SKU: GI.G-8093

ISBN 9781579998509. English.

A young boy and his faithful dog face a big decision. Dale Kingston isn’t your average boy. He saved the Conn musical instrument factory from burning to the ground in Book One of the Adventures with Music series. In Dog Tags, Book Two in the Adventures with Music series, Dale faces a big decision: World War II is in full swing, and he wants to do his patriotic duty. But Dale is only twelve years old. How can he help America? His dog, Scout, provides the answer when his master hears about the U.S. Army’s Dogs for Defense program. Dale loves his pet, but he knows Scout would do his country proud by serving as an animal courier for American troops at war. Should he enroll Scout in the program? Along the way, Dale begins trumpet lessons as his school forms a band for the first time. He loves the Andrews Sisters and their hot new song, Boogie Woogie Bugle Boy. His dream is to play that solo for the popular trio. Could that dream come true? Dog Tags, the second volume in the Adventures with Music series, answers these questions and more in a story told from the heart that will inspire young readers everywhere. Excerpt from the book... The instruments arrive and the students have their first band rehearsal, but Dale has his mind on other things.... Grandpa knelt down and looked directly into Dale's eyes. This is a very brave thing you're doing for your country son. You're making the biggest sacrifice any boy can make by volunteering your dog for the military. Breaking free from his grandfather, Dale ran to Scout and gave him one last deep hug. He whispered, Do your best, Scout. I love you!   Paul Kimpton grew up in a musical family and was a band director in Illinois for 34 years. His father Dale was a band director and professor at the University of Illinois, and his mother Barbara was a vocalist. When Paul is not writing, he is reading or enjoying the outdoors. Ann Kimpton played French horn through college and went on to be a mother, teacher, and high school administrator. Her parents, Henry and Maryalyce Kaczkowski, both educators, instilled an appreciation for the fine arts and the outdoors in all of their children. .

SKU: BT.DHP-1002452-401

ISBN 9789043113557. English.

This volume includes a series of short varied pieces that are suitable for performance or as additional material to any method book.This book is supplementary material for the second method book in the Look, Listen & Learn series.

Per dare la possibilit all‘allievo di migliorare in modo più completo l‘apprendimento dello strumento, il volume 2 della serie Ascolta, leggi & suona è affiancato da questa pubblicazione che propone brani originali srcitti appositamente per migliorare aspetti fondamentali della musica: il fraseggio, i respiri, le dinamiche ed il tempo.

SKU: BR.OB-32034-20

ISBN 9790004350928. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.

SKU: SU.80101530

A setting for SAB Chorus and Organ of familiar words from Julian of Norwich: God of your goodness, give yourself to me. For you are enough for me: Only in you do I have everything. Amen.SAB Chorus & Organ Duration: 2' Composed: 2003 Published by: Zimbel Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

SKU: BT.EMBZ13730

English-German-Hungarian.

Liszt composed three piano works on Paganini's bell theme. The best known of these works is La Campanella (1851). The Clochette fantasia, that is the Grande Fantaisie de bravoure sur la Clochette de Paganini (1831-1834) as well as the early version of the F sharp minor study, the Campanella (1838) in A flat minor are much less played. Liszt composed a fourth piano work on the campanelle theme. Similar to the preceding it is a series of variations. The second theme is also taken from Paganini: it is the theme of a variation series known with the title The Carnival in Venice.

Der hier vorgelegten Edition liegt das Autograph Liszts zugrunde, das im Goethe- und Schiller-Archiv, Weimar unter der Signatur Ms I 44 aufbewahrt wird. Das Werk hat keine Inschrift. Unter dem letzten Takt (498) steht das autographe Datum Lisbonne / 2 Février ohne Jahreszahl. Sie soll aller Wahrscheinlichkeit nach 1845 sein, da sich Liszt nur ein einziges Mal, nämlich in diesem Jahr Portugal aufhielt.

SKU: HL.51481594

UPC: 196288215837. 9.0x12.0x0.046 inches.

One of Scriabin's best-known piano pieces is also one of his very first compositions. He wrote it when he was only fifteen years old; when it appeared in print in 1893, the twenty-one-year-old was still so unknown that he did not receive any remuneration from the publisher. The rapturous etude was soon to enjoy unprecedented success. Marked “Andante”, it is not a virtuoso piece – but nevertheless it is a challenge to master the full-handed chords in legato and to clearly work out the upper and middle parts at the same time. In the Henle Urtext edition, Boris Giltburg's fingerings support this task in an exemplary manner. As an etude of medium difficulty, this earworm offers a wonderful introduction to the piano world of Scriabin!

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SKU: BT.WA-4003-401

English.

This tune was very popular before World War I - the first recording was a 2-minute Edison cylinder in 1903 - but retained popularity during both World Wars with the version by Glenn Miller and his orchestra being the best known.

SKU: BR.OB-32034-54

ISBN 9790004350966. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.

SKU: BT.DHP-1002447-401

ISBN 9789043113489. English.

This volume includes a series of short varied pieces that are suitable for performance or as additional material to any method book.This book is supplementary material for the second method book in the Look, Listen and Learn series.

Per dare la possibilit allâ??allievo di migliorare in modo più completo lâ??apprendimento dello strumento, il volume 2 della serie Ascolta, leggi and suona è affiancato da questa pubblicazione che propone brani originali srcitti appositamente per migliorare aspetti fondamentali della musica: il fraseggio, i respiri, le dinamiche ed il tempo.