SKU: BR.EB-9259

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

ISBN 9790004185599. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.

SKU: CA.744400

ISBN M-007-24692-1. Text: Peter Schindler; Eduard Morike; Maik Brandenburg; Hugo Ball; Friedrich Ruckert; Adelheid Wette.

Poets and composers have regularly been inspired by angels for texts, images or melodies. Peter Schindler has set to music an angel song cycle based on the wonderful lyrics of Hugo Ball, Martin Luther, Eduard Morike, Friedrich Ruckert, from Des Knaben Wunderhorn, as well as Psalm 91, which can be performed at any time of the year, as a whole or partially, as a concert interlude or an encore, and of course during Christmastime. The six angel songs can be performed with different vocal settings (1- to 4-part S, SA, SSA or SATB) and piano accompaniment. All four vocal versions can be combined as desired and sung simultaneously, as well as - additionally or alternatively - with string quartet/quintet. For each song there is a descant notated in C or B flat ad lib. In this way, the songs can be compiled individually for singers of all ages and easily rehearsed and performed. All possibilities are open for the joint concert experience of adult and children's choirs.

SKU: CA.4057600

ISBN 9790007105976. Key: A minor. Language: all languages.

An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. The work consists of three movements: a virtuoso Allegro, a pastorale Andante and a rhythmic, exciting Bolero in rondo form.

SKU: CA.3500911

ISBN M-007-25279-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SKU: GH.N04173

ISBN 9790070030014. A4 inches. Text: Hugo Hammarstrom.

SKU: HL.49010542

ISBN 9790001094443. UPC: 073999290646. 9.0x12.0x0.15 inches.

For two flutes and basso continuo (piano).

SKU: KU.GM-124

SKU: HL.49000139

ISBN 9790001004534. UPC: 073999281866. 9.0x12.0x0.144 inches.

Flute, violin (oboe) and basso continuo.

SKU: HL.49000271

ISBN 9790001002608. UPC: 073999290875. 9.0x12.0x0.112 inches.

For two flutes and basso continuo (piano).

SKU: CA.4057611

ISBN 9790007219093. Key: A minor. Language: all languages.

An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. The work consists of three movements: a virtuoso Allegro, a pastorale Andante and a rhythmic, exciting Bolero in rondo form. Score and part available separately - see item CA.4057600.

SKU: CA.4057614

ISBN 9790007219123. Key: A minor. Language: all languages.

An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. The work consists of three movements: a virtuoso Allegro, a pastorale Andante and a rhythmic, exciting Bolero in rondo form. Score and part available separately - see item CA.4057600.