacob De Haan. Concert and Contest Collection CBHA. Original Light Music. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1125313-010. Published by De Haske Publications (BT.DHP-1125313-010). 9x12 inches. English-German-French-Dutch. Sa Música - ‘Our Music’ - is the music from Mallorca, an island with a long and difficult past. The work tells of the Greeks, who once erected a temple on the island; of the Romans who occupied the island; and of traditional processions that continue to take place. A Spanish fiesta and a lyrical section, which is inspired by a famous pirate poem, bring this work to a close with Spanish flair.This theme can also be sung in the original Spanish with one or more singers or choir (available separately: DHP 1125313-050).
Sa Música, ‘Haar’ muziek, de muziek van Mallorca, een eiland met een bewogen geschiedenis. Het werk verhaalt van de Grieken die een tempel oprichtten op het eiland. En van de Romeinen die het eiland bezetten. Maar ook van de traditionele rooms-katholieke processies die daar nog steeds in ere worden gehouden. Een Spaanse fiesta en een lyrisch deel, gebaseerd op een beroemd piratengedicht, besluit dit werk met Spaanse flair. Dit thema kan worden gewzongen in het Spaans, met een of meer zangers/zangeressen of een koor (koorpartijen zijn separaat verkrijgbaar: DHP 1125313-050).
Sa Música - ‘Ihre Musik’ - ist die Musik der Insel Mallorca, die auf eine bewegte Geschichte zurückblicken kann. Das Werk erzählt von den Griechen, die einst einen Tempel auf der Insel errichteten, von den Römern, die die Insel besetzten und von den traditionellen Prozessionen, die heute noch in Ehren gehalten werden. Eine spanische Fiesta und ein lyrischer Teil, der von einem berühmten Piratengedicht inspiriert ist, runden dieses Werk mit spanischem Flair ab. Dieses Thema kann auch von einem oder mehreren Sängern oder einem Chor zum originalen spanischen Text gesungen werden. Chorstimmen erhältlich: DHP 1125313-050.
Sa Música évoque l’histoire et l’ambiance de l’île espagnole de Majorque, l’une des îles Baléares. L’oeuvre débute avec une introduction majestueuse s’inspirant de motifs grecs. Peu peu, les influences espagnoles se distinguent clairement dans le thème rapide qui vient ensuite, une véritable fiesta. A cette ambiance festive succède le calme, avec un lent passage lyrique que Jacob de Haan a composé sur le texte du célèbre poème sur les pirates, Canción del pirata. Une pièce pétillante ! Ce thème peut être interprété dans sa version espagnole d'origine ou chanté par un ou plusieurs chanteurs ou un choeur (voix disponibles séparément: DHP 1125313-050).
Sa Música si ispira alla storia e alle atmosfere dell’isola di Mallorca nell’arcipelago delle Baleari. Il brano apre con una maestosa introduzione che vuole ricordare le gesta dei colonizzatori greci; segue un tema che riprende le tradizionali processioni che si tengono sull’isola e che anticipa un tema tipicamente spagnolo. A questa atmosfera festiva segue la calma con un passaggio lirico che Jacob de Haan ha composto sul testo del celebre poema Cancion del pirata. (This theme can also be sung in the original Spanish with one or more singers or choir (available separately: DHP 1125313-050). $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Prélude n°1 BWV 846 (Collection Anacrouse) Piano solo [Score] - Easy EBR Editions Bourges
Piano Solo - Easy SKU: BU.EBR-A005 Composed by Johann Sebastian Bach. Thi...(+)
Piano Solo - Easy SKU: BU.EBR-A005 Composed by Johann Sebastian Bach. This edition: French Edition. Classique. Anacrouse. Partition Biographie Notes sur l'oeuvre. Score. Editions Bourges #EBR-A005. Published by Editions Bourges (BU.EBR-A005). ISBN 9790560150345. 8.58 x 12.48 inches. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.
Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.
Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.
Le Prélude qui ouvre le premier livre du Clavier bien tempéré, célèbre entre tous, reprend l’usage courant, à l’époque, de préluder sur un tissu d’harmonies brisées, dans le style des improvisations des luthistes. Ce sont trente-cinq mesures d’arpèges régulièrement partagés entre les mains (deux notes à gauche, trois à droite) qui peuvent être ramenés à des accords. Hors quelques modulations passagères, le ton d’ut majeur reste dominant du début à la fin de la pièce. Le Prélude, tel quel, assimilable aux préludes luthés, l’est aussi, en son essence harmonique, à un accompagnement pour une mélodie virtuelle. C’est ainsi que Charles Gounod l’avait entendu en l’utilisant comme assise à son célèbre Ave Maria. $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Don Quichote de la Mancha Concert band [Score and Parts] - Intermediate Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000828-010 Composed by Rob Go...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000828-010 Composed by Rob Goorhuis. Set (Score & Parts). 154 pages. Gobelin Music Publications #GOB 000828-010. Published by Gobelin Music Publications (BT.GOB-000828-010). Don Quichote de la Mancha is a tasteful musical adaptation of the famous novel by Miguel de Cervantes in four lively movements: The first movement presents the wise nobleman Don Quixote, and in the second movement we see Dulcinea, with whom the Don has an imaginary romance. The third movement deals with Don Quixote’s loyal servant, Sancho Panza, and in the fourth movement we meet Rocinante, the Don’s long-suffering horse!
Wie kent niet zijn gevecht tegen de windmolens? De edelman Don Quichote verkeert in de waan dat hij het onrecht in de wereld moet bestrijden. Met zijn strijdros Rosinante, zijn liefde voor jonkvrouw Dulcinea en zijn schildknaap SanchoPanza trekt hij de wereld in en beleeft allerlei opmerkelijke avonturen.Deel 1: Don Quichote, deel 2: Dulcinea, deel 3: Sancho Panza, deel 4: Rosinante
Don Quichote de la Mancha erzählt den berühmten Roman von Miguel de Cervantes in vier Sätzen auf lebendige musikalisch nach: Der erste Satz stellt den klugen Edelmann Don Quichote vor. Im zweiten Satz erscheint Dulcinea, mit der Don Quichote eine eingebildete Romanze hat. Der dritte Satz handelt vom treuen, einfachen Knecht Sancho Pansa und der vierte Satz schließlich vom Pferd Rosinante, das mit seinem Herrn, der oft mehr auf der Erde als auf ihrem Rücken sitzt, viel mitmachen muss.
Don Quichote de la Mancha se compose de quatre pièces courtes (Don Quichote, l’ingénieux noble espagnol - Dulcinée : qu’il ne rencontrera jamais, est l’élue de son coeur qui il jure amour et fidélité - Sancho Panza : le serviteur loyal et juste l’ me sensible - Rocinante : la monture qui a beaucoup de mal supporter un cavalier qui passe plus de temps terre qu’en selle). Don Quichote de la Mancha est une oeuvre généreuse aux accents hispaniques.
Don Quichote de la Mancha si compone di quattro brevi pezzi (Don Quichote, il geniale nobile spagnolo - Dulcinée: non si incontreranno mai, è la scelta del suo cuore a cui giura amore e lealt - Sancho Panza: il servo fedele e giusto dall’anima sensibile - Rocinante: il cavallo, che sta lottando per sopportare un cavaliere che passa più tempo a terra che in sella). Don Quichote de la Mancha è un’ouverture generosa dagli accenti ispanici. $203.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Don Quichote de la Mancha Concert band [Score] - Intermediate Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000828-140 Composed by Rob Go...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000828-140 Composed by Rob Goorhuis. Score Only. 24 pages. Gobelin Music Publications #GOB 000828-140. Published by Gobelin Music Publications (BT.GOB-000828-140). Don Quichote de la Mancha is a tasteful musical adaptation of the famous novel by Miguel de Cervantes in four lively movements: The first movement presents the wise nobleman Don Quixote, and in the second movement we see Dulcinea, with whom the Don has an imaginary romance. The third movement deals with Don Quixote’s loyal servant, Sancho Panza, and in the fourth movement we meet Rocinante, the Don’s long-suffering horse!
Wie kent niet zijn gevecht tegen de windmolens? De edelman Don Quichote verkeert in de waan dat hij het onrecht in de wereld moet bestrijden. Met zijn strijdros Rosinante, zijn liefde voor jonkvrouw Dulcinea en zijn schildknaap SanchoPanza trekt hij de wereld in en beleeft allerlei opmerkelijke avonturen.Deel 1: Don Quichote, deel 2: Dulcinea, deel 3: Sancho Panza, deel 4: Rosinante
Don Quichote de la Mancha erzählt den berühmten Roman von Miguel de Cervantes in vier Sätzen auf lebendige musikalisch nach: Der erste Satz stellt den klugen Edelmann Don Quichote vor. Im zweiten Satz erscheint Dulcinea, mit der Don Quichote eine eingebildete Romanze hat. Der dritte Satz handelt vom treuen, einfachen Knecht Sancho Pansa und der vierte Satz schließlich vom Pferd Rosinante, das mit seinem Herrn, der oft mehr auf der Erde als auf ihrem Rücken sitzt, viel mitmachen muss.
Don Quichote de la Mancha se compose de quatre pièces courtes (Don Quichote, l’ingénieux noble espagnol - Dulcinée : qu’il ne rencontrera jamais, est l’élue de son coeur qui il jure amour et fidélité - Sancho Panza : le serviteur loyal et juste l’ me sensible - Rocinante : la monture qui a beaucoup de mal supporter un cavalier qui passe plus de temps terre qu’en selle). Don Quichote de la Mancha est une oeuvre généreuse aux accents hispaniques.
Don Quichote de la Mancha si compone di quattro brevi pezzi (Don Quichote, il geniale nobile spagnolo - Dulcinée: non si incontreranno mai, è la scelta del suo cuore a cui giura amore e lealt - Sancho Panza: il servo fedele e giusto dall’anima sensibile - Rocinante: il cavallo, che sta lottando per sopportare un cavaliere che passa più tempo a terra che in sella). Don Quichote de la Mancha è un’ouverture generosa dagli accenti ispanici. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Crossroads Concert band [Score and Parts] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-001213-010 Aarwangen. ...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-001213-010 Aarwangen. Composed by Carl Wittrock. Set (Score & Parts). Composed 2014. 40 pages. Gobelin Music Publications #GOB 001213-010. Published by Gobelin Music Publications (BT.GOB-001213-010). English. Crossroads is an attractive concert work of four interconnected movements, written for the 23rd music festival of the Bernese Cantonal Music Association in Aarwangen, Switzerland. The work has the river Aare to thank for the title ofCrossroads — it was an important trading hub, especially until the age of road building in the 18th century. The lively introduction is followed by a beautiful waltz and a romantic middle section. In the robust finale the orchestra can reallyroll its sleeves up!
Crossroads is een aantrekkelijk concertwerk in vier aaneengeschakelde delen, dat is geschreven voor het 23e muziekfestival van de BKMV in Zwitserland. De titel (‘kruispunt’) heeft het stuk te danken aan de rivier de Aare, die totin het tijdperk van de wegenaanleg in de 18e eeuw een belangrijk handelsknooppunt bood. De levendige inleiding wordt gevolgd door een fraaie wals en een romantisch middendeel. Daarna wordt het werk afgesloten met een stevige finale waarin het orkestflink kan uitpakken.
Crossroads ist ein attraktives Konzertwerk aus vier ineinander übergehenden Sätzen, das für das 23. Musikfest des Bernischen Kantonal-Musikverbands in Aarwangen in der Schweiz geschrieben wurde. Den Titel Crossroads (Kreuzung) hat dasWerk dem Fluss Aare zu verdanken, der bis in das 18. Jahrhundert hinein ein besonders wichtiger Handelsknotenpunkt war. Der lebendigen Einleitung folgt ein schöner Walzer und ein romantischer Mittelteil. Im soliden Finale kann das Orchester sorichtig aufdrehen!
Crossroads est une oeuvre de concert captivante écrite pour le 23e festival de musique du Bernischen Kantonal-Musikverbands de Aarwagen, en Suisse. Le titre évoque le croisement de la rivière Aar, un affluent de la rive gauche du Rhin, quiétait, au XVIIIe siècle, un important noeud commercial et industriel. Une belle valse et une partie centrale romantique mènent une conclusion solide, où l’orchestre peut briller toutes résonnances dehors.
Crossroads è un interessante brano da concerto in quattro movimenti che confluiscono l’uno nell’altro, scritto per la 23a edizione della Musikfest del Bernischer Kantonal-Musikverband di Aarwangen, in Svizzera. Il titolo Crossroads(incrocio) dell’opera è dovuto al fiume Aare, importante nodo commerciale sin dai tempi della costruzione di strade nel XIX secolo. Dopo una vivace introduzione, seguono un bel valzer e una romantica parte centrale. La parte finale è tutta nel segnodell’intero organico che può mettersi in mostra! $185.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Rolling Thunder Concert band [Score] LudwigMasters Publications
Concert Band SKU: AP.36-50105073 Arranged by Henry Fillmore and ed./arr. ...(+)
Concert Band SKU: AP.36-50105073 Arranged by Henry Fillmore and ed./arr. by Col. Arnald Gabriel. Concert Band. Col. Arnald Gabriel Series. Score. LudwigMasters Publications #36-50105073. Published by LudwigMasters Publications (AP.36-50105073). ISBN 9781621561194. UPC: 659359520808. English. There's never been another screamer quite like it! Fillmore's venerable warhorse has been given a thorough looking over by one of the foremost band conductors of our time. Drawing on his years of experience with the United States Air Force Band, Colonel Gabriel has meticulously edited this formidable march for the modern band. Rolling Thunder has long been an admired and often performed work in the symphonic band repertoire. Composed by (James) Henry Fillmore in 1916, this march was a favorite of conductor Merle Evans and the Ringling Brothers and Barnum and Bailey Circus. The work is dedicated to Ed Hicker, who as far as the little documentation shows, was an actor and musician in the Cincinnati, Ohio area and who may have performed with Fillmore in the many pit orchestra engagements of his youth. Rolling Thunder is unique within the march oeuvre, in that its softest dynamic marking is forte! In later printings, Fillmore added the subtitle A Trombone Ace, perhaps a tip of the hat to his own instrument and that the trombones and other bass instruments are playing to the fore from beginning to end. Fillmore also indicates that the march should be played Furioso. So sit back, close your eyes and enjoy the exciting, death defying sounds of the circus as only Henry Fillmore (our Uncle Henry) can do. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $12.00 - See more - Buy online | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa Brevis [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033337-015. Published by De Haske Publications (BT.DHP-1033337-015). 9x12 inches. Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to BassClarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. allbrass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir + saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel + fluit, eventueel + contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, geschrieben für Chor und Blasorchester entstand im Auftrag des Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (Frankreich), anlässlich des tausendjährigen Jubiläumsder Geburt von Papst Leo IX in Éguisheim. Der Komponist dirigierte die Uraufführung am 23. Juni 2002. Sie wurde live vom französischen Fernsehen France 2 übertragen. Die Messesätze Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Deieignen sich ausgezeichnet sowohl für die katholische als auch die protestantische Liturgie. Diese Messe kann in diversen variablen Spielstärken aufgeführt werden. Eine Instrumentalaufführung ist möglich, wenn das Blech die Chorstimme übernimmt.Um der Idee von zwei Chören in dieser Variante möglichst gerecht zu werden, empfiehlt es sich, das Blechregister getrennt vom Rest des Blasorchesters aufzustellen (beispielsweise auf einer Galerie). In einer Aufführung mit einem großen Chor kann dasBlechregister sehr gut als Unterstützung dienen. In diesem Fall sollten die Dynamikangaben der Blechbläser etwas angepasst werden, da sie ja eigentlich für eine Instrumentalaufführung gedacht sind. Man kann zugunsten des Chors auch völlig auf dasBlech verzichten. Zur Begleitung kleinerer Chöre können Sie ein kleines Ensemble aus dem Blasorchester wählen. Dies könnte auch ein Quartett in beliebiger Zusammensetzung sein. Für die Aufführung dieser Messe bietet sich eine der oben genanntenVarianten an. Eine Kombination dieser Wahlmöglichkeiten (vokal/instrumental) ist jedoch auch möglich und das nicht nur vom künstlerischen Standpunkt aus betrachtet (zur Abwechslung), sondern auch aus praktischen Erwägungen beispielsweise, wennder Chor nur zwei Sätze einstudiert hat. In voller Besetzung kann der Dirigent die Instrumentierung nach Belieben variieren. Dann können die Blechbläser auch eine Rolle in der Begleitung übernehmen (anstatt den Chor zu unterstützen). Die folgendenKombinationen sind möglich: 1. Klarinettenchor (von Klarinette in Es bis Bassklarinette) 2. Klarinettenchor + Saxophone 3. Blech (Flügelhorn, Horn, Euphonium, Bassregister) 4. Blech (2 Trompeten / 2 Posaunen) 5. Doppelrohrblattinstrumente (wahlweise + Flöte, wahlweise + Kontrabass) 6. Tutti 7. Alle Holzbläser 8. Alle Blechbläser In einer Aufführung mit Brass Band und Chor ist es gewöhnlich ratsam, nicht die erste Option (Chor + Blech + Blasorchester) zu wählen. Der Chor singt unabhängig, begleitet von einer vollständigen Brass Band. In einer Instrumentalaufführung könnenSie sich für ein kombiniertes Quartett (zwei Kornette und zwei Posaunen) + Brass Band entscheiden. Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes + Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $327.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| European Fin-de-siècle and Polish Modernism. The Music of MieczysÅ‚aw KarÅ‚owicz Ut Orpheus
Books and Journals SKU: UT.APS-4 Ad Parnassum Studies. Edited by L...(+)
Books and Journals SKU: UT.APS-4 Ad Parnassum Studies. Edited by Luca Lévi Sala. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 4. Published by Ut Orpheus (UT.APS-4). ISBN 9788881094677. 6.5 x 9.5 inches. Essays by Tomasz Baranowski, Andrzej Chwalba, Stephen Downes, Peter Franklin, Stefan Keym, Ryszard D. Golianek, Agata Mierzejewska, Michael Murphy, Jadwiga Paja-Stach, Luca Sala, Renata Suchowiejko, Emma Sutton, Andrzej Tuchowski, Alistair Wightman, James L. Zychowicz
In this volume I aim to examine the figure of Mieczyslaw Karlowicz in the broader sociocultural context which fostered his work. The attempt to contextualize an immense intellectual patrimony -- despite being restricted to a tiny number of works when compared to more prolific authors, especially in the context of the xix and the xx centuries -- is always a complex and hazardous task. My primary intention in organizing the volume has been to explicate Karlowicz the man as well as Karlowicz the composer, against the complex background of the European fin-de-siecle. The various essays aim to present the reader with an exhaustive reconstruction of Karlowicz's intellectual work. Karlowicz's oeuvre offers a broad artistic portrayal of Poland at the end of the nineteenth century as a fast-evolving country, politically divided and filled with contradictions. Hence the necessity to investigate the fin-de-siecle context with its social and historical implications, showing the influence of the European cultural milieu on the composer's poetics and on his thought. We shall examine the spectrum of relationships and affinities linking Karlowicz's works to the Polish cultural world (on the wave of the rising 'autochthonous' avant-garde movements) and to the wider cultural life pulsating beyond its borders, with special reference to German Wagnerism and Symphonism. Essentially, we are striving to define the uniqueness of his oeuvre, which -- in relation to the manifold influences co-existing in Poland, an insubstantial nation from the political viewpoint and divided along three socio-cultural fronts -- could be defined as distinctively Polish, yet ultimately European. (Luca Sala). $158.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Danse des Heures (Collection Anacrouse) Piano solo [Score] EBR Editions Bourges
Piano Solo - Medium SKU: BU.EBR-A072 Composed by Almicare Ponchiielli. Ar...(+)
Piano Solo - Medium SKU: BU.EBR-A072 Composed by Almicare Ponchiielli. Arranged by Jean-Francois Pailler. This edition: French Edition. Classique. Anacrouse. Transcription pour piano Biographie Notes sur l'oeuvre. Score. Editions Bourges #EBR-A072. Published by Editions Bourges (BU.EBR-A072). ISBN 9790560151236. 8.58 x 12.48 inches. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.
Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.
Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.
Tombé dans l’oubli depuis des siècles, l’opéra La Gioconda est sans doute le chef d’œuvre de Ponchielli. La partie du ballet « La danse des heures » reste néanmoins familière aux oreilles des profanes puisque cette pièce a été insérée dans Fantasia, le célèbre dessin animé de Walt Disney. Morceau très contrasté, à la fois gracieux et mouvementé, cette page demeure inspirée et mérite à coup sûr d’être redécouverte, en dehors de l’utilisation abusive que la publicité et le cinéma en ont faite. $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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