| Spotlight Piano Solo Collection, Book 1 Piano solo [Sheet music] - Beginner FJH
By Various. For Piano. Contents include: Morning Has Broken (Massoud); My First ...(+)
By Various. For Piano. Contents include: Morning Has Broken (Massoud); My First Halloween at the Piano (Scherk); Parade of the Ants (Greenleaf); Locomotive Boogie (Greenleaf); Squeaky Sneakers (Greenleaf); Buglers at Sunrise (Holmes); Chihuahua Cha-Cha (Greenleaf); The Great Bike Race (Greenleaf); If I Lived Under the Sea (Matz). Level: Early Elementary/Elementary. Book. Published by The FJH Music Company, Inc.
$5.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Lived Choral 3-part SSA A Cappella Hal Leonard
By OneRepublic. By Noel Zancanella, Ryan Tedder. Arranged by Deke Sharon. Pop Ch...(+)
By OneRepublic. By Noel Zancanella, Ryan Tedder. Arranged by Deke Sharon. Pop Choral Series. Female Voices, A Cappella, Show Choir, Pop. Octavo. 16 pages. Published by Hal Leonard (HL.216562).
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| I Lived Choral SATB SATB A Cappella [Octavo] Hal Leonard
By OneRepublic. By Noel Zancanella and Ryan Tedder (1979-). Arranged by Deke Sha...(+)
By OneRepublic. By Noel Zancanella and Ryan Tedder (1979-). Arranged by Deke Sharon. Pop Choral Series. Octavo. 16 pages. Published by Hal Leonard (HL.216561).
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| I Love to See the Temple - collection [Sheet music] - Intermediate Jackman Music Corporation
By Janice Kapp Perry / Steven Kapp Perry / Lynne Perry Christofferson. Text: Jan...(+)
By Janice Kapp Perry / Steven Kapp Perry / Lynne Perry Christofferson. Text: Janice Kapp Perry / Steven Kapp Perry / Lynne Perry Christofferson / Joy Saunders Lundberg / Michaelene P. Grassli. For Vocal Songbook. Published by Jackman Music Corporation. Level: Medium.
$11.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Taylor Swift – The Tortured Poets Department: The Anthology Lyrics and Chords - Easy Hal Leonard
Guitar Chords with Lyrics Guitar SKU: HL.1477747 By Taylor Swift. Guitar....(+)
Guitar Chords with Lyrics Guitar SKU: HL.1477747 By Taylor Swift. Guitar. Pop. Softcover. Published by Hal Leonard (HL.1477747). ISBN 9798350128512. UPC: 196288215035. 9.0x12.0x0.277 inches. You've memorized all the songs from the double album, now it's time to play them for yourself! Our matching folio to The Tortured Poets Department: The Anthology features all 31 tracks meticulously arranged for guitar, with chord symbols, guitar chord frames, and full lyrics. Dive into the emotional depth of Swift's music and play along with your favorite tracks from “Fortnight” to “The Manuscript,” to “So Long, London” to “So High School,” and all the others. Immerse yourself in the storytelling prowess of Taylor Swift and bring her songs to life with your own unique voice and talent! Songs include: The Albatross • The Alchemy • The Black Dog • The Bolter • But Daddy I Love Him • Cassandra • Chloe or Sam or Sophia or Marcus • Clara Bow • Down Bad • Florida!!! • Fortnight • Fresh Out the Slammer • Guilty as Sin? • How Did It End? • I Can Do It with a Broken Heart • I Can Fix Him (No Really I Can) • I Hate It Here • I Look in People's Windows • Imgonnagetyouback • Loml • The Manuscript • My Boy Only Breaks His Favorite Toys • Peter • The Prophecy • Robin • The Smallest Man Who Ever Lived • So High School • So Long, London • thanK you aIMee • The Tortured Poets Department • Who's Afraid of Little Old Me? $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Elegy for a Firefighter - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, String Bass, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 4 SKU: CF.SPS87 Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+4+2+2+2+8+8+4+2+4+4+2+2+2+2+3+3+3+4+4+4+4+3+3+3+6+4+4+2+2+1+1+1+1+4+24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87. Published by Carl Fischer Music (CF.SPS87). ISBN 9781491156445. UPC: 680160914982. 9 x 12 inches. About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-likeâ€); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. $100.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Elegy for a Firefighter [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion and more. - Grade 4 SKU: CF.SPS87F Composed by Jeremy Martin. Sws. Sps. Full score. 24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87F. Published by Carl Fischer Music (CF.SPS87F). ISBN 9781491156452. UPC: 680160914999. 9 x 12 inches. About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-likeâ€); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Isthmus Choral SATB [Score] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Composed by Evis Sammoutis. Score Only. Composed 2019. 14 pages. University of York Music Press #MUSM570368679. Published by University of York Music Press (BT.MUSM570368679). Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Isthmus University Of York Music Press
Choir SKU: BT.MUSM570369027 For choir and fixed media. Composed by...(+)
Choir SKU: BT.MUSM570369027 For choir and fixed media. Composed by Evis Sammoutis. CD Only. Composed 2019. University of York Music Press #MUSM570369027. Published by University of York Music Press (BT.MUSM570369027). Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP. $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Prelude Chains - Book 4 Piano solo [Sheet music] Jackman Music Corporation
By Various. Arranged by Brent Jorgensen. For Piano Book. Level: Varied. Publishe...(+)
By Various. Arranged by Brent Jorgensen. For Piano Book. Level: Varied. Published by Jackman Music Corporation.
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Super Mormon Bignote Piano solo [Sheet music] - Easy Jackman Music Corporation
By Many. Arranged by Brent Jorgensen. Text: Many. For Easy Songbook. Published b...(+)
By Many. Arranged by Brent Jorgensen. Text: Many. For Easy Songbook. Published by Jackman Music Corporation. Level: Easy.
(1)$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Primary Songs for Piano Piano solo - Easy Jackman Music Corporation
Piano - easy to medium easy SKU: JK.01966 Composed by Various. Arranged b...(+)
Piano - easy to medium easy SKU: JK.01966 Composed by Various. Arranged by Paralee Miles Eckman. Piano Beginner, Piano Preludes, Piano Solos, Special Events Baptism and Confirmation, Special Events Primary Program, Children. Christian, Inspirational. Jackman Music Corporation #01966. Published by Jackman Music Corporation (JK.01966). UPC: 093285019669. Mosiah 2:22, Doctrine and Covenants 59:23. Easy Primary Songs for Piano is the perfect book for beginning pianists who can play hands together. You'll find many of the most well-loved primary songs in this book, arranged in a simple but beautiful way. In an effort to make this book simple and approachable, every song has been arranged in the keys of C, G, or F. Each song displays a keyboard chart above, showing the beginning hand positions and the sharps/flats included in the piece. Songs have been ordered by level of difficulty (Beginner: Level 1 to Level 2). Watch for helpful tips above each song and don't be afraid to refer to the pages in the front which contain helpful tools and basic piano/music theory. * While this book is perfect for developing pianists, it could also be used in a primary setting as a simplified songook for the accompanist. This book was originally titled Simplified Favorites (#80095) Contents: A Happy Family Baptism Book of Mormon Stories Dare to Do Right Families Can Be Together Forever Give Said the Little Stream Happy, Happy Birthday Have a Very, Merry Christmas He Sent His Son I Am a Child of God I Believe in Being Honest I Feel My Savior's Love I Hope They Call Me on a Mission I Lived in Heaven I Love to See the Temple I Want to Be a Missionary Now I Will Be Valiant In the Leafy Treetops Pioneer Children Sang as They Walked It's Autumn-time Keep the Commandments Mother Dear My Dad My Heavenly Father Loves Me Oh, What do You Do in the Summertime? Once There Was a Snowman Quickly I'll Obey Search, Ponder and Pray Seek the Lord Early Smiles Teach Me to Walk in the Light Thank Thee for Everything The Golden Plates We'll Bring the World His Truth When Joseph Went to Bethlehem When He Comes Again Composers: various Arranger: Paralee Miles Eckman Lyricist: various Difficulty: easy to medium easy Reference: Mosiah 2:22, Doctrine and Covenants 59:23. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alma i Vida i Korason OR-TAV Music Publications
Voice,guitar SKU: OT.28104 Composed by Daniel Akiva. Sephardic Anthology ...(+)
Voice,guitar SKU: OT.28104 Composed by Daniel Akiva. Sephardic Anthology for voice and guitar. Classical,Jewish. Performance score. OR-TAV Music Publications #28104. Published by OR-TAV Music Publications (OT.28104). ISBN 9789655051100. 8.27 x 11.69 inches. Daniel Akiva Alma i Vida i Korason Sephardic Anthology for voice and guitar The 18 songs of the collection Alma i Vida i Korason include romansas, cantigas, life cycle songs and original music composed to poems by Avner Perez, a journey in Ladino song from the Middle Ages through the 21st century. Alma i Vida i Korason was recently recorded by Sivan Goldman, soprano and Daniel Akiva, guitar, together with a special series of short videos filmed at the Ralli Museum in Caesarea, Israel. For further information, please visit the YouTube and Spotify channels of the composer. Contents: 1. A la una Naci yo 2. Kisa Agora el Amor 3. Durme Durme Mi Andjeliko 4. Morena me Yaman 5. La Serena 6. Durme Durme Mi Alma Donzeya 7. Noches Noches 8. Mama Yo no Tengo Visto 9. Ya Abasha La Novia 10. Esta Noche 11. Ya Viene El Kativo 12. Komo La Roza 13. Ay Linda Amiga 14. El Prisionero 15. Kantiga de Kune Para Selanik 16. Puncha Puncha 17. Durme Hermozo Hiziko 18. Sirkiji
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have earned international acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies of lute with Jonathan Rubin and composition with Jean Ballisa at the Geneva Conservatorium in Switzerland. In 1986 he founded the Music Department at the WIZO High School for the Arts in Haifa which he headed for over thirty years. As part of his work at WIZO High School, he developed a method for teaching free improvisation which has been incorporated into the music program at the school. He also served as the Artistic Director of the Guitar Gems Festival from 2006-2018. Mr. Akiva has performed in concerts as a guitarist and lutenist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. Akiva's work Psalms for guitar solo was awarded the ACUM prize for composition in 1990, and his string quartet Ciclos was awarded the ACUM prize for composition in 2002. In 2006 his CD Hope, recorded with Laurel Zucker (flute) and Ronit Widmann-Levy (soprano) was awarded the Amazon prize. In 2017 Akiva was awarded the Prime Minister's Prize for composers in Israel. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. A large part of his oeuvre has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue throughout the years with poets and writers Amnon Shemesh, Rivka Miriam, and Avner Perez. 105 pages, softcover. $31.19 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Organ Chains - Book 6 Organ [Sheet music] Jackman Music Corporation | | |
| Fuoco E Lagrime Soprano voice, Piano Schott
Piano Accompaniment; Soprano (Soprano) SKU: HL.49046394 Songs for Sopr...(+)
Piano Accompaniment; Soprano (Soprano) SKU: HL.49046394 Songs for Soprano and Piano. Composed by Anno Schreier. Vocal Solo. Classical. Softcover. 48 pages. Duration 1200 seconds. Schott Music #ED23190. Published by Schott Music (HL.49046394). ISBN 9781540086570. UPC: 840126910186. 9.0x12.0 inches. In 2010 I lived in Rome as a Villa Massimo scholarship holder. During my time there I came across a few poems by Michelangelo that touched me a lot and soon had the plan to set some of them to music. But I wanted to combine it with something contemporary - just like in Rome the old and the new always meet. The poet Marcel Beyer, whom I met in Rome, then wrote the cycle of poems Die Grillmeisterin for me, which takes up many motifs from the Michelangelo texts (fire, tears, getting burned, loneliness, etc.). I then alternately combined this cycle of poems with the Michelangelo poems. The Italian songs have a sometimes melancholy, sometimes dramatic character, while the German songs are rather bizarre, sometimes even humorous. Despite these contrasts in character, there are also many musical connections between the German and Italian songs. Individual motifs and chord sequences sometimes return in completely different contexts, and there is even a direct connection between the first and last song, in that the same vocal line is underlaid with a completely different text. This creates a musical framework that holds the very heterogeneous selection of texts together. -Anno Schreier. $24.99 - See more - Buy online | | |
| Fuoco E Lagrime Schott
Soprano and Piano Piano Accompaniment; Soprano (Soprano) SKU: HL.49046387 ...(+)
Soprano and Piano Piano Accompaniment; Soprano (Soprano) SKU: HL.49046387 Texts by Marcel Beyer & Michelangelo Buonarro Soprano and Piano. Composed by Anno Schreier. Vocal Solo. Classical. Softcover. 48 pages. Duration 1200 seconds. Schott Music #ED231910. Published by Schott Music (HL.49046387). ISBN 9781540086501. UPC: 840126910117. In 2010 I lived in Rome as a Villa Massimo scholarship holder. During my time there I came across a few poems by Michelangelo that touched me a lot and soon had the plan to set some of them to music. But I wanted to combine it with something contemporary - just like in Rome the old and the new always meet. The poet Marcel Beyer, whom I met in Rome, then wrote the cycle of poems Die Grillmeisterin for me, which takes up many motifs from the Michelangelo texts (fire, tears, getting burned, loneliness, etc.). I then alternately combined this cycle of poems with the Michelangelo poems. The Italian songs have a sometimes melancholy, sometimes dramatic character, while the German songs are rather bizarre, sometimes even humorous. Despite these contrasts in character, there are also many musical connections between the German and Italian songs. Individual motifs and chord sequences sometimes return in completely different contexts, and there is even a direct connection between the first and last song, in that the same vocal line is underlaid with a completely different text. This creates a musical framework that holds the very heterogeneous selection of texts together. Anno Schreier. $24.99 - See more - Buy online | | |
| Er Huang Piano solo Boosey and Hawkes
2 Pianos, 4 Hands (Piano Solo) SKU: HL.48025215 Reduction for Two Pian...(+)
2 Pianos, 4 Hands (Piano Solo) SKU: HL.48025215 Reduction for Two Pianos. Composed by Qigang Chen. BH Piano. Classical. Softcover. 56 pages. Boosey & Hawkes #M060140105. Published by Boosey & Hawkes (HL.48025215). UPC: 196288133438. Er Huang was commissioned by Carnegie Hall, New York where, in 2009, it received its world premiere with solo pianist Lang Lang and the Juilliard Orchestra under the baton of Michael Tilson Thomas. Chen wrote about the work, 'Music has its own life – for me the germination of any musical work is like a tree growing out of the ground, and the eventual outcome of this life is entirely unknowable in advance.' Commenting on the connection between Er Huang and its source of inspiration, the Er Huang tunes from the classical Peking Opera repertoire, he says that, 'the way I applied musical elements from Peking Opera to my own writing was not really based on musicological studies. Rather, these tunes were an essential part of my childhood in Beijing, and always intertwined with memories of my family and the society I lived in at the time. Many people from my generation would be able to hum these tunes by heart. These days, however, these familiar tunes have been almost entirely forgotten, as the younger generation is much more occupied by western pop culture. This is why, when I quote these tunes, I often do so with a great sense of nostalgia. Traditional Chinese music has a very strong character, and the organic assimilation of something that I feel most akin to, over time, into my own musical language, has become an essential part of my artistic expression.'. $38.00 - See more - Buy online | | |
| Russian Operatic Arias for Soprano Soprano Voice, Piano Peters By Various. Edited by
Fanning. For soprano,
piano. Published by C.F.
Peters.
$47.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| a2 (b) Violin, Cello (duet) [Score] University Of York Music Press
Violin and Cello SKU: BT.MUSM570360130 Composed by Thomas Simaku. Score O...(+)
Violin and Cello SKU: BT.MUSM570360130 Composed by Thomas Simaku. Score Only. 9 pages. University of York Music Press #MUSM570360130. Published by University of York Music Press (BT.MUSM570360130). English. For Violin and Cello. Published 2008. Dedicated to Peter Sheppard Skaerved and Neil Heyde. This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen/heard as one'. a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work; in fact, the opposite is true: regardless of how it appears on paper (i.e. on one or two staves), the music for each instrument is constantly based on two layers. This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'. In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing: a2. As if to add another dimension to this idea, there are two versions of this piece: for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice.. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Er Huang Boosey and Hawkes
Orchestra; Piano (Study Score) SKU: HL.48025214 For Piano and Orchestr...(+)
Orchestra; Piano (Study Score) SKU: HL.48025214 For Piano and Orchestra Study Score. Composed by Qigang Chen. Boosey & Hawkes Scores/Books. Classical. Softcover. 48 pages. Boosey & Hawkes #M060135163. Published by Boosey & Hawkes (HL.48025214). ISBN 9781784544485. UPC: 196288133421. 8.25x12.0x0.157 inches. Er Huang was commissioned by Carnegie Hall, New York where, in 2009, it received its world premiere with solo pianist Lang Lang and the Juilliard Orchestra under the baton of Michael Tilson Thomas. Chen wrote about the work, 'Music has its own life – for me the germination of any musical work is like a tree growing out of the ground, and the eventual outcome of this life is entirely unknowable in advance.' Commenting on the connection between Er Huang and its source of inspiration, the Er Huang tunes from the classical Peking Opera repertoire, he says that, 'the way I applied musical elements from Peking Opera to my own writing was not really based on musicological studies. Rather, these tunes were an essential part of my childhood in Beijing, and always intertwined with memories of my family and the society I lived in at the time. Many people from my generation would be able to hum these tunes by heart. These days, however, these familiar tunes have been almost entirely forgotten, as the younger generation is much more occupied by western pop culture. This is why, when I quote these tunes, Ioften do so with a great sense of nostalgia. Traditional Chinese music has a very strong character, and the organic assimilation of something that I feel most akin to, over time, into my own musical language, has become an essential part of my artistic expression.'. $40.00 - See more - Buy online | | |
| a2 (a) [Score] University Of York Music Press
Viola and Cello SKU: BT.MUSM570360116 Composed by Thomas Simaku. Score On...(+)
Viola and Cello SKU: BT.MUSM570360116 Composed by Thomas Simaku. Score Only. 9 pages. University of York Music Press #MUSM570360116. Published by University of York Music Press (BT.MUSM570360116). English. For Viola and Cello. Published 2008. Dedicated to Garth Knox and Rohan de Saram First performance: Intrasonus Festival Venice, 3 May 2008 This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen/heard as one'. a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work; in fact, the opposite is true: regardless of how it appears on paper (i.e. on one or two staves), the music for each instrument is constantly based on two layers. This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'. In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing: a2. As if to add another dimension to this idea, there are two versions of this piece: for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice.. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Mormon Kids Piano Duets 1 Piano, 4 hands [Sheet music] - Easy Jackman Music Corporation
By Various. Arranged by Brent Jorgensen. Text: Various. For Easy Piano Duet. Dur...(+)
By Various. Arranged by Brent Jorgensen. Text: Various. For Easy Piano Duet. Duration Varies. Published by Jackman Music Corporation. Level: Easy.
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| OneRepublic - Native Piano, Vocal and Guitar Hal Leonard
By OneRepublic. Piano/Vocal/Guitar Artist Songbook. Softcover. 106 pages. Pub...(+)
By OneRepublic.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 106
pages. Published by Hal
Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Top Hits of 2015 Piano, Vocal and Guitar - Intermediate Hal Leonard
By Various. Piano/Vocal/Guitar Songbook. Softcover. 128 pages. Published b...(+)
By Various.
Piano/Vocal/Guitar Songbook.
Softcover. 128 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Karl Jenkins: Ryers Down Flute and Piano Boosey and Hawkes
Flute and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Music...(+)
Flute and Piano. Composed by
Karl Jenkins. Boosey &
Hawkes Chamber Music.
Softcover. 22 pages. Boosey
& Hawkes #M060133008.
Published by Boosey & Hawkes
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pop Songs for Young Men's Chorus Choral 2-part TB [Octavo] - Easy Hal Leonard
Discovery Level 2. Arranged by Jerry Estes. Discovery Choral. Octavo. 48 ...(+)
Discovery Level 2. Arranged by Jerry Estes. Discovery Choral. Octavo. 48 pages. Published by Hal Leonard (HL.154255).
$5.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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