| Hymns for Harmonica Harmonica - Intermediate Mel Bay
Harmonica (diatonic, cross-harp, or chromatic) - Intermediate SKU: MB.93861(+)
Harmonica (diatonic, cross-harp, or chromatic) - Intermediate SKU: MB.93861 Diatonic - Cross-Harp - Chromatic. Composed by Phil Duncan. Arranged by Phil Duncan. Harmonica: Chromatic, Squareback saddle stitch, Style, Harmonica: Diatonic, Gospel/Sacred, Solos, Christian. Sacred. Instrumental solo book. With standard notation, chord names and introductory text. 111 pages. Mel Bay Publications, Inc #93861. Published by Mel Bay Publications, Inc (MB.93861). ISBN 9780871666918. UPC: 796279004428. 8.75x11.75 inches. 98 favorite hymns, gospel songs, and spirituals arranged in several different keys for diatonic, cross harp, or chromatic harmonica solo. In notation only. The book will give many hours of playing pleasure to the beginner as well as the advanced performer. (5)$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bach Dances for Trumpet and Piccolo 2 Trumpets (duet) Charles Colin Music
Trumpet SKU: M7.AHW-306 Excerpts of Bach's Minuettos, Gavottes, Polona...(+)
Trumpet SKU: M7.AHW-306 Excerpts of Bach's Minuettos, Gavottes, Polonaise, Bourees, Sarabands, Hymns, and Marches. Composed by Johann Sebastian Bach. Arranged by Carmelo Barranco. Sheet music. Performance book. Charles Colin Corp. #AHW 306. Published by Charles Colin Corp. (M7.AHW-306). Carmelo Barranco's transcription of 'Bach Dances for the Trumpet and Piccolo Trumpet' includes excerpts of Bach's Minuettos, Gavottes, Polonaise, Bourees, Sarabands, Hymns, and Marches. This is a rare and intriguing book because it is laid out in such a way as to allow for performance of these works on both the Bb/C trumpet as well as the piccolo trumpet. Younger players can enjoy the challenge of performing these pieces in a comfortable range, while advanced players can work up to the top of the staff on the A piccolo, very suitable to the time period and intention of the music. $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Gospel Hymns with a Velvet Touch Piano solo - Advanced Alfred Publishing
(10 Elegant Settings of Beloved Hymns). Arranged by Thomas Fettke. For Piano. Bo...(+)
(10 Elegant Settings of Beloved Hymns). Arranged by Thomas Fettke. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Gospel; Hymn; Sacred. Early Advanced. 40 pages. Published by Alfred Music
$13.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Keyboard Festival of Hymns, Vol. 2 1 Piano, 4 hands Lorenz Publishing Company
Piano, four-hands - Moderately Advanced SKU: LO.70-2470L Composed by Lloy...(+)
Piano, four-hands - Moderately Advanced SKU: LO.70-2470L Composed by Lloyd Larson. Sacred. Lorenz Publishing Company #70/2470L. Published by Lorenz Publishing Company (LO.70-2470L). ISBN 9780787789343. This collection of piano solos from Lloyd Larson builds upon the popularity of A Keyboard Festival of Hymns, Vol. 1 (70/2421L). Like its predecessor, this volume features five arrangements adapted for four-hand piano from Lloydâ??s cantata, A Festival of Hymns. These pieces may be performed as stand-alone selections, or they may function as an accompaniment for several correlating choral arrangements Lloyd has released over the years. Pianists will enjoy the symphonic treatment given to these hymns, and congregations will be blessed as they hear time-honored melodies come to life in a new way. $26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Keyboard Festival of Hymns, Vol. 1 1 Piano, 4 hands Lorenz Publishing Company
Piano, four-hands - Moderately Advanced SKU: LO.70-2421L Composed by Lloy...(+)
Piano, four-hands - Moderately Advanced SKU: LO.70-2421L Composed by Lloyd Larson. Sacred. Lorenz Publishing Company #70/2421L. Published by Lorenz Publishing Company (LO.70-2421L). ISBN 9780787777371. Lloyd Larson’s stunning book features five new settings, adapted for four-hand piano from his recent cantata, A Festival of Hymns. Not only can these pieces be performed as stand-alone selections, but they can also function as an accompaniment for several correlating choral arrangements that Lloyd has released over the years. Pianists will enjoy the symphonic treatment given to each of these hymns, and congregations will be blessed as they hear these time-honored melodies come to life in a new way. $26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nordanvind Concert band - Intermediate Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Set of Score and Parts. With Standard notation. 2+16+4+8+8+8+4+4+2+4+4+4+4+6+6+6+4+4+4+4+6+6+6+6+4+8+3+2+12+2+4+28 pages. Duration 6 minutes, 26 seconds. Carl Fischer Music #SPS71. Published by Carl Fischer Music (CF.SPS71). ISBN 9781491143544. UPC: 680160901043. Key: G minor. Nordanvind is a tour de force symphonic rhapsody that is built on three Scandinavian folk songs. Composer Carl Strommen has composed these Viking-influenced melodies into a concert setting that brings out all of the history of the Scandinavian people. The piece is at times bold and aggressive, at other times beautiful. Carl employs all of the instrumental colors of the concert band to create a new work for more advanced ensembles. Modern Scandinavians are descendants of the Vikings, an adventuresome people who were known for their love of the sea, their naval prowess, and as fierce fighters . The Scandinavian Vikings were warriors from Denmark, Norway, and Sweden who traded, raided and settled in various parts of Europe, Russia, the North Atlantic islands, and the northeastern coast of North America .Starting around 1850, over one million Swedes left their homeland for the United States in search of religious freedom and open farm land . Augustana College was founded in 1860 by graduates of Swedish universities and is located on the Mississippi River in Rock Island, Illinois . Home of the “Vikings,†Augustana College is the oldest Swedish- American institution of higher learning in the United States . This powerful and lively piece takes inspiration from Swedish history and from Swedish folk songs and hymns .Havsdrake (Dragon of the Sea)The Nordanvind or “North Wind†blows a cold wind during a journey of a group of courageous Viking rowers . The “Dragon-ship†or long ships designed for raiding and war was a sophisticated, fast ship able to navigate in very shallow water . To musically portray these magnificent seafaring vessels, the director is encouraged to use an Ocean Drum (or a rain stick) during the introduction . Wind players may consider blowing air through their instruments to suggest the North wind . Adding men’s voices to accompany the haunting low brass and percussive “rower†sounds can be helpful in creating the dark and ominous portrayal of Viking adventurers .Slangpolska efter Byss - KalleIn Sweden, a “polska†is a partner dance where the dancers spin each other (släng in Swedish “to sling or tossâ€) . Slangpolska efter Byss - Kalle is attributed to Byss-Kalle, who was a notable Swedish folk musician, specifically a nyckelharpa player . Slangpolska efter Byss - Kalle is a traditional “polska†dance song most often played on the Nyckelharpa or keyed fiddle and is commonly heard in pubs and at festive events throughout Sweden . Approximately 10,000 nyckelharpa players live in Sweden today, and the Swedish and the American Nyckelharpa Associations are dedicated to this Swedish National instrument . The director is encouraged to share video and audio examples of the nyckelharpa playing the original Slangpolska efter Byss - Kalle .Tryggare Kan Ingen Vara (Children of the Heavenly Father)Tryggare Kan Ingen Vara Is a traditional Swedish melody, possibly of German roots, and was believed to be arranged as a hymn by the Swedish hymn writer, Karolina Wilhelmina Sandell-Berg (1832–1903) . As a daughter of a Swedish Lutheran minister, she began writing poems as a teenager and is said to have written over 1,700 different texts . There are two different accounts as to the inspiration for this hymn . The first story is that Lina (as she was called) wrote the hymn to honor her father and to say thank you to him for raising her and protecting her . A second belief is of her witnessing the tragic death of her father . She and her father were on a boat, when a wave threw her father overboard . It was said that the profound effect of watching her father drown is what caused Lina to write the text to this hymn . Although this is a treasured song to people of Swedish descent everywhere, it speaks to all people about a father tending and nourishing his children, and protecting them from evil .SPS71FThe Augustana College Concert BandFounded in 1874, the Augustana Band program is one of the oldest continuously active collegiate band programs in the country . The Concert Band is one of two bands on campus and was formed more than thirty years ago . The Concert Band attracts students of every skill level and from a wide variety of majors . Students in the ensemble play a large part in choosing their music for performance, which include works from the standard repertoire, orchestral transcriptions, and the latest compositions from leading composers .Rick Jaeschke began his musical career as a clarinet player in the 1st US Army Band . He received a Bachelor of Music degree from Susquehanna University, a Masters of Music from James Madison University, and a doctorate from Columbia University in New York . He was also fortunate to study conducting with Donald Hunsburger and with Frederick Fennell .Dr . Jaeschke taught band and choir at Great Mills High School in Southern Maryland, and for fifteen years, he was the district Music Supervisor in Armonk, New York, where he taught high school concert and jazz bands, beginning band, and music technology . During that time, the music program flourished, and the high school band consistently received Gold Medals in the New York State Festivals, as well as in national, and international festivals . As a clarinet and saxophone player, Dr . Jaeschke performed in the New York metropolitan area with the Rockland Symphony Orchestra, the Putnam Symphony Orchestra, Fine Arts Symphony Orchestra, and served as the concert master for the Hudson Valley Wind Symphony .For several years, Dr . Jaeschke served as the Fine Arts Coordinator for the District 204 schools in Naperville, IL, a district selected as One of the Best 100 Schools in America for Music . Currently, Dr . Jaeschke is an Associate Professor at Augustana College where he teaches music and music education courses, and directs the Concert Band . He has served on various educational boards, is a National edTPA scorer, and has presented at state, national and international music conferences . He lives with his family in Bettendorf Iowa, and enjoys any opportunity to explore the open water in his sea kayak . $125.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Hymns Piano solo [Sheet music] - Easy Hal Leonard
20 Timeless Hymns. Arranged by Phillip Keveren. Beginning Piano Solo Songbook (I...(+)
20 Timeless Hymns. Arranged by Phillip Keveren. Beginning Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 48 pages. Published by Hal Leonard.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hymns and Classics Piano solo [Sheet music] - Advanced FJH
Arranged by Gail Smith. For Solo Piano. The FJH Sacred Piano Library. Sacred, Hy...(+)
Arranged by Gail Smith. For Solo Piano. The FJH Sacred Piano Library. Sacred, Hymns. Collection. 40 pages. Published by The FJH Music Company Inc. (FF1674)
Level: Advanced.
(2)$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Call to Peace Piano solo - Intermediate/advanced Alfred Publishing
10 Hymn Arrangements Based on the Theme of Peace. Arranged by Melody Bober. B...(+)
10 Hymn Arrangements Based
on the Theme of Peace.
Arranged by Melody Bober.
Book; Piano Collection;
Piano Supplemental. Sacred
Performer Collections. Hymn;
Peace/Brotherhood; Sacred.
36 pages. Published by
Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Madrigal Pavane / Timburibá [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. Les Productions d'OZ #DZ 4287. Published by Les Productions d'OZ (DZ.DZ-4287). ISBN 9782898522048. Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others. In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre. Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez. Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin). In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions. In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro. Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro. The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.
Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres. En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre. De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez. Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne). En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes. En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro. Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro. La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ». Envoyer des commentaires Panneaux latéraux Historique Enregistrées. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Call to Worship
Piano solo [Sheet music] Alfred Publishing
(10 Arrangements of Hymns That Inspire Devotion). Arranged by Melody Bober. For ...(+)
(10 Arrangements of Hymns That Inspire Devotion). Arranged by Melody Bober. For Piano. Piano Collection; Piano Supplemental. Sacred Performer Collections. Benediction; Communion; Contemporary Christian; Hymn; Sacred. Early Advanced; Late Intermediate. Book. 40 pages
$13.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Praise in Many Colors Piano solo - Intermediate/advanced Lillenas Publishing Co.
(Hymns, Spirituals, Gospel Songs and Carols). By Melody Bober. For piano. Sacred...(+)
(Hymns, Spirituals, Gospel Songs and Carols). By Melody Bober. For piano. Sacred. Moderately advanced. Published by Lillenas Publishing Company
$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Preludes and Postludes for Piano Piano solo - Intermediate/advanced Lillenas Publishing Co.
Composed by Lloyd Larson. Sacred. Lillenas Publishing Company #9780787772772. ...(+)
Composed by Lloyd Larson.
Sacred. Lillenas Publishing
Company #9780787772772.
Published by Lillenas
Publishing Company
$26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bach: The recorder parts of his vocal works [Score] Carus Verlag
SKU: CA.3130800 Composed by Johann Sebastian Bach. Edited by Klaus Hofman...(+)
SKU: CA.3130800 Composed by Johann Sebastian Bach. Edited by Klaus Hofmann, Peter Thalheimer. Stuttgart Urtext Edition: Bach vocal. Instrumental music based on hymns. Full score. 220 pages. Carus Verlag #CV 31.308/00. Published by Carus Verlag (CA.3130800). ISBN 9790007181581. Johann Sebastian Bach's recorder parts are amongst the most delightful artistic challenges which baroque music has to offer players of this instrument. In the 25 cantatas and oratorios in which Bach uses the recorder, there are parts with moderate technical demands, but also many where the instrument is at the limits of the performing techniques of the time. Taken as a whole, Bach's recorder parts constitute a body of study material which presents plenty of challenges even for advanced players. This edition is intended to be both a resource for practice and for use in performance. It contains all the recorder parts from Bach's vocal works in Urtext editions in a practical layout. The music text is always given in full, and includes indications of movements where the recorder is tacet. Cue-sized notes help orientation within the scoring. Where necessary additional transposed parts for instruments at different pitches are included, or alternative variants are suggested on ossia staves. The music text matches the sources. The text section includes an introduction and commentary on the individual pieces. The introduction covers the different types of recorder in Bach's time, the body of works and the source material, as well as various specific problems. The commentary includes information about each work, the sources and the approach to editing the music in each case, plus comments on variant readings and tips on performance practice and performing technique. $103.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hymn Violin and Piano - Advanced Schirmer
Violin & piano - Advanced SKU: EC.LMP044 Composed by Kareem Roustom. Inst...(+)
Violin & piano - Advanced SKU: EC.LMP044 Composed by Kareem Roustom. Instrumental part. E.C. Schirmer Publishing #LMP044. Published by E.C. Schirmer Publishing (EC.LMP044). ISBN 9781962585026. This work was especially arranged for Thomas Stumpf and Joanna Kurkowicz and was adapted from the second movement of my Violin Concerto No. 1. The inspiration comes from the melodic shapes and sentiments of the hymns and chants of the Syrian Orthodox Church. Though there is no direct reference to any particular hymn or chant in that repertoire, it is the formal structure and melodic contour from that tradition that provided inspiration for Hymn; especially in the opening and closing sections. The inner feelings of Hymn reflect on one aspect of the nature of faith, and how one holds on to it in a tumultuous world. This is reflected in the middle section where the piano's jagged rhythms attempt to throw off the steady pulses of the violin. Only faith in one's own inner rhythm can keep the violinist moving steadily forward. -Kareem Roustom. $20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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